{"title":"Audio Effects Plug-Ins","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eWelcome to our Audio Effects Plug-Ins Collection, a rich assortment of digital tools designed to bring your music production and audio mixing to the next level. This diverse range includes plugins from industry-leading brands, promising high-quality effects that transform your soundscapes and breathe life into your mixes.\u003c\/p\u003e\n\u003cp\u003eAudio effects plug-ins are critical components of any digital audio workstation (DAW), providing the tools to shape and manipulate your sound. From reverb and delay to equalization and compression, our collection covers the entire spectrum of audio effects, catering to all musical genres and production styles.\u003c\/p\u003e","products":[{"product_id":"cherry-audio-stardust-201-tape-echo","title":"Cherry Audio Stardust 201 Tape Echo (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEchoes Of The Past\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStardust 201 Tape Echo is a hot-rodded interpretation of the classic Roland \"Space Echo\" tape echo effects of the 70s and 80s. Compared to earlier tape echoes, they represented a giant leap in reliability and sound quality. With solidly built tape-transport mechanisms and the inclusion of a spring reverb and chorus effects in some models, the Space Echo was truly groundbreaking with its fantastic variety of sound colors.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStardust precisely recreates the limited fidelity and stability of audio tape, providing a natural rolloff of bass and treble frequencies for super-warm tonality and minor speed variances, lending an organic chorusing quality to repeats. Cranking the intensity knob overloads the circuit, generating the signature other-worldly runaway echoes and feedback that only a tape echo can produce. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCherry Audio's Stardust 201 Tape Echo includes features from the original RE-201 and RE-301 Space Echo units, and we've added some of our own to create a great-sounding, super-flexible, ideal tape echo effect that never breaks down and never needs demagnetizing, all for less than the price of a Space Echo replacement audio tape loop!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/IkNWnYxYER8\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003eStardust 201 Tape Echo\u003c\/strong\u003e Features: \u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAuthentically modeled vintage tape echo, including seven virtual tape head modes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e4x-extended \"wide mode\" delay time range\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLFO echo time mod section\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSync to DAW master tempo\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eExclusive \"motor kill\" switch\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLush, true-stereo modeled BBD chorus circuit\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eModeled input overdrive for crunchy tones\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDual independent tape loops for super-wide stereo imaging\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStereo spring reverb\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e1X, 2X, and 4X oversampling\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSelectable mono\/stereo modes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBass and treble EQ controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUser-selectable color themes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eStardust 201 Tape Echo \u003c\/strong\u003eis available in AU, VST, VST3, and AAX formats.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA free seven-day demo of Stardust 201 Tape Echo is available.\u003c\/strong\u003e This demo will play white noise periodically, but is otherwise unlimited.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003emacOS Requirements:\u003c\/strong\u003e macOS 10.9 or above (including macOS 12), 64-bit required. Native Apple M1 processor support. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWindows Requirements:\u003c\/strong\u003e Windows 7 or above (including Windows 11), 64-bit required. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e","brand":"Cherry Audio","offers":[{"title":"Default Title","offer_id":40245769535557,"sku":"1316-1026","price":29.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/cherry-audio-stardust-201.jpg?v=1756464854"},{"product_id":"cherry-audio-rackmode-signal-processors","title":"Cherry Audio Rackmode Signal Processors","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTHIS IS A SERIAL NUMBER + DOWNLOAD DELIVERY TO YOUR EMAIL.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRackmode Signal Processors is a bundle of seven virtual effects and an instrument plugin that replicate the classic rack-mounted Moog Signal Processors of the 1970s and ‘80s. This exclusive collection is the first time this entire line of renowned analog treasures has been recreated as virtual effects. Rackmode also marks our latest collaboration with award-winning synth designer and DSP legend Mark Barton (MRB), who modeled the circuit-precise emulations based on the original rack-mounted hardware. The collection includes:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRackmode Vocoder (instrument and effects versions)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRackmode Phaser\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRackmode Ring Modulator\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRackmode String Filter\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRackmode Frequency Shifter\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRackmode Graphic EQ\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRackmode Parametric EQ\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe have expanded these awe-inspiring vintage effects with additional features aimed at today's music producers, including presets, syncable LFOs, stereo processing, and full Apple Silicon M1 native support. And speaking of authenticity, these effects capture not only the deep sounds and capabilities of the original Signal Processor line, but also the elegant look and heritage of their rack-mounted enclosures.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/MVZVK7d8a_0\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv class=\"mx-auto prose max-w-none dark:prose-light prose-blue\"\u003e\n\u003ch2\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mx-auto prose max-w-none dark:prose-light prose-blue\"\u003e\u003c\/div\u003e","brand":"Cherry Audio","offers":[{"title":"Default Title","offer_id":40245789950021,"sku":"1316-1032","price":151.25,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/rackmode-all-side.jpg?v=1756464854"},{"product_id":"cherry-audio-galactic-reverb","title":"Cherry Audio Galactic Reverb (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGalactic Reverb is an algorithmic reverb plugin that captures the expansive sound of coveted classic hardware digital reverbs. With a decay time up to 35 seconds, it enables users to create massive, beautiful aural spaces. Galactic is a natural for transporting guitars, drums, keys, and even vocals into an extraterrestrial ambience.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBased on a reverb algorithm featured in Cherry Audio's smash hit\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eDreamsynth\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003evirtual instrument, the Galactic plugin adds modulation controls, predelay, and an equalizer. We've also added a remarkable ducking function for automatically reducing reverb levels while a singer or an instrument is playing to improve mix clarity, no sidechain required! Ducking can also be used to dramatically alternate between super dry and immense reverb tails, setting Galactic apart from other spacey reverbs.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGalactic is intuitive to use and produces musical results at lightspeed. Like all Cherry Audio plugins, Galactic includes our convenient preset browser, loaded with over 50 ethereal presets. It can be used as an insert or bus effect, and is fully compatible with mono or stereo sources.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBypass the compressor. Initiate the matter-antimatter integrator. Engage the warp drive and go Galactic!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PBu3YhjAw_Y\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003eGalactic\u003c\/strong\u003e Reverb Features: \u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAuthentically modeled classic reverb\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eModulation from 0.10 Hz to 5.00 kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDamping control for reverb\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePredelay from 0 ms to 500 ms\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDecay from 0 ms to 35,000 ms\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDucking with attenuation and recovery time controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEqualizer with low and high frequency controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUse as an insert or bus effect\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCompatible with mono or stereo input sources\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePreset browser with over 50 Presets for Drums, Ducking, Guitars, Keys, and Vocals, favoriting, and user presets\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull MIDI control and DAW automation for all controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePreset and Global level MIDI mapping\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUser-selectable themes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGalactic Reverb \u003c\/strong\u003eis available in AU, VST, VST3, AAX, and stand-alone formats.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA free seven-day demo of Galactic Reverb is available.\u003c\/strong\u003e This demo will play white noise periodically, but is otherwise unlimited.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003emacOS Requirements:\u003c\/strong\u003e macOS 10.9 or above (including macOS 12), 64-bit required. Native Apple M1 processor support. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWindows Requirements:\u003c\/strong\u003e Windows 7 or above (including Windows 11), 64-bit required. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e","brand":"Cherry Audio","offers":[{"title":"Default Title","offer_id":40245806202949,"sku":"1316-1036","price":29.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/galactic-lg.jpg?v=1756464854"},{"product_id":"sound-particles-doppler-air-plugin-serial-nr-download","title":"Sound Particles Doppler \u0026 Air Plugin Bundle (Serial Nr + Download)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDoppler is a professional audio plugin, for sound design and audio post-production. Perfect for simulating the physical behavior of sound moving through the air, turning your mix into an incredibly immersive sonic experience.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-v-26e3c65c=\"\" data-v-d85491f0=\"\" class=\"mt-0\"\u003eAbout Doppler\u003c\/h2\u003e\n\u003cp data-v-26e3c65c=\"\" data-v-d85491f0=\"\" class=\"mb-0\"\u003eDoppler simulates the behavior of objects moving through air, providing audio with highly accurate characteristics of sounds passing-by. With control of all parameters that physically affect pitch, level and EQ in a real world situation, Doppler gives you the most natural sounding emulation for your work.\u003c\/p\u003e\n\u003cp data-v-26e3c65c=\"\" data-v-d85491f0=\"\" class=\"mb-0\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9W4fEoR8Gec\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-v-26e3c65c=\"\" data-v-d85491f0=\"\" class=\"mb-0\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAir is the perfect tool to simulate distance through high frequency attenuation. Use it on any DAW.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"mt-0\" data-v-d85491f0=\"\" data-v-26e3c65c=\"\"\u003eAir for Sound Effects\u003c\/h2\u003e\n\u003cp class=\"mb-0\" data-v-d85491f0=\"\" data-v-26e3c65c=\"\"\u003eA close-by object doesn't sound like a faraway object. Quickly reinvent sound effects by adding depth and distance to your sounds. No need to record everything all over again.\u003c\/p\u003e\n\u003ch2 class=\"mt-0\" data-v-d85491f0=\"\" data-v-26e3c65c=\"\"\u003eAir for mixing\u003c\/h2\u003e\n\u003cp class=\"mb-0\" data-v-d85491f0=\"\" data-v-26e3c65c=\"\"\u003eWith just one knob, it is possible to accurately simulate the distance of any sound. Air will apply the exact EQ and distance attenuation necessary to make audio assets perfectly resemble real-life sonic events.\u003c\/p\u003e\n\u003ch2 class=\"mt-0\" data-v-d85491f0=\"\" data-v-26e3c65c=\"\"\u003eAir for Automated Dialogue Replacement\u003c\/h2\u003e\n\u003cp class=\"mb-0\" data-v-d85491f0=\"\" data-v-26e3c65c=\"\"\u003eThe biggest challenge of ADR is making it sound as natural as if it was recorded on the original set. Air helps in achieving a natural-sounding distance effect, so that ADR never sounds misplaced again.\u003c\/p\u003e\n\u003ch2 class=\"mt-0\" data-v-d85491f0=\"\" data-v-26e3c65c=\"\"\u003eAir for Music\u003c\/h2\u003e\n\u003cp class=\"mb-0\" data-v-d85491f0=\"\" data-v-26e3c65c=\"\"\u003eEasily take away some presence of specific items within your projects. Let instruments breathe and mixes shine with this ready to go plugin\u003c\/p\u003e\n\u003ch2 class=\"mb-0\"\u003eSystem Requirements\u003c\/h2\u003e\n\u003ctable class=\"table table-borderless my-0 mb-5\" data-v-95c5c84e=\"\"\u003e\n\u003ctbody data-v-95c5c84e=\"\"\u003e\n\u003ctr data-v-95c5c84e=\"\"\u003e\n\u003cth class=\"py-3 pl-lg-5\" scope=\"row\" data-v-95c5c84e=\"\"\u003eOS\u003c\/th\u003e\n\u003ctd class=\"bg-gray-4 border-dark pl-lg-5\" data-v-95c5c84e=\"\"\u003e\n\u003cdiv class=\"d-flex align-items-baseline justify-content-center justify-content-sm-start mt-4 mb-2\" data-v-95c5c84e=\"\"\u003e\n\u003ci class=\"fab fa-apple mr-2\" aria-hidden=\"true\" data-v-95c5c84e=\"\"\u003e\u003c\/i\u003e\n\u003cdiv data-v-95c5c84e=\"\"\u003eMac OSX 10.11 or higher\n\u003cp class=\"small my-0\" data-v-95c5c84e=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"d-flex align-items-baseline justify-content-center justify-content-sm-start mt-2 mb-4\" data-v-95c5c84e=\"\"\u003e\n\u003ci class=\"fab fa-windows mr-2\" aria-hidden=\"true\" data-v-95c5c84e=\"\"\u003e\u003c\/i\u003eWindows 10 or higher\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-v-95c5c84e=\"\"\u003e\n\u003cth class=\"py-3\" scope=\"row\" data-v-95c5c84e=\"\"\u003eFormat\u003c\/th\u003e\n\u003ctd class=\"bg-gray-4 border-dark\" data-v-95c5c84e=\"\"\u003eAAX Native, AU, AUv3, VST and VST3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-v-95c5c84e=\"\"\u003e\n\u003cth class=\"py-3\" scope=\"row\" data-v-95c5c84e=\"\"\u003eCPU\u003c\/th\u003e\n\u003ctd class=\"bg-gray-4 border-dark\" data-v-95c5c84e=\"\"\u003e4-core or higher\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-v-95c5c84e=\"\"\u003e\n\u003cth class=\"py-3\" scope=\"row\" data-v-95c5c84e=\"\"\u003eRAM\u003c\/th\u003e\n\u003ctd class=\"bg-gray-4 border-dark\" data-v-95c5c84e=\"\"\u003e8 GB or higher\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-v-95c5c84e=\"\"\u003e\n\u003cth class=\"py-3 pr-lg-5\" scope=\"row\" data-v-95c5c84e=\"\"\u003eDisk Space\u003c\/th\u003e\n\u003ctd class=\"bg-gray-4 border-dark pr-lg-5\" data-v-95c5c84e=\"\"\u003e600 MB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Sound Particles","offers":[{"title":"Default Title","offer_id":40245849751621,"sku":"1342-1004","price":227.65,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/sound-particles-doppler-air.jpg?v=1756464855"},{"product_id":"martinic-scanner-vibrato-vibrato-and-chorus-plugin","title":"Martinic Scanner Vibrato Vibrato and Chorus plugin","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eScanner Vibrato is a virtual effect plug-in that recreates the scanner-vibrato effect from a well-known tonewheel organ.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Scanner Vibrato is also available as part of the\u003cspan\u003e \u003c\/span\u003eRetro Pack, a collection of Martinic's grooviest instruments and effects with a bundle discount.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIf you would like instructions for this plug-in, you can browse through the\u003cspan\u003e \u003c\/span\u003e\u003ca class=\"ember-view\" id=\"ember356\" href=\"https:\/\/www.martinic.com\/en\/products\/scanner-vibrato\/manual\"\u003emanual page\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch2\u003eHistory\u003c\/h2\u003e\n\u003cp\u003eThe original scanner-vibrato was developed in the 1940s, and was an analog, electromechanical device, consisting of an analog delay line and a mechanical rotor (\"scanner\"). The rotor was driven by the organ's internal motor, and therefore its rate was fixed at about 6.9 Hz. The original scanner-vibrato could produce both chorus and vibrato effects, and it offered three depth presets.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eMartinic Scanner Vibrato is modelled closely on the original scanner-vibrato, so it offers the same features (and flaws), perfectly preserving the character of the original effect. However, Scanner Vibrato is more flexible; you can adjust the rate, depth, and even stereo width. And best of all, you can apply Scanner Vibrato not only to organ sounds, but also to guitar, synthesizer, or whatever sound you like.\u003c\/span\u003e\u003c\/p\u003e","brand":"Martinic","offers":[{"title":"Default Title","offer_id":40260254498885,"sku":"1333-1001","price":61.1,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/scanner-vibrato-v1.jpg?v=1756464869"},{"product_id":"martinic-lem-echo-music-plugin-serial-nr-download","title":"Martinic Lem Echo Music plugin (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Lem Echo Music plugin recreates the nostalgic tones of the vintage Italian tape delay effect from Lem. Martinic’s authentic emulation simulates the classic sound of three playheads on one strip of tape, with all the wonderful wow, flutter, and degradation of the original.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe’ve also added enhanced features not found on the original effect to make this plugin even more customisable when crafting your sound.\u003c\/p\u003e\n\u003cdiv class=\"imagetext imageright\"\u003e\n\u003ch2\u003eHistory\u003c\/h2\u003e\n\u003cp\u003eDuring the late 60s and throughout the 70s, the pairing of an electric organ with a tape echo unit was common. Organists such as Lenny Dee modified their organs with a tape delay to add another dimension to their sound. Units like the LEM Echo Music provided organists with the option of sending their low-frequency bass tone to an output of its own, and they could wield tighter control of EQ and delay parameters for each component of their sound.\u003cspan\u003e \u003c\/span\u003eRead more about the\u003cspan\u003e \u003c\/span\u003e\u003ca class=\"ember-view\" id=\"ember339\" href=\"https:\/\/www.martinic.com\/en\/products\/lem-echo-music\/history\"\u003ehistory\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof the Lem Echo Music.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cp\u003eIncredibly accurate emulation of an original physical Lem Echo Music tape delay machine.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSame tape delay as in\u003cspan\u003e \u003c\/span\u003eElka Panther\u003cspan\u003e \u003c\/span\u003eplug-in\u003c\/li\u003e\n\u003cli\u003e3 playheads at 80 ms, 210 ms, and 330 ms\u003c\/li\u003e\n\u003cli\u003e7 delay tap combinations\u003c\/li\u003e\n\u003cli\u003eTotal tape loop length 9.5 s\u003c\/li\u003e\n\u003cli\u003eAuthentic wow and flutter\u003c\/li\u003e\n\u003cli\u003eWet mix and feedback controls\u003c\/li\u003e\n\u003cli\u003e2-channel mixer with bass\/treble tone controls\u003c\/li\u003e\n\u003cli\u003eVintage VU meter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAdvanced Features \u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eTape age control\u003c\/li\u003e\n\u003cli\u003eSame reverb as in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.martinic.com\/en\/products\/elka-panther\"\u003eElka Panther\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eplug-in\u003c\/li\u003e\n\u003cli\u003eStereo mode with pan controls\u003c\/li\u003e\n\u003cli\u003eMaster volume control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eProtection\u003c\/h2\u003e\n\u003cp\u003eProtected by FastSpring generated license key file. No dongle or online activation.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Martinic","offers":[{"title":"Default Title","offer_id":40260367056965,"sku":"1333-1003","price":61.1,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/lem-echo-music-v1.jpg?v=1756464869"},{"product_id":"mellowmuse-ir1a-audio-ir-convolver-plugin","title":"Mellowmuse IR1A Audio IR convolver plugin","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIR1A Convolver is a convolution plugin that let you apply the sonic characteristics of one sound to another in real time, using an impulse response file.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt features a high quality, zero latency convolution engine, capable of reproducing everything from guitar cabinets to lush natural reverbs and special effects. IR length can be set, along with high or low pass filtering, and predelay for creative sound shaping.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe integrated file browser makes it easy to navigate and load IR files including importing external files. It loads standard mono or stereo AIFF or WAV format impulse response files, and comes with a starter library of presets.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eCPU efficient zero latency convolution\u003c\/li\u003e\n\u003cli\u003eWAV \u0026amp; AIFF IRs up to 10 seconds\u003c\/li\u003e\n\u003cli\u003e32\/64 bit float IR support\u003c\/li\u003e\n\u003cli\u003eExternal IR file browser\u003c\/li\u003e\n\u003cli\u003ePredelay: 0 - 250 ms\u003c\/li\u003e\n\u003cli\u003eHigh and low pass filtering\u003c\/li\u003e\n\u003cli\u003eCustomisable image previews\u003c\/li\u003e\n\u003cli\u003ePhase switch\u003c\/li\u003e\n\u003cli\u003e64 bit internal processing\u003c\/li\u003e\n\u003cli\u003eFormats: 64bit VST, VST3, AU and AAX\u003c\/li\u003e\n\u003cli\u003eVersion: 5.1\u003c\/li\u003e\n\u003cli\u003e\u003ca value=\"ATA Manual\" class=\"download\" href=\"https:\/\/s3.eu-west-2.amazonaws.com\/mellowmuse.com\/manuals\/IR1A_Manual.pdf\"\u003eIR1A Manual\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mellowmuse","offers":[{"title":"Default Title","offer_id":40262081544261,"sku":"1201-1","price":59.6,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/mellowmuse-IR1A-GUI.jpg?v=1756464869"},{"product_id":"mellowmuse-cp1a-compressor-plug-in-serial-nr-download","title":"Mellowmuse CP1A Compressor Plug-In (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCP1A is an audio dynamics compressor plug-in, developed for clean, low distortion processing of a range of material; from subtle dynamics taming to creative drum shaping. It employs a multi-stage feed forward design to minimise distortion artefacts, even at extreme compression settings. The interface design is clean and functiona\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSeparate wet and dry level controls allow the compressed signal to be mixed with the original, making New York style parallel compression super easy. The high pass control for the envelope detector, allows fine control of low frequency compression, great for keeping your kick drum from loosing its thump.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAttack: 0.1 - 50 ms\u003c\/li\u003e\n\u003cli\u003eRelease: 1 - 1000 ms\u003c\/li\u003e\n\u003cli\u003eThreshold: 0 to -60 dB\u003c\/li\u003e\n\u003cli\u003eRatio: 1:1 - 20:1\u003c\/li\u003e\n\u003cli\u003eParallel compression via wet and dry controls\u003c\/li\u003e\n\u003cli\u003eVariable high pass on envelope detector\u003c\/li\u003e\n\u003cli\u003eLow distortion design\u003c\/li\u003e\n\u003cli\u003e64bit internal processing\u003c\/li\u003e\n\u003cli\u003eFormats: 64bit VST, VST3, AU and AAX\u003c\/li\u003e\n\u003cli\u003eVersion: 3.7\u003c\/li\u003e\n\u003cli\u003e\u003ca value=\"ATA Manual\" class=\"download\" href=\"https:\/\/s3.eu-west-2.amazonaws.com\/mellowmuse.com\/manuals\/CP1A_Manual.pdf\"\u003eCP1A Manual\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mellowmuse","offers":[{"title":"Default Title","offer_id":40262097010757,"sku":"1201-7","price":59.6,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/mellowmuse-CP1A-GUI.jpg?v=1756464869"},{"product_id":"mellowmuse-satv-audio-saturation-plugin","title":"Mellowmuse SATV Audio saturation plugin (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSATV is an analogue modeled saturation plug-in that adds harmonic depth and richness to any track. Equally suited to individual instruments or multi-track drum kits, SATV allows you to effortlessly change the harmonic content and dynamics of your whole mix.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe four selectable saturation models: Transistor, Transformer, Tube and Tape allow a wide range of sound shaping options, from subtle warming to extreme crunch. The Group control allows all instances with the same number to be controlled as a group, making ensemble changes easy.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFour unique analogue modeled saturation modes\u003c\/li\u003e\n\u003cli\u003eVariable input drive, mix and output\u003c\/li\u003e\n\u003cli\u003eControl multiple instance groups\u003c\/li\u003e\n\u003cli\u003ePhase switch\u003c\/li\u003e\n\u003cli\u003eAutomatic gain control\u003c\/li\u003e\n\u003cli\u003e4x oversampling\u003c\/li\u003e\n\u003cli\u003e64bit internal processing\u003c\/li\u003e\n\u003cli\u003eFormats: 64bit VST, VST3, AU and AAX\u003c\/li\u003e\n\u003cli\u003eVersion: 4.2\u003c\/li\u003e\n\u003cli\u003e\u003ca value=\"ATA Manual\" class=\"download\" href=\"https:\/\/s3.eu-west-2.amazonaws.com\/mellowmuse.com\/manuals\/SATV_Manual.pdf\"\u003eSATV Manual\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mellowmuse","offers":[{"title":"Default Title","offer_id":40262110707781,"sku":"1201-2","price":74.85,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/mellowmuse-SATV-GUI.jpg?v=1756464869"},{"product_id":"mellowmuse-eq3v-audio-equalizer-plug-in-serial-nr-download","title":"Mellowmuse EQ3V Audio equalizer plug-in (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe EQ3V is a flexible 7-band vintage equalizer plug-in that offers 5 bands of fully parametric EQ, variable Q High Pass\/Low Pass filters, and it's own unique analogue modelled saturation. Perfect for mix or tracking duties where character and precision is key.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCurrent values are clearly displayed for all parameters, and precise values can be entered. Each EQ section may be individually bypassed. All equalization and saturation algorithms are oversampled, using 64bit internal processing for superior clarity and resolution.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAnalogue modeled saturation\u003c\/li\u003e\n\u003cli\u003e4x Oversampled\u003c\/li\u003e\n\u003cli\u003eHigh Pass: 10hz - 400hz\u003c\/li\u003e\n\u003cli\u003eLow Shelf: 30hz - 400hz\u003c\/li\u003e\n\u003cli\u003eLow Mid Peaking: 100hz - 1.0k\u003c\/li\u003e\n\u003cli\u003eMid Peaking: 800hz - 5.0k\u003c\/li\u003e\n\u003cli\u003eHigh Mid Peaking: 4.0k - 10.0k\u003c\/li\u003e\n\u003cli\u003eHigh Shelf: 8.0k - 16.0k\u003c\/li\u003e\n\u003cli\u003eLow Pass: 8.0k - 20k\u003c\/li\u003e\n\u003cli\u003eBypass per band\u003c\/li\u003e\n\u003cli\u003e64bit internal processing\u003c\/li\u003e\n\u003cli\u003eFormats: 64bit VST, VST3, AU and AAX\u003c\/li\u003e\n\u003cli\u003eVersion: 2.1\u003c\/li\u003e\n\u003cli\u003e\u003ca value=\"ATA Manual\" class=\"download\" href=\"https:\/\/s3.eu-west-2.amazonaws.com\/mellowmuse.com\/manuals\/EQ3V_Manual.pdf\"\u003eEQ3V Manual\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mellowmuse","offers":[{"title":"Default Title","offer_id":40262128435269,"sku":"1201-10","price":74.85,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/mellowmuse-EQ3V-GUI.jpg?v=1756464869"},{"product_id":"mellowmuse-cs1v-console-channel-plug-in-serial-nr-download","title":"Mellowmuse CS1V Console Channel Plug-In (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCS1V brings the warmth and depth of an analogue console to your tracks and mixes. Drive increases the level of saturation. Tone adjusts pre-amp character; darker and heavier in the low range anti-clockwise, and progressively brighter high end harmonic boost clockwise. There are two selectable preamp modes: A is darker in character overall, while B has a flatter frequency response. \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe default \"Channel\" mode is intended for mono tracks. When inserted on stereo tracks or auxes, the \"Buss\" setting can be used to add a subtle amount of crosstalk, as in a hardware mixer. Engaging the automatic gain control (AGC) attenuates the output to match the source volume.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Group control allows all instances with the same number to be controlled as a group, making ensemble changes easy.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eVariable input drive and preamp tone\u003c\/li\u003e\n\u003cli\u003ePhase switch\u003c\/li\u003e\n\u003cli\u003eAutomatic gain control\u003c\/li\u003e\n\u003cli\u003eVU metering\u003c\/li\u003e\n\u003cli\u003e4x oversampling\u003c\/li\u003e\n\u003cli\u003eControl multiple instance groups\u003c\/li\u003e\n\u003cli\u003e64bit internal processing\u003c\/li\u003e\n\u003cli\u003eFormats: 64bit VST, VST3, AU and AAX\u003c\/li\u003e\n\u003cli\u003eVersion: 2.8\u003c\/li\u003e\n\u003cli\u003e\u003ca value=\"ATA Manual\" class=\"download\" href=\"https:\/\/s3.eu-west-2.amazonaws.com\/mellowmuse.com\/manuals\/CS1V_Manual.pdf\"\u003eCS1V Manual\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mellowmuse","offers":[{"title":"Default Title","offer_id":40262149144645,"sku":"1201-8","price":74.85,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/mellowmuse-CS1V-GUI.jpg?v=1756464869"},{"product_id":"mellowmuse-lm1v-analogue-modelled-brickwall-limiter-plug-in-serial-nr-download","title":"Mellowmuse LM1V Analogue Modelled Brickwall Limiter Plug-in (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLM1V is an analogue modelled brickwall limiter, with 8x oversampling, and inter-sample peak detection. It is able to achieve high loudness levels with the minimum of distortion. Results are always extremely musical. \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSeparate attack, release and stereo link controls, allow a wide range of settings, from near clipping to smooth limiting, all without excessive pumping or artefacts. While inter-sample peak detection, catches overs to keep output levels firmly in place. LM1V is equally at home processing individual tracks as it is on the mix bus.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLow distortion multi-stage design\u003c\/li\u003e\n\u003cli\u003eInter-sample peak detection\u003c\/li\u003e\n\u003cli\u003eVariable attack 0 - 10 ms\u003c\/li\u003e\n\u003cli\u003eVariable release 0 - 2 secs\u003c\/li\u003e\n\u003cli\u003eInput Gain 0 - 20dB\u003c\/li\u003e\n\u003cli\u003eOutput ceiling -20 - 0dB\u003c\/li\u003e\n\u003cli\u003eStereo unlink\u003c\/li\u003e\n\u003cli\u003e8x oversampled\u003c\/li\u003e\n\u003cli\u003e64bit internal processing\u003c\/li\u003e\n\u003cli\u003eFormats: 64bit VST, VST3, AU and AAX\u003c\/li\u003e\n\u003cli\u003eVersion: 2.1\u003c\/li\u003e\n\u003cli\u003e\u003ca value=\"ATA Manual\" class=\"download\" href=\"https:\/\/s3.eu-west-2.amazonaws.com\/mellowmuse.com\/manuals\/LM1V_Manual.pdf\"\u003eLM1V Manual\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mellowmuse","offers":[{"title":"Default Title","offer_id":40262151077957,"sku":"1201-11","price":74.85,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/mellowmuse-LM1V-GUI.jpg?v=1756464870"},{"product_id":"mellowmuse-eq2v-vintage-styled-eq-plug-in-serial-nr-download","title":"Mellowmuse EQ2V Vintage Styled EQ Plug-in (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe EQ2V is a vintage styled equalizer that recreates the weight and colour of its classic hardware counterparts. Harmonic coloration increases with input and eq gain, adding depth and warmth to any material.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe SofTran feature is useful for taming signals with sharp transient peaks like snare and high hats, especially after boosting the highs. All equalization and saturation algorithms are oversampled, using 64bit internal processing for superior clarity and resolution.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eFeatures\u003c\/h2\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eAnalogue modeled saturation\u003c\/li\u003e\n\u003cli\u003eTransient softener to tame percussive transients\u003c\/li\u003e\n\u003cli\u003eLow Shelf: 35hz - 300hz\u003c\/li\u003e\n\u003cli\u003eMid Band: 300hz - 8.0k\u003c\/li\u003e\n\u003cli\u003eHigh Shelf: 8.0k - 16.0k\u003c\/li\u003e\n\u003cli\u003eHigh Pass: 0hz - 400hz\u003c\/li\u003e\n\u003cli\u003eBypass per band\u003c\/li\u003e\n\u003cli\u003ePhase switch\u003c\/li\u003e\n\u003cli\u003e4x Oversampled\u003c\/li\u003e\n\u003cli\u003e64bit internal processing\u003c\/li\u003e\n\u003cli\u003eFormats: 64bit VST, VST3, AU and AAX\u003c\/li\u003e\n\u003cli\u003eVersion: 3.1\u003c\/li\u003e\n\u003cli\u003e\u003ca value=\"ATA Manual\" class=\"download\" href=\"https:\/\/s3.eu-west-2.amazonaws.com\/mellowmuse.com\/manuals\/EQ2V_Manual.pdf\"\u003eEQ2V Manual\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row buystrip\"\u003e\n\u003cdiv class=\"col-sm-12\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mellowmuse","offers":[{"title":"Default Title","offer_id":40262157238341,"sku":"","price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/mellowmuse-EQ2V-GUI.jpg?v=1756464870"},{"product_id":"mellowmuse-auto-time-adjuster-plug-in-delay-compensation-serial-nr-download","title":"Mellowmuse Auto Time Adjuster Plug-In Delay Compensation (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAuto time adjuster is a plugin delay compensation (PDC) plugin, originally designed for use in Pro Tools LE 7 \u0026amp; 8 (RTAS), as they lacked built-in PDC. ATA continues to be a useful tool with newer versions of Pro Tools (9+\/AAX) that include PDC, as users can benefit from the large latency limit (50,000 samples), and the increased accuracy of measuring plugin latency directly (including outboard), rather than relying on the values reported by plugins.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eATA is inserted on each track in your mix. The actual latency of all plugin and outboard inserts is then measured using a short burst of audio, or 'ping' triggered from the ATA inserted on the master fader. ATA then calculates and sets appropriate delays for each ATA on each track or bus, bringing all tracks into alignment and providing the tightest timing possible.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ePing based delay compensation\u003c\/li\u003e\n\u003cli\u003eWorks with software and hardware inserts\u003c\/li\u003e\n\u003cli\u003eLock individual ATAs\u003c\/li\u003e\n\u003cli\u003eManual latency entry\u003c\/li\u003e\n\u003cli\u003eGroup delay preview in PT mixer\u003c\/li\u003e\n\u003cli\u003eLarge latency limit of (50,000 samples)\u003c\/li\u003e\n\u003cli\u003eIncreased timing accuracy by measuring latency directly\u003c\/li\u003e\n\u003cli\u003eOutboard insert support\u003c\/li\u003e\n\u003cli\u003eFormats: 64bit AAX\u003c\/li\u003e\n\u003cli\u003eVersion: 2.8\u003c\/li\u003e\n\u003cli\u003e\u003ca value=\"ATA Manual\" class=\"download\" href=\"https:\/\/s3.eu-west-2.amazonaws.com\/mellowmuse.com\/manuals\/ATA_Manual.pdf\"\u003eATA Manual\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mellowmuse","offers":[{"title":"Default Title","offer_id":40262163234885,"sku":"1201-9","price":59.6,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/mellowmuse-ATA-GUI.jpg?v=1756464870"},{"product_id":"mellowmuse-cp2v-compressor-plugin-serial-nr-download","title":"Mellowmuse CP2V Compressor PlugIn (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe vintage styled CP2V is a track and program audio dynamics compressor plug-in that oozes character and attitude. With an interface designed with simplicity in mind and multi-stage analogue modeled processing adding smooth saturating harmonics.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eYou'll find it equally at home smashing drums, taming vocals or enhancing acoustic guitar. Without a doubt our 'gooiest' sounding compressor so far!\u003c\/p\u003e","brand":"Mellowmuse","offers":[{"title":"Default Title","offer_id":40262166577221,"sku":"1201-6","price":74.85,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/mellowmuse-CP2V-GUI.jpg?v=1756464870"},{"product_id":"mellowmuse-cp3v-1176-style-audio-dynamics-compressor-plug-in-serial-nr-download","title":"Mellowmuse CP3V 1176 style audio dynamics compressor plug-in (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe CP3V is an audio dynamics compressor plug-in, inspired in part by the classic 1176 analogue compressor. The analogue modelled saturation and compression stages combine to add progressively more warmth to the compressed signal at higher levels, while never sounding harsh.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTogether with the ultra fast attack and release time it offers a wide range of creative compression options that will help your tracks cut through any mix.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMulti-stage analogue modeled compression\u003c\/li\u003e\n\u003cli\u003eOutput driven saturation\u003c\/li\u003e\n\u003cli\u003eVU style compression metering\u003c\/li\u003e\n\u003cli\u003eVariable attack: 0.01 - 100 ms\u003c\/li\u003e\n\u003cli\u003eVariable release: 10 - 500 ms\u003c\/li\u003e\n\u003cli\u003eRatios: 4:1, 8:1, 12:1 and 20:1\u003c\/li\u003e\n\u003cli\u003e4x Oversampling\u003c\/li\u003e\n\u003cli\u003e64 bit internal processing\u003c\/li\u003e\n\u003cli\u003eFormats: 64bit VST, VST3, AU and AAX\u003c\/li\u003e\n\u003cli\u003eVersion: 2.5\u003c\/li\u003e\n\u003cli\u003e\u003ca value=\"ATA Manual\" class=\"download\" href=\"https:\/\/s3.eu-west-2.amazonaws.com\/mellowmuse.com\/manuals\/CP3V_Manual.pdf\"\u003eCP3V Manual\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mellowmuse","offers":[{"title":"Default Title","offer_id":40262172147781,"sku":"1201-3","price":74.85,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/mellowmuse-CP3V-GUI.jpg?v=1756464870"},{"product_id":"maat-fidef-jentwo-psychoacoustic-processor","title":"MAAT FiDef JENtwo Psychoacoustic Processor Plug-In (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-5\"\u003e\n\u003cp\u003eFiDef\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eby FideliQuest\u003cspan\u003e \u003c\/span\u003eis a very low amplitude psychoacoustic stimulus designed specifically for audio engineers. It makes a\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ereceptive\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ebrain relax and pay closer attention to an incoming audio stimulus. In brain physiology laboratory tests using functional neuroimaging techniques, FiDef has proven to excite brain activity related to perception and attention, and to enhance the subjective processes of listening and engagement.\u003c\/p\u003e\n\u003cp\u003eThe FiDef process, developed in the US by FideliQuest LLC, was first licensed by MAAT for our thEQblue. That same algorithm is now available standalone for all major plug-in formats, including VST 2, VST 3 and AAX native for macOS and Windows plus Audio Units for macOS. FiDef is a patented, 64 bit audio processor like no other. Brain science takes the lead in this subconscious signal generator that compels the listening to lean in and…engage!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-5 ml-auto mr-auto\"\u003e\u003cimg class=\"img-fluid center-img\" alt=\"\" src=\"https:\/\/www.maat.digital\/assets\/images\/products\/FiDef\/FiDef_Head-d4ba0cee.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-12\"\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003ch3\u003eThe Quest\u003c\/h3\u003e\n\u003cp\u003eSince Edison’s first wax cylinders, the history of audio capture and playback can be summarized as the increasingly technical pursuit of a seemingly impossible goal: lifelike replication of the actual listening experience…The advent of digital technology, while solving many of the problems inherent in analog recording and playback, brought with it other challenges. At the same time, new enabling formats such as DXD (Digital eXtreme Definition) and MQA (Master Quality Authenticated), along with consumer trends toward uncompressed HRA or High Resolution Audio releases of music catalogs have brought new levels of fidelity to the home. Yet, even the highest fidelity digital playback still exhibits a level of reserve that keeps the music at arm’s length, not always allowing it to embrace and move us. Low fidelity or hi–fi, analog or digital, FiDef makes for a deeper, more satisfying connection.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-4\"\u003e\n\u003ch3\u003eThe Solution\u003c\/h3\u003e\n\u003cp\u003eWhile listening to a vaiety of recordings, an audio professional thought to himself, “Why do some recordings sound better than others?” He recruited an audio physicist and a musical neuroscientist while analyzing arrays of audio recordings to identify elements of sound that psychoacoustically engage the listener. Isolating the mechanism allowed them to develop a unique solution that synthesizes essential content from the material itself, inserting that dynamic information at low amplitude into the content. After years of development by a team of engineers with decades of industry experience, early in 2016 FideliQuest introduced FiDef™ audio processing, the first and only technology that restores what all recording and playback systems take away, whether analog or digital.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-6 ml-auto mr-auto\"\u003e\u003cimg class=\"img-fluid center-img\" alt=\"FiDef JENtwo by MAAT – Left vs Right Brain\" src=\"https:\/\/www.maat.digital\/assets\/images\/products\/FiDef\/Left-Brain-v2-b0b57218.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-12\"\u003e\n\u003cp\u003eThink of a common, non–harmonic, sub–audible signal all good engineers use to linearize digital audio; dither. The FiDef system also generates an anharmonic, sub–audible broadband signal. The difference is that FiDef does not modify the music itself in any way but instead is added to the music. Also unlike dither, it is correlated to the source audio. This is not noise for noise’s sake. This is a dynamic, correlated and spectrally shaped signal. The signal, based on FideliQuest research into the human auditory system, is customized to directly stimulate the brain, bypassing cognitive processing. The manifold results include less brain activity required to process incoming stimuli, with a resulting increase in perceived nuance and tactility from music, speech and effects. FiDef informs your brain of the subtle potentials within a recording. Hear more of how the song was played, not recorded.\u003c\/p\u003e\n\u003ch3\u003eThe Science\u003c\/h3\u003e\n\u003cp\u003eSupported by sophisticated research into how the human brain processes sound, FiDef informs the listener’s auditory system of music’s full potential. Independent research has shown that the brain response between FiDef and untreated audio is significant to 99%. The subtle effects of sub–audible supplementation are modeled in the brain over time. With familiarization, ears unaccustomed to FiDef might not hear the difference immediately. Studies indicate that the brain uses inverse effectiveness to process FiDef’d music with less effort, in effect hearing more by struggling less. Essentially, hear more than you think.\u003c\/p\u003e\n\u003cp\u003eGrounded firmly in experimentation and analysis, FiDef technology can increase definition, detail, intelligibility, soundstage width and depth and, most important, the emotional engagement of the listener. In short, with FiDef processing, your audio sounds better, without any change to workflows or delivery methods, even on data–compressed file types and older or low–fi playback gear.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-8 margin-b-30\"\u003e\n\u003ch3\u003eBetter By Design\u003c\/h3\u003e\n\u003cp class=\"margin-b-20\"\u003eFiDef is a wholly new tool for your audio toolbox. FiDef’d audio doesn’t measure louder and the power spectrum is not changed. In fact, there’s only the addition of what seems to be a veil of added noise. That noise is what’s special, it’s the FiDef signal massaging your subconscious.\u003c\/p\u003e\n\u003cp class=\"margin-b-20\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eYour audience will feel their music like never before, but that’s not all…\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMixing: improve definition of individual mix elements\u003c\/li\u003e\n\u003cli\u003eMastering: bring out the best of each project\u003c\/li\u003e\n\u003cli\u003eBroadcast: production \u0026amp; post\u003c\/li\u003e\n\u003cli\u003eGames: enhance envelopment\u003c\/li\u003e\n\u003cli\u003eForensics: improve intelligibility\u003c\/li\u003e\n\u003cli\u003eSound design: “spotlight” individual elements\u003c\/li\u003e\n\u003cli\u003eRestoration: broaden spatiality\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFiDef JENtwo provide five profiles, each for a different effect. To make it easier to mentally map each Profile to something less abstract and more intuitive, you can rename them to taste…\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTRUCKN: subtle sweetening (the default)\u003c\/li\u003e\n\u003cli\u003eTRUCKN HUSH: a lower perceived amplitude version of TRUCKN for widely dynamic content\u003c\/li\u003e\n\u003cli\u003eSUTRO: draws your attention to frequencies above 8 kHz, resulting in a widened soundstage with accentuation of transient detail\u003c\/li\u003e\n\u003cli\u003eRESNO: points the listener toward the upper mids, resulting in added texture to vocals and other instruments\u003c\/li\u003e\n\u003cli\u003eEVOSE: with warm forwardness, this Profile builds on RESNO and turns it up to 11\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"margin-b-20\"\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003ch3\u003eA Caveat\u003c\/h3\u003e\n\u003cp\u003eFiDef triggers cerebral activity necessary for humans to respond to recorded sound in the same manner as the brain would respond to a live performance. This is provided by introducing additional, sub–audible signals into the recording that trigger specific brain activity in the listener. The supplementing content is sub-audible because it is essentially below the level of audibility when played at a normal volume level, or is masked by the content when a recording is played at an elevated volume level.\u003c\/p\u003e\n\u003cp\u003eBecause FiDef is a psychoacoustic process, it may not have any impact if the listener resists its charms. We’re talking full–on Jedi mind tricks, folks. If you are like many of us audio engineers, you are very much a “left–brain” person and discount what you cannot understand or explain. You are used to dissecting what you hear, you simply can’t help it. Unfortunately, your conscious higher level brain function will suppress your unconscious brain, and FiDef acts subconsciously. Result?\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIf you try too hard to hear it, you probably won’t!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThough this is in direct opposition to the “impostor syndrome” you’ve worked so hard to overcome, there will be no noticeable effect if you “listen hard.” That is; analytically. Most folks don’t listen analytically, they listen casually and, in the case of music or dialog, for entertainment, education and enjoyment. However, your clients, your spouse and most likely your second engineer will notice “something different” about FiDef’d content. That something is usually a subtle and positive improvement in engagement and enjoyment. Remember, most folks don’t listen rationally, they listen because it’s fun!\u003c\/p\u003e\n\u003cp\u003eSounds like this whole FiDef thing is snake oil? Read below what some heavy hitting and highly respected engineers think of FiDef, and then drop your anti–B.S. bias into bypass and simply try it on your clients. After all, they are the final judge.\u003c\/p\u003e\n\u003ch3\u003eReviews \u0026amp; Testimonials\u003c\/h3\u003e\n\u003ch5\u003eElliot Scheiner — Multi–Grammy award winning producer \u0026amp; engineer (Beyoncé, Phish, Foo Fighters, Faith Hill, Ricky Martin, Van Morrison, Queen, Fleetwood Mac, Eric Clapton)\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“(FiDef) brings better quality to music…It just sounds better”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eGary Katz - A\u0026amp;R \u0026amp; multi–Grammy award winning producer (Steely Dan, Prince, Diana Ross, 10cc, Joe Cocker, Laura Nyro, Rickie Lee Jones, The Mamas \u0026amp; the Papas, Steppenwolf, Chaka Khan)\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“…I’ve never heard anything like FiDef. Makes my records sound better, and it’ll make your records sound better.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eHugh Padgham — Multi–Grammy award winning producer \u0026amp; engineer (Paul McCartney, Sting, Phil Collins, Peter Gabriel, Brian Wilson, Suzanne Vega)\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“It just sounds better…like 3 dimensional.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eFrank Filipetti - Multi–Grammy award winning engineer \u0026amp; producer\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“I heard the FiDef difference in 5 seconds.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eTony Cousins — Mastering engineer (Adele, George Michael, Seal, The Stone Roses, Peter Gabriel, Amadou \u0026amp; Mariam, Robbie Williams, Elton John)\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“Makes me want to go back and remaster everything I have ever done.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eJeff Greenberg - Owner \u0026amp; CEO of the legendary Village Studios\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“Over the years I've seen a lot of schemes claiming to make music sound better. In almost every case when analyzed these are elevations of EQ or gain subtly hidden in a matrix. FiDef is an algorithm that has been developed to work with the listener's perception and therefore has created something that is truly an organic enhanced musical experience.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003ePaul Blakemore - Grammy winning (and 7x nominee) chief mastering engineer at the Concord Music Group (Concord Records, Concord Jazz, CRAFT Recordings, Fantasy, Fearless, Loma Vista, Rounder, Stax, Telarc, etc.)\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003eFiDef is a mysterious but wonderful product. It works on virtually every style of music and every style of mastering, from the gentlest touch to the most aggressive dynamic range processing. From my experience it does three things:\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cem\u003e\n\u003cli\u003eDeepens the listener’s emotional response to the music.\u003c\/li\u003e\n\u003cli\u003eSimultaneously expands and clarifies the stereo localization and space.\u003c\/li\u003e\n\u003cli\u003eHelps the listener follow the musical conversation between soloist and accompaniment, whether the solo is a lead vocal, single instrument, or group of instruments.\u003c\/li\u003e\n\u003c\/em\u003e\n\u003cp\u003e\u003cem\u003eSometimes the added modulation noise is a bit distracting, especially around a very pure waveform on solo instruments like flute, piano, or solo guitar. FiDef JENtwo includes a low level processing on one of its presets and this solves this problem while still providing the effect of FiDef.\u003cbr\u003eIt's amazing, really - kind of an all-purpose ‘digital improvement filter.’ I never would have believed such a thing could work until I both heard it and felt the effects.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5\u003eGarrett Haines, studio owner \u0026amp; engineer, writing in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/tapeop.com\/reviews\/gear\/150\/fidef-jentwo-psychoacoustic-processor-plug-in\/\" target=\"_blank\"\u003eTape Op\u003c\/a\u003e…\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“I tend to dismiss subconscious secret signal processors as money grabs, but this title is different…Like any effect, FiDef JENtwo isn’t for every track, but in the right circumstance, it can add some excitement and dimension unlike anything on the market.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eFrans de Rond - label owner, producer \u0026amp; ultra–fi engineer\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“I have tried different settings, trying to choose purely on first impression and intuition. In the beginning I didn’t hear that much difference. But I recognize this phenomenon; when you try to focus too much you often just don’t hear it anymore. But if I let it go, then I feel that I really hear the difference or maybe even feel the difference.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eRich Costey - Producer \u0026amp; Beats audio consultant (Sigur Rós, Foster the People, Santigold, Young the Giant, Chvrches, Kimbra, Death Cab for Cutie)\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“It’s the first time I’ve felt goose bumps from music in years.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003ePatrik Schwitter — CEO\/CTO\/CFO\/Senior Engineer\/Tape Op\/Tea Boy\/Back Office Slave \u0026amp; Corporate Groupie\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“I started a comprehensive album mix with an acoustic large band using FiDef JENtwo on the master bus. WOW!! (For that)…I used the TRUKN HUSH Profile. It was ‘day vs. night,’ somehow analogue sounding (I know, it’s a daft and overtaxed expression…) but that ‘injection of liveliness’ was not just a homeopathic dose! Just awesome, stunning and some kind of magic. I'm nothing but impressed!”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eJan Niklas Jansen - artist \u0026amp; musician\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“We live in a golden age of digital audio. For one, it actually sounds good. But also: Our plugin folders are filled with toys that allow us to perform magic, and almost on a weekly basis new things get released that allow us to do this magic faster and more easily, more creatively or even better sounding.\u003cbr\u003eFiDef JENtwo is not one of these plugins. In fact, when in full-on mixing mode it's sometimes hard to tell that it's even on. The REAL magic that it does happens after mixdown. When sending podcast productions for review, I find that editors listen with more joy and appear to focus better. That makes the recall notes (and my life) noticeably better. After a long day working on music, I can get on my bike, put the rough mixes on my headphones and have an easy time of just enjoying the music as - music. And not a jumble of things that still need working on. Which, incidentally, makes it easier for me to actually pick out the things that do need working on.\u003cbr\u003eSo, what do we have here? A plugin with a barely existent UI, five options to choose from and the heaviest lifting it does is while I am not even working on my DAW. Magic.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eMark Wingfield - guitarist \u0026amp; indy engineer (Allan Holdsworth, Chet Baker, Tony Levin, Chad Wackerman)\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“Something I notice using FDJ2 on a drum bus is that it seems to gel the drums together almost as if the space between the drum hits is smoother and more cohesive. Just more pleasant to listen to and therefore you listen in a more open way I find…it’s more of a feeling you get when it’s engaged than a specific change in sound you can point to. I do like the effect of stacking it up so you have it on the drum bus, on a horn section, percussion and vocals and then also on the master bus.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eJohannes Bittner - indy artist\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“The different modes (Profiles) are all pleasing to my ears. FDJ2 makes the resulting master more cohesive - less sounding harsh in the mids\/highs and more round and bouncy in the lower frequency spectrum. Overall I would call it less sounding “digital” - and that is what I was aiming for by buying your plugin.\u003cbr\u003eI like to experiment with such tools and I came to the conclusion that using FDJ2 twice with different modes (for example first one for the lower spectrum with EVOSE and second one with TRUKN for mids and highs) can be a nice combination - meanwhile keeping in mind that the noise floor is also adding up.\u003cbr\u003eYour tools did not replace anything in my workflow, but they are a nice addition I did not know I wanted. I am happy that I found these and hope you are already working on new stuff to optimize the digital working space, Thank You very much.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eThomas Jøren Nielsen - composer \u0026amp; sound designer\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“FiDef is part of my signature sound.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eEddie Grey - engineer \u0026amp; Logic Pro maven\u003c\/h5\u003e\n\u003cp\u003eHere’s a\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/youtu.be\/pSBuRzexWXc\" target=\"_blank\"\u003evideo\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003erun–through with audio examples.\u003c\/p\u003e\n\u003ch5\u003eRober Martínez–Garcia - Musica de Almas y Vendavales\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“My God, FiDef is incredible! I saw a lot of tests on Youtube and people didn’t feel the difference. I think they focused wrong, but after downloading the demo and trying it myself I realized how amazing it is. I feel inside the music and listen in more detail. After turning it off I feel outside and I have a hard time getting inside. I’m a musician without money, but I'm going to buy it. I really don’t want to work anymore without having it in my mix chain.\u003cbr\u003e“It blew my mind. (That’s what we’re here for! - OMas) Thank you very much and congratulations. I wish you much success and thanks for being sound geeks.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eEBDA1176 on Gearspace\u003c\/h5\u003e\n\u003cp\u003eThey wrote a lucid and informative yet not pedantic\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/gearspace.com\/board\/showpost.php?p=15925776\u0026amp;postcount=258\" target=\"_blank\"\u003ereview\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof FiDef JENtwo.\u003c\/p\u003e\n\u003ch5\u003eAlso on Gearspace, cracker satchmo wrote:\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003eThey “…noticed with pleasure that often i can hear the various ‘strands of the musical carpet’ more distinctly individually without the whole becoming less together or ‘organically one’.\u003cbr\u003eAlso, i had some difficulties with offline installation and am happy to share that Maat's customer service has been nothing but stellar!”\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"col-md-6\"\u003e\n\u003cdiv class=\"feature-icon-left clearfix\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4\u003eRequirements\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003emacOS 10.9 and newer, Universal Binary 2,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e64 bit only\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eWindows 7 and newer, 32 \u0026amp; 64 bit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-6\"\u003e\n\u003cdiv class=\"feature-icon-left clearfix\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4\u003eSupporting\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAAX Native (Pro Tools 10.3.10 and newer), AU, VST 2, VST 3\u003c\/li\u003e\n\u003cli\u003eSample rates from 44.1 to 384kHz, FiDef processing from 44.1 to 192kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MAAT","offers":[{"title":"Default Title","offer_id":40266786963525,"sku":"1414-1005","price":151.25,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/maat-FiDef-JENtwo.jpg?v=1756464870"},{"product_id":"maat-rsphaseshifter","title":"MAAT RSPhaseShifter Plug-In (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eAnalog Soul, Digital Heart\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCreating a very high fidelity, phase shifted version of the input, RSPhaseShifter provides a fast, convenient and musical means of aligning individual mix elements for best subjective result. RSPhaseShifter is great for any situation where you need to creatively control tonality, power spectrum and harmonic content through phase manipulation. Post–production, stem mastering, outboard gear compensation, film re–recording, “live” production, sound reinforcement, along with content creation for gaming and VR all benefit from having RSPhaseShifter on hand.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003eOld Skool Values\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRSPhaseShifter was created in conjunction with Roger Schult\/German Audio Lab, and is a painstaking, 64 bit digital realization of Schult’s trusted Phase Shifter W2324 analog phase rotator hardware. When multiple sources compete rather than complement, RSPhaseShifter should be your choice for a fast, intuitive, easy to use and effective remedy.\u003c\/p\u003e\n\u003ch3\u003eSimple Yet Versatile\u003c\/h3\u003e\n\u003cp\u003eRSPhaseShifter: a mixer’s secret weapon, both live and in the studio…Whether it’s mix sessions with multiple tracks of one instrument, or alignment of spots and overheads, RSPhaseShifter makes quick work of cancellation issues, bringing back the richness and impact you cannot get from basic delay compensation. Match and optimize the time delay or phase response of a subwoofer in a surround monitoring environment, address fold–down issues or create thick, ultra–wide sounds and phase sweeps by deliberately manipulating phase of one side of a stereo track.\u003c\/p\u003e\n\u003ch4\u003ePurpose–built\u003c\/h4\u003e\n\u003cp\u003eRSPhaseShifter’s analog–style controls are no accident. They’re the same controls found on the tried and true Phase Shifter W2324 hardware, only better. With no added noise, double precision internal processing plus support for AAX and 8x sample rates, RSPhaseShifter is a cost effective addition to any engineer’s toolkit.\u003c\/p\u003e\n\u003ch3\u003eBetter By Design\u003c\/h3\u003e\n\u003cp class=\"margin-b-20\"\u003eAs with all Roger Schult by MAAT products, the RSPhaseShifter is hand crafted and precision engineered in California by way of Germany. This is an explicit digital recreation of the analog W2324 topology, not a modeling or simulation algorithm. We copied the functionality of the original hardware without analog’s shortcomings. This tool´s value is more about what it does technically, so we left out stuff like fake transformer color, hum or Johnson Noise. There are lots of colorful plug–ins, we simply provide convenient access to the useful functionality along with a classic API Lunchbox look.\u003c\/p\u003e\n\u003ch2 class=\"margin-b-20\"\u003eFeatures\u003c\/h2\u003e\n\u003cp class=\"margin-b-20\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe original W2324 analog degree scale is highly non–linear, due to issues with analog circuitry. The original also has ten tick marks, from 10 to 125°. Freed from the limitations of an analog implementation, we have moved to a true, linear scale and extended the range slightly, something only possible in the digital domain. RSPhaseShifter’s eleven tick marks, in 15° steps, start at 15 and go to 180°; 15; 30; 45; 60; 75; 90; 105; 120; 135; 150; 180°\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRealtime adjustment of phase angle, resonant frequency, gain\u003c\/li\u003e\n\u003cli\u003eMIRROR and FLIP modes speed stereo setting selection\u003c\/li\u003e\n\u003cli\u003eδ (DELTA) mode for modifying stereo spread in an MS workflow\u003c\/li\u003e\n\u003cli\u003eAll standard formats: AU, VST \u0026amp; AAX Mac\/Win\u003c\/li\u003e\n\u003cli\u003eOptimized internal 64 bit processing for highest fidelity\u003c\/li\u003e\n\u003cli\u003eOperates at all standard sample rates, from 44.1 to 384 kHz\u003c\/li\u003e\n\u003cli\u003eCompatible with standard OSs; macOS, Windows\u003c\/li\u003e\n\u003cli\u003eLow fatigue visual design\u003c\/li\u003e\n\u003cli\u003eCompact layout\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFunctions\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFilter gain range of -5 to + 5 dB via 41 position stepped control\u003c\/li\u003e\n\u003cli\u003eContinuously adjustable phase angle between 15° and 180°\u003c\/li\u003e\n\u003cli\u003e3 position switch to extend phase angle from 180° to 360°\u003c\/li\u003e\n\u003cli\u003eBypass position for quick and easy comparison with the uncorrected signal\u003c\/li\u003e\n\u003cli\u003eStepped or continuous rotary control to select frequency range from 16 to 4 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eControls\u003c\/h2\u003e\n\u003ch4\u003eRANGE\u003c\/h4\u003e\n\u003cp\u003eThis three position switch is used to select the range of the phase shifter.\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eTop position:\u003c\/td\u003e\n\u003ctd\u003e　　+180° (180 - 360°)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCenter position:\u003c\/td\u003e\n\u003ctd\u003e　　Bypass\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBottom position:\u003c\/td\u003e\n\u003ctd\u003e　　0 - 180°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe center Phase position, the “0” setting or Bypass mode, provides a means to compare the effect of the selected phase shift with the unprocessed, original phase of the source material.\u003c\/p\u003e\n\u003ch4\u003eFREQUENCY\u003c\/h4\u003e\n\u003cp\u003eThe phase shift is dependent on the selected frequency setting. The Frequency control is either stepped for repeatability or continuous; your choice. Resonant frequency selection is managed by an 13 step ELMA–style control with the following frequencies:\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e16 Hz\u003c\/td\u003e\n\u003ctd\u003e　　400 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e25 Hz\u003c\/td\u003e\n\u003ctd\u003e　　630 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e40 Hz\u003c\/td\u003e\n\u003ctd\u003e　　1000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e63 Hz\u003c\/td\u003e\n\u003ctd\u003e　　1600 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e100 Hz\u003c\/td\u003e\n\u003ctd\u003e　　2500 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e160 Hz\u003c\/td\u003e\n\u003ctd\u003e　　4 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e250 Hz\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAdditional controls include a ±5 dB of gain refinement plus MIRROR, FLIP and δ (DELTA) modes for use during stereo operation.\u003c\/p\u003e\n\u003csection class=\"showcase-section\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-8 margin-b-30\"\u003e\n\u003ch3\u003eWhat’s Your Headache?\u003c\/h3\u003e\n\u003cp\u003eFor most applications, it makes sense to use RSPhaseShifter on just one channel, rather than on both stereo channels. A common example would be when a stereo pair of ambiance mics suffer from slightly different distances to a localized source. Additional uses include:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou have a DI’d bass track which sounds dry and lifeless. You drop that track into a project so you can re–amp it, and dial up a great re–amped sound. When you try to blend the DI track with the re–amped track, it sounds…awful! Just grab RSPhaseShifter, insert it into the DI’d track, and start off with a low frequency setting. Sweep the phase angle control and fine tune the frequency and…Bang! Suddenly, it sound awesome.\u003c\/li\u003e\n\u003cli\u003eAnother scenario would be you have a set of two distorted guitar tracks recorded with different guitars or amps but playing the same riff. They sound nasty because both are modeling–based guitar amp simulations. Just insert the stereo version of the RSPhaseShifter into one of those pair of tracks and play around in Mirror mode, so that both sides of your processing track are ganged. Within seconds, you will find a sweet spot where both guitars blend perfectly, because by sweeping through the phase angle control, you’re applying very complex comb filters which you could not create with other EQ.\u003c\/li\u003e\n\u003cli\u003eSometimes mixes or stems come in with a stereo panorama that’s simply too wide. The resulting mix is way dense and requires more careful crafting of the soundstage, so you start to narrow individual elements. But wait, as the elements becomes narrower, their timbre suffers…RSPhaseShifter to the rescue! Bring back the grunt and meat while folding down toward mono.\u003c\/li\u003e\n\u003cli\u003eA common situation is you have closely spaced, multi–mic’ed sources, like a snare with top and bottom mics, some instrument with two mics, or an acoustic guitar with a mic and a piezo pickup. Just play around with the RSPhaseShifter on one of the feeds, preferably the one which is closest to the source, such as a piezo feed, and find the sweet spot by feel.\u003c\/li\u003e\n\u003cli\u003eYet another would be you’ve made a great acoustic stereo recording and have used supporting microphones, such as room, spot or far hall placements. To meld these into your main stereo pair, take your mains as the phase reference, and align one supporting mic after the other with the mains. This is easiest if your supporting sources are panned center and approximately the same level during phase alignment. Afterwards, you can set gain and panning back to taste.\u003c\/li\u003e\n\u003cli\u003eAcoustical issues are often an annoyance at low frequencies. RSPhaseShifter works to…\n\u003cul\u003e\n\u003cli\u003eMinimize the influence of standing waves or room modes for a loudspeaker setup in conjunction with one or more subwoofers.\u003c\/li\u003e\n\u003cli\u003eReduce the acoustical energy caused by low frequency cancellation in live sound applications.\u003c\/li\u003e\n\u003cli\u003eAcoustically optimize the sound field in studio and live sound environments.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-4 margin-b-30\"\u003e\n\u003cdiv class=\"icon-box text-center\"\u003e\n\u003ci class=\"ion-mic-c feature-sign\"\u003e\u003c\/i\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"space-60\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"testimonials\"\u003e\n\u003cdiv class=\"space-30\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-8 margin-b-30\"\u003e\n\u003ch3\u003eLearn More\u003c\/h3\u003e\n\u003cp\u003eGet the most from RSPhaseShifter with these three use case videos…\u003c\/p\u003e\n\u003ch4\u003eOne\u003c\/h4\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/AOui2jdL8DU\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eWatch it directly on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/youtu.be\/AOui2jdL8DU\" target=\"_blank\"\u003eYouTube\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch4\u003eTwo\u003c\/h4\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/FURbVyAujcQ\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eWatch it directly on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/youtu.be\/FURbVyAujcQ\" target=\"_blank\"\u003eYouTube\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch4\u003eThree\u003c\/h4\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/isrvKDdxtBY\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-8 margin-b-30\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-md-8 margin-b-30\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-md-6\"\u003e\n\u003cdiv class=\"feature-icon-left clearfix\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4\u003eSupporting\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAAX Native (Pro Tools 10.3.10 and newer), AU, VST 2, VST 3\u003c\/li\u003e\n\u003cli\u003eSample rates from 44.1 to 384 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-md-6\"\u003e\n\u003cdiv class=\"feature-icon-left clearfix\"\u003e\n\u003cdiv class=\"icon\"\u003e\u003ci class=\"ion-briefcase\"\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-6\"\u003e\n\u003cdiv class=\"feature-icon-left clearfix\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4\u003eRequirements\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003emacOS 10.9 and newer, Universal Binary 2,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e64 bit only\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eWindows 7 and newer, 32 \u0026amp; 64 bit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"MAAT","offers":[{"title":"Default Title","offer_id":40266803642437,"sku":"1414-1007","price":151.25,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/product-rsps-9745beec.png?v=1756464872"},{"product_id":"maat-santacruzeq-plugin-serial-nr-download","title":"MAAT SantaCruzEQ Minim Phase Parametric EQ PlugIn (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"container\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"row vertical-align-child\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"col-md-8 margin-b-30\" data-mce-fragment=\"1\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eYes, Your Blueness\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhy develop yet one more minimum phase parametric equalizer (PEQ) when there’s already hundreds on the market? The answer is simple…’Cuz there was room for improvement! It was customers of the original LinearPhase PEQ Red and Orange who asked Algorithmix to develop a classic EQ, for recording and mixing tasks, with unparalleled purity and transparency. Over several years, our Dr. Christoph closely analyzed many of the best out there, and compiled a vast knowledgebase of analog EQ best practices. Cherry picking from that, he implemented not just one or two, but an entire collection of trad minimal phase EQs. The result? A distillation of analog antecedents, while others are based on new ideas. We know you’ll enjoy our dozen variations of blue, newly revised by MAAT, and find your favorite sound.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eThe Not So Dirty Dozen\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe wanted to lift analog to another level, so we reverse engineered a variety of well respected hardware EQs, creating idealized digital versions from that inspiration. Rather than models or simulations that carry analog baggage, SantaCruzEQ has no noise, distortion or other secondary effects inherited from analog.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSantaCruzEQ12 is a complete collection of classic equalizer Architectures, assembled into one package. You get precise, idealized examples of legendary analog equalizer circuitry, complemented by progressive new models. Whether it’s vintage, modern, or experimental, SantaCruzEQ is a sonic sandbox for every mixing and mastering engineer to mess around in.\u003c\/p\u003e\n\u003ch3\u003eBetter By Design\u003c\/h3\u003e\n\u003cp class=\"margin-b-20\"\u003eSantaCruzEQ is built on the belief that exceptional fidelity, enhanced workflows and less visual fatigue are hallmarks of better quality toolsets. Our reliance on hard science and focused research balanced by in–depth listening and customer feedback, redefines audio tools for you and your fellow hardcore media professionals worldwide.\u003c\/p\u003e\n\u003ch2 class=\"margin-b-20\"\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"space-30\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"row vertical-align-child\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"col-md-8 margin-b-30\" data-mce-fragment=\"1\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eBFF\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe equalizer is perhaps the oldest and the most popular of sound processing tools. From its earliest days, the main function was correction or enhancement by boosting or cutting certain frequencies.\u003cbr data-mce-fragment=\"1\"\u003eFor a century, engineers have developed countless equalizers. A few became legend, our thEQorange is one. The most popular version in recording and post is the parametric equalizer or PEQ, first perfected by Massenburg in 1972. It offers maximum flexibility with only three controls. Properly used, the PEQ is a powerful tool and the best friend of every audio engineer in the quest for perfect sound. As Spidey (and Voltaire) always reminds us though, “With great power comes great responsibility.” When designed by a clueless or cost–constrained software engineer, it can be your greatest sonic enemy.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eChoice Is Good\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSantaCruzEQ is the low CPU version of thEQblue, with six utilitarian Sections. In order to give you a choice of features and price, SantaCruzEQ is available in two versions:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSantaCruzEQ6,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e with 6 Architectures; №s 1 through 6 below\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSantaCruzEQ12,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003ewith 12 Architectures; all twelve below\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-4 margin-b-30\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"icon-box text-center\" data-mce-fragment=\"1\"\u003e\n\u003ci class=\"ion-bonfire feature-sign\" data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row vertical-align-child\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"col-md-12 margin-b-30\" data-mce-fragment=\"1\"\u003e\n\u003ctable class=\"table modalImage\" data-mce-fragment=\"1\"\u003e\n\u003cthead data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"col\" data-mce-fragment=\"1\"\u003e№\u003c\/th\u003e\n\u003cth scope=\"col\" data-mce-fragment=\"1\"\u003e\u003c\/th\u003e\n\u003cth scope=\"col\" data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eType\u003c\/code\u003e\u003c\/th\u003e\n\u003cth scope=\"col\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eComments \u0026amp; Analog Kinfolk\u003c\/em\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e01\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/santacruzeq\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/santacruzeq\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/01-Classic-SymmetricCROPthumb-76a12370.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/01-Classic-SymmetricCROP-87bcfd3f.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/01-Classic-SymmetricCROPthumb-76a12370.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eClassic Sym\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries symmetrical, almost constant Q bell — common mix desk \u0026amp; outboard gear Architecture, try on “surgical” applications\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e02\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/santacruzeq\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/santacruzeq\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/02-Classic-AsymCROPthumb-be0c1475.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/02-Classic-AsymCROP-4e58dc51.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/02-Classic-AsymCROPthumb-be0c1475.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eClassic Asym\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries asymmetrical — Old Skool, boost like № 1 but with narrower cut\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e03\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/santacruzeq\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/santacruzeq\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/03-Proportional-1CROPthumb-21b2a49c.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/03-Proportional-1CROP-3803d5c7.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/03-Proportional-1CROPthumb-21b2a49c.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eProportional 1\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries proportional — More musical than constant Q, especially for mixing and post. Bells are wider at \u0026lt;6dB and narrower at \u0026gt;6dB\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e04\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/santacruzeq\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/santacruzeq\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/04-Proportional-2CROPthumb-cdbf932e.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/04-Proportional-2CROP-af87727d.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/04-Proportional-2CROPthumb-cdbf932e.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eProportional 2\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries proportional — Like № 3 but with bigger changes at large gain settings \u0026gt; ±6dB, try on vocals\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e05\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/santacruzeq\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/santacruzeq\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/05-Proportional-3CROPthumb-a53512c4.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/05-Proportional-3CROP-e39f74d8.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/05-Proportional-3CROPthumb-a53512c4.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eProportional 3\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries proportional — Like № 3 but with extra wide bells at small gain settings, from 0 to 3dB\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e06\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/santacruzeq\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/santacruzeq\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/06-Const-Q-AsymCROPthumb-aea8b731.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/06-Const-Q-AsymCROP-ffd05b83.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/06-Const-Q-AsymCROPthumb-aea8b731.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eConst-Q Asym\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries asymmetrical, constant Q — Boost like № 1, cut like № 5 (extra wide), as found in some USA products \u0026amp; mixers\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e07\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/santacruzeq\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/santacruzeq\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/07-Const-Q-RCROPthumb-86bdd858.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/07-Const-Q-RCROP-0c891a3c.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/07-Const-Q-RCROPthumb-86bdd858.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eConst-Q Asy R\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries asymmetrical, constant Q — Like № 6 but with mirrored boost \u0026amp; cut\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e08\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/santacruzeq\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/santacruzeq\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/08-Const-Q-InversCROPthumb-2a1dadb9.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/08-Const-Q-InversCROP-ed8bd8d6.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/08-Const-Q-InversCROPthumb-2a1dadb9.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eConst-Q Invers\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries symmetrical, constant Q — Similar to № 7\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e09\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/santacruzeq\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/santacruzeq\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/09-Const-Q-IdealCROPthumb-4c43ff50.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/09-Const-Q-IdealCROP-6b53279b.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/09-Const-Q-IdealCROPthumb-4c43ff50.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eConst-Q New\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries proportional, constant Q — Our special Architecture…try it!\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e10\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/santacruzeq\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/santacruzeq\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/10-Const-Q-NewCROPthumb-abdca7eb.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/10-Const-Q-NewCROP-b4693988.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/10-Const-Q-NewCROPthumb-abdca7eb.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eConst-Q Ideal\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries ideal \u0026amp; constant Q — Another special, similar to № 1, all three parameters (resonant ƒ, gain \u0026amp; Q) are independent, no analog relatives!\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e11\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/santacruzeq\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/santacruzeq\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/11-Parallel-FF-FBCROPthumb-8a93cb72.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/11-Parallel-FF-FBCROP-c74b373a.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/11-Parallel-FF-FBCROPthumb-8a93cb72.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eParallel FF-FB\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eParallel feed forward\/feedback — Complementary amplitude and phase characteristics for boost \u0026amp; cut (symmetrical), found in high end graphic EQs, 1st choice for mastering [reference Massenburg]\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e12\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/santacruzeq\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/santacruzeq\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/12-Parallel-LC-AsymCROPthumb-b36d29b7.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/12-Parallel-LC-AsymCROP-df17eee5.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/12-Parallel-LC-AsymCROPthumb-b36d29b7.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eParallel LC\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eParallel passive LC — Tonal advantages with band interaction \u0026amp; asymmetry disadvantages, found in old or newly recreated PEQs, another choice for mastering [reference Massive Passive, Sontec]\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConstant Q is more for surgical applications, while proportional EQs are best when combining multiple overlapping Sections. As a point of reference, API, Pultec, Masselec and Avalon EQs are all of the proportional type.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e☞\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eNote that all 12 Architectures are normalized to have exactly the same bell shape at 6dB of boost. This allows you to easily compare the sound of each Architecture.\u003c\/p\u003e\n\u003ch2 class=\"margin-b-20\"\u003eFeatures\u003c\/h2\u003e\n\u003cp class=\"margin-b-20\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSantaCruzEQ borrows the innovative code from both Algorithmix’s original PEQ Blue and our own thEQblue remix, wrapping it in a modern, higher fidelity environment designed to help you be more productive.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe most complete collection of classic analog equalizer emulations\u003c\/li\u003e\n\u003cli\u003eSix or twelve different equalizer types; in total, 10 serial \u0026amp; 2 parallel\u003c\/li\u003e\n\u003cli\u003eUp to 12 PEQ styles for every job: classic, vintage, modern and unconventional\u003c\/li\u003e\n\u003cli\u003eDifferent Q characteristics: classic, constant–Q, proportional, ideal–Q and special\u003c\/li\u003e\n\u003cli\u003eTrue high resolution emulation of analog equalizers, not modeling: no added noise, distortion or other non–linearities\u003c\/li\u003e\n\u003cli\u003eSupport for up to 384 kHz sample rate, suitable for HRA and game production and post\u003c\/li\u003e\n\u003cli\u003eExtended center frequency up to 80 kHz for filtering and correction in the ultrasonic\u003c\/li\u003e\n\u003cli\u003eBell filters in all PEQ types are normalized to look identically at +6.02 dB of gain and Q of 0.71, ideal for quick comparisons between types\u003c\/li\u003e\n\u003cli\u003eSix Sections total, with four having freely assignable parametric filter variants: bell; multi–order high \u0026amp; low shelf; multi–order high \u0026amp; low cut\u003c\/li\u003e\n\u003cli\u003e“Outer” Sections, the first and last, offer multi–order high \u0026amp; low shelf and multi–order high \u0026amp; low cut\u003c\/li\u003e\n\u003cli\u003eExtremely low noise and low nonlinear distortion algorithms result in residual THD+N significantly lower than 24 bit quantization noise\u003c\/li\u003e\n\u003cli\u003eAdjustable Q Factor for bell filters\u003c\/li\u003e\n\u003cli\u003eAdjustable slope for shelving and cut filters\u003c\/li\u003e\n\u003cli\u003eMultiple low and high cut filters can be overlapped to achieve brickwall slopes\u003c\/li\u003e\n\u003cli\u003eVery low noise and distortion upsampling for analog–like filters at baseband sample rates\u003c\/li\u003e\n\u003cli\u003eInsane 80 bit “long double” precision internals virtually eliminate rounding errors and resulting distortion\u003c\/li\u003e\n\u003cli\u003eResizable and zoomable frequency response graphing for precise adjustments\u003c\/li\u003e\n\u003cli\u003eParameter editing via numerical fields or directly on the Graph\u003c\/li\u003e\n\u003cli\u003ePresets for quick setup comparison\u003c\/li\u003e\n\u003cli\u003eSeveral instances, each with different PEQ architectures, can be opened simultaneously\u003c\/li\u003e\n\u003cli\u003eBand grouping function lets you simultaneously alter ƒ, Q and gain for multiple Sections\u003c\/li\u003e\n\u003cli\u003eƒ lock function when you’ve found your resonant frequency and want to alter just Q or gain\u003c\/li\u003e\n\u003cli\u003eTrue Peak metering alerts you to TP overs\u003c\/li\u003e\n\u003cli\u003eSort button rearranges Sections in order, from low to high ƒ, with a single click\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eApplications\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWith a very wide range of choices, you are ready to tackle any job with a subtle or obvious approach.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTracking, mixing \u0026amp; mastering\u003c\/li\u003e\n\u003cli\u003eHRA post including ultrasonic tailoring\u003c\/li\u003e\n\u003cli\u003eBroadcast production \u0026amp; post\u003c\/li\u003e\n\u003cli\u003eGame production\u003c\/li\u003e\n\u003cli\u003eReinforcement: microphone response improvement, speaker deficiencies correction, acoustic compensation\u003c\/li\u003e\n\u003cli\u003eSound design \u0026amp; enhancement\u003c\/li\u003e\n\u003cli\u003eRestoration \u0026amp; correction of transmission losses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"showcase-section\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-8 margin-b-30\"\u003e\n\u003ch3\u003eIron Maiden\u003c\/h3\u003e\n\u003cp class=\"margin-b-20\"\u003eThe contribution of distortion to the specific sound of a particular analog equalizer caused by its respective electronics is largely what makes it “good.” Usually though, non–linear distortion, horrific group delay and other deficiencies produce more “nasty” than “magic.” Our philosophy, for PEQ design, has always been to make filters as precise and clean as possible. For controlled distortion, we recommend high quality tape emulation, a well made pedal or other carefully applied studio magic.\u003c\/p\u003e\n\u003ch3\u003eComprehensive\u003c\/h3\u003e\n\u003cp\u003eWith SantaCruzEQ, you can call up to six Sections from one of the six (SantaCruzEQ6) or twelve (SantaCruzEQ12) architectural styles available. For the first and last Sections, choose from a selection of shelving or cut filters. For the four (SCEQ6) or ten (SCEQ12) center Sections, choose from nine freely assignable filter topologies, including bell, first and second order low or high shelf along with first and second order low or high cut.\u003cbr\u003eThe most significant filter types bearing the equalizer name are bells or peaking filters. Set to a particular Q, different bells change their bandwidth depending on the amount of boost or cut making comparison difficult between Architectures. But wait, we’ve made it easy…\u003c\/p\u003e\n\u003ch6\u003eComparing Architectures…\u003c\/h6\u003e\n\u003cp\u003eIn order to make meaningful comparisons of different styles, all twelve equalizer Architectures are normalized to have exactly the same bell shape for +6dB of gain. If you listen to a bell filter at +6.02dB and a Q of 0.71, you will get the same audible result for all Architecture types. This normalization of the Q or Quality Factor is a unique MAAT feature, and distinguishes our Architectures from their analog antecedents because many of the originals have undefined Q definitions due to the limitation of analog technology. The normalization allows you to compare the different EQ Architectures in SantaCruzEQ with ease.\u003cbr\u003eBTW, a single minimal phase bell filter\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ewith identical shape\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewill sound the same regardless of Architecture. The difference between Architecture becomes obvious when you have activated more bells and other topologies so that they start to interact with each other. This will reveal the different characteristics of each Architecture, in terms of phase interaction and different gain and Q relationships.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-4 margin-b-30\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/Filter-Types-fdb843bd.png\" alt=\"SantaCruzEQ Topologies\" class=\"img-fluid center-img\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-12 margin-b-30\"\u003e\n\u003ch3\u003eClassics All\u003c\/h3\u003e\n\u003cp\u003eThe Classic Symmetrical is the most popular bell shape used in many mixers and outboard equalizers. It is almost “constant Q.” That is, as resonant frequency changes, the bandwidth changes, widening as the frequency goes from low to high to maintain a constant ratio of center frequency divided by bandwidth. Constant Q is roughly the way our hearing perceives an EQ’s effect.\u003c\/p\u003e\n\u003cp\u003eThe three Proportional PEQs emulate bell characteristics which change their bandwidth proportional to their boost or cut. Many think they behave more musically as you don’t have to correct the Q after every amplitude change. There are also three other constant–Q equalizers available, with characteristics similar to some classic American brands.\u003c\/p\u003e\n\u003cp\u003eSantaCruzEQ also offers two proprietary constant–Q varieties. The first, Constant-Q Ideal, is a perfect version of the Classic Symmetrical equalizer, having exactly the same bandwidth at any amplitude within its range of Q. This is measured 3 dB below maximum amplitude at and above +6 dB of boost. Such PEQs are impossible to implement in the analog domain, hence the “ideal” name. Another specialty variety is the Constant-Q New, which follows a new Q definition. It preserves exactly the same bandwidth at the half of the maximum amplitude for all amplitude values. Unlike the classic Q definition, this includes the range below 6 dB of boost. Due to its amplitude\/bandwidth dependency in terms of a classic Q definition, this new kind of constant-Q PEQ could also be thought of as a member of the proportional group.\u003c\/p\u003e\n\u003cp\u003eFinally we emulated two vintage parallel equalizers. With parallel construction, the main input feeds every filter in parallel, with each filter’s output being summed together for the final composite output. With a series implementation, filters are cascaded; each fed from the output of the previous filter. Unlike a series parametric equalizer (almost all paramets are serial), parallel–connected filters combine or cascade differently. They also behave differently in terms of phase. Their special interactive behavior between bands is offset by a pleasing sonic character. Our Parallel LC emulates old skool parallel passive PEQ circuitry built with inductors and capacitors. The Parallel Feed–Forward\/Feedback Architecture emulates the feed–forward\/feed–back designs still popular in low noise analog graphic EQs. While the feed–forward path is trivial to implement, the feedback path is impossible to implement in traditional digital signal processing, because of the need for so called “delay–free” feedback loops. In SantaCruzEQ, we apply a unique and very elaborate technique for true emulation of delay-free feedback. The result is a characteristic sound and perfectly complementary filters for boost\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eand\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecut.\u003c\/p\u003e\n\u003ch4\u003eThe Filter Library\u003c\/h4\u003e\n\u003cp\u003eIn SantaCruzEQ, not only are various bell–shaped filters available but also different kinds of shelving filters. Nine of the series equalizers use a special shelving design characterized by a cut–off frequency defined in the middle of the transition region. We found these filter definitions more intuitive than the classical “–3 dB below maximum.” The old skool definition is only used in the Classic Asymmetrical Architecture in order to conform to its analog antecedent. All 2nd order shelving filters have a Q adjustment to emulate vintage characteristics, with their inherent and specific bumps at higher slopes. Also, the parallel equalizers are equipped with respective shelving filters shapes that are typical of old parallel PEQs. They also have interacting bands as did their analog predecessors.\u003cbr\u003eEvery complex PEQ is equipped with cut filters. With SantaCruzEQ, each of the twelve equalizer Architectures can provide 1st and 2nd order cuts. The 2nd order filters have a Q adjustment to create a resonant filter response, and can be combined to provide very steep “brickwall” slopes by cascading several Sections.\u003c\/p\u003e\n\u003ch3\u003eBest of Both Worlds\u003c\/h3\u003e\n\u003cp\u003eSantaCruzEQ is a creative equalizer tool combining the best of both the analog and digital domains. To avoid bell filter asymmetry at high frequencies for baseband sample rates, typical of many digital equalizers, we have applied reference–quality upsampling, which automatically kicks in for 44.1 or 48 kHz. By using proprietary filter algorithms, we have achieved a huge dynamic range, as well as extremely low noise and distortion. This yields unparalleled sonic purity, impossible for any analog circuitry. We suggest leaving the oversampling option always on so as to get the “analog” smoothness missing from other brand’s EQs.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"space-60\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv id=\"compare\" class=\"container\"\u003e\n\u003cdiv class=\"space-30\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-md-12\"\u003e\n\u003ch2\u003eMAAT Minimum Phase EQ Plug–Ins\u003c\/h2\u003e\n\u003ch3\u003eFeature Comparison\u003c\/h3\u003e\n\u003ctable class=\"table table-bordered maat-comparison\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\"\u003e\u003c\/th\u003e\n\u003cth scope=\"col\"\u003e\u003c\/th\u003e\n\u003cth scope=\"col\"\u003ethEQblue6\u003c\/th\u003e\n\u003cth scope=\"col\"\u003ethEQblue12\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eSantaCruzEQ6\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eSantaCruzEQ12\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\"\u003e\u003cem\u003eFeatures\u003c\/em\u003e\u003c\/th\u003e\n\u003cth scope=\"col\"\u003e    ⊹ Notes ⊹\u003c\/th\u003e\n\u003cth scope=\"col\"\u003e\u003c\/th\u003e\n\u003cth scope=\"col\"\u003e\u003c\/th\u003e\n\u003cth scope=\"col\"\u003e\u003c\/th\u003e\n\u003cth scope=\"col\"\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003eArchitectures\u003csup\u003e§\u003c\/sup\u003e\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003eTwelve architectures: №s 1-10, serial type; №s 11-12, parallel type\u003c\/td\u003e\n\u003ctd\u003e6 total; №s 1-6\u003c\/td\u003e\n\u003ctd\u003e12 total; №s 1-12\u003c\/td\u003e\n\u003ctd\u003e6 total; №s 1-6\u003c\/td\u003e\n\u003ctd\u003e12 total; №s 1-12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003eSections\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003eFive topologies available: 1st \u0026amp; 2nd order, variable slope cut \u0026amp; shelf; parametric bell\u003c\/td\u003e\n\u003ctd\u003e12 total; all five topologies\u003c\/td\u003e\n\u003ctd\u003e12 total; all five topologies\u003c\/td\u003e\n\u003ctd\u003e6 total; #1 \u0026amp; 6 are cut \u0026amp; shelf only; #2 - 5, all five topologies\u003c\/td\u003e\n\u003ctd\u003e6 total; #1 \u0026amp; 6 are cut \u0026amp; shelf only; #2 - 5, all five topologies\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003eMetering\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003eSignal present + wide range \u0026amp; numeric TP\u003c\/td\u003e\n\u003ctd\u003eSignal present + wide range \u0026amp; numeric TP\u003c\/td\u003e\n\u003ctd\u003eSignal present\u003c\/td\u003e\n\u003ctd\u003eSignal present\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003ePanorama Control\u003csup\u003e‡\u003c\/sup\u003e\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003eLeft–only, R–only, mono, stereo, L-R\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003eNo (stereo–only)\u003c\/td\u003e\n\u003ctd\u003eNo (stereo–only)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003eSpectrogram\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003eYes; can be disabled\u003c\/td\u003e\n\u003ctd\u003eYes; can be disabled\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003eTuning\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003eYes; ƒ–snapping\u003c\/td\u003e\n\u003ctd\u003eYes; ƒ–snapping\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003eUpgrades\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003eYes;\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/maatdigital.onfastspring.com\/maat-theqblue6to12-upgrade-perpetual-license\" target=\"_blank\"\u003eto thEQblue12\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efor additional cost\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003ctd\u003eYes;\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/maatdigital.onfastspring.com\/maat-santacruzeq6to12-upgrade-perpetual-license\" target=\"_blank\"\u003eto SantaCruzEQ12\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efor additional cost\u003c\/td\u003e\n\u003ctd\u003eNo upgrade path to thEQblue\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003e§ – For more on the architectures incorporated into thEQblue and SantaCruzEQ, see our\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003ca href=\"https:\/\/website-maat-digital-downloads.s3.eu-west-1.amazonaws.com\/public\/docs\/Understanding_EQ_Architectures.pdf\" target=\"_blank\"\u003eUnderstanding EQ Architectures\u003c\/a\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ePDF.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e‡ – Parallel architectures do not support L-R Panorama mode.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"space-30\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"testimonials\"\u003e\n\u003cdiv class=\"space-30\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-8 margin-b-30\"\u003e\n\u003ch3\u003eLearn More\u003c\/h3\u003e\n\u003ch4\u003eThis video from Friedemann provides a deep dive into both SantaCruzEQ and thEQblue\u003c\/h4\u003e\n\u003cp\u003eWhy does it sound so excellent? It’s all about those curves…\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/tW6Ua9CN7yk\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eWatch it directly on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/youtu.be\/tW6Ua9CN7yk\" target=\"_blank\"\u003eYouTube\u003c\/a\u003e\u003c\/p\u003e\n\u003ch4\u003eDownload — SantaCruzEQ User Manual\u003c\/h4\u003e\n\u003cp\u003eThe user manual\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.maat.digital\/support\/#manuals\" target=\"_blank\"\u003ePDF\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eincludes a ton of useful info, check it out…\u003c\/p\u003e\n\u003ch4\u003eDownload — Understanding EQ Architectures\u003c\/h4\u003e\n\u003cp\u003eThis\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/maat-digital-downloads.s3.us-west-1.amazonaws.com\/public\/docs\/Understanding_EQ_Architectures.pdf\" target=\"_blank\"\u003ePDF\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eprovides detailed information for all of SantaCruzEQ’s twelve Architectures…\u003c\/p\u003e\n\u003ch4\u003eSession Compatibility between SantaCruzEQ12 and SantaCruzEQ6\u003c\/h4\u003e\n\u003cp\u003eSession interchange between the two versions can take two forms:\u003cbr\u003e• Scenario A: A colleague uses instances of SantaCruzEQ6 in a DAW session, then sends the session to a colleague with SantaCruzEQ12. — All instances will open and work correctly.\u003cbr\u003e• Scenario B: A colleague uses instances of SantaCruzEQ12 in a DAW session, then sends the session to a colleague with SantaCruzEQ6. — This scenario is only slightly more complicated…If the sender restricts their use to Architectures No. 1 through 6, then all instances will open as saved. If however, the sender uses Architectures No 7-12 in a saved session and sends that to their colleague, it will “snap” to Architecture No. 1 and may\/will need to be remapped.\u003c\/p\u003e\n\u003ch4\u003eSupporting\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAAX Native (Pro Tools 10.3.10 and newer), AU, VST 2, VST 3\u003c\/li\u003e\n\u003cli\u003eSample rates from 44.1 to 384 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eRequirements\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003emacOS 10.9 and newer,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e64 bit only\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eWindows 7 and newer, 32 \u0026amp; 64 bit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MAAT","offers":[{"title":"SantaCruzEQ12","offer_id":40266827890757,"sku":"1414-1008","price":304.05,"currency_code":"AUD","in_stock":true},{"title":"SantaCruzEQ6","offer_id":40266827923525,"sku":"1414-1009","price":258.2,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/MAAT-SantaCruzEQ.jpg?v=1756464872"},{"product_id":"maat-theqorange-linear-phase-eq-plug-inserial-nr-download","title":"MAAT thEQorange Linear Phase EQ Plug-In(Serial Nr + Download)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWhen purity is paramount.\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA remedial linear phase EQ with unparalleled clarity. For mastering ears, and other discerning engineers.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eA Dream Come True\u003c\/h3\u003e\n\u003cp\u003eMany mastering engineers, including MAAT founder Friedemann Tischmeyer, were fans of Algorithmix’s legendary original Linear Phase PEQ Orange. Unfortunately, the Algorithmix EQs were available only as 32 bit VSTs for PC and our workstations and our industry has evolved since then. Tischmeyer’s students repeatedly asked for alternatives, which caused him to scan the market for other high class EQs. Colleague Bob Katz recommended EQuilibrium, an insanely versatile tool, which Tischmeyer used for teaching. However, he could not find a satisfying alternative which would take the place of his original PEQ Orange.\u003c\/p\u003e\n\u003cp\u003eThe idea was born to reissue this masterpiece and make it available as 64 bit in all common formats and for macOS. An agreement with Algorithmix was made, and MAAT started up in mid–2017. Algorithmix fans heard of that and reached out to us, saying “…just redo it as it is; no extras, no nothing. We just want to have it back in 64 bit and for Mac.” That was encouraging. As a power user, Tischmeyer had some other ideas in mind regarding the UI. He wanted to make it more flexible and faster to use because there is no other tool in the mastering chain an engineer spends so much setup time with. The result? “I think we have achieved that. The UI allows super fast setup and has a number of unique features which help to do so: The positive \u0026amp; negative Contribution function including absolute difference, the adjustable sonogram which makes detecting energy spots you want to clean up easy, and the possibility to play a note on the piano you have in your head and just push the respective frequency to the active band section with one right click are just a few of the new features. What I like too is that I have an overview of all Sections as opposed to just one Section at a time.” In order to not end up with a strange Section order when using many filters, we also added the SORT button so your Sections are always in ascending order.\u003c\/p\u003e\n\u003ch3\u003eUnobtrusive Power\u003c\/h3\u003e\n\u003cp\u003ethEQorange’s powerful features hide behind its clean and simple UI. Eye candy is great for newbies, but thEQo isn’t typical. It packs all the advanced features you need into one resizable window that’s easy on the eyes. Not only does the UI “get out of the way” so you can be more productive, we’ve incorporated industry–first features that speed your workflow, neatly packaged to make thEQorange easy and intuitive to use. An example is the ability to freely assign Sections to either stereo [left\/right] or sum\/difference [L+R\/L-R] at the same time.\u003c\/p\u003e\n\u003ch4\u003eSubtle Functionality\u003c\/h4\u003e\n\u003cp\u003eWe’ve brought pristine fidelity and innovative user interface design to what used to be an unremarkable product category. With four monitoring modes, an ergonomic and uncluttered interface, intelligent monitor auto–gain plus crazy good sound, you’ve got to try thEQorange for yourself.\u003c\/p\u003e\n\u003ch3\u003eBetter By Design\u003c\/h3\u003e\n\u003cp class=\"margin-b-20\"\u003eWhether you’re looking for surgically precise repair, colorless correction, or simply baggage–free spectral contouring, our proprietary, precision algorithm delivers on the promise of linear phase correction. For clean up and control duties, bring the power and purity of thEQorange to bear for all your surgical equalizing tasks.\u003c\/p\u003e\n\u003ch2 class=\"margin-b-20\"\u003eFeatures\u003c\/h2\u003e\n\u003cp class=\"margin-b-20\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ethEQorange sounds more natural, organic and open. Listen for the difference, it just sounds correct.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eExclusive Contribution Control™ — positive addition only, negative addition only, EQ contribution only, and “normal” EQ out helps to aurally keep track of your progress\u003c\/li\u003e\n\u003cli\u003eProprietary algorithms result in extremely low noise and vanishingly small nonlinear distortion\u003c\/li\u003e\n\u003cli\u003eUnique EQ design results in no perceptible unwanted coloration with mixes (processing artifacts well below -100 dBFS) — work with clarity, transparency, and definition\u003c\/li\u003e\n\u003cli\u003eEqual delay at all frequencies regardless of filter settings, perfectly preserving the time relationship of harmonics in the original signal\u003c\/li\u003e\n\u003cli\u003eOperates at up to 384 kHz sampling rate, suitable for high resolution audio (HRA), DSD or DXD production and post\u003c\/li\u003e\n\u003cli\u003eExtended resonant or center frequencies up to 174.14 kHz, for processing in ultrasonic and near ultrasonic for all HRA production and post\u003c\/li\u003e\n\u003cli\u003eExceptionally transparent ELF response, perfect for DC removal\u003c\/li\u003e\n\u003cli\u003e12 sections with 5 freely assignable parametric filter types; bell, low shelf, high shelf, low cut, and high cut\u003c\/li\u003e\n\u003cli\u003e5 freely assignable Panorama modes; stereo, mono (sum), L-R (difference), left–only and right–only\u003c\/li\u003e\n\u003cli\u003e80 bit internals (long double floats) virtually eliminate rounding errors\u003c\/li\u003e\n\u003cli\u003eAdjustable Q for bell and high\/low pass filters make musical adjustments easy\u003c\/li\u003e\n\u003cli\u003eAdjustable slope for shelving filters improve precision in the pass and stopbands\u003c\/li\u003e\n\u003cli\u003eDouble the stopband attenuation (ripple) compared to other filter implementations\u003c\/li\u003e\n\u003cli\u003eAdditional low and high pass filters can be overlapped to achieve steep “brickwall” slopes\u003c\/li\u003e\n\u003cli\u003eSpecial oversampling for reduced aliasing when working with baseband (44.1 \u0026amp; 48 kHz) sample rates\u003c\/li\u003e\n\u003cli\u003eNo coloration or amplitude bumps even at very low frequencies\u003c\/li\u003e\n\u003cli\u003eOptional inbuilt tone generator makes for quick location of trouble spots\u003c\/li\u003e\n\u003cli\u003eSORT function organizes active Sections in ascending order\u003c\/li\u003e\n\u003cli\u003eTUNE function aligns center frequencies to Western tunings\u003c\/li\u003e\n\u003cli\u003eSections have Solo and FLIP to quickly find and address trouble spots\u003c\/li\u003e\n\u003cli\u003eGrid snap toggles between surgical and musical applications, emulating popular hardware resonant frequency choices, including Maselec and Manley\u003c\/li\u003e\n\u003cli\u003eTrue Peak metering to avoid overs\u003c\/li\u003e\n\u003cli\u003eAutoGain for effortless A\/B comparisons\u003c\/li\u003e\n\u003cli\u003eResizable frequency response display for easy, high precision adjustments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eExtras\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eExclusive dual view, monochrome\/color real time spectrogram with user adjustable temporal wiper lets you choose “when” to transition to low clutter monochrome\u003c\/li\u003e\n\u003cli\u003eChoice of parametric editing via numerical fields or directly on the graphical display\u003c\/li\u003e\n\u003cli\u003eComplete setup exchange across multiple instances\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eApplications\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ethEQorange is a highly specialized tool for mastering engineers who have access to diverse high end EQs for different tasks. There are very few forward\/backward linear phase EQs on the market and thEQorange, with its wide, 80 bit double precision processing and optimized–for–fidelity algorithm, will bring a new sense of transparency to your work.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWith all the features and functionality of Algorithmix’s beloved original LP PEQ Orange, the feature–packed thEQorange brings so much more. Use its powerful processing and double precision I\/O for:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMastering and remastering tasks on complex, high fidelity mixes\u003c\/li\u003e\n\u003cli\u003eEqualizing of instrumental group stereo sub–mixes\u003c\/li\u003e\n\u003cli\u003eClarifying the midband and rescuing dense mixes\u003c\/li\u003e\n\u003cli\u003eAddressing resonances and peaky instruments without tonal degradation\u003c\/li\u003e\n\u003cli\u003eTight, transparent low shelf and presence boosts\u003c\/li\u003e\n\u003cli\u003eRemoving unwanted ultrasonic content from HRA recordings\u003c\/li\u003e\n\u003cli\u003eIdentifying resonances with ease when sweeping, due to the low inherent ringing\u003c\/li\u003e\n\u003cli\u003ePutting mixes with too much DC or a super fat kick on a diet\u003c\/li\u003e\n\u003cli\u003eTightening up loose or crowded mixes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eAll true linear phase EQs have similar specs. Dirac spikes and other artificial test signals will produce about the same results regardless of whose product you try. A solo chime or kick drum track is also not what thEQorange was designed for…It excels at \u003c\/span\u003e\u003cem\u003eequalizing actual music\u003c\/em\u003e\u003cspan\u003e!\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWhat not to use thEQorange for is tracking or mixing! thEQorange is a low channel count plug–in, designed for the master buss and mastering. Due to the insane complexity of the algorithm, thEQorange has a high CPU demand. It is \u003c\/span\u003e\u003cem\u003enot\u003c\/em\u003e\u003cspan\u003e a “light weight”!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEssentials\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003ethEQorange fits in with all modern workflows:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSupports LPCM sample rates up to 384k for DSD and high–end postproduction\u003c\/li\u003e\n\u003cli\u003eAll standard formats: AU, VST 2 and 3, AAX\u003c\/li\u003e\n\u003cli\u003eCompatible with macOS and Windows\u003c\/li\u003e\n\u003cli\u003eLow fatigue visual design\u003c\/li\u003e\n\u003cli\u003eResizable user interface for every screen resolution\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eLearn More\u003c\/h3\u003e\n\u003ch4\u003eThis video from Friedemann provides an overview of thEQorange\u003c\/h4\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/kw50GbrYLbY?rel=0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"MAAT","offers":[{"title":"Default Title","offer_id":40266840014917,"sku":"1414-1000","price":915.15,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/MAAT-EQOrange.jpg?v=1756464872"},{"product_id":"maat-theqred-linear-phase-eq","title":"MAAT thEQred Linear Phase EQ Plug-In (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eRed Is The New Black\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThink of thEQred as LP PEQ Red 2.0…we’ve taken the fundamentals of Algorithmix’s exemplary LinearPhase PEQ Red, and given it a MAAT makeover. There is no other æsthetic equalizer like thEQred. With its ability to invisibly provide spectral counterweight to mixes that lean one way or another, thEQred excels at straightening up biased content. Add crystalline air without stridency to a dark mix, or beef up lower mids and bass without bloat or loss of focus. With twelve bands or Sections of precision, linear phase parametric equalization featuring unique shelving filters, mastery of complex mixes without changing their overall sonic character is just a few clicks away.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eFeatures\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAs Friedemann says, “It’s all about the curves.” Along with all the features of our thEQ family, thEQred incorporates a unique and proprietary filter technology allowing you to adjust any slope between nearly 0 and 24 dB\/octave. Almost any filter needed or desired can be dialed in quickly and easily, from broad shallow strokes to cascaded deep cuts.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eFive Panorama modes; stereo, mono (L+R), left–only, right–only and difference (L-R) for focused treatment or enhancement\u003c\/li\u003e\n\u003cli\u003eTwo Stereo modes; Left\/Right or Mid\/Side\u003c\/li\u003e\n\u003cli\u003eFour Contribution modes; positive addition only, negative addition only, EQ contribution only, and “normal” EQ out help you to keep track of your progress\u003c\/li\u003e\n\u003cli\u003eExtended frequency range covers the ultrasonic, suitable for any HRA post\u003c\/li\u003e\n\u003cli\u003eEqual delay at all frequencies independent of filter settings, perfectly preserving the time relationship of harmonics\u003c\/li\u003e\n\u003cli\u003eNo phase distortion and no temporal dispersion, eliminating transient smear\u003c\/li\u003e\n\u003cli\u003eFreedom from unwanted coloration for exceptional clarity, transparency, and definition\u003c\/li\u003e\n\u003cli\u003eExclusive VariSlope technology offers shelf and cut filters with any roll-off in the range of 6 to 24 dB\/octave as well as continuous slope adjustment below 6 dB\/octave, impossible with any classic filter\u003c\/li\u003e\n\u003cli\u003eTwelve Sections with eight freely assignable parametric filter types: classic bell, high or low shelf, high or low cut as well as VariSlope high or low shelf, and high or low cut\u003c\/li\u003e\n\u003cli\u003eAdjustable Q for shelving and cut filters\u003c\/li\u003e\n\u003cli\u003eProprietary algorithms deliver extraordinarily low distortion and noise\u003c\/li\u003e\n\u003cli\u003eFor ultimate fidelity, deep 80 bit super double precision internals virtually eliminate rounding errors and distortion\u003c\/li\u003e\n\u003cli\u003ePerfect emulation of analog filter characteristics, clearly perceptible when equalizing audio at baseband sample rates\u003c\/li\u003e\n\u003cli\u003eExtremely shallow VariSlope shelves for gentle brightening or added weight\u003c\/li\u003e\n\u003cli\u003eCascade cut filters for “brick wall” characteristics\u003c\/li\u003e\n\u003cli\u003eResizable UI for easy and precise adjustments or for ultra–high resolution displays\u003c\/li\u003e\n\u003cli\u003eMAAT’s smart AutoGain for effortless A\/B comparisons\u003c\/li\u003e\n\u003cli\u003eInbuilt tone generator makes for quick location of trouble spots\u003c\/li\u003e\n\u003cli\u003eSORT function eliminates the need for busy, distracting UI elements\u003c\/li\u003e\n\u003cli\u003eTUNE function aligns center frequencies to Western tunings\u003c\/li\u003e\n\u003cli\u003eGrid snap toggles between surgical and musical applications, emulating popular hardware resonant frequency choices, including Maselec and Manley\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eExtras\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eExclusive dual view, monochrome\/color real time spectrogram with user adjustable temporal wiper lets you choose “when” to transition to low distraction monochrome\u003c\/li\u003e\n\u003cli\u003eChoice of parametric editing via numerical fields or directly via the graphical display\u003c\/li\u003e\n\u003cli\u003eOperates at up to 384 kHz sample rates for HRA or game audio workflows\u003c\/li\u003e\n\u003cli\u003eComplete setup exchange across multiple instances\u003c\/li\u003e\n\u003cli\u003eAutomatic latency compensation with all modern DAWs\u003c\/li\u003e\n\u003cli\u003eA\/B comparison for fast decision making\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA little backstory…An idea was born to reissue this masterpiece, along with the other legendary Algorithmix EQs, and make it available as 64 bit in all common formats and (finally!) for macOS. As a power user, our visionary Friedemann had some ideas in mind regarding the improvements. Specifically, he wanted to make the user interface, the UI, more flexible and faster to use because there is no other tool in the mastering chain that receives as much “seat time.” The result: Our thEQ UI and feature set. The UI affords super fast setup and includes a number of unique features which help to speed your work: The positive \u0026amp; negative Contribution function including absolute difference, the highly adjustable sonogram which makes detecting problem spots easy, and the possibility to play a note on the keyboard that you have in your head and then snap a Section to that respective frequency with one click. Also, having all twelve Sections visible simultaneously, not to mention the SORT button function.\u003c\/p\u003e\n\u003ch3\u003eFrequency Forward\u003c\/h3\u003e\n\u003cp\u003ethEQred works in the frequency domain. That is, the input signal is first transformed into a spectral representation. Then, that spectral equivalent is operated upon. Special measures have been taken to ensure high resolution at critical low frequencies while keeping time resolution untouched. Unlike other frequency-domain filters, this avoids drums or other instrument containing strong transients from being blurred. In addition, extremely high compute resolution has been used to avoid any cumulative truncation effects typical in complex frequency transforms. This results in unblemished sound quality.\u003cbr\u003eThere are other plug–ins on the market using frequency–domain techniques. Most of them apply relatively low frequency resolution and then claim that frequency response mathematically interpolated between a few set points or that freehand drawing is the best solution. This may be true for some industrial applications, but such filters simply don’t sound musical. We’ve worked hard to insure that filter shapes in thEQred exactly match the best analog references. The result is sonic quality that is undisputed, even at baseband 44.1 and 48 kHz rates.\u003c\/p\u003e\n\u003ch4\u003eUnobtrusive Power\u003c\/h4\u003e\n\u003cp\u003e“An equalizer should have no, ideally, should have no distortion of its own. It’s almost impossible to do it without some distortion but, that’s the aim. So, if you can do that…Now there are a lot of equalizers about, where people have just taken a circuit out of some reference book and hoped for the best and they’ve never really succeeded because they haven’t taken into account all these other things.” — Rupert Neve on EQ in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRupert Neve: The SOS Interview on YouTube\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ethEQred was designed to deliver the highest possible linearity down to subsonic frequencies. This and other powerful features hide behind its clean and simple UI. Eye candy is great for newbies, but thEQr isn’t your typical filter: thEQred packs all the advanced features you need into one resizable window that’s easy on the eyes. Not only does the UI “get out of the way” so you can be more productive, we’ve incorporated industry–first features that speed your workflow, neatly packaged to make thEQred easy and intuitive to use.\u003c\/p\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-12 margin-b-30\"\u003e\n\u003ch3\u003eLinear Phase Royalty\u003c\/h3\u003e\n\u003cp\u003eMost all parametric equalizers or PEQs are implemented via phase shift. That is, the incoming dry signal is mixed with a phase–shifted version. Because the amount of the phase shift is frequency dependent, some cancellation or reinforcement occurs at the desired frequency. It gets the job done, but with a major disadvantage: the different signal components of the resulting audio become spread out in time, so time relationships between harmonics in the filtered output is heavily altered. The result: a nice sharp attack becomes slurred and muddy or worse, strident and brittle.\u003cbr\u003ethEQred changes all that, providing profoundly punchy lows and airy, silky smooth highs like no other. It preserves the time relationships of harmonics, which translates into a smoother top end, sweeter and bigger midrange, and a clearer, more distinct bottom when compared to phase shift–style EQs. The resultant sound seems less processed, more like what should have naturally been captured by the microphone. You won’t get those punchy transients and silky highs with analog outboard or any ol’ IIR digital.\u003c\/p\u003e\n\u003ch4\u003eVersatile VariSlope\u003c\/h4\u003e\n\u003cp\u003eIn addition to all the user–centric features that MAAT brings you, like Panorama mode and Contribution controls, thEQred features VariSlope™ technology, proprietary to thEQr. With VariSlope, shelving and cut filters offer continuous adjustment of any slope in the range from near 0 to 24 dB\/octave. Unlike other EQs that let you define or draw the curve, VariSlope offers unique versatility while preserving the sound quality MAAT EQs are known for.\u003cbr\u003eThe exclusive VariSlope filter technology lets you dial in continuous slope filters that emulate any critically damped shelf in the range from 1st to 4th order, including all imaginary filters in between. “Imaginary” because critically damped filters offer only slopes in discreet 6 dB\/octave steps per “order”: 6, 12, 18, 24 et cetera. Our continuous slope low and high cut filter performs similarly, yet you can continuously change its slope from a critically damped 4th order equivalent, through 3rd, 2nd, and 1st order down to zero. The critically damped VariSlope high cut mirrors the continuous slope VariSlope low cut.\u003cbr\u003eSuch “in–between” frequency-response filter characteristics, especially with slopes less than 6 dB\/octave, are absolutely impossible to implement with classical filter technology. The only workaround would be to cascade many 1st order filters with specially weighted amplitudes to get the overall amplitude envelope lower then 6 dB\/octave. Such kludgy filters, however, deliver a wavy frequency response characteristic and are tainted with nasty phase shift and group delay. Quite the opposite, our VariSlope filter affords very smooth, controlled spectral changes without any phase shift.\u003c\/p\u003e\n\u003cp\u003ethEQred works strictly in the frequency domain, while sounding a bit softer than her linear phase sister, thEQorange. Performing at up to 384 kHz, which extends resonant frequency settings up to 80 kHz, it’s perfect for high resolution DSD, DXD and game audio post–production. Its calculations are stored at 80 bits of precision, way more than 32 bit commodity EQs and more than what even fancy 64 bit EQs manage. The result: the construction of your composite filter is impeccable, with vanishingly low THD and without loss of very low amplitude detail.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-12 margin-b-30\"\u003e\n\u003ch3\u003eVive La Différence\u003c\/h3\u003e\n\u003cp\u003eWhat are the differences between\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqorange\/\" target=\"_blank\"\u003ethEQorange\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand thEQred? We recommend thEQo for “surgical” work, mostly negative gain EQs to address issues in a mix during mastering when material needs to be “fixed” because it has a problem. On the other hand, thEQred is best at aesthetic work, artistic equalization that makes material sound better without affecting the time domain. As with thEQorange and both being linear phase, thEQred doesn’t leave a signature on the sound the way\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/\" target=\"_blank\"\u003ethEQblue\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003edoes. Because it’s minimum phase not linear phase, thEQblue is for when you would reach for an analog EQ, but with ultimate fidelity that can’t be achieved with analog. So, the three of them together replace all EQ use cases, unless you want distortion, and thEQblue with its 12 Architectures replaces all analog EQs one might want.\u003cbr\u003ethEQred also has VariSlope, something we think is unique in the industry. So, in keeping with that aesthetically minded approach, with thEQred, you can do really broad or really gentle lifts or suppression, as well as all the “normal” stuff you’d expect from a fixed–order EQ. Most engineers think that all equalizers are both problem solvers and artistic. To that we say, “When all you have is a hammer, everything looks like a nail.” Grab a copy of both thEQred and thEQorange, then listen to both side by side. I think you’ll hear why we think of them differently.\u003cbr\u003eIf you can afford only one of our thEQ products, it’s probably best to go with\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/\" target=\"_blank\"\u003ethEQblue\u003c\/a\u003e. Its versatility is unsurpassed. If, however, you work with a fair amount of acoustically recorded performances and higher fidelity recordings, then over time you will find both thEQorange and thEQred indispensable. Specifically for that, we have the annual thEQlp (Linear Phase) subscription, which includes both thEQorange\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eand\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ethEQred.\u003c\/p\u003e\n\u003ch3\u003eAsymmetry Banished\u003c\/h3\u003e\n\u003cp\u003eExperts say that most digital EQs don’t sound like their analog antecedents, especially when working with baseband 44.1 or 48k sample rates. Spectrum modifications of high frequencies sound unbalanced. The reason is so–called “frequency warping,” which makes bell shapes asymmetric, while high shelves and cuts exhibit steeper slopes than expected. In thEQred, special corrections have been applied, making them look exactly like their analog counterparts while yielding a smooth analog sound.\u003c\/p\u003e\n\u003ch3\u003eIf One is Good, Isn’t Two Better?\u003c\/h3\u003e\n\u003cp\u003ePeople have asked us why we haven’t included alternative modes like minimal phase and all the other options you find in competing products. Our goal as plug-in designers is to create tools from the user perspective, offering just enough flexibility with a carefully chosen set of options so the user can focus on the job at hand. It would be easy to add dozens of additional options to the preferences window but why? That’s what\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/\" target=\"_blank\"\u003ethEQblue\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eis for, a whole box of “colors”! As a mastering engineer, you need specialized tools which do a particular job in the fastest and best possible manner.\u003cbr\u003ethEQred is a perfect example of just such a tool. Dr.s Musialik and Hatje have already worked through an extensive refinement process. When asked about this, Musialik stated that “…the optimization and refinement of our algorithms was a very long, tedious and iterative procedure between research, development and feedback from experienced mastering engineers. Unfortunately, in high res audio, not everything is measurable or provable by numbers. This is especially true for the measurement of dynamic behavior and reactions to real–world, complex signals.”\u003cbr\u003eMusialik emphasizes that “There is no ‘best’ audio tool for everybody.” His advice: Perform your own listening tests, then select which instruments you want to include in your kit.\u003c\/p\u003e\n\u003ch3\u003eReviews \u0026amp; Testimonials\u003c\/h3\u003e\n\u003ch5\u003eRobert “Bob” Olhsson — legendary indy engineer (Smokey Robinson, Temptations, Steve Roach, Marvin Gaye)\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“The ability to recall projects is very important to me and to my clients, so I started moving my signal processing…to Pro Tools and needed to bid goodbye to the (legacy) Algorithmix plug-ins. It turns out I was not alone in wishing for new compatible versions of these extraordinary plugins.\u003cbr\u003eWhat I love about thEQred is being able to combine this utterly transparent equalizer with my (outboard) hardware. It simply doesn't screw anything up while adding whatever EQ tweaks I can imagine. Also, the continuous-slope shelving is pretty amazing, especially with very natural sounding acoustic recordings.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eCharles “Chip” Reardin – indy engineer (Gary Katz, Sylvia McNair, Straight No Chaser)\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“Absolutely stunning EQ. Really. I am very picky, and I've been searching for an ITB EQ of this quality for SO many years. Hats off!…\u003cbr\u003eI've always cringed at the side-effects of high-passing or notching on a mixbus or master with virtually all VST EQs (unless the mix really calls for it, obviously). Orange was the first plug-in I've heard that didn't instantly degrade the mix (and I've tried most if not ALL). Then Red, SO sweet on the highs. Don't think twice about using these on a master! Thanks again for providing these excellent EQs. Orange and Red are just unparalleled ITB EQs IMHO.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eEddie Grey - engineer \u0026amp; Logic Pro maven\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MAAT","offers":[{"title":"Default Title","offer_id":40266846863429,"sku":"1414-1001","price":762.35,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/MAAT-theQRED.jpg?v=1756464872"},{"product_id":"maat-theqblue-minimal-phase-eq-plug-in-serial-nr-download","title":"MAAT ThEQBlue Minimal Phase EQ Plug-In (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"container\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"row vertical-align-child\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"col-md-8 margin-b-30\" data-mce-fragment=\"1\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eYes, Your Blueness\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhy develop yet one more parametric equalizer (PEQ) when there’s already hundreds on the market? The answer is simple…’Cuz there was room for improvement! It was customers of the original LinearPhase PEQ Red and Orange who asked Algorithmix to develop a classic EQ, for recording and mixing tasks, with unparalleled purity and transparency. Over several years, our Dr. Christoph closely analyzed many of the best out there, and compiled a vast knowledgebase of analog EQ best practices. Cherry picking from that, he implemented not just one or two, but an entire collection of trad minimal phase EQs. The result? A distillation of analog antecedents, while others are based on new ideas.\u003cbr data-mce-fragment=\"1\"\u003eWe know you’ll enjoy our dozen variations of blue, newly revised by MAAT, and will find your favorite sound. We’ve also added subtle but important touches, like the ability to freely assign Sections to either stereo [left\/right] or sum\/difference [L+R\/L-R] at the same time, and to “group” all Sections and make a global gain change without disturbing the relationship of individual Sections.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eThe Twelve\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe wanted to lift analog to another level, so we reverse engineered a variety of well respected hardware EQs, creating idealized digital versions from that inspiration. Rather than models or simulations that carry analog baggage, thEQblue has no noise, distortion or other secondary effects inherited from analog.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ethEQblue is the most complete collection of classic equalizer Architectures ever assembled into one package. You get precise, idealized examples of legendary analog equalizer circuitry, complemented by progressive new models. Whether it’s vintage, modern, or experimental, thEQblue is a sonic sandbox for every mixing and mastering engineer to play in.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"space-30\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"row vertical-align-child\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"col-md-8 margin-b-30\" data-mce-fragment=\"1\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eDither…For Your Brain\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEven though thEQblue is lauded by the top echelon of audio pros, we weren’t satisfied. The sound quality was as good as anything available, but benchmark analog still had an edge. So, we added a radical new tech to thEQblue. It’s called FiDef and it adds that indescribable beauty lent by the best of analog.\u003cbr data-mce-fragment=\"1\"\u003eFiDef by FideliQuest (www.fidef.com) is a very low amplitude, psychoacoustic stimulus designed specifically for audio engineers.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eFiDef can be thought of as dither for your brain.\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eIt makes a receptive brain relax and pay closer attention to an incoming audio stimulus. In brain physiology laboratory tests using functional neuroimaging techniques, FiDef has proven to excite brain activity related to perception and attention, and to enhance the subjective processes of listening and engagement.\u003cbr data-mce-fragment=\"1\"\u003eYou have to simply try FiDef and see if you hear an improvement. You may, or maybe not. Better yet, give your customer two almost identical versions of a song, the only difference being FiDef or no FiDef, and let them decide.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eBFF\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe equalizer is perhaps the oldest and the most popular of sound processing tools. From its earliest days, the main function was correction or enhancement by boosting or cutting certain frequencies.\u003cbr data-mce-fragment=\"1\"\u003eFor a century, engineers have developed countless equalizers. A few became legend, our thEQorange is one. The most popular version in recording and post is the parametric equalizer or PEQ, first perfected by Massenburg in 1972. It offers maximum flexibility with only three controls. Properly used, the PEQ is a powerful tool and the best friend of every audio engineer in the quest for perfect sound. As Spidey (and Voltaire) always reminds us though, “With great power comes great responsibility.” When designed by a clueless or cost–constrained software engineer, it can be your greatest sonic enemy.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eChoice Is Good\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn order to give you a choice of features and price, thEQblue is available in two versions:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003ethEQblue6,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e with 6 Architectures; №s 1 through 6 below\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ethEQblue12,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003ewith 12 Architectures; all twelve below\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003e☞ thEQblue6 owners can upgrade to get all twelve Architectures.\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-4 margin-b-30\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"icon-box text-center\" data-mce-fragment=\"1\"\u003e\n\u003ci class=\"ion-merge feature-sign\" data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row vertical-align-child\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"col-md-12 margin-b-30\" data-mce-fragment=\"1\"\u003e\n\u003ctable class=\"table modalImage\" data-mce-fragment=\"1\"\u003e\n\u003cthead data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"col\" data-mce-fragment=\"1\"\u003e№\u003c\/th\u003e\n\u003cth scope=\"col\" data-mce-fragment=\"1\"\u003e\u003c\/th\u003e\n\u003cth scope=\"col\" data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eType\u003c\/code\u003e\u003c\/th\u003e\n\u003cth scope=\"col\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eComments \u0026amp; Analog Kinfolk\u003c\/em\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e01\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/theqblue\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/01-Classic-SymmetricCROPthumb-76a12370.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/01-Classic-SymmetricCROP-87bcfd3f.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/01-Classic-SymmetricCROPthumb-76a12370.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eClassic Sym\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries symmetrical, almost constant Q bell — common mix desk \u0026amp; outboard gear Architecture, try on “surgical” applications\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e02\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/theqblue\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/02-Classic-AsymCROPthumb-be0c1475.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/02-Classic-AsymCROP-4e58dc51.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/02-Classic-AsymCROPthumb-be0c1475.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eClassic Asym\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries asymmetrical — Old Skool, boost like № 1 but with narrower cut\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e03\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/theqblue\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/03-Proportional-1CROPthumb-21b2a49c.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/03-Proportional-1CROP-3803d5c7.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/03-Proportional-1CROPthumb-21b2a49c.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eProportional 1\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries proportional — More musical than constant Q, especially for mixing and post. Bells are wider at \u0026lt;6dB and narrower at \u0026gt;6dB\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e04\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/theqblue\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/04-Proportional-2CROPthumb-cdbf932e.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/04-Proportional-2CROP-af87727d.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/04-Proportional-2CROPthumb-cdbf932e.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eProportional 2\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries proportional — Like № 3 but with bigger changes at large gain settings \u0026gt; ±6dB, try on vocals\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e05\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/theqblue\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/05-Proportional-3CROPthumb-a53512c4.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/05-Proportional-3CROP-e39f74d8.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/05-Proportional-3CROPthumb-a53512c4.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eProportional 3\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries proportional — Like № 3 but with extra wide bells at small gain settings, from 0 to 3dB\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e06\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/theqblue\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/06-Const-Q-AsymCROPthumb-aea8b731.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/06-Const-Q-AsymCROP-ffd05b83.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/06-Const-Q-AsymCROPthumb-aea8b731.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eConst-Q Asym\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries asymmetrical, constant Q — Boost like № 1, cut like № 5 (extra wide), as found in some USA products \u0026amp; mixers\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e07\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/theqblue\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/07-Const-Q-RCROPthumb-86bdd858.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/07-Const-Q-RCROP-0c891a3c.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/07-Const-Q-RCROPthumb-86bdd858.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eConst-Q Asy R\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries asymmetrical, constant Q — Like № 6 but with mirrored boost \u0026amp; cut\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e08\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/theqblue\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/08-Const-Q-InversCROPthumb-2a1dadb9.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/08-Const-Q-InversCROP-ed8bd8d6.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/08-Const-Q-InversCROPthumb-2a1dadb9.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eConst-Q Invers\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries symmetrical, constant Q — Similar to № 7\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e09\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/theqblue\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/09-Const-Q-IdealCROPthumb-4c43ff50.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/09-Const-Q-IdealCROP-6b53279b.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/09-Const-Q-IdealCROPthumb-4c43ff50.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eConst-Q New\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries proportional, constant Q — Our proprietary Architectural style…try it, we know you’ll like it!\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e10\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/theqblue\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/10-Const-Q-NewCROPthumb-abdca7eb.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/10-Const-Q-NewCROP-b4693988.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/10-Const-Q-NewCROPthumb-abdca7eb.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eConst-Q Ideal\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries ideal \u0026amp; constant Q — Another special, similar to № 1, all three parameters (resonant ƒ, gain \u0026amp; Q) are independent, no analog relatives!\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e11\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/theqblue\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/11-Parallel-FF-FBCROPthumb-8a93cb72.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/11-Parallel-FF-FBCROP-c74b373a.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/11-Parallel-FF-FBCROPthumb-8a93cb72.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eParallel FF-FB\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eParallel feed forward\/feedback — Complementary amplitude and phase characteristics for boost \u0026amp; cut (symmetrical), found in high end graphic EQs, 1st choice for mastering [reference Massenburg]\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e12\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/theqblue\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/12-Parallel-LC-AsymCROPthumb-b36d29b7.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/12-Parallel-LC-AsymCROP-df17eee5.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/12-Parallel-LC-AsymCROPthumb-b36d29b7.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eParallel LC\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eParallel passive LC — Tonal advantages with band interaction \u0026amp; asymmetry disadvantages, found in old or newly recreated PEQs, another choice for mastering [reference Massive Passive, Sontec]\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConstant Q is more for surgical applications, while proportional EQs are best when combining multiple overlapping Sections. As a point of reference, API, Pultec, Masselec and Avalon EQs are all of the proportional type.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e☞\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eNote that all 12 Architectures are normalized to have exactly the same bell shape at 6.02dB of boost. This allows you to easily compare the sound of each Architecture.\u003c\/p\u003e\n\u003csection class=\"showcase-section\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-8 margin-b-30\"\u003e\n\u003ch3\u003eIron Maiden\u003c\/h3\u003e\n\u003cp class=\"margin-b-20\"\u003eThe contribution of distortion to the specific sound of a particular analog equalizer caused by its respective electronics is largely what makes it “good.” Usually though, non–linear distortion, horrific group delay and other deficiencies produce more “nasty” than “magic.” Our philosophy, for PEQ design, has always been to make filters as precise and clean as possible. For controlled distortion, we recommend high quality tape emulation, a well made pedal or other carefully applied studio magic.\u003c\/p\u003e\n\u003ch3\u003eComprehensive\u003c\/h3\u003e\n\u003cp\u003eWith thEQblue, you can simultaneously call up twelve Sections from one of the twelve Architectural styles available. For each Section, choose from nine freely assignable filter topologies, including bell, first and second order low or high shelf along with first and second order low or high cut. The most significant filter types bearing the equalizer name are bells or peaking filters. Set to a particular Q, different bells change their bandwidth depending on the amount of boost or cut making comparison difficult between Architectures.\u003c\/p\u003e\n\u003ch6\u003eHow to Compare Architectures…\u003c\/h6\u003e\n\u003cp\u003eIn order to make meaningful comparisons of different Architectures you must be aware of two factors:\u003cbr\u003e1. All 12 equalizer Architectures are normalized to have exactly the same bell shape for 6dB of boost. If you use just one bell filter at +6dB, you will get the same audible result for all types. This normalization of the Q or Quality Factor is a unique MAAT feature, and distinguishes our typologies from their analog antecedents because many of the originals have undefined Q definitions due to the limitation of analog technology. The normalization allows you to compare the different EQ Architectures in thEQblue with ease.\u003cbr\u003e2. A single minimal phase bell filter\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ewith identical shape\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewill sound the same regardless of Architecture. The difference between styles becomes obvious when you have activated more bells and other filters so that they start to interact with each other. This will reveal the different characteristics of each Architecture, in terms of phase interaction and different gain and Q relationships.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-4 margin-b-30\"\u003e\u003cimg class=\"img-fluid center-img\" alt=\"thEQblue\" src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/Filter-Types-fdb843bd.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-12 margin-b-30\"\u003e\n\u003ch3\u003eClassics All\u003c\/h3\u003e\n\u003cp\u003eThe Classic Symmetrical is the most popular bell shape used in many mixers and outboard equalizers. It is almost “constant Q.” That is, as resonant frequency changes, the bandwidth changes, widening as the frequency goes from low to high to maintain a constant ratio of center frequency divided by bandwidth. Constant Q is roughly the way our hearing perceives an EQ’s effect.\u003c\/p\u003e\n\u003cp\u003eThe three Proportional PEQs emulate bell characteristics which change their bandwidth proportional to their boost or cut. Many think they behave more musically as you don’t have to correct the Q after every amplitude change. There are also three other constant–Q equalizers available, with characteristics similar to some classic American brands.\u003c\/p\u003e\n\u003cp\u003ethEQblue also offers two proprietary constant–Q varieties. The first, Constant-Q Ideal, is a perfect version of the Classic Symmetrical equalizer, having exactly the same bandwidth at any amplitude within its range of Q. This is measured 3 dB below maximum amplitude at and above +6 dB of boost. Such PEQs are impossible to implement in the analog domain, hence the “ideal” name. Another specialty variety is the Constant-Q New, which follows a new Q definition. It preserves exactly the same bandwidth at the half of the maximum amplitude for all amplitude values. Unlike the classic Q definition, this includes the range below 6 dB of boost. Due to its amplitude\/bandwidth dependency in terms of a classic Q definition, this new kind of constant-Q PEQ could also be thought of as a member of the proportional group.\u003c\/p\u003e\n\u003cp\u003eFinally we emulated two vintage parallel equalizers. With parallel construction, the main input feeds every filter in parallel, with each filter’s output being summed together for the final composite output. With a series implementation, filters are cascaded; each fed from the output of the previous filter. Unlike a series parametric equalizer (almost all paramets are serial), parallel–connected filters combine or cascade differently. They also behave differently in terms of phase. Their special interactive behavior between bands is offset by a pleasing sonic character. Our Parallel LC emulates old skool parallel passive PEQ circuitry built with inductors and capacitors. The Parallel Feed–Forward\/Feedback style emulates the feed–forward\/feed–back designs still popular in low noise analog graphic EQs. While the feed–forward path is trivial to implement, the feedback path is impossible to implement in traditional digital signal processing, because of the need for so called “delay–free” feedback loops. In thEQblue, we apply a unique and very elaborate technique for true emulation of delay-free feedback. The result is a characteristic sound and perfectly complementary filters for boost\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eand\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecut.\u003c\/p\u003e\n\u003ch4\u003eThe Filter Library\u003c\/h4\u003e\n\u003cp\u003eIn thEQblue, not only are various bell–shaped filters available but also different kinds of shelving filters. Nine of the series equalizers use a special shelving design characterized by a cut–off frequency defined in the middle of the transition region. We found these filter definitions more intuitive than the classical “–3 dB below maximum.” The old skool definition is only used in the Classic Asymmetrical Architecture in order to conform to its analog antecedent. All 2nd order shelving filters have a Q adjustment to emulate vintage characteristics, with their inherent and specific bumps at higher slopes. Also, the parallel equalizers are equipped with respective shelving filters shapes that are typical of old parallel PEQs. They also have interacting bands as did their analog predecessors.\u003cbr\u003eEvery complex PEQ is equipped with cut filters. With thEQblue, each of the twelve equalizer Architectures can provide 1st and 2nd order cuts. The 2nd order filters have a Q adjustment to create a resonant filter response, and can be combined to provide very steep “brickwall” slopes by cascading several Sections.\u003c\/p\u003e\n\u003ch3\u003eBest of Both Worlds\u003c\/h3\u003e\n\u003cp\u003ethEQblue is a creative equalizer tool combining the best of both the analog and digital domains. To avoid bell filter asymmetry at high frequencies for baseband sample rates, typical of many digital equalizers, we have applied reference–quality upsampling, which automatically kicks in for 44.1 or 48 kHz. By using proprietary filter algorithms, we have achieved a huge dynamic range, as well as extremely low noise and distortion. This yields unparalleled sonic purity, impossible for any analog circuitry.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"space-60\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv class=\"container\" id=\"compare\"\u003e\n\u003cdiv class=\"space-30\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-md-12\"\u003e\n\u003ch2\u003eMAAT Minimum Phase EQ Plug–Ins\u003c\/h2\u003e\n\u003ch3\u003eFeature Comparison\u003c\/h3\u003e\n\u003ctable class=\"table table-bordered maat-comparison\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\"\u003e\u003c\/th\u003e\n\u003cth scope=\"col\"\u003e\u003c\/th\u003e\n\u003cth scope=\"col\"\u003ethEQblue6\u003c\/th\u003e\n\u003cth scope=\"col\"\u003ethEQblue12\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eSantaCruzEQ6\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eSantaCruzEQ12\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\"\u003e\u003cem\u003eFeatures\u003c\/em\u003e\u003c\/th\u003e\n\u003cth scope=\"col\"\u003e    ⊹ Notes ⊹\u003c\/th\u003e\n\u003cth scope=\"col\"\u003e\u003c\/th\u003e\n\u003cth scope=\"col\"\u003e\u003c\/th\u003e\n\u003cth scope=\"col\"\u003e\u003c\/th\u003e\n\u003cth scope=\"col\"\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003eArchitectures\u003csup\u003e§\u003c\/sup\u003e\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003eTwelve architectures: №s 1-10, serial type; №s 11-12, parallel type\u003c\/td\u003e\n\u003ctd\u003e6 total; №s 1-6\u003c\/td\u003e\n\u003ctd\u003e12 total; №s 1-12\u003c\/td\u003e\n\u003ctd\u003e6 total; №s 1-6\u003c\/td\u003e\n\u003ctd\u003e12 total; №s 1-12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003eSections\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003eFive topologies available: 1st \u0026amp; 2nd order, variable slope cut \u0026amp; shelf; parametric bell\u003c\/td\u003e\n\u003ctd\u003e12 total; all five topologies\u003c\/td\u003e\n\u003ctd\u003e12 total; all five topologies\u003c\/td\u003e\n\u003ctd\u003e6 total; #1 \u0026amp; 6 are cut \u0026amp; shelf only; #2 - 5, all five topologies\u003c\/td\u003e\n\u003ctd\u003e6 total; #1 \u0026amp; 6 are cut \u0026amp; shelf only; #2 - 5, all five topologies\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003eMetering\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003eSignal present + wide range \u0026amp; numeric TP\u003c\/td\u003e\n\u003ctd\u003eSignal present + wide range \u0026amp; numeric TP\u003c\/td\u003e\n\u003ctd\u003eSignal present\u003c\/td\u003e\n\u003ctd\u003eSignal present\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003ePanorama Control\u003csup\u003e‡\u003c\/sup\u003e\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003eLeft–only, R–only, mono, stereo, L-R\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003eNo (stereo–only)\u003c\/td\u003e\n\u003ctd\u003eNo (stereo–only)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003eSpectrogram\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003eYes; can be disabled\u003c\/td\u003e\n\u003ctd\u003eYes; can be disabled\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003eTuning\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003eYes; ƒ–snapping\u003c\/td\u003e\n\u003ctd\u003eYes; ƒ–snapping\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003eUpgrades\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003eYes;\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/maatdigital.onfastspring.com\/maat-theqblue6to12-upgrade-perpetual-license\" target=\"_blank\"\u003eto thEQblue12\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efor additional cost\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003ctd\u003eYes;\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/maatdigital.onfastspring.com\/maat-santacruzeq6to12-upgrade-perpetual-license\" target=\"_blank\"\u003eto SantaCruzEQ12\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efor additional cost\u003c\/td\u003e\n\u003ctd\u003eNo upgrade path to thEQblue\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003e§ – For more on the architectures incorporated into thEQblue and SantaCruzEQ, see our\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003ca href=\"https:\/\/website-maat-digital-downloads.s3.eu-west-1.amazonaws.com\/public\/docs\/Understanding_EQ_Architectures.pdf\" target=\"_blank\"\u003eUnderstanding EQ Architectures\u003c\/a\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ePDF.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e‡ – Parallel architectures do not support L-R Panorama mode.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"space-30\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"testimonials\"\u003e\n\u003cdiv class=\"space-30\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-8 margin-b-30\"\u003e\n\u003ch3\u003eLearn More\u003c\/h3\u003e\n\u003ch4\u003eThis video from Friedemann provides a deep dive into thEQblue and SantaCruzEQ\u003c\/h4\u003e\n\u003cp\u003eWhy does it sound so excellent? It’s all about those curves…\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/tW6Ua9CN7yk\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eWatch it directly on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/youtu.be\/tW6Ua9CN7yk\" target=\"_blank\"\u003eYouTube\u003c\/a\u003e\u003c\/p\u003e\n\u003ch4\u003eDownload — thEQblue User Manual\u003c\/h4\u003e\n\u003cp\u003eThe user manual\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.maat.digital\/support\/#manuals\" target=\"_blank\"\u003ePDF\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eincludes mondo useful info, check it out…\u003c\/p\u003e\n\u003ch4\u003eDownload — Understanding EQ Architectures\u003c\/h4\u003e\n\u003cp\u003eThis\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/maat-digital-downloads.s3.us-west-1.amazonaws.com\/public\/docs\/Understanding_EQ_Architectures.pdf\" target=\"_blank\"\u003ePDF\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eprovides detailed information for all of thEQblue’s twelve Architectures…\u003c\/p\u003e\n\u003ch4\u003eSession Compatibility between thEQblue12 and thEQblue6\u003c\/h4\u003e\n\u003cp\u003eSession interchange between the two versions can take two forms:\u003cbr\u003e• Scenario A: A colleague uses instances of thEQblue6 in a DAW session, then sends the session to a colleague with thEQblue12. — All instances will open and work correctly.\u003cbr\u003e• Scenario B: A colleague uses instances of thEQblue12 in a DAW session, then sends the session to a colleague with thEQblue6. — This scenario is only slightly more complicated…If the sender restricts their use to Architectures No. 1 through 6, then all instances will open as saved. If however, the sender uses Architectures No 7-12 in a saved session and sends that to their colleague, it will “snap” to Architecture No. 1 and may\/will need to be remapped.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MAAT","offers":[{"title":"thEQblue6","offer_id":40266850467909,"sku":"1414-1006","price":380.4,"currency_code":"AUD","in_stock":true},{"title":"thEQblue12","offer_id":40266850435141,"sku":"1414-1002","price":609.6,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/MAAT-theqblue.jpg?v=1756464872"},{"product_id":"k7d-tape-delay-plug-in-serial-nr-download","title":"K7D Tape Delay Plug-In (Serial Nr + Download)","description":"\u003ch1\u003eK7D Tape Delay Plug-In (Serial Nr + Download)\u003c\/h1\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eK7D is a powerful and affordable, vintage tape delay effect plugin. K7D recreates the hardware echo machines of the past using Imaginando’s signature style of obsessive analog emulation, but with an enhanced level of control from a sleek, modern interface. Using this approach allows a whole new world of creative possibilities, while still retaining a warm, full-bodied analog sound, bursting with character and personality.To give K7D it’s distinctive analog flavor, we studied and analyzed the tiny details of what makes classic hardware delays great, and painstakingly recreated every subtle nuance for a fantastically authentic sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"text-2xl lg_text-4xl my-6 font-thin\"\u003eFeatures\u003c\/h2\u003e\n\u003cdiv class=\"font-thin self-center ml-5\"\u003e\n\u003cul class=\"space-y-4 list-disc list-outside undefined\"\u003e\n\u003cli\u003e1ms to 1 sec. dual playhead analog modeled delay with noise, tape distortion and mechanical vibration models\u003c\/li\u003e\n\u003cli\u003eInput with pre-amp saturation and optimized gain staging and saturation algorithms for very musical results\u003c\/li\u003e\n\u003cli\u003eNormal and Ping Pong modes\u003c\/li\u003e\n\u003cli\u003eDelay time spread between heads and stereo width control\u003c\/li\u003e\n\u003cli\u003eHigh pass and Low pass filter on feedback path\u003c\/li\u003e\n\u003cli\u003ePowerful LFO bipolar time modulation with multiple waveforms (sine, triangular, saw, square, sample and hold and filtered sample and hold) and possibility of inverted LFO phase on second play head (for added stereo imaging)\u003c\/li\u003e\n\u003cli\u003eDelay time syncable with BPM and possibility of delay time modulation via incoming midi notes\u003c\/li\u003e\n\u003cli\u003eOscilloscope visualisation of audio and LFO waveforms\u003c\/li\u003e\n\u003cli\u003eAvailable in a variety of formats: VST, AU, AAX, AUv3\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"w-full h-full text-center\"\u003e\n\u003ch3 class=\"text-5xl lg_text-6xl font-thin\"\u003eVintage sound, modern control\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"w-full h-full text-center my-8 lg_my-16\"\u003e\n\u003cp class=\"text-md lg_text-2xl font-thin mx-auto w-full lg_col-count-2 text-left text-justify\"\u003e\u003cspan\u003eTo give K7D it’s distinctive analog flavour, we studied and analysed the tiny details of what makes classic hardware delays great, and painstakingly recreated every subtle nuance for a fantastically authentic sound. K7D’s combination of features makes it a versatile effects plugin, capable of much more than just standard tape delay.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eK7D mixes great quality sound with a great set of controls, for a truly unique experience with distinctive results. From vintage pre-amp\/pre-gain saturation, to the ability to tune the delay with MIDI pitch information, everything is easy to access via its stylish, intuitive display. Spend less time search for parametres and more time designing your sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 class=\"text-3xl lg_text-4xl mb-6 font-light\"\u003eRequirements\u003c\/h4\u003e\n\u003cdiv class=\"h-16\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"flex flex-col mb-6 w-full lg_flex-row lg_items-center\"\u003e\n\u003cdiv class=\"flex justify-center lg_w-6\/12\"\u003e\n\u003ch5 class=\"text-lg lg_text-2xl mb-4 font-light lg_w-8\/12\"\u003eMac\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"opacity-75 flex-none lg_w-6\/12\"\u003e\n\u003cp\u003eMac OS 10.13 or higher, compatible 64 bit host DAW which supports either VST, AU or AAX plugin formats, plus a minimum of 128 Mb of free disk space to install.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"h-6\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"flex flex-col mb-6 w-full lg_flex-row lg_items-center\"\u003e\n\u003cdiv class=\"flex justify-center lg_w-6\/12\"\u003e\n\u003ch5 class=\"text-lg lg_text-2xl mb-4 font-light lg_w-8\/12\"\u003eWindows\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"opacity-75 flex-none lg_w-6\/12\"\u003e\n\u003cp\u003eWindows 10 or higher, 64 bit host DAW which supports VST or AAX plugin format, plus a minimum of 128 Mb of free disk space to install.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"h-6\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"flex flex-col mb-6 w-full lg_flex-row lg_items-center\"\u003e\n\u003cdiv class=\"flex justify-center lg_w-6\/12\"\u003e\n\u003ch5 class=\"text-lg lg_text-2xl mb-4 font-light lg_w-8\/12\"\u003eiOS\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"opacity-75 flex-none lg_w-6\/12\"\u003e\n\u003cp\u003eRequires iOS 12.1 or higher. At least 65 Mb of free space. AUv3 Audio Unit plugin - requires an AUv3 compatible host app, such as Garageband, Cubasis, BM3, AUM, etc.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Imaginando","offers":[{"title":"Default Title","offer_id":40266880352325,"sku":"1399-1002","price":71.5,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/imaginando-k7d.jpg?v=1756464872"},{"product_id":"flux-audio-engineering-evo-channel-strip-plug-in-serial-nr-download","title":"Flux Audio Engineering EVO Channel Strip Plug-In (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"et_pb_module et_pb_text et_pb_text_0  et_pb_text_align_left et_pb_bg_layout_light\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"et_pb_text_inner\" data-mce-fragment=\"1\"\u003e\n\u003ch1 data-mce-fragment=\"1\"\u003eThe Ultimate Channel Strip Redefined\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"et_pb_module et_pb_text et_pb_text_1  et_pb_text_align_left et_pb_bg_layout_light\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"et_pb_text_inner\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe essential element of all analog consoles is the Channel Strip and the philosophy behind it is to be able to be efficient, fast, and making things sound great already from the start. When we designed the EVO Channel we wanted it to be as efficient and as fast and hands-on as a channel is on a console, and in addition presenting the advantages with creative digital innovation in terms of workflow and sound, to in the end provide everything you need to stay in control of your sound!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGain\/Drive, Phase, Compressor, EQ, DeEsser, Expander, Transient\/Sustain Designer, Hands-on interface, Fast workflow, Adjustable signal flow, Stay in Control of Your sound!\u003c\/span\u003e\u003c\/p\u003e\n\u003ch1\u003eMultichannel, Dolby Atmos®, Ambisonics \u0026amp; High Resolution Support\u003c\/h1\u003e\n\u003cp\u003eEVO Channel is designed to support mixing and creation of multichannel surround and immersive audio content.\u003c\/p\u003e\n\u003cp\u003eDolby Atmos® with up to 10 channels and the AVID Pro Tools Dolby Atmos® 7.1.2 \/ 7.0.2 Track and Bus is supported.\u003c\/p\u003e\n\u003cp\u003eThird order Ambisonics with up to 16 channels and the AVID Pro Tools new bus and track formats for first, second and third order Ambisonics, for creating and manipulating Ambisonic audio and mixes, is supported.\u003c\/p\u003e\n\u003cp\u003eHigh Resolution DXD Audio with sampling rates up to 384 kHz is supported.\u003c\/p\u003e\n\u003cdiv class=\"et_pb_row et_pb_row_0\"\u003e\n\u003cdiv class=\"et_pb_column et_pb_column_4_4 et_pb_column_0  et_pb_css_mix_blend_mode_passthrough et-last-child\"\u003e\n\u003cdiv class=\"et_pb_module et_pb_text et_pb_text_1  et_pb_text_align_left et_pb_bg_layout_light\"\u003e\n\u003cdiv class=\"et_pb_text_inner\"\u003e\n\u003ch2\u003eOS Compatibility\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWindows 10 – 64bit and latest\u003c\/li\u003e\n\u003cli\u003eMacOS 10.12.6 Sierra and latest\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"et_pb_module et_pb_text et_pb_text_2  et_pb_text_align_left et_pb_bg_layout_light\"\u003e\n\u003cdiv class=\"et_pb_text_inner\"\u003e\n\u003ch2\u003eHardware Specification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eUSB displays are not supported.\u003c\/li\u003e\n\u003cli\u003eWindows: A graphic card fully supporting OpenGL 2.0 is required. If your computer has an ATi or NVidia graphics card, please assure the latest graphic drivers from the ATi or NVidia website are installed.\u003c\/li\u003e\n\u003cli\u003eMac OS X : Mac Pro 1.1 \u0026amp; Mac Pro 2.1 are not supported.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"et_pb_module et_pb_text et_pb_text_3  et_pb_text_align_left et_pb_bg_layout_light\"\u003e\n\u003cdiv class=\"et_pb_text_inner\"\u003e\n\u003ch2\u003eSoftware license requirements\u003c\/h2\u003e\n\u003cp\u003eIn order to use the software, an iLok.com user account is required (the iLok USB Smart Key is not required).\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eVS3 license not included in Flux:: standard license. Additional VS3 license for Pyramix \u0026amp; Ovation Native\/MassCore 32\/64 bit versions available from Merging Technologies:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.merging.com\/sales\" target=\"_blank\"\u003ehttp:\/\/www.merging.com\/sales\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"et_pb_row et_pb_row_1\"\u003e\n\u003cdiv class=\"et_pb_column et_pb_column_4_4 et_pb_column_1  et_pb_css_mix_blend_mode_passthrough et-last-child\"\u003e\n\u003cdiv class=\"et_pb_module et_pb_code et_pb_code_0\" id=\"specification_tab\"\u003e\n\u003cdiv class=\"et_pb_code_inner\"\u003e\n\u003cdiv class=\"jtrt_table_MotherShipContainer\"\u003e\n\u003cdiv id=\"jtHeaderHolder-14257\"\u003e\n\u003ch3\u003ePlugins formats \u0026amp; Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.flux.audio\/plugin-specifications\/\"\u003eVisit the Flux Audio Engineering website for up-to-date specs and requirements\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Flux Software Engineering","offers":[{"title":"Default Title","offer_id":43655551189281,"sku":"1379-1006","price":215.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/flux-evo-channel-ui.jpg?v=1756464950"},{"product_id":"flux-software-engineering-ircam-hear-binaural-encoding-monitoring-tool","title":"Flux Software Engineering Ircam HEar Binaural Encoding Monitoring Tool (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1 data-mce-fragment=\"1\"\u003eBinaural Encoding Tool\u003c\/h1\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIrcam HEar provides faithful reproduction of a stereo mix or a full surround mix with up to 16 channels, supporting Dolby Atmos\u003csup data-mce-fragment=\"1\"\u003e®\u003c\/sup\u003e with a pair of conventional stereo headphones. It relies on proven technology to model the various phenomena that occur when playing back audio material through a loudspeaker system.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eIrcam HEar v3\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eFaithful binaural reproduction of a stereo mix or a full surround mix with up to ten channels, supporting Dolby Atmos\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ewith a pair of conventional stereo headphones.\u003c\/p\u003e\n\u003ch4 class=\"et_pb_module_header\"\u003e\u003cspan\u003eAll Features\u003c\/span\u003e\u003c\/h4\u003e\n\u003cdiv class=\"et_pb_blurb_description\"\u003e\n\u003cul\u003e\n\u003cli\u003eUp to 16 channels processing (Channel Based Virtualization) with support for Dolby Atmos\u003csup\u003e®\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003cli\u003ePro Tools HD 7.1.2 \u0026amp; 7.0.2 Dolby Atmos\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eBus Support\u003c\/li\u003e\n\u003cli\u003eSpace Presets, presenting a range of spaces with subtly different colorations\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"et_pb_module et_pb_text et_pb_text_3  et_pb_text_align_left et_pb_bg_layout_light\"\u003e\n\u003cdiv class=\"et_pb_text_inner\"\u003e\n\u003ch2\u003eBinaural technology\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"et_pb_module et_pb_text et_pb_text_4  et_pb_text_align_left et_pb_bg_layout_light\"\u003e\n\u003cdiv class=\"et_pb_text_inner\"\u003e\n\u003cp\u003eBinaural technology encompasses methods for recording, processing, synthesizing and reproducing sound that are specifically designed to preserve tridimensional localization properties.\u003c\/p\u003e\n\u003cp\u003eIn order to mimic the impression of a sound originating from a given incidence, it is sufficient to filter a mono signal, which on its own lacks any kind of spatial information, with both left and right HRTF filters. This constitutes the foundation of binaural synthesis.\u003c\/p\u003e\n\u003cp\u003ePlease note that the resulting signal is only meant to be listened to with headphones, and isn’t designed for a conventional stereo loudspeaker setup.\u003c\/p\u003e\n\u003cdiv class=\"et_pb_module et_pb_text et_pb_text_5  et_pb_text_align_left et_pb_bg_layout_light\"\u003e\n\u003cdiv class=\"et_pb_text_inner\"\u003e\n\u003ch2\u003eSignal Routing and Speaker setup\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"et_pb_module et_pb_text et_pb_text_6  et_pb_text_align_left et_pb_bg_layout_light\"\u003e\n\u003cdiv class=\"et_pb_text_inner\"\u003e\n\u003cp\u003eA routing Matrix provides an overview of the mapping between the plugin’s inputs from the DAW track to the virtual speaker internal outputs, and a Speaker Mode specifying which virtual speaker configuration that should be emulated.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.flux.audio\/plugin-specifications\/\"\u003eCheck up to date specifications and requirements\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Flux Software Engineering","offers":[{"title":"Default Title","offer_id":43655580025121,"sku":"1379-1008","price":135.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/iram-hear-v3-box.jpg?v=1756464950"},{"product_id":"flux-software-engineering-alchemist-ultimate-dynamics-processing-tool-serial-nr-download","title":"Flux Software Engineering Alchemist Ultimate Dynamics Processing Tool (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1 data-mce-fragment=\"1\"\u003eMaster Your Mix With Alchemist!\u003c\/h1\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlchemist is the ultimate dynamic processing tool providing full control over the processing. For simple compression tasks, more advanced de-expansion, and emulating classic analog compression, to recovering transients from an overly compressed mix, all the way to heavy parallel multi-band compression with up to 5 bands.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eChallenging dynamics in your mix or mastering projects, restoration of complicated dynamics, professional mastering and re-mastering, five bands with a complete dynamics processing section.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/-Vn5s419rp4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeatures\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFive bands, each providing a full dynamics section with; Compressor, De-Compressor, Expander, De-Expander, the BitterSweet Transient Designer and M\/S Width Control\u003c\/li\u003e\n\u003cli\u003eInfinite Impulse Response (IIR) crossovers with selectable slopes from 18 dB\/oct to 54 dB\/oct\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eInput\/Output gain controls for adjusting the levels before and after processing\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGenerous -\/+ 48 dB input\/output gain range\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePhase invert of the processed signal\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDry\/wet control offering true parallel dynamics processing\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDiscrete peak-limiter rounding peaks off in a smooth and musically fashion\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTrue bypass control routing the incoming signal direct to the output for a smooth transition between clean and processed signal\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e","brand":"Flux Software Engineering","offers":[{"title":"Default Title","offer_id":43655614005537,"sku":"1379-1002","price":273.45,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/Flux-alchemist-V3-Box.jpg?v=1756464950"},{"product_id":"flux-sofware-engineering-ircam-verb-state-of-the-art-room-acoustics-and-reverberation","title":"Flux Sofware Engineering Ircam Verb Room Acoustics and Reverberation Plug-In (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1 data-mce-fragment=\"1\"\u003eBring Acoustic Simulation To Your Immersive Mix!\u003c\/h1\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHalfway between reverberation and a spatialization engine – The state-of-the-art in room acoustics simulation and reverberation, be it a simple Quad, an Ambisonics, or a Dolby Atmos\u003csup data-mce-fragment=\"1\"\u003e®\u003c\/sup\u003e deliverable, IRCAM Verb brings together multichannel reverberation with spatialization to create realistic acoustic environments for your mix soundscape!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/30zc-eeJ1wc\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eIRCAM State of the art room acoustics simulation and reverberation, advanced perceptive models providing an intuitive user experience.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeatures\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"et_pb_module et_pb_blurb et_pb_blurb_0  et_pb_text_align_left  et_pb_blurb_position_top et_pb_bg_layout_dark\"\u003e\n\u003cdiv class=\"et_pb_blurb_content\"\u003e\n\u003cdiv class=\"et_pb_blurb_container\"\u003e\n\u003cdiv class=\"et_pb_blurb_description\"\u003e\n\u003cul\u003e\n\u003cli\u003eUp to 16 channels Input\/Output with support for Ambisonics and Dolby Atmos\u003csup\u003e®\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003cli\u003ePro Tools HD 7.1.2 \u0026amp; 7.0.2 Dolby Atmos\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eand 3rd order HOA Bus Support\u003c\/li\u003e\n\u003cli\u003eChannel Routing Matrix for routing the I\/O channels depending on the actual control room monitor setup (for surround\/multichannel use).\u003c\/li\u003e\n\u003cli\u003eInput\/Output Gain (-\/+ 12 dB) for adjusting the levels before and after processing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDry\/Wet control for blending the original signal with the processed signal.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTrue bypass control routing the incoming signal direct to the output for a smooth transition between clean and processed signal\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGraphical representation of Early, Cluster and Reverb. Room Size.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHigh density setting for selecting standard\/high density reverberation engine.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDecay Time controls for adjusting the decay time as well as the relative decay time of the\u003cbr data-mce-fragment=\"1\"\u003eHigh\/Mid\/Low frequencies explicitly.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eA set of 3-band filters applied to each part of the time structure for fine tuning the reverberation characteristics.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCreative Perceptual Reverb Options parameters;\u003cbr data-mce-fragment=\"1\"\u003eInfinite (“deep-freezing” the reverb)\u003cbr data-mce-fragment=\"1\"\u003eAir Absorption\/Roll Freq. simulates the frequency dependent air absorption.\u003cbr data-mce-fragment=\"1\"\u003eModal Density, the frequency “smoothness” of the reverb engine\u003cbr data-mce-fragment=\"1\"\u003ePanning, virtual source panning-direction offset\u003cbr data-mce-fragment=\"1\"\u003eWidth, panning width\u003cbr data-mce-fragment=\"1\"\u003eDiffuseness, the directional information of the reverberation.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOpen Sound Control Support\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Flux Software Engineering","offers":[{"title":"Default Title","offer_id":43655625212193,"sku":"1379-1010","price":273.45,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/flux-ircam-verb-v3-box.jpg?v=1756464952"},{"product_id":"flux-sofware-engineering-solera-v3-ull-band-dynamics-processor","title":"Flux Sofware Engineering Solera v3 Full Band Dynamics Processor (Serial Nr + Download)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSolera v3 is a comprehensive full band dynamics processor combining the power of a compressor, expander, de-compressor and de-expander, all four processing in parallel, designed to provide powerful dynamics processing for any challenging situation and still preserve, or recover, the true natural quality of the audio material without adding any artifacts.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeatures\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eUp to 8 channels Input\/Output\u003c\/li\u003e\n\u003cli\u003eGenerous -\/+ 48 dB input\/output gain range\u003c\/li\u003e\n\u003cli\u003eInput\/Output gain controls for adjusting the levels before and after processing\u003c\/li\u003e\n\u003cli\u003eDry\/wet control offering true parallel dynamics processing and for blending some of the original “peak” into the processed signal\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePhase invert of the processed signal\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eExternal side chain support for AAX (Native \u0026amp; DSP) and AU ; in mono and stereo format\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDiscrete peak limiter at the very last stage of the processing chain rounding off the peaks in a smooth and musically fashion\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCompressor, Expander, De-Compressor and De-Expander, all four available direct through the user interface, processing in parallel\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThree release modes are presented; manual, auto, and advanced (with minimum and maximum release values fully adjustable)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAuto delay function allowing for zero attack times by introducing a delay line in the processed signal\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLink Channel, provides linked\/unlinked processing (in M\/S mode)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTrue bypass control routing the incoming signal direct to the output for a smooth transition between clean and processed signal\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSide chain section featuring a three-band equalizer to generate frequency sensitive processing\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eExternal side-chain available in AU (Mac OS X) and AAX Native \u0026amp; DSP (Mac OS X \u0026amp; Windows) only\u003cbr data-mce-fragment=\"1\"\u003eInput\/Output gain controls for adjusting the levels before and after processing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e","brand":"Flux Software Engineering","offers":[{"title":"Default Title","offer_id":43655642087713,"sku":"1379-1019","price":197.1,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/flux-solera-v3-box.jpg?v=1756464952"},{"product_id":"flux-sofware-engineering-bittersweet-pro-frequency-dependent-transient-designer","title":"Flux Sofware Engineering BitterSweet Pro Frequency Dependent Transient Designer (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eFrequency dependent transient designer, process only a certain part of the frequency spectrum, acting like a dynamic eq driven by Transients and\/or Sustain.\u003c\/p\u003e\n\u003ch1 data-mce-fragment=\"1\"\u003eShape Your Sound With Precision!\u003c\/h1\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBitterSweet Pro is the evolution of FLUX:: well renowned freeware transient processor, BitterSweet. One of the main features is its ability to process only a certain part of the frequency spectrum, providing extended control of the transient shaping, acting like a dynamic equalizer driven by transients and\/or sustain.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/pIbugulkDBE\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eUp to 8 channels Input\/Output\u003c\/li\u003e\n\u003cli\u003eFrequency Range sets the actual frequency range to be processed (20 Hz \/ 20,0 kHz – Lower \/ 40 Hz \/ 20,0 kHz – Upper). The frequency extraction can be audited with a simple button click.\u003c\/li\u003e\n\u003cli\u003eDetector sidechain filtered in accordance with the frequency range setting and its low cut, high cut and band pass filter, the filtered sidechain extraction can be audited with a simple button click.\u003c\/li\u003e\n\u003cli\u003eSpeed, alters the mode for the processing of the transients, controlling the envelope smoothing and generating a natural attack (Fast\/Medium\/Slow).\u003c\/li\u003e\n\u003cli\u003eAttack, Hold, Release, adjusting the attack, hold and release times for the transient processing.\u003c\/li\u003e\n\u003cli\u003eDynamic gain adjusting the gain of the transients and\/or the sustain (-100,00% – Sweet \/ 100,00% – Bitter)\u003c\/li\u003e\n\u003cli\u003eStatic Gain controls the actual gain of the Frequency Range filter envelope ( -24.00 dB \/ +24.00 dB).\u003c\/li\u003e\n\u003cli\u003eOutput Gain -24.00 dB \/ +24.00 dB gain range (applied to the processing output before the soft clipper)\u003c\/li\u003e\n\u003cli\u003eGeek pane (advanced settings) with an additional range of parameters providing extended control of the transient processing envelope.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Spdx28yl_Gg\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Flux Software Engineering","offers":[{"title":"Default Title","offer_id":43655653458209,"sku":"1379-1003","price":135.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/flux-bittersweet-pro-v3-box.jpg?v=1756464953"},{"product_id":"flux-sofware-engineering-elixir-essential-true-peak-limiter","title":"Flux Sofware Engineering Elixir Essential True Peak Limiter (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTrue natural sounding, preserving natural timbre of the material, ITU-R BS.1770 \/ EBU R128 compliant real True Peak output, up to 16 channels for multichannel\/immersive workflows including Dolby Atmos\u003c\/span\u003e\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch1 data-mce-fragment=\"1\"\u003eBring Your Immersive Mix To Level!\u003c\/h1\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNow With 12 Stages!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eElixir Essential True Peak Limiter \u003c\/strong\u003eis based around the same ultra transparent algorithm as the legacy Elixir v3, meticulously designed to achieve a true natural sounding result preserving the natural timbre of the audio material, used by recording and mastering engineers for almost a decade now. Supporting up to 16 channels, conforming with the ITU-R and EBU loudness norms, makes Elixir Essential an indispensable tool for immersive audio productions including Dolby Atmos\u003csup data-mce-fragment=\"1\"\u003e®\u003c\/sup\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Evapms5QHXc\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeatures\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli aria-level=\"1\"\u003e\n\u003cp\u003e\u003cb\u003eTrue Peak conforming with ITU-R and EBU norms\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eMeeting the broadcast, post-production, and mastering industry norms with real True Peak output in accordance with the ITU-R BS.1770 and EBU R128 norms.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\n\u003cp\u003e\u003cb\u003eNow supporting up to 16 channels\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eProvides up to 16 channels of processing, operating at sample rates up to 384kHz.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cb\u003eMultistage processing in up to 12 stages\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe multistage processing provides the option to set the algorithm to perform the limiting processing in multi-stages with up to 12 stages, for even more precise and natural sounding results.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e64-bit float audio processing \u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e64-bit float audio processing  mode has been engaged in order to allow for end to end 64 bit audio with DAWs\/Hosts supporting this.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\n\u003cp\u003e\u003cb\u003eRevamped optimized user interface\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eThe GUI has been completely modernized, with the workflow overhauled to enhance the user experience, and optimized to visually control the whole audio content.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cb\u003eNow with scalable user interface in 6 steps\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eThe user interface is now scalable in 6 steps to easily adapt to the screen resolution of the DAW workstation; 800×600, 1000×750, 1200×900, 1300×975, 1600×1200, and 2000×1500.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\n\u003cp\u003e\u003cb\u003eFull control over the gain structure\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eInput \/ Output Gain (-12\/+12 dB) applied to the limiter input, and to the output stage of the limiter.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\n\u003cp\u003e\u003cb\u003eTrue bypass\u003c\/b\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eTrue bypass routing the incoming signal direct to the output for a true smooth transition between clean and processed signal.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"et_pb_module et_pb_text et_pb_text_3  et_pb_text_align_left et_pb_bg_layout_light\"\u003e\n\u003cdiv class=\"et_pb_text_inner\"\u003e\n\u003ch2\u003eImmersive audio production, including Dolby Atmos\u003csup\u003e®\u003c\/sup\u003e\n\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"et_pb_module et_pb_text et_pb_text_4  et_pb_text_align_left et_pb_bg_layout_light\"\u003e\n\u003cdiv class=\"et_pb_text_inner\"\u003e\n\u003cp\u003e\u003cspan\u003eWith Immersive Audio being the new driving force in the entertainment industry a new era in audio production is taking shape. Elixir Essential supports up to 16 channels of processing making it the indispensable tool for Immersive Audio production, including Dolby Atmos\u003csup\u003e®\u003c\/sup\u003e workflows. You can either control the dynamic of the multiple 7.1.2 beds you are sending to the Dolby Atmos\u003csup\u003e®\u003c\/sup\u003e renderer, or, limit your monitoring level.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Flux Software Engineering","offers":[{"title":"Default Title","offer_id":43655668859169,"sku":"1379-1029","price":197.1,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/flux-elixir-box.jpg?v=1756464953"},{"product_id":"flux-software-engineering-full-pack-2-2the-flux-pure-legendary-plugins-in-one-comprehensive-bundle","title":"Flux Software Engineering Full Pack 2.2 The FLUX:: Pure legendary plugins in one comprehensive bundle (Serial Nr + Download )","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFull Pack 2.2 Recording, Mixing, Remixing, Mastering – The complete range of Flux:: plug-ins in one big bundle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e11 Plug-Ins included in this bundle\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Flux Software Engineering","offers":[{"title":"Default Title","offer_id":43655679967521,"sku":"1379-1021","price":1329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/flux-full-pack-2.2-box.jpg?v=1756464953"},{"product_id":"flux-software-engineering","title":"Flux Software Engineering Epure V3 Five-Band Equalizer Plug-In (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eState-of-the-art five-band equalizer with the absolute finest audio quality, sharp-edged precision tool created to meet the demands of the professional audio industry.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch1 data-mce-fragment=\"1\"\u003eWhere Sound Becomes Music\u003c\/h1\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEpure v3 is a state-of-the-art five-band equalizer designed to provide the absolute finest audio quality within the domain of digital audio processing, carefully tuned to preserve the optimal signal to noise ratio independent of the parameter settings. A sharp-edged surgical precision tool created to meet the demands of the professional audio industry.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeatures\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFive EQ bands with hands on editing of the band curves on the display\u003c\/li\u003e\n\u003cli\u003eFilter types, on each band; low cut, low shelving, peak, hi shelving, hi cut\u003c\/li\u003e\n\u003cli\u003eFrequency range covering the whole bandwidth\u003c\/li\u003e\n\u003cli\u003eQ factor adjustable (from 1.00 to 100.00\u003c\/li\u003e\n\u003cli\u003eGain control (ranged -24 dB to +24 dB)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eTrue Bypass routing the incoming signal direct to the output\u003c\/li\u003e\n\u003cli\u003eMultiply gain (x2) affecting the gain value of the band-section\u003c\/li\u003e\n\u003cli\u003eDivide gain (\/2) affecting the gain value of the band-section.\u003c\/li\u003e\n\u003cli\u003eInvert, converting the band-section positive values to negative and vice versa.\u003c\/li\u003e\n\u003cli\u003eMaster gain control\u003c\/li\u003e\n\u003cli\u003eAudio I\/O routing matrix\u003c\/li\u003e\n\u003cli\u003eUp to 4 MS encoders \/ decoders\u003c\/li\u003e\n\u003cli\u003eUp to 8 band groups\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Flux Software Engineering","offers":[{"title":"Default Title","offer_id":43655693074721,"sku":"1379-1005","price":197.1,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/flux-epure-box.jpg?v=1756464953"},{"product_id":"relab-lx480-complete","title":"Relab LX480 Complete Dual-Engine Reverb (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" data-widget_type=\"text-editor.default\" data-element_type=\"widget\" data-id=\"6961ce78\" class=\"elementor-element elementor-element-6961ce78 elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"elementor-widget-container\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eGet The Reverb Sound Used On Countless Hit Songs \u0026amp; Films\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-widget_type=\"heading.default\" data-element_type=\"widget\" data-id=\"627e1e03\" class=\"elementor-element elementor-element-627e1e03 elementor-widget elementor-widget-heading\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"elementor-widget-container\"\u003e\n\u003ch1 data-mce-fragment=\"1\" class=\"elementor-heading-title elementor-size-default\"\u003eLX480 Dual-Engine Reverb V4\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-widget_type=\"text-editor.default\" data-element_type=\"widget\" data-id=\"6bf62343\" class=\"elementor-element elementor-element-6bf62343 elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"elementor-widget-container\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Definitive Recreation of a Legend\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-widget_type=\"heading.default\" data-element_type=\"widget\" data-id=\"5c9ec80c\" class=\"elementor-element elementor-element-5c9ec80c elementor-widget elementor-widget-heading\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"elementor-widget-container\"\u003e\n\u003cp data-mce-fragment=\"1\" class=\"elementor-heading-title elementor-size-default\"\u003eThe LX480 Dual-Engine Reverb Plug-in is\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ethe only sample accurate dual-engine recreation of the original hardware\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003ethat gets you that legendary reverb sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith two independent algorithmic engines you get unprecedented flexibility and creative control so you can:\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-widget_type=\"icon-list.default\" data-element_type=\"widget\" data-id=\"56f4395\" class=\"elementor-element elementor-element-56f4395 elementor-icon-list--layout-traditional elementor-list-item-link-full_width elementor-widget elementor-widget-icon-list\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"elementor-widget-container\"\u003e\n\u003cul data-mce-fragment=\"1\" class=\"elementor-icon-list-items\"\u003e\n\u003cli data-mce-fragment=\"1\" class=\"elementor-icon-list-item\"\u003e\n\u003cspan data-mce-fragment=\"1\" class=\"elementor-icon-list-icon\"\u003e\u003ci data-mce-fragment=\"1\" class=\"fas fa-check\" aria-hidden=\"true\"\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"elementor-icon-list-text\"\u003eCreate distinctive, deep \u0026amp; wide mixes that are second to none\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" class=\"elementor-icon-list-item\"\u003e\n\u003cspan data-mce-fragment=\"1\" class=\"elementor-icon-list-icon\"\u003e\u003ci data-mce-fragment=\"1\" class=\"fas fa-check\" aria-hidden=\"true\"\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"elementor-icon-list-text\"\u003eEnjoy instantly recallable unique dual-effect chains\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" class=\"elementor-icon-list-item\"\u003e\n\u003cspan data-mce-fragment=\"1\" class=\"elementor-icon-list-icon\"\u003e\u003ci data-mce-fragment=\"1\" class=\"fas fa-check\" aria-hidden=\"true\"\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"elementor-icon-list-text\"\u003eExplore hundreds of new hand-crafted premium presets to spark your imagination\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-widget_type=\"heading.default\" data-element_type=\"widget\" data-id=\"50f68f6\" class=\"elementor-element elementor-element-50f68f6 elementor-widget elementor-widget-heading\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"elementor-widget-container\"\u003e\n\u003cp data-mce-fragment=\"1\" class=\"elementor-heading-title elementor-size-default\"\u003eOnly the LX480 truly captures the width, depth, and complexity of the original, setting it apart from all other reverb plugins on the market.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-widget_type=\"heading.default\" data-element_type=\"widget\" data-id=\"a043eec\" class=\"elementor-element elementor-element-a043eec elementor-widget elementor-widget-heading\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"elementor-widget-container\"\u003e\n\u003cp data-mce-fragment=\"1\" class=\"elementor-heading-title elementor-size-default\"\u003eFinally experience the same industry-leading sound quality that top mixers and producers have trusted for years.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Relab","offers":[{"title":"Default Title","offer_id":44520114454817,"sku":"1433-855","price":273.45,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/lx480-dual-engine-reverb.jpg?v=1756465194"},{"product_id":"nugen-surround-suite-bundle","title":"NUGEN Surround Suite Bundle (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eUpmix, downmix \u0026amp; reshape multichannel sound\u003c\/h2\u003e\n\u003cdiv class=\"fl-module fl-module-rich-text fl-node-5926d3831e26c headerTwoBlocksRow\" data-node=\"5926d3831e26c\" data-animation-delay=\"0.0\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003cp\u003e\u003cstrong\u003eDefine your surround mix\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fl-module fl-module-rich-text fl-node-5926d369a2802 smallRowTextLightBackground\" data-node=\"5926d369a2802\" data-animation-delay=\"0.0\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003cp\u003eSurround Suite delivers all the control needed to define, enhance and fine-tune your surround mix to perfection. Achieve natural and coherent upmixing from stereo to 5.1 and 7.1 via Halo Upmix, take advantage of ISL's transparent True Peak limiting and SEQ-S's linear phase EQ in surround modes, and complement your surround workflow with Halo Downmix's precise and tweakable downmixing.\u003c\/p\u003e\n\u003cdiv class=\"fl-col fl-node-5926b08ca2156 fl-col-small mobileAlignLeft\" data-node=\"5926b08ca2156\"\u003e\n\u003cdiv class=\"fl-col-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-module fl-module-rich-text fl-node-5926b1d5cdf6a darkTextRowHeader whiteTriangleMiddle\" data-node=\"5926b1d5cdf6a\" data-animation-delay=\"0.0\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003cp\u003e\u003cstrong\u003eFlexible to suit your needs\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fl-col fl-node-5926b08ca21f4 fl-col-has-cols\" data-node=\"5926b08ca21f4\"\u003e\n\u003cdiv class=\"fl-col-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-col-group fl-node-5926b86d08c41 fl-col-group-nested fl-col-group-custom-width\" data-node=\"5926b86d08c41\"\u003e\n\u003cdiv class=\"fl-col fl-node-5926b86d09265 mobileAlignLeft\" data-node=\"5926b86d09265\"\u003e\n\u003cdiv class=\"fl-col-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-module fl-module-rich-text fl-node-5926b8771d2b7 checkSmallText\" data-node=\"5926b8771d2b7\" data-animation-delay=\"0.0\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003cul\u003e\n\u003cli\u003eFull access to surround balances\u003c\/li\u003e\n\u003cli\u003eRegulate low frequency content\u003c\/li\u003e\n\u003cli\u003eNo phase warping\u003c\/li\u003e\n\u003cli\u003eIndividual surround channel access\u003c\/li\u003e\n\u003cli\u003eFine-tune surround mix\u003c\/li\u003e\n\u003cli\u003eClear visual feedback\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"fl-module fl-module-rich-text fl-node-59536b1b99b34 headerTwoBlocksRow\" data-node=\"59536b1b99b34\" data-animation-delay=\"0.0\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003cp\u003e\u003cstrong\u003eNatural extension\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fl-module fl-module-rich-text fl-node-59536b1b99b8a smallRowTextLightBackground\" data-node=\"59536b1b99b8a\" data-animation-delay=\"0.0\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003cp\u003eWith unique centre channel management, including switchable dialog extraction, Halo Upmix is perfect for all types of production from archive restoration and TV through to the full 7.1 feature film experience.\u003c\/p\u003e\n\u003cp\u003eWith surround delivery requirements becoming more and more common, a tool like Halo Upmix can be indispensable. Unlike legacy upmixing practices, Halo Upmix offers full downmix compatibility. For those working in Dolby Atmos, Auro 3D and Ambisonic environments, a 3D immersive audio option is also available.\u003c\/p\u003e\n\u003cdiv class=\"fl-module fl-module-rich-text fl-node-59525e2a0807e headerTwoBlocksRow\" data-node=\"59525e2a0807e\" data-animation-delay=\"0.0\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003ch3\u003eComplement your workflow\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fl-module fl-module-rich-text fl-node-59525e2a080db smallRowTextLightBackground\" data-node=\"59525e2a080db\" data-animation-delay=\"0.0\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003cp\u003ePrecise surround control, versatile downmix balancing and mix monitoring for accelerating and enhancing your surround productivity. Halo Downmix is the glue that brings your workflow together, allowing you to deliver in surround and stereo with ease and without compromise.\u003c\/p\u003e\n\u003cdiv class=\"fl-module fl-module-rich-text fl-node-59525d68c4489 headerTwoBlocksRow\" data-node=\"59525d68c4489\" data-animation-delay=\"0.0\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003ch2\u003eTransparent, reliable\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fl-module fl-module-rich-text fl-node-59525d68c44e1 smallRowTextLightBackground\" data-node=\"59525d68c44e1\" data-animation-delay=\"0.0\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003cp\u003eNo need to second guess your sample-peak limiter time and again, or deliberately increase headroom to avoid a downstream problem. Just dial in your True Peak limit and let ISL take care of the rest.\u003c\/p\u003e\n\u003cp\u003eUnlike traditional limiters, ISL provides a TPlim control, automatically adjusting transfer curve parameters for minimally invasive brick-wall protection.\u003c\/p\u003e\n\u003cdiv class=\"fl-module fl-module-rich-text fl-node-5a79bc3eec31b headerTwoBlocksRow\" data-node=\"5a79bc3eec31b\" data-animation-delay=\"0.0\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003ch2\u003eUnparalleled flexibility\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fl-module fl-module-rich-text fl-node-5a79bc3eec379 smallRowTextLightBackground\" data-node=\"5a79bc3eec379\" data-animation-delay=\"0.0\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003cp\u003eSEQ-S gives you EQ matching up to 7.1, with stereo mid\/side operation and automated spectrum analysis. Automated EQ morphing allows for controlled scene transitions and creative sound design possibilities.\u003c\/p\u003e\n\u003cdiv data-animation-delay=\"0.0\" data-node=\"5926da2ad9cbc\" class=\"fl-module fl-module-rich-text fl-node-5926da2ad9cbc darkTextRowHeader\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003ch2\u003eFor post and broadcast\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-animation-delay=\"0.0\" data-node=\"5926da32decb5\" class=\"fl-module fl-module-rich-text fl-node-5926da32decb5 smallRowText\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003cp\u003eSurround delivery requirements are becoming more common, making a consistent surround workflow indispensable for anyone in post production. Expand your existing stereo and 5.1 mixes with zero artificial reverberation or chorusing effects, tweak and refine with True Peak limiting and powerful EQ sculpting\/matching\/morphing, and then fine-tune your downmix to ensure the best possible stereo fold-down.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fl-col fl-node-594cfda0e691c fl-col-small mobileAlignLeft\" data-node=\"594cfda0e691c\"\u003e\n\u003cdiv class=\"fl-col-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-module fl-module-rich-text fl-node-594cfda0e696f headerTwoBlocksRow\" data-node=\"594cfda0e696f\" data-animation-delay=\"0.0\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003ch2\u003eTypical applications\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fl-col fl-node-594cfda0e69c1 fl-col-small\" data-node=\"594cfda0e69c1\"\u003e\n\u003cdiv class=\"fl-col-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-module fl-module-rich-text fl-node-594cfda0e6a63 middleGreySmallText\" data-node=\"594cfda0e6a63\" data-animation-delay=\"0.0\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003cul\u003e\n\u003cli\u003eHigh quality upmixing\u003c\/li\u003e\n\u003cli\u003eCentre channel isolation\u003c\/li\u003e\n\u003cli\u003eSurround sound reshaping\u003c\/li\u003e\n\u003cli\u003ePrecise downmixing\u003c\/li\u003e\n\u003cli\u003eBroadcast limiting\u003c\/li\u003e\n\u003cli\u003eSurround EQ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"NUGEN Audio","offers":[{"title":"Default Title","offer_id":44521285157153,"sku":"1433-1026","price":1373.45,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/Bundle-Box-Shot-Surround-Tools.jpg?v=1756465197"},{"product_id":"acon-digital-verberate-immersive","title":"Acon Digital Verberate Immersive 2 (Serial Nr + Download)","description":"\u003ch2\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eExperience the Revolutionary Vivid Hall Algorithm in 3D\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eVerberate Immersive 2\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a surround reverb and a 3D capable edition of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/acondigital.com\/products\/verberate\/\"\u003eVerberate 2\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e— our algorithmic reverb plug-in that simulates real acoustical spaces with exceptional realism. Verberate Immersive 2 replaces Verberate Surround and supports all common surround and immersive formats up to 7.1.6 channels. The new\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eVivid Hall\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ealgorithm adds time variance to avoid the stiffness that plagues convolution based reverbs while preserving the natural high density reverb tails of Verberate Surround 1.\u003c\/p\u003e\n\u003cp\u003eVerberate Immersive 2 was developed in close cooperation with professionals in film and TV post production. Great efforts were made to create a tool that not only delivers best-in-class audio quality, but also delivers results quickly through a well thought out workflow. Verberate Immersive 2 offers complete and independent control over the panning of the dry sound, late reverberation and early reflections. The panners work in up to three dimensions and have adjustable divergence. The pan positions and divergences are visualized and adjusted in an intuitive way, thus simplifying automation of complex movements.\u003c\/p\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003edecay editor\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eresembles a fully parametric equalizer and allows you to set frequency dependent reverb times quickly and effortlessly. Additionally, there are integrated and fully parametric input and output equalizers, each with five bands.\u003c\/p\u003e\n\u003cp\u003eA large catalog of beautiful factory presets is delivered with Verberate Immersive 2. A\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003esearch\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ebutton allows you to find the desired preset quickly. A clear and to-the-point graphical user interface simplifies the search for a specific reverb quality.\u003c\/p\u003e\n\u003cp\u003eAcon Digital Verberate Immersive 2 is available as VST, VST3 or AAX for both Windows and Mac or as AU plug-ins for Mac. There are 32 and 64 bit versions for Windows. The Mac version is 64 bit and runs natively on both ARM (such as\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eApple M1\u003c\/strong\u003e) and Intel processors.\u003c\/p\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"product\"\u003e\n\u003cdiv class=\"content-wrapper\"\u003e\n\u003cdiv class=\"zone\"\u003e\n\u003csection class=\"product-tabs\"\u003e\n\u003cdiv class=\"tabs\"\u003e\n\u003cdiv class=\"tab\"\u003e\n\u003cdiv class=\"rich-text full-width\"\u003e\n\u003ch3\u003e\u003cstrong\u003ePlatforms and Plug-in Formats\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAvailable as VST or AAX plug-ins on PC (Windows)\u003c\/li\u003e\n\u003cli\u003eAvailable as VST, AAX or AU plug-ins on Apple Macintosh (macOS)\u003c\/li\u003e\n\u003cli\u003eNative 32 bit or 64 bit versions of all plug-ins are available\u003c\/li\u003e\n\u003cli\u003eSupports sampling rates up to 96 kHz\u003c\/li\u003e\n\u003cli\u003eSupports all common speaker layouts up to 7.1.6\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eAcon Digital Verberate Immersive 2\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTwo different late reverb algorithms: The new\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eVivid Hall\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLegacy Hall\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efrom version 1\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eVivid Hall\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis time variant and resonance free\u003c\/li\u003e\n\u003cli\u003eIndependent early reflections and reverberation tail processors\u003c\/li\u003e\n\u003cli\u003eIntegrated panners for direct signal, reverb and early reflections\u003c\/li\u003e\n\u003cli\u003eRealistic early reflections that blend into the mix without unpleasant comb filter effects\u003c\/li\u003e\n\u003cli\u003eDense late reverberation tails\u003c\/li\u003e\n\u003cli\u003eAble to model frequency dispersion in mechanical plate reverbs\u003c\/li\u003e\n\u003cli\u003eOptional swirl effect models the frequency modulated cloud-like reverb tails of vintage digital reverb units\u003c\/li\u003e\n\u003cli\u003eUncluttered user interface\u003c\/li\u003e\n\u003cli\u003eGraphical visualization of equalizer frequency response and frequency dependent reverberation times\u003c\/li\u003e\n\u003cli\u003ePreset manager and a large number of factory presets\u003c\/li\u003e\n\u003cli\u003eSave, load and categorize user presets\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tab\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"product\"\u003e\n\u003cdiv class=\"content-wrapper\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"zone\"\u003e\n\u003csection class=\"product-tabs\"\u003e\n\u003cdiv class=\"tabs\"\u003e\n\u003cdiv class=\"tab\"\u003e\n\u003cdiv class=\"rich-text full-width\"\u003e\n\u003ch3\u003e\u003cstrong\u003ePC Version (Windows)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eWindows 7 \/ 8.x \/ 10 \/ 11\u003c\/li\u003e\n\u003cli\u003eIntel Core i3 or AMD multi-core processor (Intel Core i5 or faster recommended)\u003c\/li\u003e\n\u003cli\u003e1366 x 768 display resolution (1920 x 1080 or higher recommended)\u003c\/li\u003e\n\u003cli\u003e1 GB RAM (4 GB or more recommended)\u003c\/li\u003e\n\u003cli\u003e1 GB free HD space\u003c\/li\u003e\n\u003cli\u003eA host application that is compatible with (32 bit or 64 bit) VST , VST3 or AAX (Pro Tools 10.3.5 or higher)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eMacintosh Version (macOS)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003emacOS \/ OS X 10.9 or later\u003c\/li\u003e\n\u003cli\u003eRuns natively on ARM64 and Intel\u003c\/li\u003e\n\u003cli\u003e1 GB RAM (4 GB or more recommended)\u003c\/li\u003e\n\u003cli\u003e1 GB free HD space\u003c\/li\u003e\n\u003cli\u003eA host application that is compatible with (64 bit) AU, VST, VST3 or AAX (Pro Tools 11 or higher)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfooter\u003e\n\u003cdiv class=\"content-wrapper\"\u003e\n\u003cdiv class=\"main\"\u003e\n\u003ca class=\"\" href=\"https:\/\/acondigital.com\/\"\u003e\n\u003cdiv class=\"img-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/a\u003e\n\u003cdiv class=\"links\"\u003e\n\u003cdiv class=\"quick-links\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/footer\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfooter\u003e\n\u003cdiv class=\"content-wrapper\"\u003e\n\u003cdiv class=\"main\"\u003e\n\u003cdiv class=\"links\"\u003e\n\u003cdiv class=\"quick-links\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/footer\u003e","brand":"ACON Digital","offers":[{"title":"Default Title","offer_id":44521742467361,"sku":"1433-1139","price":304.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/acon-verberate-immersive2.jpg?v=1756465206"},{"product_id":"wave-arts-panorama-7-3d-spatializer","title":"Wave Arts Panorama 7 3D spatializer (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePanorama is a virtual acoustics processor that can produce stunningly realistic auditory scenes for playback over headphones or loudspeakers. Panorama uses 3-D audio and acoustic environment modeling technology to simulate the acoustics of sound propagation in real spaces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePanorama has many possible uses, including:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3D audio production\u003c\/strong\u003e. Insert Panorama on each track in a mix, and use Panorama to pan the individual sounds around in the virtual space. This works best for headphone mixes (think of the possibilities for podcasting), but the same concept can be used for loudspeaker playback. You can use the sequencer to set up motion trajectories for the sources, or simply automate them.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo panning effects\u003c\/strong\u003e. In conventional stereo mixes, sometimes you have a sound you want to treat specially. By applying 3D processing, Panorama can be used to create a panning effect that stands out from conventional power panning.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo “auto-pan” effects\u003c\/strong\u003e. Panorama can work as a conventional stereo panner, and it has a powerful sequencer to automate pan positions. Hence you can create all sorts of modulating pan effects.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo widening\u003c\/strong\u003e. Panorama can process stereo mixes to sound very wide when played back over loudspeakers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVirtual monitoring\u003c\/strong\u003e. Panorama can be used to simulate stereo and surround playback for headphone playback.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSome of what's new in Panorama 7:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe big new feature is the position sequencer, which can be used for trajectory automation and beat-synced musical effects (auto-pan). The sequencer works by panning the sound along a set of trajectory waypoints.\u003c\/li\u003e\n\u003cli\u003eAll new UI look with dark theme.\u003c\/li\u003e\n\u003cli\u003eLarger UI area for panning, now including side and rear view options.\u003c\/li\u003e\n\u003cli\u003eLarger virtual area for panning. Previously Panorama 6 allowed from -10 to +10 feet, Panorama 7 allows from -100 to +100 feet.\u003c\/li\u003e\n\u003cli\u003eZoom in\/out control.\u003c\/li\u003e\n\u003cli\u003eSupport for SOFA format HRIRs. SOFA (Spatially Oriented Format for Acoustics) is a standard file format used for interchange of head-related impulse responses. Support for SOFA data is provided via a conversion application called Sofa2Pan that converts from SOFA format to Panorama format.\u003c\/li\u003e\n\u003cli\u003eImproved support for third-party HRIRs: HRIRs are specified by filename and are sample rate converted to the session rate when loaded.\u003c\/li\u003e\n\u003cli\u003eImplemented “Near Head Model”. This improves reproduction accuracy for positions close to head by applying additional head shadowing based on a spherical head model.\u003c\/li\u003e\n\u003cli\u003eAdded “Stereo Pan” HRIR to implement traditional stereo panning.\u003c\/li\u003e\n\u003cli\u003eAdded “Stereo Passthru” HRIR to implement proper binaural to loudspeaker conversion.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHIGHLIGHTS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHead-related impulse response (HRIR) based binaural synthesis\u003c\/li\u003e\n\u003cli\u003eEarly room reflection modeling\u003c\/li\u003e\n\u003cli\u003eLate diffuse reverberation\u003c\/li\u003e\n\u003cli\u003eDoppler pitch effect\u003c\/li\u003e\n\u003cli\u003eDistance modeling\u003c\/li\u003e\n\u003cli\u003ePosition sequencer for automating trajectories and creating musical panning effects (auto-pan)\u003c\/li\u003e\n\u003cli\u003eCrosstalk canceling based on real head models for loudspeaker playback\u003c\/li\u003e\n\u003cli\u003eSupport for SOFA format HRIRs\u003c\/li\u003e\n\u003cli\u003eSupport for user supplied HRIRs\u003c\/li\u003e\n\u003cli\u003eConventional stereo panning mode\u003c\/li\u003e\n\u003cli\u003eBinaural to loudspeaker conversion\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"product__requirements__content__intro\"\u003e\n\u003ch3\u003eREQUIREMENTS\u003c\/h3\u003e\n\u003cp\u003eRequires a host program that supports audio plug-ins. iLok licensing is supported but not required.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product__requirements__content__specs\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ch4 class=\"h5\"\u003eMACINTOSH - AU, VST3, AAX\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eOS-X 10.11 to MacOS 13 (Ventura)\u003c\/li\u003e\n\u003cli\u003eApple Silicon natively supported (AU, VST3, AAX)\u003c\/li\u003e\n\u003cli\u003eAAX - Pro Tools 11 and higher\u003c\/li\u003e\n\u003cli\u003e64-bit hosts only\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ch4 class=\"h5\"\u003eWINDOWS - VST2, VST3, AAX\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eWindows 7\/8\/10\/11\u003c\/li\u003e\n\u003cli\u003eAAX - Pro Tools 10.3.5 and higher\u003c\/li\u003e\n\u003cli\u003e32-bit and 64-bit hosts supported\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Wave Arts","offers":[{"title":"Default Title","offer_id":44522760175905,"sku":"1433-1278","price":197.1,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/wave-arts-panorama-7.jpg?v=1756465210"},{"product_id":"wave-arts-powersuite-6","title":"Wave Arts Powersuite 6 (Serial Nr + Download)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eFive plug-ins to power your mixes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"product__details\"\u003e\n\u003cdiv class=\"product__details__content\"\u003e\n\u003cdiv class=\"product__details__content__description content\"\u003e\n\u003cp\u003eCovering the essential aspects of sound design, our critically acclaimed audio plug-ins feature outstanding sound quality, exceptional CPU efficiency, stunning visual interface design, world class customer support, and tremendous value for the money.\u003c\/p\u003e\n\u003cp\u003ePower Suite 6 plug-ins run within most MacOS (AU\/VST3\/AAX) or Windows (VST3\/AAX) based music production or audio editing application.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/c-SBzda7PMg\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003ePower Suite 6 consists of the following plug-ins:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrackPlug:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ethe ultimate channel strip plug-in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMasterVerb:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003esilky smooth multi-algorithm reverb\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFinalPlug:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003epeak limiter and volume maximizer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMultiDynamics:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emulti-band dynamics control\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePanorama:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e3D binaural processor\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePower Suite 6 features compatibility with MacOS 12 Monterey, native support for Apple Silicon (AU and VST3 formats), scalable user interfaces, serial number or iLok licensing, built-in preset management.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product__details__content__aside\"\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Wave Arts","offers":[{"title":"Default Title","offer_id":44522784031009,"sku":"1433-1280","price":680.3,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/powersuite6.jpg?v=1756465216"},{"product_id":"wave-arts-masterverb-6-serial-nr-download","title":"Wave Arts MasterVerb 6 (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"product__details\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"product__details__content\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"product__details__content__description content\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eWhy is MasterVerb a great reverb?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1) It sounds great. The rooms sound natural and spacious. The plates are extremely dense. The decays are silky smooth without annoying artifacts. The reverb is clearly audible without being muddy. When applied to stereo inputs, the stereo soundstage is maintained with proper balance.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e2) It can reproduce a range of spaces. MasterVerb contains two different algorithms to generate the dense late reverberation: a hall algorithm and a plate algorithm. Each of these algorithms has independently adjustable size and decay time controls, so they can be morphed across a wide range of characteristics. The hall algorithm is intended for acoustic spaces, e.g. rooms, chambers, studios, halls, while the plate algorithms is for, well, plate reverbs. An early reflection section allows for various early reflection patterns, again with adjustable size. Wet and dry delays allow for pre-delay and other delay effects. Two three-band EQs are provided: the early EQ shapes the overall tonality of the reverb response and the late EQ shapes the frequency dependent decay. On top of that there is a triggered amplitude envelope which can generate gated and reverse reverb effects. So, there is a ton of flexibility here. MasterVerb ships with 60 presets which cover a wide range of reverbs and serve as starting points for further exploration.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e3) It’s easy to use. The interface allows you to quickly visualize the changes you are making. A reverb time response lets you see the reverb decay, early reflections, amplitude envelope, and delay settings. A 3-D frequency response plot shows the reverb decay as a function of frequency. There are graphical frequency response controls for both EQs.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e4) It’s CPU efficient. Considerable effort went into designing the low level algorithms so they could be fully automatable and also extremely CPU efficient. The result is that MasterVerb takes far less CPU than other reverb plug-ins.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/oc_16JK6yTs\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch2\u003eHIGHLIGHTS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEarly reflection section- halls, rooms, plates, chambers, echo, cathedral, nightclub, ping-pong\u003c\/li\u003e\n\u003cli\u003eTwo late reverb algorithms – Hall (for all sizes of rooms) and Plate (for super dense plate reverbs)\u003c\/li\u003e\n\u003cli\u003e3-band EQs for early and late frequency response adjustment\u003c\/li\u003e\n\u003cli\u003eEarly\/late and wet\/dry controls for adjusting mix\u003c\/li\u003e\n\u003cli\u003eTriggered envelope control for special effects such as gated and reverse reverb\u003c\/li\u003e\n\u003cli\u003eGraphical “character” control allows you to quickly adjust the size and decay time of the space\u003c\/li\u003e\n\u003cli\u003eTime response plot showing delays, early reflections, late reverb, and envelope\u003c\/li\u003e\n\u003cli\u003e3-D frequency response plot of reverb decay\u003c\/li\u003e\n\u003cli\u003eOver 60 presets\u003c\/li\u003e\n\u003cli\u003eNo latency\u003c\/li\u003e\n\u003cli\u003eFully automatable\u003c\/li\u003e\n\u003cli\u003eUp to 192 kHz support\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"product__requirements__content__intro\"\u003e\n\u003ch3\u003eREQUIREMENTS\u003c\/h3\u003e\n\u003cp\u003eRequires a host program that supports audio plug-ins. iLok licensing is supported but not required.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product__requirements__content__specs\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ch4 class=\"h5\"\u003eMACINTOSH - AU, VST3, AAX\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eOS-X 10.11 to MacOS 13 (Ventura)\u003c\/li\u003e\n\u003cli\u003eApple Silicon natively supported (AU, VST3, AAX)\u003c\/li\u003e\n\u003cli\u003eAAX - Pro Tools 11 and higher\u003c\/li\u003e\n\u003cli\u003e64-bit hosts only\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ch4 class=\"h5\"\u003eWINDOWS - VST3, AAX\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eWindows 7\/8\/10\/11\u003c\/li\u003e\n\u003cli\u003eAAX - Pro Tools 10.3.5 and higher\u003c\/li\u003e\n\u003cli\u003e32-bit and 64-bit hosts supported\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Wave Arts","offers":[{"title":"Default Title","offer_id":44522831184161,"sku":"1433-1276","price":168.8,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/wavearts-masterreverb6.jpg?v=1756465217"},{"product_id":"inspired-acoustics-inspirata-immersive-reverb","title":"Inspired Acoustics Inspirata Immersive Reverb (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eINSPIRATA™ \u003c\/strong\u003eis the ultimate next-generation immersive reverb workstation providing you total acoustic freedom.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eINSPIRATA™ Immersive Edition*\u003c\/strong\u003e is an immersive reverb workstation providing flexibility never before seen in sampled reverbs. The Immersive Edition is the flagship version of the INSPIRATA product family supporting surround configurations up to 22.2 and ships with a growing content library created at unprecedented spatial resolution to match even the most demanding applications. INSPIRATA Immersive also comes with a lifetime plan to receive all future room content created by Inspired Acoustics at no charge.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eWith INSPIRATA, you can:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul type=\"disc\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eChoose from a wide variety of real, acoustic spaces sampled in unprecedented detail. Iconic concert halls, theatres, places of worship, simple and natural domestic spaces and unique venues for postproduction.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMove around your sound sources and listener position in the selected space until finding the sweet spot for your mix. Work as if you were physically in that room, positioning the sound sources, or instruments, where you want, and listen from where you want.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAdjust real acoustic parameters that define the acoustic properties of a space and that truly matter to our hearing.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eChoose from a massive list of surround mix options up to 22.2, including Dolby Atmos® (available configurations vary between different Editions of INSPIRATA™).\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePlace multiple sound sources in the selected space (maximum number varies between different Editions of INSPIRATA™)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAutomate parameters and even microphone and sound source positions in real time with smooth and artifact-free operation.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eINSPIRATA™ comes in AAX, VST3 and AU plugin formats supporting all major DAWs.\u003c\/p\u003e\n\u003cp\u003eINSPIRATA™ is the culmination of many years of research and development by practicing acoustic consultants. The goal was to create a shockingly realistic and immersive sound experience that included tools and measurements previously only taken into account by acoustic professionals. From those years of research, data evaluation and testing comes INSPIRATA, the ultimate next-generation reverb workstation.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eVast content library for music and post production\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFrom the pristine sounds of historic spaces, lush reverberant environments of medieval cathedrals to legendary music clubs, INSPIRATA comes with a growing library of real space content. Many are available for the first time in history and many of them have never been experienced in such detail.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eLimitless positioning, smooth movement\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eMoving virtual sound sources on stage or adjusting the listener position using a sample-based reverb processor was not possible without limitations, until now. In a musical context, now you can move your sound sources and listener to find the optimum recording and mixing locations. Move an instrument slightly backwards on stage for a better balance, or move it closer for more clarity.\u003c\/p\u003e\n\u003cp\u003eIn post-production you can use INSPIRATA to automate the movement of your sound sources in every space, from close to far, left to right, as well as any of the acoustical parameters. The sound will instantly follow and sound the same as if you were in the space - only without the environmental noise. This unprecedented feature makes INSPIRATA a true workstation for spatial sound.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eRevolutionary spatial controls\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eIn INSPIRATA, we make it possible for you to control parameters that really matter to your ears - you can directly adjust acoustics and the sound of the space instead of the indirect properties that have no change to the sound. Gone is the time when you needed to bother with hall size, wall diffusion or decorrelation only to get different results in each space. You now have full and independent control on how wide your sound source is in the space, how much of the blended sound reaches you, and how much it envelopes around your ears. Spatial room acoustical parameters such as apparent source sound width (ASW) and listener envelopment (LEV) are controllable for the first time directly in any reverberation solution. In addition to these revolutionary controls, you can also adjust the orientation of your speaker feeds in space - facing your stereo or surround setup to any direction. And you can change and automate all of these in real time.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eDirect control of sound clarity\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eIn INSPIRATA, reverberation time and sound clarity are adjustable independently, in each space, using a single dedicated control for each. Despite these parameters not being totally independent, INSPIRATA pushes the limits and optimizes the reflections one-by-one to match the desired settings. The basis of the method of changing sound clarity (C80) has been published in an award-winning research paper by our team, and for the first time, it is now available in a real-time implementation.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eControls of the reverberation time\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eReverberation time, the mother of all acoustic parameters, is an important aspect of how long the decay lasts. But there is no single reverberation time in a hall, and no single number at a given frequency. In natural spaces, the reverberation time varies slightly location-by-location, and this is fully preserved in INSPIRATA. Not only is the variation reproduced to accuracy, but also the non-exponential nature of the decay of natural spaces to a dynamic range fully covering the theoretical possibilities of sound reproduction.\u003c\/p\u003e\n\u003cp\u003eIn real spaces, there is not only a spatial but also a frequency dependency of the reverberation time. Deep tones usually reverberate for a longer time while higher-pitched sounds fade away more promptly – due to, for example, the absorption of the sound of the air in large volumes. The frequency-dependent nature of the reverberation time directly affects the overall tonal footprint of your sound. By using intuitive controls for setting the reverberation time in a frequency-dependent nature or by tilting the controls to be more bass or treble-heavy, you can fine-tune how the space matches your mix with just a few clicks and achieve a level of warmth or brightness otherwise unimaginable.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eSurround Support\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eINSPIRATA supports multi-channel audio by design. With INSPIRATA you can upmix your mono sound source to a wide variety of 3D surround configurations. The upmixing is done by the natural acoustic space itself. You can apply reverberation to surround audio or multi-channel audio for instruments or instrument groups, and deliver in any surround format that you desire with just a few single clicks.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eINSPIRATA supports AAX, VST3 and AU formats supporting all major DAWs.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSystem requirements and recommendations\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3\u003eCPU\u003c\/h3\u003e\n\u003cp\u003eInspirata Lite and Personal editions: Intel Core i5 or equivalent or better.\u003c\/p\u003e\n\u003cp\u003eInspirata Professional and Immersive editions: Intel Core i7 or equivalent or better.\u003c\/p\u003e\n\u003ch3\u003eMemory (RAM) and hard disk space\u003c\/h3\u003e\n\u003cp\u003eInspirata Lite edition: minimum 4 GB RAM and 12 GB free disk space.\u003c\/p\u003e\n\u003cp\u003eInspirata Personal edition: minimum 4 GB RAM and 207 GB free disk space.\u003c\/p\u003e\n\u003cp\u003eInspirata Professional and Immersive editions: minimum 8 GB RAM and minimum 207 GB free disk space. Assume approximately 350 MB of RAM requirement per sound source.\u003c\/p\u003e\n\u003cp\u003eNote that the room content can be installed on a separate folder and\/or partition and\/or hard disk than the plugin. The plugin itself requires 0.3 GB of disk space.\u003c\/p\u003e\n\u003ch3\u003eOperating system\u003c\/h3\u003e\n\u003cp\u003eWindows 10 or later or Mac OSX 10.11 (El Capitan) or later. For Mac OSX 11 (Big Sur) please check the compatibility of your DAW before upgrading.\u003c\/p\u003e\n\u003cp\u003eINSPIRATA will very likely run without problems on any operating system where your DAW is running without issues, such as previous versions of Windows or Mac OSX. Since we have not tested INSPIRATA on every operating system available, you can make sure your system is compatible by trying one of the trial versions.\u003c\/p\u003e\n\u003ch3\u003eHost\u003c\/h3\u003e\n\u003cp\u003eVST3, AAX or AU 64-bit capable digital audio workstation (DAW) host\u003c\/p\u003e","brand":"Inspired Acoustics","offers":[{"title":"Default Title","offer_id":44523012030753,"sku":"1433-1631","price":3054.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/Inspirata-Immersive.jpg?v=1756465219"},{"product_id":"psp-2445-emt","title":"PSP 2445 EMT Reverb Processor Plug-In (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePSP 2445\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEMT\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003eis a reverb processor plug-in inspired by two legendary early digital age reverberators: the EMT® 244 and the EMT® 245. PSP thoroughly researched how to bring the specific features of those simple, yet very musical sounding reverbs to life as a plug-in.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/dSUzmL6jSVM\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe then improved from the originals with a handy set of parameters to control details of the sound and mix the reverb not available in the original hardware.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePSP 2445\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis capable of processing using one selected engine or both of them simultaneously.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe reverb algorithms implemented in\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePSP 2445\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eare based on original algorithms designed by\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.blesser.net\/index.html\" data-mce-fragment=\"1\" data-mce-href=\"http:\/\/www.blesser.net\/index.html\" target=\"_blank\"\u003eDr. Barry Blesser\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(one of the grandfathers of the digital audio revolution). Thanks to Dr. Barry’s extensive consultation and support, our algorithms sound as good as the originals and plug-in could be officially endorsed by\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/emt-international.ch\/\" data-mce-fragment=\"1\" data-mce-href=\"http:\/\/emt-international.ch\/\" target=\"_blank\"\u003eEMT Studiotechnik GmbH\u003c\/a\u003e.\u003c\/p\u003e\n\u003cdiv data-bs-parent=\"#panels\" aria-labelledby=\"system-requirements-heading\" id=\"system-requirements-body\" x-collapse=\"\" x-show=\"isOpen('system-requirements')\"\u003e\n\u003cdiv class=\"p-4 space-y-4\"\u003e\n\u003cdiv class=\"left prose max-w-none   max-w-none\"\u003e\n\u003cp\u003eIn order to run PSP 2445 EMT in \u003ca href=\"http:\/\/www.pspaudioware.com\/support\/activation\/\"\u003e\u003cstrong\u003e\u003cu\u003e30-day trial mode\u003c\/u\u003e\u003c\/strong\u003e\u003c\/a\u003e or \u003ca href=\"http:\/\/www.pspaudioware.com\/support\/activation\/\"\u003e\u003cstrong\u003e\u003cu\u003eactivate it\u003c\/u\u003e\u003c\/strong\u003e\u003c\/a\u003e, you\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003edon't need\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eany hardware dongle but you need \u003cstrong\u003ean iLok user ID\u003c\/strong\u003e which you can create for free at \u003ca href=\"https:\/\/www.ilok.com\/\" target=\"_blank\"\u003e\u003cstrong\u003e\u003cu\u003ewww.ilok.com\u003c\/u\u003e\u003c\/strong\u003e\u003c\/a\u003e, and you need to install the free iLok License Manager application.\u003c\/p\u003e\n\u003cp class=\"\"\u003eYou can activate the license\u003cstrong\u003e in 3 separate locations\u003c\/strong\u003e, each of which can be either a computer or an iLok dongle (2nd generation or above). You can move these licenses at any time using PACE's iLok License Manager software.\u003c\/p\u003e\n\u003ch2\u003eSystem Requirements\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003ePC\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eVST3\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eWindows 7 – Windows 11\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e64-bit VST3 compatible application\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eVST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eWindows 7 – Windows 11\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e64-bit VST compatible application\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eAAX\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eWindows 7 – Windows 11\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e64-bit Pro Tools 11, 12 or Pro Tools HD 11, 12 or Pro Tools Ultimate\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eAll DAWs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eThe latest iLok License Manager application installed \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003emacOS Intel or macOS Silicon\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eAudioUnit\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003emacOS 10.10 – macOS 12.01 Monterey\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e64-bit AudioUnit compatible host application\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eVST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003emacOS 10.10 – macOS 12.01 Monterey\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e64-bit VST compatible host application\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eVST3\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003emacOS 10.10 – macOS 12.01 Monterey\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e64-bit VST3 compatible host application\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eAAX\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003emacOS 10.10 – macOS 12.01 Monterey\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e64-bit Pro Tools 11, 12 or Pro Tools HD 11, 12 or Pro Tools Ultimate\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eAll DAWs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eUp to date iLok License Manager application installed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eVST and VST3 are trademarks and software of Steinberg Media Technologies GmbH. AAX and Pro Tools are trademarks or registered trademarks of Avid Technology, Inc. AudioUnit, OSX and macOS and macOS Silicon are trademarks of Apple Inc. iLok is a treadmark of PACE Anti-Piracy, Inc.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"PSP Audioware","offers":[{"title":"Default Title","offer_id":44523226988833,"sku":"1433-1193","price":227.65,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/PSP_2445_EMT.jpg?v=1756465219"},{"product_id":"fabfilter-total-bundle-14-plug-ins-serial-nr-download","title":"Fabfilter Total Bundle (14 Plug-Ins)  (Serial Nr + Download)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Total Bundle is a set of all FabFilter plug-ins. With this bundle, you get our professional EQ, reverb, compressor, multiband dynamics, limiter, de-esser and gate\/expander, creative multiband distortion, delay, filter and synthesizer plug-ins.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn this bundle:\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2 class=\"title\"\u003eFabFilter Twin 3\u003c\/h2\u003e\n\u003cp\u003eFabFilter Twin 3 is a new major version of our Twin synthesizer plug-in, introducing an extensive FX section, improved sound quality, an arpeggiator and much more.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 class=\"title no-margin\"\u003eFabFilter Pro-Q 3\u003c\/h2\u003e\n\u003cspan\u003e\u003c\/span\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"description\"\u003eHigh-quality EQ plug-in\u003c\/p\u003e\n\u003cp class=\"description\"\u003e \u003c\/p\u003e\n\u003ch2 class=\"title no-margin\"\u003eFabFilter Pro-R\u003c\/h2\u003e\n\u003cspan\u003e\u003c\/span\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"description\"\u003eHigh-end reverb plug-in\u003c\/p\u003e\n\u003cp class=\"description\"\u003e \u003c\/p\u003e\n\u003ch2 class=\"title no-margin\"\u003eFabFilter Pro-L 2\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"description\"\u003eFeature-packed true peak limiter plug-in\u003c\/p\u003e\n\u003cbr\u003e\n\u003ch2 class=\"title no-margin\"\u003eFabFilter Pro-C 2\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"description\"\u003eProfessional compressor plug-in\u003c\/p\u003e\n\u003ch2 class=\"p1\" data-mce-fragment=\"1\"\u003eFabFilter Pro-MB\u003c\/h2\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eProfessional multi-band compressor and expander\u003c\/p\u003e\n\u003ch2 class=\"p1\" data-mce-fragment=\"1\"\u003eFabFilter Pro-DS\u003c\/h2\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eIntelligent de-esser\u003c\/p\u003e\n\u003ch2 class=\"p1\" data-mce-fragment=\"1\"\u003eFabFilter Pro-G\u003c\/h2\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eFlexible gate\/expander plug-in\u003c\/p\u003e\n\u003ch2 class=\"p1\" data-mce-fragment=\"1\"\u003eFabFilter Saturn 2\u003c\/h2\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eMultiband distortion\/saturation plug-in\u003c\/p\u003e\n\u003ch2 class=\"p1\" data-mce-fragment=\"1\"\u003eFabFilter Timeless 3\u003c\/h2\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eVintage tape delay plug-in\u003c\/p\u003e\n\u003ch2 class=\"p1\" data-mce-fragment=\"1\"\u003eFabFilter Volcano 3\u003c\/h2\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003ePowerful filter plug-in\u003c\/p\u003e\n\u003ch2 class=\"p1\" data-mce-fragment=\"1\"\u003eFabFilter One\u003c\/h2\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eSimple synthesizer plug-in\u003c\/p\u003e\n\u003ch2 class=\"p1\" data-mce-fragment=\"1\"\u003eFabFilter Simplon\u003c\/h2\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eBasic filter plug-in\u003c\/p\u003e\n\u003ch2 class=\"p1\" data-mce-fragment=\"1\"\u003eFabFilter Micro\u003c\/h2\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eMini filter plug-in\u003c\/p\u003e\n\u003cbr\u003e","brand":"Fabfilter","offers":[{"title":"Default Title","offer_id":44525983564065,"sku":"1433-371","price":1633.2,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/fabfilter-total-bundle.jpg?v=1756465220"},{"product_id":"fabfilter-essentials-bundleserial-nr-download","title":"Fabfilter Essentials Bundle(Serial Nr + Download)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Essentials Bundle gets you FabFilter's most essential mixing tools: our professional EQ, reverb and compressor.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"h2 title section-title\"\u003ePlug-ins in this bundle\u003c\/h2\u003e\n\u003cdiv class=\"columns\"\u003e\n\u003carticle class=\"column-4-1 article-item\"\u003e\n\u003cdiv class=\"article-description\"\u003e\n\u003ch2 class=\"title no-margin\"\u003eFabFilter Pro-Q 3\u003c\/h2\u003e\n\u003cp class=\"description\"\u003eHigh-quality EQ plug-in\u003c\/p\u003e\n\u003cfooter class=\"article-price\"\u003e\u003ca class=\"button button-ghost\" href=\"https:\/\/www.fabfilter.com\/shop\/pro-q-3-equalizer-plug-in\" itemprop=\"url\"\u003e\u003c\/a\u003e\u003c\/footer\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003carticle class=\"column-4-1 article-item\"\u003e\u003ca href=\"https:\/\/www.fabfilter.com\/shop\/pro-r-reverb-plug-in\"\u003e\u003c\/a\u003e\n\u003cdiv class=\"article-description\"\u003e\n\u003ch2 class=\"title no-margin\"\u003eFabFilter Pro-R\u003c\/h2\u003e\n\u003cp class=\"description\"\u003eHigh-end reverb plug-in\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003carticle class=\"column-4-1 article-item\"\u003e\u003ca href=\"https:\/\/www.fabfilter.com\/shop\/pro-c-2-compressor-plug-in\"\u003e\n\u003cdiv class=\"article-item-image no-margin\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/a\u003e\n\u003cdiv class=\"article-description\"\u003e\n\u003ch2 class=\"title no-margin\"\u003eFabFilter Pro-C 2\u003c\/h2\u003e\n\u003cp class=\"description\"\u003eProfessional compressor plug-in\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e","brand":"Fabfilter","offers":[{"title":"Default Title","offer_id":44526017970465,"sku":"1433-786","price":640.15,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/files\/FabFilter-Essentials-Bundle.jpg?v=1756465221"},{"product_id":"apogee-clearmountains-domain-fx-signal-chain-plug-ins-serial-nr-download","title":"Apogee Clearmountain's Domain FX Signal Chain Plug-Ins (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"elementor-heading-title elementor-size-default\"\u003e\u003cstrong\u003eBob Clearmountain’s Personalized FX Signal Chain Recreated in a Simple, Powerful Plugin\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFor decades, engineers, producers, and musicians have marveled at Bob Clearmountain’s\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.allmusic.com\/artist\/bob-clearmountain-mn0000063906\/credits\"\u003emixes\u003c\/a\u003e. Recordings by iconic artists like David Bowie, Chic, Roxy Music, The Rolling Stones, Bruce Springsteen, Bryan Adams, INXS, and so many more, are prime examples of how Clearmountain’s work elevated the role of “the mixer” to that of an essential creative partner in the process of making records. Clearmountain’s ability to build a soundscape and atmosphere where voices and instruments seem to effortlessly live in an intimate space but all blend together seamlessly set new standards for mixing. And, his artistry and passion to reveal the true character of the song and highlight the emotion of the music, gets to the heart of what inspired the song from its inception.\u003c\/p\u003e\n\u003cp\u003eWhile this is a craft honed over a career of many experiences, accomplishments and hit records, there are secrets that can be shared and Clearmountain’s Domain offers one of Bob’s most refined and important techniques in a simple and streamlined plugin.\u003c\/p\u003e\n\u003cp\u003eApogee’s Clearmountain’s Domain plugin reproduces Bob Clearmountain’s personalized FX signal chain for creating the cohesive spaces, expansive dimensions, and rich atmospheres where his\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.allmusic.com\/artist\/bob-clearmountain-mn0000063906\/credits\"\u003emixes\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003elive. Classic presets help you to recreate the sonic environment of your favorite Clearmountain mixes. Advanced views reveal Clearmountain’s decades of expertise and empower you to create your own musical mix domain.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cp\u003eClearmountain’s Personalized FX Signal Flow\u003c\/p\u003e\n\u003cp\u003e• Pre Delay\/Reverb De-esser\u003cbr\u003e• Pre Delay\/Reverb EQ\u003cbr\u003e• Stereo Delay with Spin Time Compensation\u003cbr\u003e• Delay Blur (Saturation)\u003cbr\u003e• Stereo Unison to Octave Pitch-Shift\u003cbr\u003e• Clearmountain Spaces Convolution Reverbs\u003cbr\u003e• FX Mixer\u003c\/p\u003e\n\u003cp\u003eClearmountain’s Classic Presets\u003cbr\u003eClearmountain Spaces, Convolution Reverbs\u003cbr\u003eReal Time FX Visualizer\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"elementor-element elementor-element-e904efc elementor-widget elementor-widget-heading\" data-id=\"e904efc\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch2 class=\"elementor-heading-title elementor-size-default\"\u003eClearmountain’s Hardware FX Workflows Made Accessible in your DAW\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-element elementor-element-1aa4cbe elementor-widget elementor-widget-text-editor\" data-id=\"1aa4cbe\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"elementor-text-editor elementor-clearfix\"\u003e\n\u003cp\u003eOver decades of mixing hit songs, Clearmountain has developed a complex and personalized hardware FX signal chain for creating the imaginary soundscapes where musical elements each have their own space and dimension, but remain cohesive to the whole. This FX signal chain, developed over decades, involves an entire studio’s worth of hardware gear – live echo chambers, delays, harmonizers, de-essers, EQs and a large format SSL analog mixing console. And lots of patch cords…so many patch cords! Reproducing this complicated interconnection of hardware using individual plugins in a DAW proved to be almost impossible. With Clearmountain’s Domain, it’s refreshingly simple to achieve Bob’s results with a mere click on a preset.\u003c\/p\u003e\n\u003cdiv class=\"elementor-element elementor-element-8d15e0e elementor-widget elementor-widget-heading\" data-id=\"8d15e0e\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch2 class=\"elementor-heading-title elementor-size-default\"\u003eClassic presets make it easy to access iconic Clearmountain sounds and create your own\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-element elementor-element-21dae79 elementor-widget elementor-widget-text-editor\" data-id=\"21dae79\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"elementor-text-editor elementor-clearfix\"\u003e\n\u003cp\u003eThanks to the Clearmountain Classic presets, you don’t need an Engineering degree to get started – instead, start with the awe-inspiring sounds you know and love from your favorite Clearmountain mix! \u003c\/p\u003e\n\u003cp\u003eBob has carefully created each preset based on specific instruments and processing from his extensive catalog of timeless hit mixes. Looking to nail the Bowie “Let’s Dance” guitar and vocal delay or the Springsteen “Born in the USA” snare sound? Simply load the presets!\u003c\/p\u003e\n\u003cdiv data-widget_type=\"heading.default\" data-element_type=\"widget\" data-id=\"fac3dbf\" class=\"elementor-element elementor-element-fac3dbf elementor-widget elementor-widget-heading\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch2 class=\"elementor-heading-title elementor-size-default\"\u003eCustom Impulse Responses of Clearmountain's Reverb Spaces\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection data-element_type=\"section\" data-id=\"7b82b97\" class=\"elementor-section elementor-inner-section elementor-element elementor-element-7b82b97 elementor-section-content-middle elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-particle-mobile-disabled=\"false\" data-particle_enable=\"false\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-row\"\u003e\n\u003cdiv data-element_type=\"column\" data-id=\"9081ae2\" class=\"elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-9081ae2\"\u003e\n\u003cdiv class=\"elementor-column-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-widget-wrap\"\u003e\n\u003cdiv data-widget_type=\"text-editor.default\" data-element_type=\"widget\" data-id=\"2bf0478\" class=\"elementor-element elementor-element-2bf0478 elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"elementor-text-editor elementor-clearfix\"\u003e\n\u003cp\u003eEarlier in his career, Bob leaned heavily on physical rooms and chambers for realistic and unique reverb – for example, the custom designed echo chambers at his MixThis studios in Los Angeles. Once convolution reverb technology allowed him to “capture” the characteristics of his favorite rooms as digital impulse response files, he was free to use all his favorite spaces no matter their location. With Clearmountain’s Domain, you now have access to these spaces, the very ones used on countless hit mixes.\u003c\/p\u003e\n\u003cdiv class=\"elementor-element elementor-element-7ec6c8d elementor-widget elementor-widget-heading\" data-id=\"7ec6c8d\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch2 class=\"elementor-heading-title elementor-size-default\"\u003eSystem Requirements\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-element elementor-element-89a33a5 elementor-widget elementor-widget-text-editor\" data-id=\"89a33a5\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"elementor-text-editor elementor-clearfix\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cb\u003eMac:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003emacOS 10.12.6 and higher\u003c\/li\u003e\n\u003cli\u003e4 GB minimum RAM, 8GB of higher recommended\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.ilok.com\/#!registration\"\u003eFree Pace iLok account\u003c\/a\u003e – physical iLok not required\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cb\u003eWindows:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eWindows 10 and higher\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e4 GB minimum RAM, 8 GB or higher recommended\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/www.ilok.com\/#!registration\"\u003e\u003cspan\u003eFree Pace iLok account\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e – physical iLok not required\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003eAAX Native, AU, VST or VST 3 Compatible Host Application\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Apogee","offers":[{"title":"Default Title","offer_id":44629878866209,"sku":"1433-1229","price":599.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/CD-Mixer-_1.jpg?v=1756465231"},{"product_id":"nugen-audio-mastercheck-serial-nr-download","title":"NUGEN Audio Mastercheck (Serial Nr + Download)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"fl-module fl-module-rich-text fl-node-5926d3831e26c headerTwoBlocksRow\" data-node=\"5926d3831e26c\" data-animation-delay=\"0.0\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003ch2\u003eAre your masters ready for streaming?\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eMix \u0026amp; master for the listener\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fl-module fl-module-rich-text fl-node-5926d369a2802 smallRowTextLightBackground\" data-node=\"5926d369a2802\" data-animation-delay=\"0.0\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003cp\u003eMasterCheck is the complete optimisation solution for today’s delivery services, a plug-in providing the tools to make sure your music reaches the listener as intended. Streaming apps, download stores and podcasts all use data compression, loudness normalisation or both. These processes can affect your track in undesirable ways: your loud, punchy mix could end up quiet and flat, or suffer clipping and distortion.\u003c\/p\u003e\n\u003cp\u003eMasterCheck reveals these problems ahead of time, and enables you to deliver masters perfectly tuned for specific playout systems.\u003c\/p\u003e\n\u003cp\u003e MasterCheck demonstrates the effects of loudness normalisation so you can find the sweet spot between perceived loudness and dynamics, and allows you to hear artefacts introduced by the encoding process ahead of time. You can quickly find the point where these processes will start to negatively impact the music, putting you back in control.\u003c\/p\u003e\n\u003ch2\u003eAudition Codecs\u003c\/h2\u003e\n\u003cdiv data-animation-delay=\"0.0\" data-node=\"5926b3c337a79\" class=\"fl-module fl-module-rich-text fl-node-5926b3c337a79 checkSmallText2\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003cp\u003eHow do people listen to your output? You work hard to deliver masters that sound great at home, in the car or on earbuds, but that’s only half the story. How does your music sound on Spotify, Apple Music, Tidal, SoundCloud or YouTube?\u003c\/p\u003e\n\u003cp\u003eAll major online services encode your music, using different specs and formats depending on the playback device, the connection speed, or even whether the user is a “basic” or “premium” customer. Hot mixes can introduce True Peak overs that will clip on playback. MasterCheck detects these errors, and you’ll be able to hear obvious frequency masking and other artefacts. You can monitor the following codecs, with presets for specific streaming services:\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-node=\"5926b86d08c41\" class=\"fl-col-group fl-node-5926b86d08c41 fl-col-group-nested fl-col-group-custom-width\"\u003e\n\u003cdiv data-node=\"5926b86d09265\" class=\"fl-col fl-node-5926b86d09265 mobileAlignLeft\"\u003e\n\u003cdiv class=\"fl-col-content fl-node-content\"\u003e\n\u003cdiv data-animation-delay=\"0.0\" data-node=\"5926b8771d2b7\" class=\"fl-module fl-module-rich-text fl-node-5926b8771d2b7 checkSmallText\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003cul\u003e\n\u003cli\u003eOgg Vorbis\u003c\/li\u003e\n\u003cli\u003eFLAC\u003c\/li\u003e\n\u003cli\u003eOpus\u003c\/li\u003e\n\u003cli\u003eAAC-LC\u003c\/li\u003e\n\u003cli\u003eHE-AACv1 (AAC+)\u003c\/li\u003e\n\u003cli\u003eHE-AACv2 (DAB+)\u003c\/li\u003e\n\u003cli\u003eMP3\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"fl-col fl-node-5926cda574fb5 fl-col-small mobileAlignLeft columnTextTransferFirstLeft\" data-node=\"5926cda574fb5\"\u003e\n\u003cdiv class=\"fl-col-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-module fl-module-rich-text fl-node-5926cdcc9c35e headerTwoBlocksRow titleTransferFirst\" data-node=\"5926cdcc9c35e\" data-animation-delay=\"0.0\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003ch3\u003eReference \u0026amp; comparison\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fl-module fl-module-rich-text fl-node-5926cde32fa70 smallRowTextLightBackground\" data-node=\"5926cde32fa70\" data-animation-delay=\"0.0\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003cp\u003eVia the 'External ref' function, MasterCheck allows you to A\/B with reference material in order to check differences in loudness, PLR and True Peak measurements. If you wish, you can use 'Offset to match' to match the loudness for a direct comparison.\u003c\/p\u003e\n\u003cp\u003e'Offset to match' can also be used to remove loudness from an FX chain. This can be useful for evaluating the impact of signal processing, without being influenced by the 'feel good factor' of increased loudness.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fl-col fl-node-5926cda57501e fl-col-small mobileAlignLeft imageColumnTransferFirstRight\" data-node=\"5926cda57501e\"\u003e\n\u003cdiv class=\"fl-col-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-module fl-module-photo fl-node-5926ce4f85225\" data-node=\"5926ce4f85225\" data-animation-delay=\"0.0\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-photo fl-photo-align-center\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/ImageObject\"\u003e\n\u003cdiv class=\"fl-photo-content fl-photo-img-png\"\u003e\u003cimg class=\"fl-photo-img wp-image-7670 size-full\" src=\"https:\/\/nugenaudio.com\/wp-content\/uploads\/2018\/01\/Reference-1.png\" alt=\"Reference\" height=\"197\" width=\"193\" itemprop=\"image\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"fl-photo-content fl-photo-img-png\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"fl-photo-content fl-photo-img-png\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"fl-module fl-module-rich-text fl-node-5ac5fe6b2e414 headerTwoBlocksRow titleTransferSecond\" data-node=\"5ac5fe6b2e414\" data-animation-delay=\"0.0\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003ch3\u003eFlexible workflow\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fl-module fl-module-rich-text fl-node-5ac5fe6b2e417 smallRowTextLightBackground\" data-node=\"5ac5fe6b2e417\" data-animation-delay=\"0.0\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003cp\u003eWith a resizable interface and many user configurable options, MasterCheck can easily be adjusted to suit any situation. Dynamic colour splits for PLR can be set to indicate desirable ranges, and meter splits can be easily set to show 'safe zones' which indicate inter-sample peaks and so on.\u003c\/p\u003e\n\u003cdiv data-animation-delay=\"0.0\" data-node=\"598432b524c39\" class=\"fl-module fl-module-rich-text fl-node-598432b524c39 darkTextRowHeader\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003ch2\u003eFor mastering\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-animation-delay=\"0.0\" data-node=\"598432b524c8b\" class=\"fl-module fl-module-rich-text fl-node-598432b524c8b smallRowText\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003cp\u003ePlayout services essentially have a ‘letter box’ through which they deliver your audio; if it doesn’t slide through then the service will force it to fit. A super-loud master might win the loudness war on CD, but will simply be turned down on any major streaming service. This leaves valuable headroom which you could have used for transient detail and punch.\u003c\/p\u003e\n\u003cp\u003eIt is important to be aware of how True Peak clipping can cause downstream distortion in encoded audio. Heavy compression will result in audible 'fizzing' and loss of stereo definition, especially with lower quality codecs.\u003c\/p\u003e\n\u003cdiv class=\"fl-module fl-module-rich-text fl-node-598432c5b648d darkTextRowHeader\" data-node=\"598432c5b648d\" data-animation-delay=\"0.0\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003ch2\u003eFor mixing\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fl-module fl-module-rich-text fl-node-598432c5b64de smallRowText\" data-node=\"598432c5b64de\" data-animation-delay=\"0.0\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003cp\u003eThe most popular streaming platforms now only differ by 3 LU between the loudest and quietest target for normalisation. Clearly there is no benefit in mixing louder than the loudest platform, at which point all platforms will be turning down your audio.\u003c\/p\u003e\n\u003cp\u003eMuch of this is primarily a concern for the mastering engineer, but if you over-compress a mix then the mastering engineer has nowhere to go. If you compress above a platform's target level, transients lost cannot be regained at a later stage. Try using MasterCheck to audition at the service playout level to hear your mix in context.\u003c\/p\u003e\n\u003cdiv data-node=\"58e21f3dcf62b\" class=\"fl-col fl-node-58e21f3dcf62b fl-col-small\"\u003e\n\u003cdiv class=\"fl-col-content fl-node-content\"\u003e\n\u003cdiv data-animation-delay=\"0.0\" data-node=\"58e21f749099e\" class=\"fl-module fl-module-rich-text fl-node-58e21f749099e headerTwoBlocksRow\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003ch2\u003eProduct specifications\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-node=\"58e21f3dcf6e5\" class=\"fl-col fl-node-58e21f3dcf6e5 fl-col-small\"\u003e\n\u003cdiv class=\"fl-col-content fl-node-content\"\u003e\n\u003cdiv data-animation-delay=\"0.0\" data-node=\"58e21ff69672e\" class=\"fl-module fl-module-rich-text fl-node-58e21ff69672e systemRequirementsFont\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003cp\u003e\u003cspan\u003eAvailable formats\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-animation-delay=\"0.0\" data-node=\"58e22053748e9\" class=\"fl-module fl-module-rich-text fl-node-58e22053748e9 productSpecificationsText\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003cp\u003eWe support AAX, VST3, AU and AudioSuite in 64-bit.\u003c\/p\u003e\n\u003cp\u003eNUGEN Audio is in the process of phasing out some older plug-in formats. Our most recently updated products no longer support 32-bit or RTAS\/VST2. Customers who still wish to use these formats can download a legacy installer from the\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/nugenaudio.com\/build-archive\/\"\u003eBuild Archive\u003c\/a\u003e\u003c\/span\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-node=\"58e21f3dcf753\" class=\"fl-col fl-node-58e21f3dcf753 fl-col-small\"\u003e\n\u003cdiv class=\"fl-col-content fl-node-content\"\u003e\n\u003cdiv data-animation-delay=\"0.0\" data-node=\"58e220b6d83e4\" class=\"fl-module fl-module-rich-text fl-node-58e220b6d83e4 systemRequirementsFont\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003cp\u003e\u003cspan\u003eMinimum system requirements\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-animation-delay=\"0.0\" data-node=\"58e220eca8437\" class=\"fl-module fl-module-rich-text fl-node-58e220eca8437 productSpecificationsText\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-rich-text\"\u003e\n\u003cp\u003eMac OSX 10.9 \/ 512 MB RAM\u003c\/p\u003e\n\u003cp\u003eWindows 7 \/ 512 MB RAM\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"NUGEN Audio","offers":[{"title":"Default Title","offer_id":44659905036577,"sku":"1433-783","price":304.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/nugen-audio-mastercheck.jpg?v=1756465244"},{"product_id":"apogee-symphony-ecs-channel-strip","title":"Apogee Symphony ECS Channel Strip (Serial Nr + Download)","description":"\u003cp\u003e\u003cspan\u003eSymphony ECS Channel Strip offers simple but comprehensive EQ, compression and saturation for enhancing your tracks with minimum fuss and maximum results.\u003c\/span\u003e\u003c\/p\u003e\n\u003csection class=\"av_textblock_section av-2pyfw5s-24a21c84964546aa5639894ccc55217e\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\"\u003e\n\u003cdiv class=\"avia_textblock\" itemprop=\"text\"\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-3ddf7cf elementor-widget elementor-widget-heading\" data-id=\"3ddf7cf\" data-element_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003e\u003cspan\u003eWhether you’re recording basic tracks or adding the final touches on your mix, the Symphony ECS Channel Strip offers simple but comprehensive EQ, compression and saturation for enhancing your tracks with minimum fuss and maximum results.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"elementor-heading-title elementor-size-default\"\u003e\u003cstrong\u003eTuned by Bob Clearmountain\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"av_textblock_section av-63djdc-47cc96b571bb57921ef6514c8195cb9c\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\"\u003e\n\u003cdiv class=\"avia_textblock\" itemprop=\"text\"\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-3d23b6e elementor-widget elementor-widget-heading\" data-id=\"3d23b6e\" data-element_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-3ddf7cf elementor-widget elementor-widget-heading\" data-id=\"3ddf7cf\" data-element_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch2 class=\"elementor-heading-title elementor-size-default\"\u003e\u003cspan\u003eHighlights\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-element elementor-element-48e6cef elementor-widget elementor-widget-heading\" data-id=\"48e6cef\" data-element_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eChannel Strip format offering multiple effects in one plugin.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eVintage-modeled 3-band EQ\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClearmountain-tuned Compressor with Auto Makeup\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSaturation from subtle gain to warm crush\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFlexible High-Pass \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDualPath flexibility with Symphony Desktop\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eRuns on Symphony Desktop hardware DSP\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cem\u003ePlease note – This plugin is included with Symphony Desktop\u003c\/em\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"flex_column av-57l4fxd-12160ddb240d6a04ec5521eadbaa6e1a av_one_half  avia-builder-el-16  el_after_av_hr  el_before_av_one_half  first flex_column_div av-zero-column-padding\"\u003e\n\u003csection class=\"av_textblock_section av-4i1htc-2dd1e9519be1c5741f059cfcb1801253\" itemtype=\"https:\/\/schema.org\/CreativeWork\" itemscope=\"itemscope\"\u003e\n\u003cdiv class=\"avia_textblock\" itemprop=\"text\"\u003e\n\u003cdiv title=\"Page 4\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv data-element_type=\"heading.default\" data-id=\"9e1bca5\" class=\"elementor-element elementor-element-9e1bca5 elementor-widget elementor-widget-heading\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch2 class=\"elementor-heading-title elementor-size-default\"\u003eSystem Requirements\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-element_type=\"text-editor.default\" data-id=\"599044f\" class=\"elementor-element elementor-element-599044f elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"elementor-text-editor elementor-clearfix\"\u003e\n\u003cp\u003eWindows:\u003cbr\u003e● Windows 10 and higher\u003cbr\u003e● 4 GB minimum RAM, 8 GB or higher recommended\u003cbr\u003e●\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.ilok.com\/%23!registration#!home\"\u003eFree Pace iLok account\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– physical iLok not required\u003c\/p\u003e\n\u003cp\u003eMac:\u003cbr\u003e● MacOS 10.14.6 or higher\u003cbr\u003e● 4 GB minimum RAM, 8GB of higher recommended\u003cbr\u003e●\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.ilok.com\/%23!registration#!home\"\u003eFree Pace iLok account\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– physical iLok not required\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flex_column av-4b8mptt-3562200d2b430b098133fd80e94cf49c av_one_half  avia-builder-el-18  el_after_av_one_half  avia-builder-el-last  flex_column_div av-zero-column-padding\"\u003e\n\u003csection class=\"av_textblock_section av-igu26o-a241c686c5d8017810e7841bfeeb3a6e\" itemtype=\"https:\/\/schema.org\/CreativeWork\" itemscope=\"itemscope\"\u003e\n\u003cdiv class=\"avia_textblock\" itemprop=\"text\"\u003e\n\u003cdiv data-element_type=\"heading.default\" data-id=\"bc9dfc1\" class=\"elementor-element elementor-element-bc9dfc1 elementor-widget elementor-widget-heading\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch2 class=\"elementor-heading-title elementor-size-default\"\u003eTested \u0026amp; Supported DAWs\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-element_type=\"text-editor.default\" data-id=\"c54b3cb\" class=\"elementor-element elementor-element-c54b3cb elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"elementor-text-editor elementor-clearfix\"\u003e\n\u003cp\u003e● Pro Tools 12, Ultimate (ProTools 11 and lower not currently supported)\u003cbr\u003e● Ableton Live 10\u003cbr\u003e● Logic Pro 10\u003cbr\u003e● Cubase 9.5 VST 1 \u0026amp; 2 (VST 3 not implemented in this release)\u003cbr\u003e● Please note that any AUv2, VST 2, or AAX fully compliant DAW should work\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Apogee","offers":[{"title":"Default Title","offer_id":44766444618017,"sku":"1433-2003","price":169.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/Apogee-Symphony-ECS.jpg?v=1752036473"},{"product_id":"erica-synths-zen-delay-virtual-effects-plug-in-serial-nr-download","title":"Erica Synths Zen Delay Virtual Effects Plug-In (Serial Nr + Download)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAfter the phenomena of the hardware FX unit Zen Delay, its virtual successor is now available.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eZDV is not simply a digital replica or replacement of the hardware, but an addition to it. Quite apart from the complete automation possibilities afforded by the DAW environment, ZDV brings several new functions into play to become a studio secret weapon for all possible instruments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/88DwMXXEJwk\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":44792206295329,"sku":"1428-1000","price":199.85,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/erica-synths-zen-delay-virtual.jpg?v=1756465247"},{"product_id":"bluecat-audio-patchwork","title":"Blue Cat Audio Patchwork (Serial Nr + Download)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlue Cat's PatchWork is a \u003c\/span\u003e\u003cstrong\u003euniversal plug-ins patchbay\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003emulti FX\u003c\/b\u003e\u003cspan\u003e that can host up to \u003c\/span\u003e\u003cstrong\u003e64 VST, VST3, Audio Unit or built-in plug-ins\u003c\/strong\u003e\u003cspan\u003e into any Digital Audio Workstation (DAW) in a single instance, with both serial and parallel routing options.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/g44iPZLfXIk\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is possible to chain effects in\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eseries\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eor create up to\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e8 parallel chains\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ethat can be activated independently. This lets you create your favorite effects or instruments configurations within the plug-in, without the need for multiple busses. These configurations can be saved as presets and recalled instantly, or\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eshared with multiple DAWs\u003c\/strong\u003e, using any plug-in format (full list below). Use the built-in audio effects to add color to your own plug-in chains.\u003c\/p\u003e\n\u003cp\u003eDespite the name, you can forget about wires or cables: configuring plug-ins routing is as simple as adding or removing a row or a column in the rack's matrix. All plug-ins can also communicate with each other or with the host application using the virtual MIDI ports offered by the plug-in.\u003c\/p\u003e\n\u003cp\u003eFor each plug-in slot, latency compensation, presets management, undo\/redo integration, audio i\/o selection and individual plug-in bypass are included for optimal operation. The plug-in also stores the position of the window for each plug-in so that the layout is restored with your session or saved with presets.\u003c\/p\u003e\n\u003cp\u003eAlso, sub plug-ins can be automated or controlled with external control surfaces using Blue Cat's PatchWork parameters mapping capabilities.\u003c\/p\u003e\n\u003cp\u003eThis product is available as an\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eaudio plug-in\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(effect or a virtual instrument) and\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003estandalone application\u003c\/strong\u003e, so that it can used alone or inserted on any type of track in your favorite DAW, with up to 16 audio channels.\u003c\/p\u003e\n\u003cp\u003eInput and output level meters are also available to monitor the signal that is dispatched to inserted plug-ins, including side chain and aux channels.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIf you are looking for a multiband plug-ins host for multiband processing, check out the Blue Cat's\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.bluecataudio.com\/Products\/Product_MB7Mixer\/\"\u003eMB-7 Mixer plug-in\u003c\/a\u003e. Also, any\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.bluecataudio.com\/Products\" target=\"\"\u003eBlue Cat Audio plug-in\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eis compatible and can be hosted by this software.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLooking for more advanced audio routing within PatchWork? Check out Blue Cat's\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"\" href=\"https:\/\/www.bluecataudio.com\/Products\/Product_Connector\/\"\u003eConnector\u003c\/a\u003e!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCopyright Note: VST is a trademark of Steinberg Media Technologies GmbH.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"features-container\"\u003e\n\u003cdiv class=\"features\"\u003e\n\u003ch3\u003eMain Features:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eConfigurable VST, VST3 or Audio Unit plug-ins rack: host up to 64 third party plug-ins or instruments in series or parallel.\u003c\/li\u003e\n\u003cli\u003e30 built-in effects: Reverb, EQ, filters, pitch \u0026amp; frequency shifter, delays, modulation effects, compressor, gate, bit crusher, wave shaper and more.\u003c\/li\u003e\n\u003cli\u003eAvailable as an effect, virtual instrument or standalone application.\u003c\/li\u003e\n\u003cli\u003eBuild your own effects chains: up to 8 \"pre\" and \"post\" plug-ins slots to chain plug-ins in series.\u003c\/li\u003e\n\u003cli\u003eParallel processing made easy: up to 8 parallel plug-ins chains, with phase flip, solo and gain controls.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eMulticore processing\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003esupport for parallel chains.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePlug-ins Oversampling\u003c\/b\u003e: select oversampling ratio and quality for each plug-in.\u003c\/li\u003e\n\u003cli\u003eHost up to 8 virtual instruments in parallel and mix them within the plug-in.\u003c\/li\u003e\n\u003cli\u003eGlobal Dry\/Wet control (\"Mix\").\u003c\/li\u003e\n\u003cli\u003eMacro controls \u0026amp; parameters mapping: map plug-ins parameters to automate them or use a control surface.\u003c\/li\u003e\n\u003cli\u003eFlexible MIDI routing: connect sub plug-ins together or with the host application.\u003c\/li\u003e\n\u003cli\u003eFlexible Audio routing: connect sub plug-ins i\/o to any audio channel.\u003c\/li\u003e\n\u003cli\u003eExternal side chain and multiple outputs support.\u003c\/li\u003e\n\u003cli\u003eLink pre and post gains for automatic gain compensation.\u003c\/li\u003e\n\u003cli\u003eDrag and drop or cut, copy and paste plug-ins with their settings between slots.\u003c\/li\u003e\n\u003cli\u003eRecall complex processing setups and plug-ins layouts with one click and share them between your DAWs.\u003c\/li\u003e\n\u003cli\u003eInput and output levels monitoring, built-in CPU meter.\u003c\/li\u003e\n\u003cli\u003ePlug-ins Latency compensation.\u003c\/li\u003e\n\u003cli\u003eNetwork audio\/MIDI processing server for the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"\" href=\"https:\/\/www.bluecataudio.com\/Products\/Product_Connector\/\"\u003eConnector\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eplug-in.\u003c\/li\u003e\n\u003cli\u003eSupports VST Shell plug-ins.\u003c\/li\u003e\n\u003cli\u003eIntegrated undo\/redo.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"features\"\u003e\n\u003ch3\u003eBlue Cat Audio Standards:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAvailable as a standalone application and in most plug-in formats for Mac and Windows.\u003c\/li\u003e\n\u003cli\u003eFull MIDI control and automation support, MIDI Learn.\u003c\/li\u003e\n\u003cli\u003eNo CPU load on idle: processing shuts down when fed with silence (optimal CPU usage).\u003c\/li\u003e\n\u003cli\u003eCustomizable user interface with transparency \u0026amp; zoom.\u003c\/li\u003e\n\u003cli\u003eSmooth Bypass: noiseless plug-in activation \/ deactivation.\u003c\/li\u003e\n\u003cli\u003eUndo\/Redo.\u003c\/li\u003e\n\u003cli\u003eFull featured integrated presets manager.\u003c\/li\u003e\n\u003cli\u003eCopy\/paste the state of the plug-in between instances.\u003c\/li\u003e\n\u003cli\u003eAny sample rate supported.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clear\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eTypical applications:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ePlug-ins host, custom channel strip, parallel processing, effects chainer, virtual bussing, virtual instrument, share bus and plug-ins configurations between DAWs, VST or Audio Unit to AAX, Audio Unit, effect chains A\/B comparison, standalone audio processing application, multi effects processor.\u003c\/em\u003e\u003c\/p\u003e","brand":"Blue Cat Audio","offers":[{"title":"Default Title","offer_id":44792258887969,"sku":"1433-297","price":151.25,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/blue-cat-patchwork.jpg?v=1752036483"},{"product_id":"blue-cat-all-plugins-pack-the-complete-plug-ins-collection","title":"Blue Cat All Plugins Pack The complete plug-ins collection (Serial Nr + Download)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cb\u003e\"The complete software collection\"\u003c\/b\u003e\u003c\/em\u003e\u003cspan\u003e - A complete professional digital audio processing environment in a single bundle, with the complete collection of Blue Cat Audio's commercial audio plug-ins and applications.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e(You save \u003cstrong\u003e1400 AUD\u003c\/strong\u003e compared to individual prices).\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eVisit the \u003ca href=\"https:\/\/www.bluecataudio.com\/\" title=\"Blue Cat Audio Website\"\u003eBlue Cat Audio website\u003c\/a\u003e  for up to date System Requirements and product demos.\u003c\/em\u003e\u003c\/p\u003e","brand":"Blue Cat Audio","offers":[{"title":"Default Title","offer_id":44792270979361,"sku":"1433-259","price":2137.35,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/blue-cat-audio-complete.jpg?v=1756465247"},{"product_id":"blue-cats-axiom-multi-effects-processor-and-amp-simulation-software-for-guitar-and-bass","title":"Blue Cat's Axiom V2 Multi-Effects Processor and Amp Simulation Software for Guitar and Bass","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eBlue Cat's Axiom is a powerful and open multi effects processor and amp simulation software for guitar and bass. Based on the acclaimed Destructor plug-in for amp simulations, Axiom offers an infinite number of exceptional tones for your axe.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/NKcNU8_UNTE\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAxiom includes\u003cspan\u003e \u003c\/span\u003e\u003cb\u003etwo amp simulations channels\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(with pre and post effects) that can be mixed together or used alternatively like a real amp. You can choose your amp models from hundreds of presets or launch the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eamp editor\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eto build your own, with complete control over the tone. Additional input and master sections let you adjust the tone at the input and the output of Axiom, with 4 additional effect slots each and an integrated\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ehigh precision tuner\u003c\/b\u003e. A\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ebrickwall limiter\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ealso protects the output from overshoot.\u003c\/p\u003e\n\u003cp\u003eAxiom includes more than\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e70 built-in effects\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ethat can be loaded in any of the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e32 plug-in slots\u003c\/b\u003e, including a built-in version of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.bluecataudio.com\/Products\/Product_LateReplies\/\" title=\"\"\u003eLate Replies\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efor creative delays and reverbs, a built-in version of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.bluecataudio.com\/Products\/Product_Destructor\/\" title=\"\"\u003eDestructor\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eto add your own distortion pedals, cabinets or additional amp simulations and a built-in version of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.bluecataudio.com\/Products\/Product_ReGuitar\/\" title=\"\"\u003eRe-Guitar\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eto change your pickups on the fly!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBlue Cat's Axiom is not limited to its built-in effects: these slots can also host\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ethird party Audio Unit, VST or VST3 plug-ins\u003c\/b\u003e: you can use your favorite plug-ins anywhere in the signal chain and expand Axiom's capabilities.\u003c\/p\u003e\n\u003cp\u003eAnd because playing alone is not so much fun, we have added a\u003cspan\u003e \u003c\/span\u003e\u003cb\u003etools section\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ewith 3 additional slots to load virtual instruments: add a metronome, a drum machine, sequencer or your keyboardist's favorite synthesizer there to get it mixed with your guitar.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIf you are looking for amp simulation software without the effects, see the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.bluecataudio.com\/Products\/Product_Destructor\/\"\u003eDestructor plug-in\u003c\/a\u003e. For a plug-in host \u0026amp; multi-effects processor without amp simulation, check out Blue Cat's\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.bluecataudio.com\/Products\/Product_PatchWork\/\" title=\"\"\u003ePatchWork\u003c\/a\u003e.\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"features-container\"\u003e\n\u003cdiv class=\"features\"\u003e\n\u003ch3\u003eMain Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePowerful and unlimited\u003cspan\u003e \u003c\/span\u003e\u003cb\u003emulti-effects\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eprocessor and\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eamp modeling\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003esoftware for guitar and bass.\u003c\/li\u003e\n\u003cli\u003eRealistic and\u003cspan\u003e \u003c\/span\u003e\u003cb\u003efully customizable\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eamp simulation based on Blue Cat's\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.bluecataudio.com\/Products\/Product_Destructor\/\" title=\"\"\u003eDestructor\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003eFlexible routing: 2 parallel amp simulation channels with effects + input and master sections.\u003c\/li\u003e\n\u003cli\u003eMore than\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e70 high quality built-in effects\u003c\/b\u003e: wah, delays, reverb, pitch bender, EQ, filters, distortion units, compressors, gate, chorus, flanger, phaser...\u003c\/li\u003e\n\u003cli\u003eIncludes Blue Cat's\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.bluecataudio.com\/Products\/Product_ReGuitar\/\" title=\"\"\u003eRe-Guitar\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.bluecataudio.com\/Products\/Product_Destructor\/\" title=\"\"\u003eDestructor\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.bluecataudio.com\/Products\/Product_LateReplies\/\" title=\"\"\u003eLate Replies\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eas built-in effects.\u003c\/li\u003e\n\u003cli\u003eBuilt-in high precision\u003cspan\u003e \u003c\/span\u003e\u003cb\u003etuner\u003c\/b\u003e.\u003c\/li\u003e\n\u003cli\u003eOpen and extensible: load any\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ethird party\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eVST, VST3 or Audio Unit (AU)\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eplug-in\u003c\/b\u003e.\u003c\/li\u003e\n\u003cli\u003eLoad and manipulate\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eimpulse responses (IR)\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ein the amp simulator or the built-in EQ plug-in.\u003c\/li\u003e\n\u003cli\u003eDelivered with thousands of presets for all sections and built-in effects.\u003c\/li\u003e\n\u003cli\u003eLoad third party\u003cspan\u003e \u003c\/span\u003e\u003cb\u003evirtual instruments\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eto play along.\u003c\/li\u003e\n\u003cli\u003eGlobal stereo spread control.\u003c\/li\u003e\n\u003cli\u003eLock sections to prevent changes when loading presets.\u003c\/li\u003e\n\u003cli\u003eNo latency.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"features\"\u003e\n\u003ch3\u003eBlue Cat Audio Standards:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAvailable as a standalone application and in most plug-in formats for Mac and Windows.\u003c\/li\u003e\n\u003cli\u003eFull MIDI control and automation support, MIDI Learn.\u003c\/li\u003e\n\u003cli\u003eNo CPU load on idle: processing shuts down when fed with silence (optimal CPU usage).\u003c\/li\u003e\n\u003cli\u003eCustomizable user interface with transparency \u0026amp; zoom.\u003c\/li\u003e\n\u003cli\u003eSmooth Bypass: noiseless plug-in activation \/ deactivation.\u003c\/li\u003e\n\u003cli\u003eUndo\/Redo.\u003c\/li\u003e\n\u003cli\u003eFull featured integrated presets manager.\u003c\/li\u003e\n\u003cli\u003eCopy\/paste the state of the plug-in between instances.\u003c\/li\u003e\n\u003cli\u003eAny sample rate supported.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clear\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eTypical applications:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eUnlimited Guitar \u0026amp; bass amp simulation with effects, VST, VST3 and Audio Unit hosting.\u003c\/em\u003e\u003c\/p\u003e","brand":"Blue Cat Audio","offers":[{"title":"Default Title","offer_id":44792279236897,"sku":"1433-979","price":304.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/blue-cat-audio-axiom.jpg?v=1756465247"},{"product_id":"sonible-pure-verb-serial-nr-download","title":"Sonible pure:verb (Serial Nr + Download)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003epure:verb is an AI-powered reverb plug-in that helps you create reverb effects that are an impeccable fit for any input signal.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003epure:verb creates reverb effects that are an impeccable fit for any input signal, and offers a straightforward yet powerful control set for sound-shaping.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"f-18 m-f-16 grey-80 top-40 bottom-5 m-top-10 m-bottom-30\"\u003eIntelligent profiles instead of standard presets\u003c\/h3\u003e\n\u003ch2 class=\"bold f-30 m-f-22 white bottom-20 m-bottom-10\"\u003eReverb effects that match input characteristics\u003c\/h2\u003e\n\u003cdiv class=\"light f-18 m-f-16 text white bottom-30 line-height-1-6 m-bottom-0\"\u003e\n\u003cp\u003epure:verb is equipped with a unique learning feature and input-specific profiles which ensure that every reverb computed by the plug-in matches the spectral and temporal characteristics of your input signal. With this reverb plug-in you won’t have to battle with all the technically tricky parts that come along with working on reverb effects. Select a profile and hit the button – pure:verb automatically takes care of boomy low-ends, muddy mids and harsh high-ends.\u003c\/p\u003e\n\u003ch3 class=\"f-18 m-f-16 grey-80 top-40 bottom-5 m-top-10 m-bottom-30\"\u003eour sound, your call\u003c\/h3\u003e\n\u003ch2 class=\"bold f-30 m-f-22 white bottom-20 m-bottom-10\"\u003eDiscover space and evoke emotions\u003c\/h2\u003e\n\u003cdiv class=\"light f-18 m-f-16 text white bottom-30 line-height-1-6 m-bottom-0\"\u003e\n\u003cp\u003eGrab pure:verb if you want to stay in your creative flow while adding space and depth in post-production. Whether you are going for a mix with a warm and personal touch starring soft vocals, solo instruments or want an immersive and dense reverb effect for orchestral sounds or synth pads, simply by controlling the size of the virtual reverb space you can highlight any vibe.\u003c\/p\u003e\n\u003ch3 class=\"f-18 m-f-16 grey-80 top-40 bottom-5 m-top-10 m-bottom-30\"\u003eSynthetic, mode and mix\u003c\/h3\u003e\n\u003ch2 class=\"bold f-30 m-f-22 white bottom-20 m-bottom-10\"\u003eCreative options that pack a punch\u003c\/h2\u003e\n\u003cdiv class=\"light f-18 m-f-16 text white bottom-30 line-height-1-6 m-bottom-0\"\u003e\n\u003cp\u003epure:verb offers powerful fine-tuning options that will inspire you to create really extraordinary sounds. By increasing the Synthetic value, you can transform a natural-sounding environment reverb to one that’s out of this world. pure:verb also offers three reverb modes to help boost your creativity up a notch: Infinite, Reverse and Bounce.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch2\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/h2\u003e","brand":"Sonible","offers":[{"title":"Default Title","offer_id":44825227034913,"sku":"1433-2475","price":29.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/sonible-pureverb.jpg?v=1752036562"}],"url":"https:\/\/koalaaudio.com.au\/collections\/audio-effects-plug-ins.oembed?page=24","provider":"Koala Audio","version":"1.0","type":"link"}