{"title":"Software \u0026 Plug-Ins","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLooking to take your music production to the next level? Look no further than our range of audio effects plugins and virtual instruments. Designed for composers, music producers, and recording studios, our plugins and virtual instruments offer unparalleled sound quality and versatility. From classic analog emulations to cutting-edge digital effects, we have everything you need to create your perfect sound. Plus, our intuitive interfaces make it easy to dial in the perfect settings, so you can focus on making music. Upgrade your sound today with our audio effects plugins and virtual instruments. \u003c\/span\u003e","products":[{"product_id":"cherry-audio-dco-106-polyphonic-synth","title":"Cherry Audio DCO-106 Polyphonic Synth (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMeet the DCO-106\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRecreating the sound of a classic synthesizer is no easy task. DCO-106 lovingly recreates the unique sonic footprint of one of the most iconic 80’s polysynths in exhaustive detail, while adding modern features for massively expanded creativity. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe DCO-106 is both easy to understand and powerful to explore, creating a massive array of sonic landscapes, cutting lead sounds, warm and hazy pads, punchy synthetic electro drums, and far more.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/QPzn3kkHcI0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2\u003eDCO-106 Features:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eEvery aspect precisely modeled in exacting detail\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e330+ presets, including original 106 Factory Presets\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUp to 16-voice polyphony\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRich stereo chorus\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThree lush reverb modes, gorgeous new proprietary reverb algorithm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-featured delay section with tempo sync\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMultiple voice assign modes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSingle-key chord memory mode\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eExpanded LFO section with six waveforms and tempo sync\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUnison detune for massive lead and bass sounds\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdvanced one-click UI magnification\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMPE support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull MIDI control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull DAW automation for all controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFully compatible with original 106 SysEx commands\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDCO-106\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eis available in AU, VST, VST3, AAX, and Standalone formats.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA free 30-day demo of DCO-106 is available.\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThis demo will play white noise periodically, but is otherwise unlimited.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003emacOS Requirements:\u003c\/strong\u003e macOS 10.9 or above (including macOS 12), 64-bit required. Native Apple M1 processor support. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWindows Requirements:\u003c\/strong\u003e Windows 7 or above (including Windows 11), 64-bit required. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e","brand":"Cherry Audio","offers":[{"title":"Default Title","offer_id":40245733851205,"sku":"1316-1017","price":44.3,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/Cherry-Audio-DC_-106.jpg?v=1756464852"},{"product_id":"cherry-audio-ca2600-software-synth-serial-nr-download","title":"Cherry Audio CA2600 Software Synth (Serial Nr + Download)","description":"\u003cp\u003e \u003cstrong data-mce-fragment=\"1\"\u003eThe 2600 Like Never Before\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Cherry Audio CA2600 is a powerful, self-contained duophonic synthesizer inspired by the groundbreaking ARP 2600 synthesizer. Every aspect of the original, from the quirky oscillator waves, to the powerful ladder filter, to the external audio input and preamp section was modeled with tremendous precision. Though it features similar functionality, it’s been thoughtfully updated for increased flexibility - with semi-normalled patch cabling, integrated effects, and no hidden windows or menus in the audio path, CA2600 delivers an unprecedented hands-on, “everything right in front of you, right now!,” vintage synthesis experience like no other. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWildly flexible, capable of chunky basses, cutting leads, super-creative external audio processing, absolutely insane effects, and so much more, we believe you’ll find CA2600 to be the finest 2600 emulation ever created.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ZZkn9srj-r4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2\u003eCA2600 Features:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eEvery aspect precisely modeled in exacting detail\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOver 300 presets\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMonophonic and duophonic voice modes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eVintage-correct multi-mode filter with 12db and 24db slope\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIntegrated, fully CV-controllable distortion, reverb, and delay with sync\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSidechain audio input for external signal processing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFlexible CV Routing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdvanced, next-generation patch panel cabling system from Voltage Modular\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMultiple voice assign modes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdvanced patch cabling with unlimited mults per jack, “quick patch” for rapid multiple destination routing, and click and drag movement of multiple connections\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdditional LFO with six waveforms and tempo sync\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eVirtual instrument and effect plug-in versions included\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eVoltage Processors section with additional VCA and 1\/2-step quantizer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdvanced one-click UI magnification\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSelectable blue, gray, or black\/orange color schemes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull MIDI control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull DAW automation for all controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCA2600\u003c\/strong\u003e is available in AU, VST, VST3, AAX, and standalone formats.\u003c\/p\u003e\n\u003cp\u003eA free 30-day demo of CA2600 is available. This demo will play white noise periodically, but is otherwise unlimited.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003emacOS Requirements:\u003c\/strong\u003e macOS 10.9 or above (including macOS 12), 64-bit required. Native Apple M1 processor support. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWindows Requirements:\u003c\/strong\u003e Windows 7 or above (including Windows 11), 64-bit required. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e","brand":"Cherry Audio","offers":[{"title":"Default Title","offer_id":40245737914437,"sku":"1316-1018","price":44.3,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/ca2600-ui-orange.jpg?v=1756464853"},{"product_id":"cherry-audio-polymode-synthesizer","title":"Cherry Audio Polymode Synthesizer (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eThe Massive Poly Sound Machine\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePolymode is inspired by the groundbreaking Moog Polymoog synthesizer. One of the world’s first polyphonic synthesizers, its unique multiple parallel filter implementation and mod routings give it a sound like no other synth. And though the original Polymoog sounded incredible, it could be challenging to operate and was prone to breakdowns. Cherry Audio’s Polymode sidesteps all of the drawbacks of the original instrument and massively expands its capabilities. With a streamlined user interface and immense modulation capabilities, Polymode sets a new standard for animated, sonically evolving string, pad, and choral tones.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/gu8Dt7BENAQ\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003ePolymode Synthesizer\u003c\/strong\u003e Features:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003ePrecisely recreates the unusual paraphonic architecture of the original instrument\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOver 150 presets\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e32-voice polyphony\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eExtensive modulation routings for almost all synthesis parameters\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNumerous modulation sources including velocity, pressure, noise, and more\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSimultaneously available saw and pulse waves for both oscillator ranks\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSuper accurately recreated “mode” filters\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eExpanded resonators section with LFO, 12db\/24db slopes, and notch mode\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClassic 24db ladder-style filter\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIntegrated ensemble, phaser, tempo-synced echo, and reverb effects\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClassic Solina-style tri-chorus mode\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo bonus LFOs with five waveforms and tempo sync\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdvanced one-click UI magnification\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull MIDI control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull DAW automation for all controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePolymode Synthesizer \u003c\/strong\u003eis available in AU, VST, VST3, AAX, and standalone formats.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA free 30-day demo of Polymode Synthesizer is available.\u003c\/strong\u003e This demo will play white noise periodically, but is otherwise unlimited.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003emacOS Requirements:\u003c\/strong\u003e macOS 10.9 or above (including macOS 12), 64-bit required. Native Apple M1 processor support. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWindows Requirements:\u003c\/strong\u003e Windows 7 or above (including Windows 11), 64-bit required. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e","brand":"Cherry Audio","offers":[{"title":"Default Title","offer_id":40245739585605,"sku":"1316-1020","price":59.6,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/cherry-audio-polymode.jpg?v=1756464853"},{"product_id":"cherry-audio-eight-voice-synthesizer-serial-nr-download","title":"Cherry Audio Eight Voice Synthesizer (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eTaming A Classic Beast\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOur most ambitious instrument to date, Cherry Audio’s Eight Voice polyphonic synthesizer meticulously emulates the immense sound of the Oberheim® Eight Voice, one of the world’s rarest and most desirable vintage instruments. Predating modern microprocessor control, its eight independent dual-oscillator voice modules could be challenging to program. Cherry Audio Eight Voice’s unique Voice Link controls allow simple and powerful grouping of voice module controls, eliminating individually setting each module's controls when homogenous poly sounds are desired. Focus buttons allow instant enlargement of any section of the user interface, making sound programming a breeze, and massively flexible keyboard assign modes enable endless mono and poly keyboard zoning and layering options. All in all, we’ve transformed the original’s daunting user interface into a fun and inviting mondo poly synth experience.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAbove all, Eight Voice knocks it out of the park with an incredibly accurate and huge sound, courtesy of award-winning synth designer Mark Barton’s (MRB) detailed emulation of the magnificent Oberheim state-variable filter. Eight Voice also includes a feature-packed eight-step “mini” sequencer, and high quality modulation delay and reverb effects. Cherry Audio’s Eight Voice is truly bursting with unique sound possibilities at an unbelievably affordable price! \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XpK5utIhIqQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003eEight Voice Synthesizer\u003c\/strong\u003e Features: \u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eEight fully independent dual-oscillator voice modules\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOberheim multi-mode filter emulation by award-winning synth designer Mark Barton (MRB)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOver 330 presets\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMassively configurable mono and poly keyboard assignment modes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIndependent key range settings for endless layering and zoning options\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSuper flexible Voice Linking for powerful voice control grouping \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFocus buttons for instant enlargement of all areas of the user interface\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo separate poly assign buses for stacked poly patch creation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdditional LFO with six waveforms and tempo sync\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEight-Step Mini Sequencer with 1\/2-step quantizer and tempo sync\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStudio-quality reverb and mod delay with tempo sync\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull MIDI control and DAW automation for all controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEight Voice Synthesizer \u003c\/strong\u003eis available in AU, VST, VST3, AAX, and standalone formats.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA free 30-day demo of Eight Voice is available.\u003c\/strong\u003e This demo will play white noise periodically, but is otherwise unlimited.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003emacOS Requirements:\u003c\/strong\u003e macOS 10.9 or above (including macOS 12), 64-bit required. Native Apple M1 processor support. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWindows Requirements:\u003c\/strong\u003e Windows 7 or above (including Windows 11), 64-bit required. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eOberheim® is a registered trademark of Tom Oberheim. There is no association, affiliation or endorsement of Cherry Audio or its products by Tom Oberheim.\u003c\/p\u003e","brand":"Cherry Audio","offers":[{"title":"Default Title","offer_id":40245745287237,"sku":"1316-1022","price":59.6,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/cherry-audio-8-voice.jpg?v=1756464853"},{"product_id":"cherry-audio-ps-20-polyphonic-synthesizer","title":"Cherry Audio PS-20 Polyphonic Synthesizer (Serial Nr. + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eThe MS Synth Experience, Supercharged\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePS-20 is an ultra-realistic, polyphonic, hot-rodded tribute to Korg's renowned MS-20. First and foremost, PS-20's dual highpass\/lowpass filters super accurately recreate the MS-20's famous raunchy sound in all of its squelchy, screaming glory. In addition to its unique filters, the MS-20’s other signature feature is its modular-style patch panel. We’ve reconfigured the patch panel from the original instrument, adding many desired in and out patch points for all oscillators, filters, and VCAs, correcting the confusing terminology of the original, and throwing in a few extras that greatly expand its usability.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEvery part of the instrument has been \"souped up\" with killer features, including 16-note polyphony, a unique three-layer, eight-step sequencer with flexible CV outs, and integrated effects, including a beastly distortion, modulation echo with stereo spread, and a lush digital reverb with fantastic spring and plate emulations. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe PS-20 truly is one of the most quirky and unique instruments we’ve released. Between its sometimes unpredictable filter behavior, and the tremendous flexibility of its patch panel and sequencer, the possibilities are endless, and the creative \"happy accident\" quotient of PS-20 is simply off the charts! \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Dh4hO7s1muQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003ePS-20 Synthesizer\u003c\/strong\u003e Features: \u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eSuper-accurate modeling of classic MS-style highpass and lowpass filters\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUp to 16-voice polyphony with random voice panning available\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOver 320 mind-blowing presets\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThree-channel, eight-step sequencer with 1\/2-step quantizer and tempo sync\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSingle-key chord memory mode\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eExpanded and simplified full-function patch panel\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdvanced, next-generation patch panel cabling system from Voltage Modular\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eExternal Signal Processor section with normalled sidechain input\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eVirtual instrument and effect plug-in versions included\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTempo-syncable modulation generator\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUnison detune for massive lead and bass sounds\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdvanced one-click UI magnification\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMPE support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFour user-selectable interface color themes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDistortion, studio-quality reverb, and mod echo with tempo sync effects\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull MIDI control and DAW automation for all controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePS-20 \u003c\/strong\u003eis available in AU, VST, VST3, AAX, and standalone formats.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA free 30-day demo of PS-20 is available.\u003c\/strong\u003e This demo will play white noise periodically, but is otherwise unlimited.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003emacOS Requirements:\u003c\/strong\u003e macOS 10.9 or above (including macOS 12), 64-bit required. Native Apple M1 processor support. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWindows Requirements:\u003c\/strong\u003e Windows 7 or above (including Windows 11), 64-bit required. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e","brand":"Cherry Audio","offers":[{"title":"Default Title","offer_id":40245749383237,"sku":"1316-1023","price":44.3,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/cherry-audio-ps20.jpg?v=1756464854"},{"product_id":"cherry-audio","title":"Cherry Audio Memorymode Synthesizer (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePolyphonic Legend\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMemorymode is based upon one of the very best-sounding polyphonic programmable analog synthesizers of the 80s - the legendary Memorymoog synthesizer. Released in 1982, the Memorymoog raised the sonic bar with its lush, powerful analog sound. Memorymode was expertly modeled upon a vintage Memorymoog originally owned by jazz legend Chick Corea. It expands upon the original without compromising any of the sound or functionality that made it great, and does away with the reliability, maintenance, and tuning issues of the original. The user interface has been streamlined and simplified, updating the original instrument’s numeric-keypad-and-command-numbers with fast, simple-to-use pop-up menus and an improved value display window.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMemorymode replicates the incredible sound and feel of the original instrument at a tiny fraction of the cost of a vintage original, delivering all the power and musicality of the Memorymoog at a price anyone can afford.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/NKc6xRRM3EI\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003eMemorymode\u003c\/strong\u003e Features: \u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003ePrecisely recreated ladder filter with selectable 12- and 24-dB\/octave slopes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAuthentically modeled three oscillator voice architecture\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUp to 16-voice polyphony\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOver 600 presets, programmed by industry veterans\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eExpanded Voice Modulation section with up to six simultaneous destinations\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eImproved arpeggio section w\/tempo sync\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDrift control for increased analog realism\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTempo-syncable LFO\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDetunable unison mode with up to 48 oscillators per key\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eImproved single-key chord memory mode\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eModern button for beefy lows and crystalline highs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHighly optimized coding for high performance with ultra-low CPU load\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdvanced one-click UI magnification\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eComprehensive MPE support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStudio-quality phaser, ensemble, delay with tempo sync, and reverb effects\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull MIDI control and DAW automation for all controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMemorymode \u003c\/strong\u003eis available in AU, VST, VST3, AAX, and standalone formats.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA free 30-day demo of Memorymode is available.\u003c\/strong\u003e This demo will play white noise periodically, but is otherwise unlimited.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003emacOS Requirements:\u003c\/strong\u003e macOS 10.9 or above (including macOS 12), 64-bit required. Native Apple M1 processor support. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWindows Requirements:\u003c\/strong\u003e Windows 7 or above (including Windows 11), 64-bit required. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e","brand":"Cherry Audio","offers":[{"title":"Default Title","offer_id":40245755215941,"sku":"1316-1024","price":74.85,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/memorymode-ui.jpg?v=1756464854"},{"product_id":"cherry-audio-mercury-4-synthesizer","title":"Cherry Audio Mercury-4 Synthesizer (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMeet The Mercury-4\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMercury-4 is a detailed emulation of one of the best-sounding and quirkiest polyphonic synthesizers of the late 1970's, the Roland Jupiter-4. It’s the rarest and most sonically unique of the fabled Jupiter series, and we’ve gone to great lengths to recreate the subtle (and not-so-subtle) nuances and character of this beloved classic. Every aspect of Mercury-4 has been expertly modeled upon a vintage Jupiter-4 originally owned by Greg Hawkes of the legendary 80’s new wave band\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Cars\u003c\/em\u003e, and played on their double-platinum 1981 album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eShake It Up\u003c\/em\u003e. In Greg’s words, Mercury-4 “sounds just like my old Jupiter! It’s nice to have it back.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Jupiter-4 had its share of disadvantages, including limited patch storage, just four voices of polyphony, and boat-anchor weight. Cherry Audio’s Mercury-4 improves upon the original’s design by offering 16-voice polyphony, infinite patch storage, velocity sensitivity, MPE support, and much more. We’ve even paired it with a fantastic model of the classic Roland Space Echo tape delay.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/K1WHNxDRmfQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eMercury-4 lovingly recreates Jupiter-4's bold and unusual analog oscillators, powerful dual filters, and easily overdriveable VCA section. We went to great lengths to perfectly replicate the unique arpeggiator section, heard on tons of classic new wave tracks, as well as the original's two massive unison modes. We've added a Drift knob to dial in just the right amount of vintage character. The renowned stereo BBD ensemble effect has been beautifully modeled, and we’ve also added a truly other-worldly \"Space Echo\"-style tape echo with multiple reverb modes. The tape echo perfectly recreates the warm tonality and subtle speed variations that make the original Space Echo units so desirable. \u003c\/p\u003e\n\u003cp\u003eMercury-4 is packed with over 400 killer presets, including the Jupiter-4's legendary front-panel factory presets, and 75 presets from acclaimed sound designer Huston Singletary.\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003eMercury-4\u003c\/strong\u003e Features: \u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAuthentically modeled oscillator with sub oscillator\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAll filter characteristics modeled, including powerful low-frequency resonance\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUp to 16-voice polyphony\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOver 400 presets, programmed by industry veterans\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eExactingly replicated unique arpeggio section w\/tempo sync\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCarefully modeled wide-range LFO modulation with \"inverted\" mod characteristics\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDrift control for increased analog realism\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePrecisely replicated stereo ensemble effect\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWarm and organic tape echo with multiple reverb modes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTempo-syncable LFO\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDetunable unison mode\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSingle-key chord memory mode\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHighly optimized coding for high performance with ultra-low CPU load\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUser-adjustable oversampling control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdvanced one-click UI magnification\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eComprehensive MPE support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull MIDI control and DAW automation for all controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMercury-4 \u003c\/strong\u003eis available in AU, VST, VST3, AAX, and standalone formats.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA free 30-day demo of Mercury-4 is available.\u003c\/strong\u003e This demo will play white noise periodically, but is otherwise unlimited.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003emacOS Requirements:\u003c\/strong\u003e macOS 10.9 or above (including macOS 12), 64-bit required. Native Apple M1 processor support. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWindows Requirements:\u003c\/strong\u003e Windows 7 or above (including Windows 11), 64-bit required. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e","brand":"Cherry Audio","offers":[{"title":"Default Title","offer_id":40245763932229,"sku":"1316-1025","price":74.85,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/mercury-4-ui.jpg?v=1756464854"},{"product_id":"cherry-audio-stardust-201-tape-echo","title":"Cherry Audio Stardust 201 Tape Echo (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEchoes Of The Past\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStardust 201 Tape Echo is a hot-rodded interpretation of the classic Roland \"Space Echo\" tape echo effects of the 70s and 80s. Compared to earlier tape echoes, they represented a giant leap in reliability and sound quality. With solidly built tape-transport mechanisms and the inclusion of a spring reverb and chorus effects in some models, the Space Echo was truly groundbreaking with its fantastic variety of sound colors.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStardust precisely recreates the limited fidelity and stability of audio tape, providing a natural rolloff of bass and treble frequencies for super-warm tonality and minor speed variances, lending an organic chorusing quality to repeats. Cranking the intensity knob overloads the circuit, generating the signature other-worldly runaway echoes and feedback that only a tape echo can produce. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCherry Audio's Stardust 201 Tape Echo includes features from the original RE-201 and RE-301 Space Echo units, and we've added some of our own to create a great-sounding, super-flexible, ideal tape echo effect that never breaks down and never needs demagnetizing, all for less than the price of a Space Echo replacement audio tape loop!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/IkNWnYxYER8\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003eStardust 201 Tape Echo\u003c\/strong\u003e Features: \u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAuthentically modeled vintage tape echo, including seven virtual tape head modes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e4x-extended \"wide mode\" delay time range\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLFO echo time mod section\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSync to DAW master tempo\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eExclusive \"motor kill\" switch\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLush, true-stereo modeled BBD chorus circuit\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eModeled input overdrive for crunchy tones\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDual independent tape loops for super-wide stereo imaging\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStereo spring reverb\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e1X, 2X, and 4X oversampling\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSelectable mono\/stereo modes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBass and treble EQ controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUser-selectable color themes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eStardust 201 Tape Echo \u003c\/strong\u003eis available in AU, VST, VST3, and AAX formats.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA free seven-day demo of Stardust 201 Tape Echo is available.\u003c\/strong\u003e This demo will play white noise periodically, but is otherwise unlimited.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003emacOS Requirements:\u003c\/strong\u003e macOS 10.9 or above (including macOS 12), 64-bit required. Native Apple M1 processor support. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWindows Requirements:\u003c\/strong\u003e Windows 7 or above (including Windows 11), 64-bit required. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e","brand":"Cherry Audio","offers":[{"title":"Default Title","offer_id":40245769535557,"sku":"1316-1026","price":29.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/cherry-audio-stardust-201.jpg?v=1756464854"},{"product_id":"cherry-audio-quadra-synthesizer-serial-nr-download","title":"Cherry Audio Quadra Synthesizer (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1 class=\"text-3xl font-bold md:text-5xl text-gray-50\" data-mce-fragment=\"1\"\u003eVintage Synthesis, To The Fourth Power\u003c\/h1\u003e\n\u003cp\u003eThe Cherry Audio Quadra is a super-accurate and immensely improved emulation of the ARP Quadra synthesizer, originally released in 1978 - a rare and coveted “unicorn” instrument in the synthesizer world, reproduced for the first time as a virtual instrument. \u003c\/p\u003e\n\u003ch3\u003eQuadra-matic\u003c\/h3\u003e\n\u003cp\u003eCherry Audio's Quadra introduces improvements throughout every section, bringing out the full potential of the original ARP design. Each instrument section can now be layered anywhere across the keyboard, and we've increased transposition ranges for most sections. \u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ctYpu8O42aU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eQuadra includes over 450 presets from a diverse, all-star team of sound designers\u003cstrong\u003e:\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eLed by veteran sound designer James Terris, we enlisted the help of Julie Kathryn, Huston Singletary, Katharine Fountain, Dave Polich, and Brendan Dreaper to create over 450 stunning Quadra presets. Each sound designer brings their own style and character to the process, and the results are awe-inspiring.\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003eQuadra\u003c\/strong\u003e Features: \u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eOver 450 presets, programmed by industry veterans\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAll four sections superbly recreated\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePoly Synthesizer includes Drift control for increased analog realism\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIndependent key range assignment for all four instrument sections\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePrecisely replicated phase shifter with multiple mod sources\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTempo-syncable LFO\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMulti-out instance allows separate processing of each instrument section\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eImproved arpeggiator section w\/tempo sync\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAccurately emulated \"Touch Sensor\" aftertouch section\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHighly optimized coding for high performance with ultra-low CPU load\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUser-adjustable oversampling control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdvanced one-click UI magnification\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull MIDI control and DAW automation for all controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eQuadra \u003c\/strong\u003eis available in AU, VST, VST3, AAX, and standalone formats.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA free 30-day demo of Quadra is available.\u003c\/strong\u003e This demo will play white noise periodically, but is otherwise unlimited.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003emacOS Requirements:\u003c\/strong\u003e macOS 10.9 or above (including macOS 12), 64-bit required. Native Apple M1 processor support. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWindows Requirements:\u003c\/strong\u003e Windows 7 or above (including Windows 11), 64-bit required. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Cherry Audio","offers":[{"title":"Default Title","offer_id":40245773467717,"sku":"1316-1028","price":74.85,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/cherry-audio-quadra.jpg?v=1756464854"},{"product_id":"cherry-audio-rackmode-signal-processors","title":"Cherry Audio Rackmode Signal Processors","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTHIS IS A SERIAL NUMBER + DOWNLOAD DELIVERY TO YOUR EMAIL.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRackmode Signal Processors is a bundle of seven virtual effects and an instrument plugin that replicate the classic rack-mounted Moog Signal Processors of the 1970s and ‘80s. This exclusive collection is the first time this entire line of renowned analog treasures has been recreated as virtual effects. Rackmode also marks our latest collaboration with award-winning synth designer and DSP legend Mark Barton (MRB), who modeled the circuit-precise emulations based on the original rack-mounted hardware. The collection includes:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRackmode Vocoder (instrument and effects versions)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRackmode Phaser\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRackmode Ring Modulator\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRackmode String Filter\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRackmode Frequency Shifter\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRackmode Graphic EQ\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRackmode Parametric EQ\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe have expanded these awe-inspiring vintage effects with additional features aimed at today's music producers, including presets, syncable LFOs, stereo processing, and full Apple Silicon M1 native support. And speaking of authenticity, these effects capture not only the deep sounds and capabilities of the original Signal Processor line, but also the elegant look and heritage of their rack-mounted enclosures.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/MVZVK7d8a_0\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv class=\"mx-auto prose max-w-none dark:prose-light prose-blue\"\u003e\n\u003ch2\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mx-auto prose max-w-none dark:prose-light prose-blue\"\u003e\u003c\/div\u003e","brand":"Cherry Audio","offers":[{"title":"Default Title","offer_id":40245789950021,"sku":"1316-1032","price":151.25,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/rackmode-all-side.jpg?v=1756464854"},{"product_id":"cherry-audio-dreamsynth-synthesizer","title":"Cherry Audio Dreamsynth Synthesizer (Serial Nr + Download)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCherry Audio's \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDreamsynth\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a tribute to the celebrated hybrid analog\/digital synthesizers of the mid-to-late 1980s. The innovative design blends flexible dual-wave morphing oscillators, stereo filters, fully polyphonic analog strings, extensive and easy-to-use modulation, studio-quality effects, and polyphonic aftertouch and MPE support, all in an elegant vintage-style synth interface.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/aRycGp5Y664\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"mx-auto space-y-4 max-w-prose\"\u003e\n\u003cdiv class=\"mx-auto prose max-w-none dark:prose-light prose-blue\"\u003e\n\u003ch2\u003eAn Era of Innovation\u003c\/h2\u003e\n\u003cp\u003eDreamsynth draws its inspiration from renowned synths including the Ensoniq ESQ-1, the Kawai \"K\" series, and the Sequential Prophet VS. In the second half of the '80s, music production was rapidly transitioning from analog to digital. These \"hybrid\" synthesizers bridged the gap, combining the precision and flexibility of sampled digital oscillators with the warmth of analog filters. The combination of digital and analog sound produced instruments with character and a unique sonic fingerprint that still resonates today.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eA Dream Come True\u003c\/h2\u003e\n\u003cp\u003eWith the magic of these vintage classics in mind, we set out to design Dreamsynth. Dreamsynth is a \u003cem\u003e\"What if...?\"\u003c\/em\u003e synthesizer incorporating the distinctive qualities of this remarkable era with the best features of modern software instruments to create a uniquely 21st-century hybrid. Here's a look at the highlights:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eThree dual-waveform oscillators amount to six simultaneous virtual analog or PCM sample-based oscillators with up to 16 voices of polyphony. When modulation is applied, the unique A\/B wave mix controls can create a myriad of evolving or rhythmic vector tones.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCombines authentic analog waveforms with sampled PCM waveforms for incredible new timbres. Includes a massive library of 430 looping, one-shot, and single-cycle PCM waveforms.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDreamsynth also includes a beautiful-sounding classic string synthesizer that, unlike traditional paraphonic string synths, is fully polyphonic. It operates independently of the oscillator-based synthesizer, and both can be layered and split across the keyboard, with separate assignments for the arpeggiator and effects.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThe OB-style 12 dB\/octave multimode stereo filters enable breathtaking timbres from subtle to extreme.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDreamsynth features exceptional modulation capabilities with 20 mod sources and over 40 destinations. Routings are immediately accessible through our innovative interface with individual pop-up menus and invertible knobs.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eThe effects section includes multiple distortion and sample-crushing options, a 12-stage phaser, chorus, flanger, and rotary speaker effects. Also available are numerous delay (including our acclaimed tape delay) and reverb effects, including our fabulous new \"Galactic\" algorithm.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePolyphonic Aftertouch as a polyphonic modulation source\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSupports MIDI Polyphonic Expression (MPE), making Dreamsynth capable of more organic and expressive performances.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eDreamsynth Features:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eThree dual-waveform oscillators, amounting to six simultaneous virtual analog or PCM sample-based oscillators with up to 16 voices of polyphony\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAuthentically modeled virtual analog waveforms, plus 430 looping, one-shot, and single-cycle PCM waveforms\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFully polyphonic 16-voice string synthesizer which can be layered and split across the keyboard independent of the primary synth\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOB-style 12 dB\/octave multimode stereo filters\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eExtensive and accessible modulation capabilities, with 20 mod sources and over 40 destinations, including effects\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAnalog drift control for increased authenticity\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThree tempo-syncable LFOs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eArpeggiator with tempo sync, independently assignable to the synth and string sections\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFully modulatable effects include multiple distortion and sample-crushing options, a 12-stage phaser, chorus, flanger, rotary speaker effects, delay, and reverb, including our new \"Galactic\" reverb algorithm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePolyphonic Aftertouch as a polyphonic modulation source\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSupport for MIDI Polyphonic Expression (MPE) -- Pitch, Channel Pressure, and Timbre -- making Dreamsynth capable of more organic and expressive performances when using MPE-compatible controllers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHighly optimized coding for optimal performance with ultra-low CPU load\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUser-adjustable oversampling control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdvanced one-click UI magnification\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eComplete MIDI control and DAW automation for all controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOver 1100 presets created by a talented and diverse group of sound design veterans\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDreamsynth\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis available in AU, VST, VST3, AAX, and standalone formats.\u003c\/p\u003e\n\u003cp\u003eA free 30-day demo of Dreamsynth is available. This demo will play white noise periodically, but is otherwise unlimited.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003emacOS Requirements:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003emacOS 10.9 or above (including macOS 12), 64-bit required. Native Apple M1 processor support. Quad-core computer with 8GB of RAM recommended. MPE requires a DAW and hardware controller supporting MIDI Polyphonic Expression.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWindows Requirements:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eWindows 7 or above (including Windows 11), 64-bit required. Quad-core computer with 8GB of RAM recommended. MPE requires a DAW and hardware controller supporting MIDI Polyphonic Expression.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Cherry Audio","offers":[{"title":"Default Title","offer_id":40245802532933,"sku":"1316-1033","price":74.85,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/dreamsynth-ui.jpg?v=1756464854"},{"product_id":"cherry-audio-miniverse-synthesizer","title":"Cherry Audio Miniverse Synthesizer (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eThe Big Bang of Synths\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMiniverse\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(formerly Minimode) is a painstaking virtual emulation of the granddaddy of all portable synthesizers. Introduced in 1971, no other instrument is more associated with the word \"synthesizer\" - it's perhaps the best-known and loved analog synthesizer ever made. Though its innards weren't identical to the massive modular synths, it shared the thick, juicy, \"fat\" analog sound that remains unchallenged 50 years later! It set the standard for future synthesizers, inspired whole new genres of music, and defined the sound of artists as diverse as Kraftwerk, Herbie Hancock, Rick Wakeman, Pink Floyd, Parliament, Gary Numan, and countless others.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnd now, with Cherry Audio Miniverse, it's your turn!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/BEnb0Rnq5u4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eMiniverse was conceived as the ultimate tribute to the original instrument. We focused on a single principle:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eabsolute authenticity\u003c\/em\u003e. In association with DSP master and frequent collaborator Mark Barton (MRB), we studied and measured every nuance, every curve, and every response of the audio. Even the Miniverse interface is a meticulous recreation of the original, from the maple cabinet and textured surface to the unmistakable \"Cosmo\" knobs and switches. We avoided the temptation to add extra features, such as additional LFOs or effects, which might distract from the spirit and vibe of the classic model. Instead, Miniverse portrays the pure, raw, powerful sound and feel of the classic original.\u003c\/p\u003e\n\u003ch3\u003eAll About the Sound\u003c\/h3\u003e\n\u003cp\u003eWhether you're seeking monstrous leads, funky basslines, or warm atmospheric pads, Miniverse has you covered. In fact, the resulting tones are so mighty that we could not resist adding one particular enhancement. If one classic synth voice isn't enough, we've made it easy to dial in two, four, eight, or sixteen polyphonic voices guaranteed to bring the house down. Need outstanding sounds even faster? Miniverse includes a library of over 250 presets created by professional sound designers. Brass, keys, percussion, sound effects, and even MIDI Polyphonic Expression (MPE) presets and, of course, the signature earthshaking basses and leads the Mini is renowned for are just a click away.\u003c\/p\u003e\n\u003cp\u003eSpeaking of sound, perhaps you took the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCherry Audio Challenge\u003c\/strong\u003e? That's Miniverse, literally side-by-side with one of the classic hardware from our collection. The results speak for themselves. Whether you've taken it before or not tried it yet,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/cherryaudio.com\/challenges\/take-the-test\" target=\"_blank\"\u003e\u003cstrong\u003eTake the Challenge\u003c\/strong\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003enow and decide for yourself: can you tell which is which?\u003c\/p\u003e\n\u003ch3\u003eNew: Preset MIDI Mapping\u003c\/h3\u003e\n\u003cp\u003eSpeaking of presets, by popular demand, we've added a new feature to Miniverse: the ability to save custom MIDI controller mappings to individual presets\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eor\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eglobally (or both!).\u003c\/p\u003e\n\u003ch2\u003eMiniverse Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eFaithful virtual analog emulation of the legendary hardware\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAll features of the original in a realistic interface exactly as the original\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThree oscillators with triangle, sawtooth-triangular, ramp sawtooth, square, wide rectangular, and narrow rectangular waveforms\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClassic four-pole, 24dB\/octave ladder filter\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFeedback and Sidechain, replicating the original instrument's External Input function with super accurately replicated overdrive characteristics\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFully programmable with over 250 factory preset patches created by pro sound designers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMonophonic and polyphonic modes: 1, 2, 4, 8, or 16 voices\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePitch Bend Range settings: 1, 2, 3, 4, 5, 7, 8, 12, 22, 24 semitones\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSuperbly accurate modeling of inherent oscillator mixer and VCA overdrive characteristics\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMIDI Polyphonic Expression (MPE) support for expressive performances using MPE-compatible controllers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eComplete MIDI control and DAW automation for all controls, with easy-to-use MIDI learn\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePreset and Global level MIDI mapping\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCherry Audio's acclaimed Focus zoom-in feature\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHighly optimized coding for optimal performance with ultra-low CPU load\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUser-adjustable oversampling control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMiniverse\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis available in AU, VST, VST3, AAX, and standalone formats.\u003c\/p\u003e\n\u003cp\u003eA free 30-day demo of Miniverse is available. This demo will play white noise periodically, but is otherwise unlimited.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003emacOS Requirements:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emacOS 10.9 or above (including macOS 12), 64-bit required. Native Apple M1 processor support. Quad-core computer with 8GB of RAM recommended. MPE requires a DAW and hardware controller supporting MIDI Polyphonic Expression.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWindows Requirements:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eWindows 7 or above (including Windows 11), 64-bit required. Quad-core computer with 8GB of RAM recommended. MPE requires a DAW and hardware controller supporting MIDI Polyphonic Expression.\u003c\/p\u003e","brand":"Cherry Audio","offers":[{"title":"Default Title","offer_id":40245805318213,"sku":"1316-1034","price":74.85,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/miniverse-5stars.jpg?v=1756464854"},{"product_id":"cherry-audio-lowdown-bass-synthesizer","title":"Cherry Audio Lowdown Bass Synthesizer (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mx-auto prose max-w-none dark:prose-light prose-blue\" data-mce-fragment=\"1\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eThe Sound of Thunder\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLowdown Bass Synthesizer\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003erecreates the super-fat, room-rattling sounds of the most legendary dual-oscillator bass pedal synth ever made. Heard on countless prog-rock and new wave tracks in the 70s and 80s, this floor pedal monster comes to the desktop for the very first time. From the dual “constant-beat” oscillators to the girthy ladder filter, DSP wizard Mark Barton (MRB) has modeled every aspect of the original with exceptional accuracy. Get down to the ground with Lowdown! \u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eGet the Lowdown\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOutside of a handful of organ-oriented instruments, the original instrument was the first dedicated foot-controlled bass synthesizer, and with its colossal tone, unquestionably the best sounding. It was used by some of the top acts of 70s and 80s, including Rush, Yes, Genesis, U2, and The Police (check out the intro of \"Don't Stand So Close To Me\" or Phil Collins' \"I Don't Care Anymore.\")\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe original design used a Hz\/V oscillator scaling (as opposed to the more conventional volts\/oct oscillator scaling), allowing oscillator detuning amount to remain constant across the keyboard by minimizing the phase cancellation that can happen when two oscillators play simultaneously. Along with a couple of other engineering tricks, this contributes to its beefy sound.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn order to create Cherry Audio's Lowdown, award-winning synth designer and DSP legend Mark Barton carefully analyzed the original's synthesis circuits and precisely recreated them for a massive virtual bass experience like no other. We're simply thrilled with the outcome of this fun and easy-to-use earth-moving bass experience and we hope you love it as much as we do!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/RgfAmRS0JhU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2\u003eLowdown Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eFaithful virtual analog emulation of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ethe\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003erenowned monophonic bass pedal synth\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEvery aspect precisely modeled in exacting detail with an ultra-realistic interface\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBeyond bass: propel Lowdown from fat deep end up to soaring leads\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMassive dual oscillators\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThroaty 24dB\/octave lowpass filter with controls for Cutoff, Emphasis, and Contour\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSingle-button access to Bull, Tuba, and Bass factory presets\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eVariable live-panel mode, available with a single click\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdditional one-button controls to activate Glide, Decay, and Octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLoudness and Filter master \"foot\" sliders\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRecessed panel provides access to programmable functions: Tune, Beat, Glide, Octave, Mix, and OSC B Frequency\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRendered and animated foot pedal keyboard\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSelect from 14 under-the-pedals floor surfaces\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOver 40 presets in an extensive preset browsing menu and unlimited user preset storage\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull MIDI control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull DAW automation for all controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLowdown Bass Synthesizer\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis available in AU, VST, VST3, AAX, and standalone formats.\u003c\/p\u003e\n\u003cp\u003eA free 30-day demo of Lowdown is available. This demo will play white noise periodically, but is otherwise unlimited.\u003c\/p\u003e\n\u003cp\u003emacOS Requirements: macOS 10.9 or above (including macOS 12), 64-bit required. Native Apple M1 processor support. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e\n\u003cp\u003eWindows Requirements: Windows 7 or above (including Windows 11), 64-bit required. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cherry Audio","offers":[{"title":"Default Title","offer_id":40245806006341,"sku":"1316-1035","price":44.3,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/lowdown-ui.jpg?v=1756464854"},{"product_id":"cherry-audio-galactic-reverb","title":"Cherry Audio Galactic Reverb (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGalactic Reverb is an algorithmic reverb plugin that captures the expansive sound of coveted classic hardware digital reverbs. With a decay time up to 35 seconds, it enables users to create massive, beautiful aural spaces. Galactic is a natural for transporting guitars, drums, keys, and even vocals into an extraterrestrial ambience.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBased on a reverb algorithm featured in Cherry Audio's smash hit\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eDreamsynth\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003evirtual instrument, the Galactic plugin adds modulation controls, predelay, and an equalizer. We've also added a remarkable ducking function for automatically reducing reverb levels while a singer or an instrument is playing to improve mix clarity, no sidechain required! Ducking can also be used to dramatically alternate between super dry and immense reverb tails, setting Galactic apart from other spacey reverbs.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGalactic is intuitive to use and produces musical results at lightspeed. Like all Cherry Audio plugins, Galactic includes our convenient preset browser, loaded with over 50 ethereal presets. It can be used as an insert or bus effect, and is fully compatible with mono or stereo sources.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBypass the compressor. Initiate the matter-antimatter integrator. Engage the warp drive and go Galactic!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PBu3YhjAw_Y\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003eGalactic\u003c\/strong\u003e Reverb Features: \u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAuthentically modeled classic reverb\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eModulation from 0.10 Hz to 5.00 kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDamping control for reverb\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePredelay from 0 ms to 500 ms\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDecay from 0 ms to 35,000 ms\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDucking with attenuation and recovery time controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEqualizer with low and high frequency controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUse as an insert or bus effect\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCompatible with mono or stereo input sources\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePreset browser with over 50 Presets for Drums, Ducking, Guitars, Keys, and Vocals, favoriting, and user presets\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull MIDI control and DAW automation for all controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePreset and Global level MIDI mapping\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUser-selectable themes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGalactic Reverb \u003c\/strong\u003eis available in AU, VST, VST3, AAX, and stand-alone formats.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA free seven-day demo of Galactic Reverb is available.\u003c\/strong\u003e This demo will play white noise periodically, but is otherwise unlimited.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003emacOS Requirements:\u003c\/strong\u003e macOS 10.9 or above (including macOS 12), 64-bit required. Native Apple M1 processor support. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWindows Requirements:\u003c\/strong\u003e Windows 7 or above (including Windows 11), 64-bit required. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e","brand":"Cherry Audio","offers":[{"title":"Default Title","offer_id":40245806202949,"sku":"1316-1036","price":29.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/galactic-lg.jpg?v=1756464854"},{"product_id":"audiomodern-riffer","title":"Audiomodern Riffer Creative MIDI Sequencer (Serial Nr + Download)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRiffer is a smart MIDI tool that generates musical Riffs \u0026amp; Sequences by combining\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePitch, Duration, Velocity \u0026amp; Density. Built for your sounds, Software \u0026amp; Hardware. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTurn them into something of your own or let it run endlessly using the infinity mode.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"vc_custom_heading\"\u003ea Swiss army knife for MIDI +\u003c\/h3\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element  vc_custom_1607122744999\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003ch4\u003e\u003cspan\u003eWE HAVE MADE A GREAT GENERATIVE APPLICATION FOR YOU.\u003c\/span\u003e\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element  vc_custom_1607166066169\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003e\u003cspan\u003eIntroduced in 2015 and by receiving regular updates, Riffer is endlessly generating unique riffs for more than 35.000 users \u003c\/span\u003e\u003cspan\u003eproving its value as the best and most feature-rich generative MIDI Sequencer on the market.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/XLlECYSk4Xo\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eFeatures\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"wpb_column vc_column_container vc_col-sm-6\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"qodef-section-title-holder qodef-st-title-left qodef-st-normal-space qodef-st-with-animation qodef-appeared\"\u003e\n\u003cdiv class=\"qodef-st-inner\"\u003e\n\u003cdiv class=\"qodef-st-title-wrapper\"\u003e\n\u003ch5 class=\"qodef-st-title\"\u003eAmazing Experience\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"qodef-st-text-wrapper\"\u003e\n\u003cp class=\"qodef-st-text\"\u003eDiscover new ways of composing riffs \u0026amp; musical patterns.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wpb_column vc_column_container vc_col-sm-6\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"qodef-section-title-holder qodef-st-title-left qodef-st-normal-space qodef-st-with-animation qodef-appeared\"\u003e\n\u003cdiv class=\"qodef-st-inner\"\u003e\n\u003cdiv class=\"qodef-st-title-wrapper\"\u003e\n\u003ch5 class=\"qodef-st-title\"\u003ePowerful design\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"qodef-st-text-wrapper\"\u003e\n\u003cp class=\"qodef-st-text\"\u003eLightweight plugin designed to run on any system or device.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"qodef-section-title-holder qodef-st-title-left qodef-st-normal-space qodef-st-with-animation qodef-appeared\"\u003e\n\u003cdiv class=\"qodef-st-inner\"\u003e\n\u003cdiv class=\"qodef-st-title-wrapper\"\u003e\n\u003ch5 class=\"qodef-st-title\"\u003eAvailable for any device\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"qodef-st-text-wrapper\"\u003e\n\u003cp class=\"qodef-st-text\"\u003eVST\/VST3\/AU\/AAX Plugin for Windows, Mac, iPad \u0026amp; iPhone.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wpb_single_image wpb_content_element vc_align_left\"\u003e\n\u003cfigure class=\"wpb_wrapper vc_figure\"\u003e\n\u003cdiv class=\"vc_single_image-wrapper   vc_box_border_grey\"\u003e\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"qodef-section-title-holder qodef-st-title-left qodef-st-normal-space qodef-st-with-animation qodef-appeared\"\u003e\n\u003cdiv class=\"qodef-st-inner\"\u003e\n\u003cdiv class=\"qodef-st-title-wrapper\"\u003e\n\u003ch5 class=\"qodef-st-title\"\u003eRiffs made only for you\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"qodef-st-text-wrapper\"\u003e\n\u003cp class=\"qodef-st-text\"\u003eNo two patterns will ever be the same, they're your own.\u003c\/p\u003e\n\u003ch2 class=\"qodef-st-text\"\u003eRequirements\u003c\/h2\u003e\n\u003cp class=\"qodef-st-text\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e• Mac OS X 10.12 or higher\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Windows 7 or higher\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• At least 50 MB of free drive space\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Reliable internet connection for download delivery\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eand product activation\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Allows for activation on three (3) computers per serial code\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Audio Modern","offers":[{"title":"Default Title","offer_id":40245806792773,"sku":"1161-32","price":74.85,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/Riffer_V3_UI_1000.jpg?v=1756464855"},{"product_id":"sound-particles-doppler-air-plugin-serial-nr-download","title":"Sound Particles Doppler \u0026 Air Plugin Bundle (Serial Nr + Download)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDoppler is a professional audio plugin, for sound design and audio post-production. Perfect for simulating the physical behavior of sound moving through the air, turning your mix into an incredibly immersive sonic experience.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-v-26e3c65c=\"\" data-v-d85491f0=\"\" class=\"mt-0\"\u003eAbout Doppler\u003c\/h2\u003e\n\u003cp data-v-26e3c65c=\"\" data-v-d85491f0=\"\" class=\"mb-0\"\u003eDoppler simulates the behavior of objects moving through air, providing audio with highly accurate characteristics of sounds passing-by. With control of all parameters that physically affect pitch, level and EQ in a real world situation, Doppler gives you the most natural sounding emulation for your work.\u003c\/p\u003e\n\u003cp data-v-26e3c65c=\"\" data-v-d85491f0=\"\" class=\"mb-0\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9W4fEoR8Gec\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-v-26e3c65c=\"\" data-v-d85491f0=\"\" class=\"mb-0\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAir is the perfect tool to simulate distance through high frequency attenuation. Use it on any DAW.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"mt-0\" data-v-d85491f0=\"\" data-v-26e3c65c=\"\"\u003eAir for Sound Effects\u003c\/h2\u003e\n\u003cp class=\"mb-0\" data-v-d85491f0=\"\" data-v-26e3c65c=\"\"\u003eA close-by object doesn't sound like a faraway object. Quickly reinvent sound effects by adding depth and distance to your sounds. No need to record everything all over again.\u003c\/p\u003e\n\u003ch2 class=\"mt-0\" data-v-d85491f0=\"\" data-v-26e3c65c=\"\"\u003eAir for mixing\u003c\/h2\u003e\n\u003cp class=\"mb-0\" data-v-d85491f0=\"\" data-v-26e3c65c=\"\"\u003eWith just one knob, it is possible to accurately simulate the distance of any sound. Air will apply the exact EQ and distance attenuation necessary to make audio assets perfectly resemble real-life sonic events.\u003c\/p\u003e\n\u003ch2 class=\"mt-0\" data-v-d85491f0=\"\" data-v-26e3c65c=\"\"\u003eAir for Automated Dialogue Replacement\u003c\/h2\u003e\n\u003cp class=\"mb-0\" data-v-d85491f0=\"\" data-v-26e3c65c=\"\"\u003eThe biggest challenge of ADR is making it sound as natural as if it was recorded on the original set. Air helps in achieving a natural-sounding distance effect, so that ADR never sounds misplaced again.\u003c\/p\u003e\n\u003ch2 class=\"mt-0\" data-v-d85491f0=\"\" data-v-26e3c65c=\"\"\u003eAir for Music\u003c\/h2\u003e\n\u003cp class=\"mb-0\" data-v-d85491f0=\"\" data-v-26e3c65c=\"\"\u003eEasily take away some presence of specific items within your projects. Let instruments breathe and mixes shine with this ready to go plugin\u003c\/p\u003e\n\u003ch2 class=\"mb-0\"\u003eSystem Requirements\u003c\/h2\u003e\n\u003ctable class=\"table table-borderless my-0 mb-5\" data-v-95c5c84e=\"\"\u003e\n\u003ctbody data-v-95c5c84e=\"\"\u003e\n\u003ctr data-v-95c5c84e=\"\"\u003e\n\u003cth class=\"py-3 pl-lg-5\" scope=\"row\" data-v-95c5c84e=\"\"\u003eOS\u003c\/th\u003e\n\u003ctd class=\"bg-gray-4 border-dark pl-lg-5\" data-v-95c5c84e=\"\"\u003e\n\u003cdiv class=\"d-flex align-items-baseline justify-content-center justify-content-sm-start mt-4 mb-2\" data-v-95c5c84e=\"\"\u003e\n\u003ci class=\"fab fa-apple mr-2\" aria-hidden=\"true\" data-v-95c5c84e=\"\"\u003e\u003c\/i\u003e\n\u003cdiv data-v-95c5c84e=\"\"\u003eMac OSX 10.11 or higher\n\u003cp class=\"small my-0\" data-v-95c5c84e=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"d-flex align-items-baseline justify-content-center justify-content-sm-start mt-2 mb-4\" data-v-95c5c84e=\"\"\u003e\n\u003ci class=\"fab fa-windows mr-2\" aria-hidden=\"true\" data-v-95c5c84e=\"\"\u003e\u003c\/i\u003eWindows 10 or higher\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-v-95c5c84e=\"\"\u003e\n\u003cth class=\"py-3\" scope=\"row\" data-v-95c5c84e=\"\"\u003eFormat\u003c\/th\u003e\n\u003ctd class=\"bg-gray-4 border-dark\" data-v-95c5c84e=\"\"\u003eAAX Native, AU, AUv3, VST and VST3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-v-95c5c84e=\"\"\u003e\n\u003cth class=\"py-3\" scope=\"row\" data-v-95c5c84e=\"\"\u003eCPU\u003c\/th\u003e\n\u003ctd class=\"bg-gray-4 border-dark\" data-v-95c5c84e=\"\"\u003e4-core or higher\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-v-95c5c84e=\"\"\u003e\n\u003cth class=\"py-3\" scope=\"row\" data-v-95c5c84e=\"\"\u003eRAM\u003c\/th\u003e\n\u003ctd class=\"bg-gray-4 border-dark\" data-v-95c5c84e=\"\"\u003e8 GB or higher\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-v-95c5c84e=\"\"\u003e\n\u003cth class=\"py-3 pr-lg-5\" scope=\"row\" data-v-95c5c84e=\"\"\u003eDisk Space\u003c\/th\u003e\n\u003ctd class=\"bg-gray-4 border-dark pr-lg-5\" data-v-95c5c84e=\"\"\u003e600 MB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Sound Particles","offers":[{"title":"Default Title","offer_id":40245849751621,"sku":"1342-1004","price":169.6,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/sound-particles-doppler-air.jpg?v=1756464855"},{"product_id":"xln-audio","title":"XLN Audio Addictive Drums 2 Studio Collection (Serial Nr + Download)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eAddictive Drums 2 is a software \u003cspan class=\"font-weight-medium\"\u003edrum production studio\u003c\/span\u003e featuring professionally recorded acoustic drums, live rhythm performances and high quality built in effects.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"cell large-12 product-hero__name-container\"\u003e\n\u003ch1 class=\"product-hero__name\"\u003eStudio Collection\u003c\/h1\u003e\n\u003ch2 class=\"product-hero__tagline\"\u003eFor great-sounding drums, whatever the genre\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cell large-12 product-hero__features-container\"\u003eIncluded products\n\u003cul class=\"product-hero__features\"\u003e\n\u003cli class=\"product-hero__features-item\"\u003e\n\u003cspan class=\"font-weight-medium\"\u003eStudio Pop\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(ADpak)\u003c\/li\u003e\n\u003cli class=\"product-hero__features-item\"\u003e\n\u003cspan class=\"font-weight-medium\"\u003eStudio Rock\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(ADpak)\u003c\/li\u003e\n\u003cli class=\"product-hero__features-item\"\u003e\n\u003cspan class=\"font-weight-medium\"\u003eWriter's Blocks\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(MIDIpak)\u003c\/li\u003e\n\u003cli class=\"product-hero__features-item\"\u003e\n\u003cspan class=\"font-weight-medium\"\u003eRock Songs\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(MIDIpak)\u003c\/li\u003e\n\u003cli class=\"product-hero__features-item\"\u003eIncludes Addictive Drums 2 Engine\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/pIA0rEjva1g\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIf you have one collection, this is the one to get.This is the perfect starter collection. If you need great-sounding drums, look no further. The Studio collection can cover most styles, is tweakable to sound exactly how you want it to, and sounds just right in pretty much any mix. Whether you’re a singer songwriter looking for a rock-solid beat behind you, a rock or pop producer, or a beat-maker looking to inject something warm and organic into your tracks, this collection has what you need to make your track sound polished and professional. Classic, uncomplicated, goes with everything, makes you sound great … what’s not to love?\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"grid-x grid-margin-x\"\u003e\n\u003cdiv class=\"cell large-12\"\u003e\n\u003ch2\u003eSystem Requirements\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"grid-x grid-margin-x\"\u003e\n\u003cdiv class=\"cell large-6\"\u003e\n\u003cdiv class=\"specs\"\u003e\n\u003cdiv class=\"logo-apple\"\u003eMac\u003c\/div\u003e\n\u003cp\u003emacOS 10.10 or later (64-bit)\u003c\/p\u003e\n\u003cp\u003eInternet connection (during installation only)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"specs\"\u003e\n\u003cdiv class=\"logo-windows\"\u003eWindows\u003c\/div\u003e\n\u003cp\u003eWindows 7, 8, 10 (64-bit)\u003c\/p\u003e\n\u003cp\u003eInternet connection (during installation only)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"specs\"\u003e\n\u003ch6\u003eFormats\u003c\/h6\u003e\n\u003cp\u003eVST, AU, AAX (64-bit)\u003c\/p\u003e\n\u003cp\u003eStandalone Application (Windows and macOS)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cell large-6\"\u003e\n\u003ch6\u003eHosts\u003c\/h6\u003e\n\u003cp\u003eThis product should run on any host supporting 64-bit VST, AU, or AAX plugins. XLN Audio actively tests on the host applications listed below:\u003c\/p\u003e\n\u003cul class=\"system-requirements-host-list\"\u003e\n\u003cli class=\"system-requirements-host-list__item\"\u003eAbleton Live 9 or later\u003c\/li\u003e\n\u003cli class=\"system-requirements-host-list__item\"\u003eApple Logic Pro 9 \u0026amp; 10\u003c\/li\u003e\n\u003cli class=\"system-requirements-host-list__item\"\u003eAvid Pro Tools 11 or later (Pro Tools First is not supported)\u003c\/li\u003e\n\u003cli class=\"system-requirements-host-list__item\"\u003eCakewalk by Bandlab\u003c\/li\u003e\n\u003cli class=\"system-requirements-host-list__item\"\u003eFL Studio 20\u003c\/li\u003e\n\u003cli class=\"system-requirements-host-list__item\"\u003ePropellerhead Reason 9.5 or later (In Addictive Drums 2, the Bus channel cannot be sent to a separate out track.)\u003c\/li\u003e\n\u003cli class=\"system-requirements-host-list__item\"\u003eReaper 5 or later\u003c\/li\u003e\n\u003cli class=\"system-requirements-host-list__item\"\u003eSteinberg Cubase 8 or later\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"XLN Audio","offers":[{"title":"Default Title","offer_id":40245971124293,"sku":"1096-63","price":256.65,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/cover-535px-2x.jpg?v=1756464863"},{"product_id":"xln-audio-addictive-keys-studio-grand","title":"XLN Audio Addictive Keys Studio Grand","description":"\u003cp\u003e\u003cstrong\u003eStudio Grand \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe Grand Master of Pianos\u003c\/li\u003e\n\u003cli\u003eSteinway Model D Grand Piano\u003c\/li\u003e\n\u003cli\u003eWarm tone and unique sound\u003c\/li\u003e\n\u003cli\u003eSix selectable mic perspectives\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"product-description__quote\" data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/MIK2cXKHue0\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/h3\u003e\n\u003ch3 class=\"product-description__quote\" data-mce-fragment=\"1\"\u003eThe response, dynamics and character of this instrument capture the very essence of a great grand piano. It will inspire your creativity.\u003c\/h3\u003e\n\u003cdiv class=\"product-description__intro\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Studio Grand features a classic Steinway Model D concert grand piano. The first choice of many pianists, Steinways are famous for their character and unrivaled sound. The included ExploreMaps offer presets in a variety of styles ranging from open and natural to processed and strange. The variety of sounds makes Studio Grand perfect for both production and stage duties.\u003c\/p\u003e\n\u003cp class=\"product-details__text\"\u003eOur Studio Grand features a Steinway Model D Concert Grand piano. At 8' 11 3\/4\" (274cm) in length, this majestic instrument is the overwhelming choice of the world's greatest pianists. More than ten Steinway Grand Pianos were auditioned before finding the one with the most desirable character: a crystal clear and open timbre with a perfectly balanced resonance.\u003c\/p\u003e\n\u003cp class=\"product-details__text\"\u003eWe approached Studio Grand with production in mind. We found that fitting a grand piano in a mix can be hard and often results in a compromise of the sound quality in order to make it fit with the other instruments and vocals. By offering the exact recording setup in Addictive Keys and the option of mixing and matching microphones, Studio Grand is sure to fit nicely into any production style.\u003c\/p\u003e\n\u003cp class=\"product-details__text\"\u003eStudio Grand was recorded in a large recording studio at the Swedish Broadcasting Corporation. The studio is famous for being extremely quiet and for having a controlled acoustic ambience; for such a large room the reverberation still sounds tight and airy which is a rare combination and the perfect condition for recording a grand piano.\u003c\/p\u003e\n\u003cp class=\"product-details__text\"\u003eThe recordings were done using rare vintage tube and ribbon microphones capturing the instrument at several different perspectives. From close up perspective with microphones next to the soundboard to far away perspective with natural room ambience. The end result is a warm and vibrant sound that goes from intimate to larger-than-life. The microphones used were hand picked from the studios impressive collection.\u003c\/p\u003e\n\u003cdiv class=\"grid-x grid-margin-x\"\u003e\n\u003cdiv class=\"cell large-12\"\u003e\n\u003ch2\u003eSystem Requirements\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"grid-x grid-margin-x\"\u003e\n\u003cdiv class=\"cell large-6\"\u003e\n\u003cdiv class=\"specs\"\u003e\n\u003cdiv class=\"logo-apple\"\u003eMac\u003c\/div\u003e\n\u003cp\u003emacOS 10.10 or later (64-bit)\u003c\/p\u003e\n\u003cp\u003eInternet connection (during installation only)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"specs\"\u003e\n\u003cdiv class=\"logo-windows\"\u003eWindows\u003c\/div\u003e\n\u003cp\u003eWindows 7, 8, 10 (64-bit)\u003c\/p\u003e\n\u003cp\u003eInternet connection (during installation only)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"specs\"\u003e\n\u003ch6\u003eFormats\u003c\/h6\u003e\n\u003cp\u003eVST, AU, AAX (64-bit)\u003c\/p\u003e\n\u003cp\u003eStandalone Application (Windows and macOS)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cell large-6\"\u003e\n\u003ch6\u003eHosts\u003c\/h6\u003e\n\u003cp\u003eThis product should run on any host supporting 64-bit VST, AU, or AAX plugins. XLN Audio actively tests on the host applications listed below:\u003c\/p\u003e\n\u003cul class=\"system-requirements-host-list\"\u003e\n\u003cli class=\"system-requirements-host-list__item\"\u003eAbleton Live 9 or later\u003c\/li\u003e\n\u003cli class=\"system-requirements-host-list__item\"\u003eApple Logic Pro 9 \u0026amp; 10\u003c\/li\u003e\n\u003cli class=\"system-requirements-host-list__item\"\u003eAvid Pro Tools 11 or later (Pro Tools First is not supported)\u003c\/li\u003e\n\u003cli class=\"system-requirements-host-list__item\"\u003eCakewalk by Bandlab\u003c\/li\u003e\n\u003cli class=\"system-requirements-host-list__item\"\u003eFL Studio 20\u003c\/li\u003e\n\u003cli class=\"system-requirements-host-list__item\"\u003ePropellerhead Reason 9.5 or later\u003c\/li\u003e\n\u003cli class=\"system-requirements-host-list__item\"\u003eReaper 5 or later\u003c\/li\u003e\n\u003cli class=\"system-requirements-host-list__item\"\u003eSteinberg Cubase 8 or later\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"XLN Audio","offers":[{"title":"Default Title","offer_id":40245982789701,"sku":"1096-35","price":149.7,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/xln-audio-addictive-keys-studio-grand.jpg?v=1756464863"},{"product_id":"xln-audio-addictive-keys-mark-one-serial-nr-download","title":"XLN Audio Addictive Keys Mark One ( Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"cell large-12 product-hero__name-container\"\u003e\n\u003ch1 data-mce-fragment=\"1\" class=\"product-hero__name product-hero__name--akie0001\"\u003eMark One\u003c\/h1\u003e\n\u003ch2 data-mce-fragment=\"1\" class=\"product-hero__tagline\"\u003eWarm and Intimate Tones\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"cell large-12 product-hero__features-container\"\u003e\n\u003cul data-mce-fragment=\"1\" class=\"product-hero__features\"\u003e\n\u003cli data-mce-fragment=\"1\" class=\"product-hero__features-item\"\u003eRhodes Mk. 1 Stage Piano\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" class=\"product-hero__features-item\"\u003eClassic and Intimate Sound\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" class=\"product-hero__features-item\"\u003e7 Different recording perspectives\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"product-description__quote\"\u003eStart playing this warm, beautiful instrument and chances are good that you'll find yourself still playing it several hours later.\u003c\/h3\u003e\n\u003cdiv class=\"product-description__intro\"\u003e\n\u003cp\u003eOur Mark One Instrument is based on a Rhodes Mk. 1 electric piano. This king of electric pianos is played through a vintage tube combo amp and captured by rare vintage mics for a sublime sound. The tone can go from a smooth enthralling caress to a searing, crunchy sound that cuts through the densest mix.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/MIK2cXKHue0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"XLN Audio","offers":[{"title":"Default Title","offer_id":40246031810629,"sku":"","price":119.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/akie0001-explore.jpg?v=1756464863"},{"product_id":"soundiron-hyperion-strings-elements","title":"Soundiron Hyperion Strings Elements (Kontakt Player) - Serial Nr + Download","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHyperion Strings Elements\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a universal string ensemble library built for everyone. It was recorded with uncompromising engineering precision and then hand-edited and carefully balanced to achieve a new benchmark in quality and playability. It's made for Native Instruments’ free Kontakt Player and the NKS Standard. This virtual instrument is a robust musical production workhorse that will serve you well, whether you’re a working composer, student, producer, songwriter, teacher, arranger, band, sound designer, or are just curious about creating your own music. It’s ready to perform from the moment you load it up.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Hyperion String ensemble has a forward and robust sound unlike any other. It has a strong tone and wide dynamic range that can be shaped to fit any genre or style. It can also be used to fatten and layer with other strings to create massive arrangements. We’ve also equipped the interface with plenty of spatialization, environment simulation and positioning controls and options to let you dial in the sound and character you need.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe library includes a full-ensemble preset and 4 Master and True-Legato section presets for 8 Violins, 6 Violas, 5 Cellos and 4 Double Basses. The Master presets include a broad selection of fundamental articulations, each with their own range of customizable real-time performance options, key-switch and mapping options, handy auto-functions, apregiators, FX and performance tools. These master presets allow you to blend and switch effortlessly vibrato, non-vibrato and tremolo sustains, a variety of short bow strokes and naturally dynamic tempo-based expressions, effects, rhythmic patterns, runs and sequences.\u003c\/p\u003e\n\u003cp\u003eHyperion Strings Elements includes a combined full ensemble preset, as well as individual section master and true legato presets for our chamber string orchestra, with 8 Violins, 6 Violas, 5 Cellos and 4 Double Basses. For this Elements Edition, each section is fully equiped with fingered and gliss true legato for vibrato and non-vibrato sustains, tremolo, a full spectrum of short note speeds\/styles, and an extended catalog of modular dynamic expressions like crescendos, decrescendos, sforzandos and swells.\u003c\/p\u003e\n\u003cp\u003eThe True Legato presets weave together multi-dynamic lush vibrato and clean non-vibrato, recorded naturally in piano, mezzo-forte and forte dynamics. You can switch instantly between agile fingered and smooth glissando legato transition styles for vibrato and non-vibrato sustains, with speed control that adapts to the way you play when you want it to, yet gives you total hands-on control when you need it. You can use it to craft startlingly realistic and seamless performances, whether you’re playing quick slurred runs or long, silky-smooth melodies.\u003c\/p\u003e\n\u003cp\u003eThe Short articulations make it easy to humanize your arrangements and find the perfect bow stroke or emotive expression for any musical moment. You can switch instantly between long \u0026amp; dotted 8th-note staccatos, 16th \u0026amp; 32nd-note short staccatos, 32nd \u0026amp; 64th-note spiccatos, as well as loose \u0026amp; tight pizzicatos, Bartok pitz snaps and Col Legno taps. They include 4 round-robins per note, with optional velocity\/swell control and automatic time-based switching for refined realism and control.\u003c\/p\u003e\n\u003cp\u003eThe modular dynamic Expressions allow real-time dynamically-aware release sample triggering, tempo-synching and time-stretching. When combined with the Offset and Attack controls, you can carve out just about any dynamic shape you could ever need.\u003c\/p\u003e\n\u003cp\u003eThe library includes a broad selection of flexible articulations, each with their own range of customizable real-time performance options, key-switch and mapping options and performance tools. It is fully equiped for the professional composer with time-saving performance tools, adaptive controls, sound-shaping and positiong features and an incredibly rich and robust sound.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eSPECIFICATIONS\u003c\/h2\u003e\n\u003cdiv align=\"justify\" data-mce-fragment=\"1\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eProduct Version 1.0\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e9 master presets for Ensemble, Violins, Violas, Cellos, Basses.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePlenty of articulation maps, seating arrangements, arpeggio patterns and FX chains to choose from.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e20,148 Samples\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e10 GB installed (14 GB wav source)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e24-bit, 48 kHz Stereo Lossless NCW Format.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMulti-dynamic sustains, with smooth real-time control over natural vibrato and dynamic transitions. \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMulti-dynamic long and short staccatos, spiccatos and pizzicatos with loose\/tight variants and 4x round-robin.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBartok Pizzicato snaps and Col Legno bow string taps with loose\/tight variants and 4x round-robin.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eA full suite of Expressions in a variety of lengths, timings and dynamics, including crescendos, decrescendos, sforzandos and swells, with time-stretching, tempo-synching and automatic release. \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFlexible and intuitive user interface with pro features, deep customizability and simple workflow.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFree soundstage positioning for each section within dozens of custom rooms, halls, chambers and FX environments.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAdaptive Play Assist and Arpeggio systems for instant inspiration.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eYou can apply your full purchase amount toward your upgrade to the full Hyperion Symphonic Strings when they're released.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMade for the free Kontakt Player (version 6.0.1+), Komplete Kontrol, all S-Series Keyboards and NKS software and hardware by Native Instruments\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWorks with the Kontakt \"Libraries\" browser and Native Access.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSystem Requirements\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis Powered-By-Kontakt Player Edition is supported by the latest version of the free Kontakt Player (VST, AU, AAX) and the special “Libraries” rack. Windows 7 or higher required for PC. OSX 10.12 or higher required for Mac. Dual Core CPU, 3+ GB System Ram, SATA or SSD hard drive recommended for this library. This software is delivered as a digital download, so a broadband connection is required. All sales are final. Please see our\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/soundiron.com\/apps\/help-center\" target=\"_blank\"\u003e\u003cstrong\u003eHelp Page\u003c\/strong\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efor download and installation instructions, tutorials and the End User Licensing Agreement before ordering.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cbr\u003e","brand":"Soundiron","offers":[{"title":"Default Title","offer_id":40246033481797,"sku":"1337-1002","price":151.25,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/3K3K_POSTER_1024x1024_4285848d-106c-4901-a1a0-22f2de7d8b0c.webp?v=1756464864"},{"product_id":"cherry-audio-elka-x-synthesizer-plug-in-serial-nr-download","title":"Cherry Audio Elka-X synthesizer Plug-In (Serial Nr + Download)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Cherry Audio \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eElka-X\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e synthesizer is based upon the legendary Synthex, a rare Italian analog synthesizer designed by Mario Maggi and manufactured by ELKA in the early eighties. Elka-X replicates the extraordinary character of the original synth without compromising sound or functionality, thoughtfully expanding its feature set and delivering the authentic Synthex experience at a price anyone can afford.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/M0X7vKww6rg\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eElka-X Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTwo part multitimbral operation: two different patches simultaneously playable, in either a keyboard split or stacked layer mode, with user-specified split point and discrete controls for layer volume and panning\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e16 polyphonic voices which can be layered or split across the keyboard\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePanel Control for selecting layers, with a utility function for exchanging settings between the Lower and Upper sound layers, or even between presets\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo DCO oscillators with triangle, sawtooth, square, and variable pulse waveforms and independent tuning\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eModes for polyphonic, single voice, and unison monophonic with unison detune\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePWM Cross Modulation and Ring Modulation for both oscillators\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWhite or Pink Noise Generator\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCEM3320-style multimode filter with 12 or 24 dB\/oct lowpass, 6 or 12 dB\/oct bandpass, or 12 dB\/oct highpass\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo tempo-syncable LFOs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo independent modulation sections: a fixed LFO 1 section, and performance-oriented LFO 2 section, intended for use with pitch and mod wheel controllers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLFO 1 has triangle, sawtooth, ramp, bipolar square, unipolar square, and random waveforms; LFO 2 triangle waveform only\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eADSR Filter and Amplifier envelope generators with Velocity control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMulti Trigger for the ADSR Filter and Amplifier envelope generators (in monophonic modes)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eChord Memory and Oscillator 2 sync\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTempo Sync buttons for LFO 1 and 2, Sequencer rate, Arpeggio rate, and Echo rate for easy sync to DAW project tempo\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStep Sequencer consisting of four individual monophonic sequences, each with a user-definable length of up to 128 steps, assignable to either layer, and stored with the preset\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStep Sequencer utility operation for copying, swapping, and moving sequencer data between tracks, or from one presets to another\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGlide (pitch envelope) and Portamento (standard glide), independently enabled for each oscillator\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eArpeggiator with tempo sync, independently assignable to both layers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStudio-quality chorus, echo delay, and reverb effects, including our acclaimed \"Galactic\" reverb algorithm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCherry Audio's popular Focus zoom-in feature, as well as standard UI zoom and resize with drag\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOver 600 presets created by a talented and diverse group of sound design veterans\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eComplete MIDI control and DAW automation for all controls, with easy-to-use MIDI learn\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePreset and Global level MIDI mapping\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHighly optimized coding for optimal performance with ultra-low CPU load\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUser-adjustable oversampling control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"mx-auto prose max-w-none dark:prose-light prose-blue\"\u003e\n\u003cp\u003e\u003cem\u003e\"If it had been built by a more prestigious manufacturer, and released at a more sensible price, the ELKA Synthex could possibly have rivaled the DX7 and kept analogue from being so swamped by digital.\" -\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ePeter Forrest (1998),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe A-Z of Analogue Synthesisers, Part One\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe Synthex included a combination of uncommon and forward-looking features that stood out from other contemporary synthesizers, including highly stable digitally-controlled analog oscillators and a flexible four-pole multimode filter. Unlike most other popular synths utilizing CEM3320 filter chips in a lowpass-only configuration, the Synthex filter featured a 24 dB\/oct lowpass mode, 6 and 12 dB\/oct bandpass modes, and a 12 dB\/oct highpass mode. Along with a powerful onboard analog chorus effect, this gave the Synthex a distinct and powerful tonality. It was multitimbral, with the ability to play two separate patches simultaneously, in either split or layer mode. It even included an innovative four-track sequencer with real-time recording and transposition.\u003c\/p\u003e\n\u003cp\u003eAs ELKA's primary market was home organs, they never gained a strong foothold in the professional synthesizer market. Sadly, the whirlwind of excitement generated by the 1983 release of Yamaha's DX digital synthesizers relegated this superb instrument to the sidelines, never to achieve the success it deserved.\u003c\/p\u003e\n\u003cp\u003eBy the mid-80s, ELKA made the last Synthex for Stevie Wonder, who used it for the distinctive bass tone on his single \"Skeletons\"\u003cem\u003e \u003c\/em\u003efrom the 1987 album \u003cem\u003eCharacters\u003c\/em\u003e. Other notable users of the Synthex included Geoff Downes of the supergroup Asia, Keith Emerson, Nick Rhodes of Duran Duran, Peter Howell of the BBC Radiophonic Workshop, and Jean-Michel Jarre, who used it extensively on \u003cem\u003eRendezvous\u003c\/em\u003e and for his famed \"laser harp\" sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"my-4\"\u003e\n\u003cfigure\u003e\u003cimg src=\"https:\/\/cherryaudio.com\/assets\/products\/images\/elka-x-synthex-peterhowell.jpg\" alt=\"Synthex pioneer Peter Howell of the BBC Radiophonic Workshop in the Maida Vale studios, circa 1986. Howell used the Synthex exclusively for the BBC1 production\" loading=\"lazy\" class=\"mx-auto w-full rounded-lg shadow-md\" lift=\"\" off=\"\" when=\"\" the=\"\" workshop=\"\" began=\"\" its=\"\" transition=\"\" towards=\"\" digital=\"\" studios=\"\" synthex=\"\" managed=\"\" to=\"\" briefly=\"\" survive=\"\" cut=\"\" due=\"\" unique=\"\" capabilities=\"\" and=\"\" midi=\"\" functionality=\"\" module=\"\" lower=\"\" right=\"\"\u003e\n\u003cfigcaption class=\"text-center mt-2 text-xs italic mx-auto text-gray-700 dark:text-gray-300\"\u003eSynthex pioneer Peter Howell of the BBC Radiophonic Workshop in the Maida Vale studios, circa 1986. Howell used the Synthex exclusively for the BBC1 production \"Lift Off.\" When the Workshop began its transition towards digital studios, the Synthex managed to briefly survive the cut due to its unique capabilities and MIDI functionality (note the MIDI module, lower right).\u003c\/figcaption\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mx-auto prose max-w-none dark:prose-light prose-blue\"\u003e\n\u003ch3\u003eX-pertly Extended and Enhanced!\u003c\/h3\u003e\n\u003cp\u003eEach aspect of Elka-X has been precisely modeled upon Cherry Audio's pristine vintage Synthex. Every effort was taken to emulate the prized tone of the original's DCOs, dynamic filter, and stunning chorus. We've preserved the innovative sound-sculpting and performance features such as layering and keyboard split, and hugely improved the original's clunky step sequencer.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"my-4\"\u003e\n\u003cfigure\u003e\u003cimg src=\"https:\/\/cherryaudio.com\/assets\/products\/images\/ca-synthex-studioshot2.jpg\" alt=\"The original ELKA Synthex used to model Cherry Audio's Elka-X.\" loading=\"lazy\" class=\"mx-auto w-full rounded-lg shadow-md\"\u003e\n\u003cfigcaption class=\"text-center mt-2 text-xs italic mx-auto text-gray-700 dark:text-gray-300\"\u003eThe original ELKA Synthex used to model Cherry Audio's Elka-X.\u003c\/figcaption\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mx-auto prose max-w-none dark:prose-light prose-blue\"\u003e\n\u003cp\u003eOnce again, Cherry Audio has kept the soul of a classic alive while updating its feature set for modern studio environments. We've increased the polyphony, included mono and unison modes, and added velocity response that was absent from the original design. We've expanded the functionality of the filter and the LFOs, greatly extending the modulation options. We not only simplified the operation of the four-track step sequencer but added a complete arpeggiator with independent assignments for both layers.\u003c\/p\u003e\n\u003cp\u003eUnique panel controls make it painless to exchange settings between layers, sequencer tracks, and even different presets. In addition to the chorus effect found in the original, Elka-X adds studio-quality echo and reverb stereo effects, with independent settings for both layers. With additional touches such as chord memory, over 600 pro patches, and flexible MIDI mapping, Cherry Audio's Elka-X brings the authentic and expanded Synthex experience roaring into the 21st century.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eElka-X\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eis available in AU, VST, VST3, AAX, and standalone formats.\u003c\/p\u003e\n\u003cp\u003eA free 30-day demo of Elka-X is available. This demo will play white noise periodically, but is otherwise unlimited.\u003c\/p\u003e\n\u003cp\u003emacOS Requirements: macOS 10.9 or above (including macOS 12), 64-bit required. Native Apple M1 processor support. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e\n\u003cp\u003eWindows Requirements: Windows 7 or above (including Windows 11), 64-bit required. Quad-core computer with 8GB of RAM recommended.\u003c\/p\u003e","brand":"Cherry Audio","offers":[{"title":"Default Title","offer_id":40256629866565,"sku":"1316-1037","price":90.15,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/elka-x-ui-01.jpg?v=1756464868"},{"product_id":"martinic-ax73-synth-plugin-serial-nr-download","title":"Martinic AX73 synth plugin (Serial nr + Download)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMartinic's AX73 synth plugin is a faithful recreation of the 80's analog synth from Akai, with added features and enhancements including an easy to use preset editor, and a suite of FX including compression, chorus, phaser, flanger, reverb, delay, distortion, and an EQ section. This plugin is also no longer limited to 6 voice polyphony, and includes an arpeggiator based on the AX60, stackable layers, and flexible split function.NOT A SAMPLE LIBRARYMartinic specializes in precise circuit modeling and emulation and this synth is the perfect example of that. It functions as an exact replica of the components used to make the original AX73 synth keyboard, but with modern computing capabilities to lift the limitations of the original. In short, it's a SUPER SYNTH, capable of incredible sound creation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/OveuRRdw_44\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAn interface for the 21st century\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSettings View offers a clean, easy-to-use set of parameters for quick editing.\u003c\/li\u003e\n\u003cli\u003eThe Keys View, which emulates the look of the original hardware, has also been upgraded with many more functions – no menu-diving required!\u003c\/li\u003e\n\u003cli\u003eThe robust Preset Manager allows you to quickly save and sort your favorite presets into \"collections\" that you can easily export and share with friends!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eNew Effects Section\u003c\/b\u003e\u003cbr\u003eProcess the synth’s output with eight built-in effects units:\u003cbr\u003eCompressor, Phaser, Flanger, Chorus, Delay, Reverb, Distortion, and EQ\u003cbr\u003e​These effects can be routed in any order you like – simply rearrange them by dragging and dropping them in the FX Chain.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSomething Borrowed\u003c\/b\u003e\u003cbr\u003eThe best elements from other synths in the AX range have been distilled into a feature-rich reinterpretation of the AX73. Notable examples include: extra chorus settings and the arpeggiator from the AX60, a second VCO and sub-oscillator from the AX80, and an extended VCO octave range down to 32’, as seen in both the AX60 and 80.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMod Power!\u003c\/b\u003e\u003cbr\u003eThe AX73 plugin also offers far greater modulation capabilities than the original. It features four envelopes per layer (three of which are assignable), and four assignable LFOs per layer. Taking both layers into account, this gives a formidable eight envelopes and eight LFOs.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSplit or Stack Layers to build your sound\u003c\/b\u003e\u003cbr\u003eUniquely, the AX73 has two layers that can be split across the keyboard - allowing you to play two patches simultaneously - or stacked, providing an extra dimension of sound design. And, each layer has its own independent arpeggiator with 11 built-in modes - including some unusual modes such as Shuffle and Improv - that you can use to quickly create melodies.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch2\u003eSound Designers\u003c\/h2\u003e\n\u003cp\u003eOur AX73 comes with 600+ genre spanning presets created by a lineup of highly respected sound designers who have left their imprint on some of the most loved synthesizers of all time. Let’s learn about a few of them.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eNori Ubukata\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eNori Ubukata is a highly accomplished musician whose sound design work has been heard countless times. Contributing presets to the Yamaha DX7 when it was first launched, Ubukata has truly left his mark on musical history. His AX73 preset collection ranges from otherworldly SFX and rhythmic patches to lush, warm organ and keys sounds.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSumma\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eA professional sound designer for over two decades, Summa has helped to define the personality of some of the greatest soft synths of this millenium - now he adds another to the list. With presets for Massive, Absynth, DX7 V and many more under his belt, Summa’s work has appeared on countless songs, soundtracks and more over the past 20 years. His AX73 bank ranges from the gorgeous, ethereal pluck of Bellerina 7th, to the raw, in-your-face throaty bass of Smacking Reso Ld.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSynth Guru Wiffen\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSynth Guru Wiffen is, as his name suggests, a sound design expert who has been working with synthesizers for over three decades. He worked with Vangelis as a programmer on perhaps one of the most loved pieces of synthesizer based music of all time; the Blade Runner soundtrack.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Martinic","offers":[{"title":"Default Title","offer_id":40260239032389,"sku":"1333-1005","price":186.4,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/ax73-plus-keys_interface-v1.jpg?v=1756464869"},{"product_id":"martinic-scanner-vibrato-vibrato-and-chorus-plugin","title":"Martinic Scanner Vibrato Vibrato and Chorus plugin","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eScanner Vibrato is a virtual effect plug-in that recreates the scanner-vibrato effect from a well-known tonewheel organ.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Scanner Vibrato is also available as part of the\u003cspan\u003e \u003c\/span\u003eRetro Pack, a collection of Martinic's grooviest instruments and effects with a bundle discount.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIf you would like instructions for this plug-in, you can browse through the\u003cspan\u003e \u003c\/span\u003e\u003ca class=\"ember-view\" id=\"ember356\" href=\"https:\/\/www.martinic.com\/en\/products\/scanner-vibrato\/manual\"\u003emanual page\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch2\u003eHistory\u003c\/h2\u003e\n\u003cp\u003eThe original scanner-vibrato was developed in the 1940s, and was an analog, electromechanical device, consisting of an analog delay line and a mechanical rotor (\"scanner\"). The rotor was driven by the organ's internal motor, and therefore its rate was fixed at about 6.9 Hz. The original scanner-vibrato could produce both chorus and vibrato effects, and it offered three depth presets.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eMartinic Scanner Vibrato is modelled closely on the original scanner-vibrato, so it offers the same features (and flaws), perfectly preserving the character of the original effect. However, Scanner Vibrato is more flexible; you can adjust the rate, depth, and even stereo width. And best of all, you can apply Scanner Vibrato not only to organ sounds, but also to guitar, synthesizer, or whatever sound you like.\u003c\/span\u003e\u003c\/p\u003e","brand":"Martinic","offers":[{"title":"Default Title","offer_id":40260254498885,"sku":"1333-1001","price":61.1,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/scanner-vibrato-v1.jpg?v=1756464869"},{"product_id":"martinic-elka-panther-300-combo-organ-plug-in-serial-nr-download","title":"Martinic Elka Panther 300 Combo Organ Plug-In (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Elka Panther 300, also known as the Capri, is a classic Italian combo organ of the 60s.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe instrument produces bold, rich organ sounds and has a wide range of tonal variations (13). The Panthers 16', 8', 4' Stops and Mixture voice levels are adjustable. Each note spans over three octaves, there is bass extension into grey keys and separate volume control for bass octave(s).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTone Decay adds percussive effect to Mixture voices. The Panther has powerful vibrato with speed and intensity control.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/oWmUdTYl1IA\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cp\u003ePhysical modeling (no samples used) of vintage Elka Panther 300 (1966-1972) and the rare LEM Tape Echo delay effect.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e13 treble stops in 4 ranks (16', 8', 4', Mixture), plus 2 bass stops\u003c\/li\u003e\n\u003cli\u003eTreble voice stops: Bourdon 16', Contra Oboe 16', Strings 16', Open Diapason 16', Flute 8', Strings 8', Clarinet 8', Oboe 8', Flute 4', Strings 4', Salicet 4', Mixture I, Mixture II\u003c\/li\u003e\n\u003cli\u003eBass voice stops: Bass Bourdon 16', Bass Dulciana 16'\u003c\/li\u003e\n\u003cli\u003eAdjustable 16', 8', 4', Mixture, and bass mix\u003c\/li\u003e\n\u003cli\u003eIn the harmony control section, the level of the 16', 8', 4' and Mixture voices can be infinitely varied via the knobs\u003c\/li\u003e\n\u003cli\u003eMixture I \"Harsh\" and Mixture II \"Mellow\" are a combination of 3 pitches: 2-2\/3', 2' and 1-3\/5'\u003c\/li\u003e\n\u003cli\u003eBass pedal board\u003c\/li\u003e\n\u003cli\u003eOnboard vibrato: on\/off, lite\/heavy, slow\/fast\u003c\/li\u003e\n\u003cli\u003eTone decay: on\/off, adds an attack percussive effect to Mixture tabs\u003c\/li\u003e\n\u003cli\u003eOptical swell (volume) pedal\u003c\/li\u003e\n\u003cli\u003eRare LEM Echo Music tape delay effect including a 2-channel mixer, tone controls and pan\u003c\/li\u003e\n\u003cli\u003eFully polyphonic\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eAdvanced Features\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAdditional Elka Panther 100 engine\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e6 treble stops in 2 ranks (16', 8') plus 1 bass stop\u003c\/li\u003e\n\u003cli\u003eTreble voice stops: Bourdon 16', Strings 16', Flute 8', Diapason 8', Strings 8', Trumpet 8'\u003c\/li\u003e\n\u003cli\u003eBass voice stops: Bass Bourdon 16', bass stop off lower octave plays the treble voices\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eKnobs: On\/Off, volume, vibrato speed, vibrato depth\u003c\/li\u003e\n\u003cli\u003eEffect Tab: Vibrato On\/Off\u003c\/li\u003e\n\u003cli\u003eExtended 88 MIDI note range\u003c\/li\u003e\n\u003cli\u003eSustain pedal support\u003c\/li\u003e\n\u003cli\u003ePitch bend ±2 semitones\u003c\/li\u003e\n\u003cli\u003eMIDI program change support\u003c\/li\u003e\n\u003cli\u003eSeparate treble\/bass MIDI channel\u003c\/li\u003e\n\u003cli\u003eAdjustable vibrato speed and depth\u003c\/li\u003e\n\u003cli\u003eAdjustable 12-note tuning\u003c\/li\u003e\n\u003cli\u003eVintage tube combo amp, with classic spring reverb, built-in opto tremolo, and cab simulation\u003cbr\u003e(Cabinet impulse responses by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.studio-nord.net\/\"\u003eStudio Nord Bremen\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.drbonkerssoundlab.com\/\"\u003eDr Bonkers Soundlab\u003c\/a\u003e)\u003c\/li\u003e\n\u003cli\u003eVelocity-sensitive key contacts attack\/release\u003c\/li\u003e\n\u003cli\u003eAll settings MIDI learnable\u003c\/li\u003e\n\u003cli\u003eWide range of presets\u003c\/li\u003e\n\u003cli\u003eWindows and macOS installer (Windows 7 or newer, Mac OS X 10.7 or newer, Intel x86\/64 CPU)\u003c\/li\u003e\n\u003cli\u003e32 and 64 bit host\/OS support\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eProtection\u003c\/h2\u003e\n\u003cp\u003eProtected by FastSpring generated license key file. No dongle or online activation.\u003c\/p\u003e","brand":"Martinic","offers":[{"title":"Default Title","offer_id":40260265672773,"sku":"1333-1002","price":123.75,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/elka-panther-v1.jpg?v=1756464869"},{"product_id":"martinic-retro-pack-serial-nr-download","title":"Martinic Retro Pack (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAchieve authentic vintage vibes \"in-the-box\" with the Retro Pack. This bundle of precisely modelled instruments and effects will allow you to recreate that nostalgic mojo without the need for a time machine.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Retro Pack includes full licenses for the following products at a discounted total price:\u003c\/p\u003e\n\u003cp class=\"grey\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eElka Panther\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"grey\" data-mce-fragment=\"1\"\u003eThe Martinic Elka Panther plugin is a faithful emulation of the Elka Panther 300, also known as the Capri, a classic Italian combo organ of the 60s.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Kee Bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"imagetext imageright\"\u003e\n\u003cp\u003eKee Bass is a virtual instrument that has been accurately modeled on the Rheem Kee Bass from the '60s, with some modern extra features.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLem Echo Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Lem Echo Music plugin recreates the nostalgic tones of the vintage Italian tape delay effect from Lem.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScanner Vibrato\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eScanner Vibrato is a plug-in that recreates the scanner-vibrato effect from a well-known tonewheel organ.\u003c\/p\u003e\n\u003ch2\u003eProtection\u003c\/h2\u003e\n\u003cp\u003eProtected by FastSpring generated license key files. No dongle or online activation.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Martinic","offers":[{"title":"Default Title","offer_id":40260293099589,"sku":"1333-1004","price":197.1,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/retro-pack-v1.jpg?v=1756464869"},{"product_id":"martinic-lem-echo-music-plugin-serial-nr-download","title":"Martinic Lem Echo Music plugin (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Lem Echo Music plugin recreates the nostalgic tones of the vintage Italian tape delay effect from Lem. Martinic’s authentic emulation simulates the classic sound of three playheads on one strip of tape, with all the wonderful wow, flutter, and degradation of the original.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe’ve also added enhanced features not found on the original effect to make this plugin even more customisable when crafting your sound.\u003c\/p\u003e\n\u003cdiv class=\"imagetext imageright\"\u003e\n\u003ch2\u003eHistory\u003c\/h2\u003e\n\u003cp\u003eDuring the late 60s and throughout the 70s, the pairing of an electric organ with a tape echo unit was common. Organists such as Lenny Dee modified their organs with a tape delay to add another dimension to their sound. Units like the LEM Echo Music provided organists with the option of sending their low-frequency bass tone to an output of its own, and they could wield tighter control of EQ and delay parameters for each component of their sound.\u003cspan\u003e \u003c\/span\u003eRead more about the\u003cspan\u003e \u003c\/span\u003e\u003ca class=\"ember-view\" id=\"ember339\" href=\"https:\/\/www.martinic.com\/en\/products\/lem-echo-music\/history\"\u003ehistory\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof the Lem Echo Music.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cp\u003eIncredibly accurate emulation of an original physical Lem Echo Music tape delay machine.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSame tape delay as in\u003cspan\u003e \u003c\/span\u003eElka Panther\u003cspan\u003e \u003c\/span\u003eplug-in\u003c\/li\u003e\n\u003cli\u003e3 playheads at 80 ms, 210 ms, and 330 ms\u003c\/li\u003e\n\u003cli\u003e7 delay tap combinations\u003c\/li\u003e\n\u003cli\u003eTotal tape loop length 9.5 s\u003c\/li\u003e\n\u003cli\u003eAuthentic wow and flutter\u003c\/li\u003e\n\u003cli\u003eWet mix and feedback controls\u003c\/li\u003e\n\u003cli\u003e2-channel mixer with bass\/treble tone controls\u003c\/li\u003e\n\u003cli\u003eVintage VU meter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAdvanced Features \u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eTape age control\u003c\/li\u003e\n\u003cli\u003eSame reverb as in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.martinic.com\/en\/products\/elka-panther\"\u003eElka Panther\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eplug-in\u003c\/li\u003e\n\u003cli\u003eStereo mode with pan controls\u003c\/li\u003e\n\u003cli\u003eMaster volume control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eProtection\u003c\/h2\u003e\n\u003cp\u003eProtected by FastSpring generated license key file. No dongle or online activation.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Martinic","offers":[{"title":"Default Title","offer_id":40260367056965,"sku":"1333-1003","price":61.1,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/lem-echo-music-v1.jpg?v=1756464869"},{"product_id":"mellowmuse-ir1a-audio-ir-convolver-plugin","title":"Mellowmuse IR1A Audio IR convolver plugin","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIR1A Convolver is a convolution plugin that let you apply the sonic characteristics of one sound to another in real time, using an impulse response file.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt features a high quality, zero latency convolution engine, capable of reproducing everything from guitar cabinets to lush natural reverbs and special effects. IR length can be set, along with high or low pass filtering, and predelay for creative sound shaping.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe integrated file browser makes it easy to navigate and load IR files including importing external files. It loads standard mono or stereo AIFF or WAV format impulse response files, and comes with a starter library of presets.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eCPU efficient zero latency convolution\u003c\/li\u003e\n\u003cli\u003eWAV \u0026amp; AIFF IRs up to 10 seconds\u003c\/li\u003e\n\u003cli\u003e32\/64 bit float IR support\u003c\/li\u003e\n\u003cli\u003eExternal IR file browser\u003c\/li\u003e\n\u003cli\u003ePredelay: 0 - 250 ms\u003c\/li\u003e\n\u003cli\u003eHigh and low pass filtering\u003c\/li\u003e\n\u003cli\u003eCustomisable image previews\u003c\/li\u003e\n\u003cli\u003ePhase switch\u003c\/li\u003e\n\u003cli\u003e64 bit internal processing\u003c\/li\u003e\n\u003cli\u003eFormats: 64bit VST, VST3, AU and AAX\u003c\/li\u003e\n\u003cli\u003eVersion: 5.1\u003c\/li\u003e\n\u003cli\u003e\u003ca value=\"ATA Manual\" class=\"download\" href=\"https:\/\/s3.eu-west-2.amazonaws.com\/mellowmuse.com\/manuals\/IR1A_Manual.pdf\"\u003eIR1A Manual\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mellowmuse","offers":[{"title":"Default Title","offer_id":40262081544261,"sku":"1201-1","price":59.6,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/mellowmuse-IR1A-GUI.jpg?v=1756464869"},{"product_id":"mellowmuse-cp1a-compressor-plug-in-serial-nr-download","title":"Mellowmuse CP1A Compressor Plug-In (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCP1A is an audio dynamics compressor plug-in, developed for clean, low distortion processing of a range of material; from subtle dynamics taming to creative drum shaping. It employs a multi-stage feed forward design to minimise distortion artefacts, even at extreme compression settings. The interface design is clean and functiona\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSeparate wet and dry level controls allow the compressed signal to be mixed with the original, making New York style parallel compression super easy. The high pass control for the envelope detector, allows fine control of low frequency compression, great for keeping your kick drum from loosing its thump.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAttack: 0.1 - 50 ms\u003c\/li\u003e\n\u003cli\u003eRelease: 1 - 1000 ms\u003c\/li\u003e\n\u003cli\u003eThreshold: 0 to -60 dB\u003c\/li\u003e\n\u003cli\u003eRatio: 1:1 - 20:1\u003c\/li\u003e\n\u003cli\u003eParallel compression via wet and dry controls\u003c\/li\u003e\n\u003cli\u003eVariable high pass on envelope detector\u003c\/li\u003e\n\u003cli\u003eLow distortion design\u003c\/li\u003e\n\u003cli\u003e64bit internal processing\u003c\/li\u003e\n\u003cli\u003eFormats: 64bit VST, VST3, AU and AAX\u003c\/li\u003e\n\u003cli\u003eVersion: 3.7\u003c\/li\u003e\n\u003cli\u003e\u003ca value=\"ATA Manual\" class=\"download\" href=\"https:\/\/s3.eu-west-2.amazonaws.com\/mellowmuse.com\/manuals\/CP1A_Manual.pdf\"\u003eCP1A Manual\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mellowmuse","offers":[{"title":"Default Title","offer_id":40262097010757,"sku":"1201-7","price":59.6,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/mellowmuse-CP1A-GUI.jpg?v=1756464869"},{"product_id":"mellowmuse-satv-audio-saturation-plugin","title":"Mellowmuse SATV Audio saturation plugin (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSATV is an analogue modeled saturation plug-in that adds harmonic depth and richness to any track. Equally suited to individual instruments or multi-track drum kits, SATV allows you to effortlessly change the harmonic content and dynamics of your whole mix.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe four selectable saturation models: Transistor, Transformer, Tube and Tape allow a wide range of sound shaping options, from subtle warming to extreme crunch. The Group control allows all instances with the same number to be controlled as a group, making ensemble changes easy.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFour unique analogue modeled saturation modes\u003c\/li\u003e\n\u003cli\u003eVariable input drive, mix and output\u003c\/li\u003e\n\u003cli\u003eControl multiple instance groups\u003c\/li\u003e\n\u003cli\u003ePhase switch\u003c\/li\u003e\n\u003cli\u003eAutomatic gain control\u003c\/li\u003e\n\u003cli\u003e4x oversampling\u003c\/li\u003e\n\u003cli\u003e64bit internal processing\u003c\/li\u003e\n\u003cli\u003eFormats: 64bit VST, VST3, AU and AAX\u003c\/li\u003e\n\u003cli\u003eVersion: 4.2\u003c\/li\u003e\n\u003cli\u003e\u003ca value=\"ATA Manual\" class=\"download\" href=\"https:\/\/s3.eu-west-2.amazonaws.com\/mellowmuse.com\/manuals\/SATV_Manual.pdf\"\u003eSATV Manual\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mellowmuse","offers":[{"title":"Default Title","offer_id":40262110707781,"sku":"1201-2","price":74.85,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/mellowmuse-SATV-GUI.jpg?v=1756464869"},{"product_id":"mellowmuse-eq3v-audio-equalizer-plug-in-serial-nr-download","title":"Mellowmuse EQ3V Audio equalizer plug-in (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe EQ3V is a flexible 7-band vintage equalizer plug-in that offers 5 bands of fully parametric EQ, variable Q High Pass\/Low Pass filters, and it's own unique analogue modelled saturation. Perfect for mix or tracking duties where character and precision is key.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCurrent values are clearly displayed for all parameters, and precise values can be entered. Each EQ section may be individually bypassed. All equalization and saturation algorithms are oversampled, using 64bit internal processing for superior clarity and resolution.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAnalogue modeled saturation\u003c\/li\u003e\n\u003cli\u003e4x Oversampled\u003c\/li\u003e\n\u003cli\u003eHigh Pass: 10hz - 400hz\u003c\/li\u003e\n\u003cli\u003eLow Shelf: 30hz - 400hz\u003c\/li\u003e\n\u003cli\u003eLow Mid Peaking: 100hz - 1.0k\u003c\/li\u003e\n\u003cli\u003eMid Peaking: 800hz - 5.0k\u003c\/li\u003e\n\u003cli\u003eHigh Mid Peaking: 4.0k - 10.0k\u003c\/li\u003e\n\u003cli\u003eHigh Shelf: 8.0k - 16.0k\u003c\/li\u003e\n\u003cli\u003eLow Pass: 8.0k - 20k\u003c\/li\u003e\n\u003cli\u003eBypass per band\u003c\/li\u003e\n\u003cli\u003e64bit internal processing\u003c\/li\u003e\n\u003cli\u003eFormats: 64bit VST, VST3, AU and AAX\u003c\/li\u003e\n\u003cli\u003eVersion: 2.1\u003c\/li\u003e\n\u003cli\u003e\u003ca value=\"ATA Manual\" class=\"download\" href=\"https:\/\/s3.eu-west-2.amazonaws.com\/mellowmuse.com\/manuals\/EQ3V_Manual.pdf\"\u003eEQ3V Manual\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mellowmuse","offers":[{"title":"Default Title","offer_id":40262128435269,"sku":"1201-10","price":74.85,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/mellowmuse-EQ3V-GUI.jpg?v=1756464869"},{"product_id":"mellowmuse-cs1v-console-channel-plug-in-serial-nr-download","title":"Mellowmuse CS1V Console Channel Plug-In (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCS1V brings the warmth and depth of an analogue console to your tracks and mixes. Drive increases the level of saturation. Tone adjusts pre-amp character; darker and heavier in the low range anti-clockwise, and progressively brighter high end harmonic boost clockwise. There are two selectable preamp modes: A is darker in character overall, while B has a flatter frequency response. \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe default \"Channel\" mode is intended for mono tracks. When inserted on stereo tracks or auxes, the \"Buss\" setting can be used to add a subtle amount of crosstalk, as in a hardware mixer. Engaging the automatic gain control (AGC) attenuates the output to match the source volume.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Group control allows all instances with the same number to be controlled as a group, making ensemble changes easy.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eVariable input drive and preamp tone\u003c\/li\u003e\n\u003cli\u003ePhase switch\u003c\/li\u003e\n\u003cli\u003eAutomatic gain control\u003c\/li\u003e\n\u003cli\u003eVU metering\u003c\/li\u003e\n\u003cli\u003e4x oversampling\u003c\/li\u003e\n\u003cli\u003eControl multiple instance groups\u003c\/li\u003e\n\u003cli\u003e64bit internal processing\u003c\/li\u003e\n\u003cli\u003eFormats: 64bit VST, VST3, AU and AAX\u003c\/li\u003e\n\u003cli\u003eVersion: 2.8\u003c\/li\u003e\n\u003cli\u003e\u003ca value=\"ATA Manual\" class=\"download\" href=\"https:\/\/s3.eu-west-2.amazonaws.com\/mellowmuse.com\/manuals\/CS1V_Manual.pdf\"\u003eCS1V Manual\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mellowmuse","offers":[{"title":"Default Title","offer_id":40262149144645,"sku":"1201-8","price":74.85,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/mellowmuse-CS1V-GUI.jpg?v=1756464869"},{"product_id":"mellowmuse-lm1v-analogue-modelled-brickwall-limiter-plug-in-serial-nr-download","title":"Mellowmuse LM1V Analogue Modelled Brickwall Limiter Plug-in (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLM1V is an analogue modelled brickwall limiter, with 8x oversampling, and inter-sample peak detection. It is able to achieve high loudness levels with the minimum of distortion. Results are always extremely musical. \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSeparate attack, release and stereo link controls, allow a wide range of settings, from near clipping to smooth limiting, all without excessive pumping or artefacts. While inter-sample peak detection, catches overs to keep output levels firmly in place. LM1V is equally at home processing individual tracks as it is on the mix bus.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLow distortion multi-stage design\u003c\/li\u003e\n\u003cli\u003eInter-sample peak detection\u003c\/li\u003e\n\u003cli\u003eVariable attack 0 - 10 ms\u003c\/li\u003e\n\u003cli\u003eVariable release 0 - 2 secs\u003c\/li\u003e\n\u003cli\u003eInput Gain 0 - 20dB\u003c\/li\u003e\n\u003cli\u003eOutput ceiling -20 - 0dB\u003c\/li\u003e\n\u003cli\u003eStereo unlink\u003c\/li\u003e\n\u003cli\u003e8x oversampled\u003c\/li\u003e\n\u003cli\u003e64bit internal processing\u003c\/li\u003e\n\u003cli\u003eFormats: 64bit VST, VST3, AU and AAX\u003c\/li\u003e\n\u003cli\u003eVersion: 2.1\u003c\/li\u003e\n\u003cli\u003e\u003ca value=\"ATA Manual\" class=\"download\" href=\"https:\/\/s3.eu-west-2.amazonaws.com\/mellowmuse.com\/manuals\/LM1V_Manual.pdf\"\u003eLM1V Manual\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mellowmuse","offers":[{"title":"Default Title","offer_id":40262151077957,"sku":"1201-11","price":74.85,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/mellowmuse-LM1V-GUI.jpg?v=1756464870"},{"product_id":"mellowmuse-eq2v-vintage-styled-eq-plug-in-serial-nr-download","title":"Mellowmuse EQ2V Vintage Styled EQ Plug-in (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe EQ2V is a vintage styled equalizer that recreates the weight and colour of its classic hardware counterparts. Harmonic coloration increases with input and eq gain, adding depth and warmth to any material.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe SofTran feature is useful for taming signals with sharp transient peaks like snare and high hats, especially after boosting the highs. All equalization and saturation algorithms are oversampled, using 64bit internal processing for superior clarity and resolution.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eFeatures\u003c\/h2\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eAnalogue modeled saturation\u003c\/li\u003e\n\u003cli\u003eTransient softener to tame percussive transients\u003c\/li\u003e\n\u003cli\u003eLow Shelf: 35hz - 300hz\u003c\/li\u003e\n\u003cli\u003eMid Band: 300hz - 8.0k\u003c\/li\u003e\n\u003cli\u003eHigh Shelf: 8.0k - 16.0k\u003c\/li\u003e\n\u003cli\u003eHigh Pass: 0hz - 400hz\u003c\/li\u003e\n\u003cli\u003eBypass per band\u003c\/li\u003e\n\u003cli\u003ePhase switch\u003c\/li\u003e\n\u003cli\u003e4x Oversampled\u003c\/li\u003e\n\u003cli\u003e64bit internal processing\u003c\/li\u003e\n\u003cli\u003eFormats: 64bit VST, VST3, AU and AAX\u003c\/li\u003e\n\u003cli\u003eVersion: 3.1\u003c\/li\u003e\n\u003cli\u003e\u003ca value=\"ATA Manual\" class=\"download\" href=\"https:\/\/s3.eu-west-2.amazonaws.com\/mellowmuse.com\/manuals\/EQ2V_Manual.pdf\"\u003eEQ2V Manual\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row buystrip\"\u003e\n\u003cdiv class=\"col-sm-12\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mellowmuse","offers":[{"title":"Default Title","offer_id":40262157238341,"sku":"","price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/mellowmuse-EQ2V-GUI.jpg?v=1756464870"},{"product_id":"mellowmuse-auto-time-adjuster-plug-in-delay-compensation-serial-nr-download","title":"Mellowmuse Auto Time Adjuster Plug-In Delay Compensation (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAuto time adjuster is a plugin delay compensation (PDC) plugin, originally designed for use in Pro Tools LE 7 \u0026amp; 8 (RTAS), as they lacked built-in PDC. ATA continues to be a useful tool with newer versions of Pro Tools (9+\/AAX) that include PDC, as users can benefit from the large latency limit (50,000 samples), and the increased accuracy of measuring plugin latency directly (including outboard), rather than relying on the values reported by plugins.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eATA is inserted on each track in your mix. The actual latency of all plugin and outboard inserts is then measured using a short burst of audio, or 'ping' triggered from the ATA inserted on the master fader. ATA then calculates and sets appropriate delays for each ATA on each track or bus, bringing all tracks into alignment and providing the tightest timing possible.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ePing based delay compensation\u003c\/li\u003e\n\u003cli\u003eWorks with software and hardware inserts\u003c\/li\u003e\n\u003cli\u003eLock individual ATAs\u003c\/li\u003e\n\u003cli\u003eManual latency entry\u003c\/li\u003e\n\u003cli\u003eGroup delay preview in PT mixer\u003c\/li\u003e\n\u003cli\u003eLarge latency limit of (50,000 samples)\u003c\/li\u003e\n\u003cli\u003eIncreased timing accuracy by measuring latency directly\u003c\/li\u003e\n\u003cli\u003eOutboard insert support\u003c\/li\u003e\n\u003cli\u003eFormats: 64bit AAX\u003c\/li\u003e\n\u003cli\u003eVersion: 2.8\u003c\/li\u003e\n\u003cli\u003e\u003ca value=\"ATA Manual\" class=\"download\" href=\"https:\/\/s3.eu-west-2.amazonaws.com\/mellowmuse.com\/manuals\/ATA_Manual.pdf\"\u003eATA Manual\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mellowmuse","offers":[{"title":"Default Title","offer_id":40262163234885,"sku":"1201-9","price":59.6,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/mellowmuse-ATA-GUI.jpg?v=1756464870"},{"product_id":"mellowmuse-cp2v-compressor-plugin-serial-nr-download","title":"Mellowmuse CP2V Compressor PlugIn (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe vintage styled CP2V is a track and program audio dynamics compressor plug-in that oozes character and attitude. With an interface designed with simplicity in mind and multi-stage analogue modeled processing adding smooth saturating harmonics.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eYou'll find it equally at home smashing drums, taming vocals or enhancing acoustic guitar. Without a doubt our 'gooiest' sounding compressor so far!\u003c\/p\u003e","brand":"Mellowmuse","offers":[{"title":"Default Title","offer_id":40262166577221,"sku":"1201-6","price":74.85,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/mellowmuse-CP2V-GUI.jpg?v=1756464870"},{"product_id":"mellowmuse-cp3v-1176-style-audio-dynamics-compressor-plug-in-serial-nr-download","title":"Mellowmuse CP3V 1176 style audio dynamics compressor plug-in (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe CP3V is an audio dynamics compressor plug-in, inspired in part by the classic 1176 analogue compressor. The analogue modelled saturation and compression stages combine to add progressively more warmth to the compressed signal at higher levels, while never sounding harsh.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTogether with the ultra fast attack and release time it offers a wide range of creative compression options that will help your tracks cut through any mix.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMulti-stage analogue modeled compression\u003c\/li\u003e\n\u003cli\u003eOutput driven saturation\u003c\/li\u003e\n\u003cli\u003eVU style compression metering\u003c\/li\u003e\n\u003cli\u003eVariable attack: 0.01 - 100 ms\u003c\/li\u003e\n\u003cli\u003eVariable release: 10 - 500 ms\u003c\/li\u003e\n\u003cli\u003eRatios: 4:1, 8:1, 12:1 and 20:1\u003c\/li\u003e\n\u003cli\u003e4x Oversampling\u003c\/li\u003e\n\u003cli\u003e64 bit internal processing\u003c\/li\u003e\n\u003cli\u003eFormats: 64bit VST, VST3, AU and AAX\u003c\/li\u003e\n\u003cli\u003eVersion: 2.5\u003c\/li\u003e\n\u003cli\u003e\u003ca value=\"ATA Manual\" class=\"download\" href=\"https:\/\/s3.eu-west-2.amazonaws.com\/mellowmuse.com\/manuals\/CP3V_Manual.pdf\"\u003eCP3V Manual\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mellowmuse","offers":[{"title":"Default Title","offer_id":40262172147781,"sku":"1201-3","price":74.85,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/mellowmuse-CP3V-GUI.jpg?v=1756464870"},{"product_id":"audiomodern-chordjam-chord-and-pattern-builder-software","title":"Audiomodern Chordjam Chord and Pattern Builder Software","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eChordjam is an innovative plugin that builds chords and progression patterns through intuitive user-guided randomization.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt automatically randomizes a unique combination of parameters, serving up unpredictable but always-musical variations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ieaPYWwToQ4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eComplete Overview\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/yDVt62jR5c0\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeatures\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"wpb_column vc_column_container vc_col-sm-4 vc_col-has-fill\"\u003e\n\u003cdiv class=\"vc_column-inner vc_custom_1620808764108\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element  vc_custom_1620808773888\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003e\u003cspan\u003e• Generate Random Chords\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Trigger New Chords with Every Note Played\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Unique Voicing Parameters\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Intelligent Sequencer Engine\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Arp Mode\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Chord Progression \u0026amp; Pattern Presets\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Generate Infinite Chord Patterns \u0026amp; Progressions\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Everything is Synced to your Host tempo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Drag MIDI Chord\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Drag MIDI pattern\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Pads Section for Musical Performance\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wpb_column vc_column_container vc_col-sm-4 vc_col-has-fill\"\u003e\n\u003cdiv class=\"vc_column-inner vc_custom_1620288724294\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element  vc_custom_1620808826951\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003e\u003cspan\u003e• Quick Load preset Section\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Choose Quantization settings\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Suffle \u0026amp; Shift Mode\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Advanced Infinity Mode\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Set Sequence range \u0026amp; Motion Settings\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Set Range for Transposition, Time-Delay and Velocity\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Save \u0026amp; Load your own patterns\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Send MIDI to any Device, Software \u0026amp; Hardware\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Advanced MIDI CC\/Mapping editor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• No Two Chords will Ever be the Same\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Delivering limitless inspiration and musical variety\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eRequirements\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e• Mac OS X 10.12 or higher\u003cbr\u003e• Windows 7 or higher\u003cbr\u003e• At least 50 MB of free drive space\u003cbr\u003e• Reliable internet connection for download delivery\u003cbr\u003eand product activation\u003cbr\u003e• Allows for activation on three (3) computers per serial code\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003ch3\u003e\u003cspan\u003eNewest Release\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ev1.1.4\u003c\/strong\u003e – 09 Feb. 2022\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e• Added Voicing Inversions\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003e• Lock Individual Voices\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003e• Added Individual MIDI outputs (Sequencers\/Keys\/Pads)\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003e• Added Voicing Distribution (individual MIDI channels)\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003e• Added MIDI file Detection\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003e• Added Arp Trigger\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003e• Option to Trigger Pads \u0026amp; Presets from Keyboard\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003e• Export\/Share Presets across Different Devices\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003e• Added Redo Button\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003e• Option to Edit a Chord once it is stored into a Pad\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003e• Added Modulation Functionality\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003e• Added Sustain Pedal Functionality\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003e• Added Velocity Input Detection Mode\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Audiomodern","offers":[{"title":"Default Title","offer_id":40262455984197,"sku":"1161-39","price":74.85,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/Chordjam_MacBook_Pro-1024x771.jpg?v=1756464871"},{"product_id":"audiomodern-random-generators-bundle","title":"Audiomodern Random Generators Bundle (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"vc_row wpb_row vc_inner vc_row-fluid vc_row-o-content-middle vc_row-flex qodef-content-aligment-center\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"wpb_column vc_column_container vc_col-sm-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"vc_column-inner\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"wpb_wrapper\"\u003e\n\u003cp data-mce-fragment=\"1\" class=\"vc_custom_heading\"\u003eCreative Audio \u0026amp; MIDI plugins \u0026amp; Effects for Mac, Windows\u003cbr data-mce-fragment=\"1\"\u003eAvailable as VST\/VST3\/AU\/AAX \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"vc_custom_heading\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eThis great value bundle features all of Audiomodern's award-winning plug-ins – Chordjam, Riffer and Playbeat.These 'random generators' will provide endless inspiration for your next music projects - whatever the genre!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"vc_custom_heading\"\u003e\u003cstrong\u003eChordjam\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"vc_custom_heading\"\u003e\u003cspan\u003eThe ultimate real-time chord machine! Audiomodern Chordjam is an innovative plugin that builds chords and progression patterns through intuitive user-guided randomisation.Choose from a variety of scale types, chord types, voicing parameters, rhythms and progressions or have its powerful sequencer conjure up unlimited progression patterns for you, based on any combination of settings, serving up unpredictable but always-musical variations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"vc_custom_heading\"\u003e\u003cstrong\u003ePlaybeat\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"vc_custom_heading\"\u003e\u003cspan\u003eAudiomodern Playbeat is a Creative Groove Randomizer plugin that generates unique beats and patterns for you. Unlike an ordinary step sequencer, Playbeat creates patterns using algorithmic and random procedures for generating notes by combining Steps, Pitch, Volume and more. Load, or drag-n-drop your own sounds and generate up to four patterns simultaneously to get Polyrhythms. Playbeat's unique approach to pattern creation is sure to have you finding exciting new grooves, rhythms and beats in a flash.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"vc_custom_heading\"\u003e\u003cstrong\u003eRiffer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"vc_custom_heading\"\u003e\u003cspan\u003eIntroducing Audiomodern Riffer v2, a smart MIDI sequencer that generates random Riffs for your software and hardware by combining Pitch, Duration and Velocity. Generate fresh ideas, sequences, melodies, riffs and musical patterns. Turn them into something of your own or let it run endlessly using the in?nity mode.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"wpb_column vc_column_container vc_col-sm-2\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"vc_column-inner\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"wpb_wrapper\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"wpb_wrapper\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Audiomodern","offers":[{"title":"Default Title","offer_id":40262462668869,"sku":"1161-42","price":239.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/SUITE-2022_M22-1600_002.jpg?v=1756464870"},{"product_id":"addictive-drums-2-custom-xxl-collection","title":"XLN Audio Addictive Drums 2: Custom XXL Collection (Serial Nr + Download)","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"cell large-12 product-hero__name-container\" data-mce-fragment=\"1\"\u003e\n\u003ch1 class=\"product-hero__name\" data-mce-fragment=\"1\"\u003eCustom XXL Collection\u003c\/h1\u003e\n\u003ch2 class=\"product-hero__tagline\" data-mce-fragment=\"1\"\u003eYour choice of content, XXL size\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cell large-12 product-hero__features-container\" data-mce-fragment=\"1\"\u003eIncludes your choice of\n\u003cul class=\"product-hero__features\" data-mce-fragment=\"1\"\u003e\n\u003cli class=\"product-hero__features-item\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"font-weight-medium\" data-mce-fragment=\"1\"\u003e10 ADpaks\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(kits)\u003c\/li\u003e\n\u003cli class=\"product-hero__features-item\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"font-weight-medium\" data-mce-fragment=\"1\"\u003e10 MIDIpaks\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(beats)\u003c\/li\u003e\n\u003cli class=\"product-hero__features-item\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"font-weight-medium\" data-mce-fragment=\"1\"\u003e10 Kitpiece Paks\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(single drums)\u003c\/li\u003e\n\u003cli class=\"product-hero__features-item\" data-mce-fragment=\"1\"\u003eIncludes Addictive Drums 2 Engine\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"mb-2\"\u003eYou're the creative genius\u003c\/h3\u003e\n\u003cp class=\"product-section__copy\"\u003eWith Custom Collections\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"font-weight-medium\"\u003eyou're free to choose a combination of content\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ethat's as unique as the sound you're going to create with it.\u003c\/p\u003e\n\u003cp class=\"product-section__copy\"\u003e\u003cspan class=\"font-weight-medium\"\u003ePick and choose\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eamong drum kits, kit pieces and MIDI beats based on your own individual preferences.\u003c\/p\u003e\n\u003cp class=\"product-section__copy\"\u003eStadium rock fills played on a Brazilian pandeiro? It could just become the sound of summer! Funk breaks on a Heavy Metal kit...why the hell not?\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4 class=\"collection-ad2-panel__h\" data-mce-fragment=\"1\"\u003eAddictive Drums 2 included\u003c\/h4\u003e\n\u003cp class=\"product-section__copy mb-2\" data-mce-fragment=\"1\"\u003eAddictive Drums 2 is a software drum production studio with everything you need to make your drums come alive. Easy to use yet powerful. Its fast workflow lets you find the drum sound and rhythm your track needs.\u003c\/p\u003e\n\u003cbr\u003e","brand":"XLN Audio","offers":[{"title":"Default Title","offer_id":40262471024709,"sku":"1096-75","price":837.2,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/files\/cover-535px-2x_24.jpg?v=1757122486"},{"product_id":"maat-fidef-jentwo-psychoacoustic-processor","title":"MAAT FiDef JENtwo Psychoacoustic Processor Plug-In (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-5\"\u003e\n\u003cp\u003eFiDef\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eby FideliQuest\u003cspan\u003e \u003c\/span\u003eis a very low amplitude psychoacoustic stimulus designed specifically for audio engineers. It makes a\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ereceptive\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ebrain relax and pay closer attention to an incoming audio stimulus. In brain physiology laboratory tests using functional neuroimaging techniques, FiDef has proven to excite brain activity related to perception and attention, and to enhance the subjective processes of listening and engagement.\u003c\/p\u003e\n\u003cp\u003eThe FiDef process, developed in the US by FideliQuest LLC, was first licensed by MAAT for our thEQblue. That same algorithm is now available standalone for all major plug-in formats, including VST 2, VST 3 and AAX native for macOS and Windows plus Audio Units for macOS. FiDef is a patented, 64 bit audio processor like no other. Brain science takes the lead in this subconscious signal generator that compels the listening to lean in and…engage!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-5 ml-auto mr-auto\"\u003e\u003cimg class=\"img-fluid center-img\" alt=\"\" src=\"https:\/\/www.maat.digital\/assets\/images\/products\/FiDef\/FiDef_Head-d4ba0cee.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-12\"\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003ch3\u003eThe Quest\u003c\/h3\u003e\n\u003cp\u003eSince Edison’s first wax cylinders, the history of audio capture and playback can be summarized as the increasingly technical pursuit of a seemingly impossible goal: lifelike replication of the actual listening experience…The advent of digital technology, while solving many of the problems inherent in analog recording and playback, brought with it other challenges. At the same time, new enabling formats such as DXD (Digital eXtreme Definition) and MQA (Master Quality Authenticated), along with consumer trends toward uncompressed HRA or High Resolution Audio releases of music catalogs have brought new levels of fidelity to the home. Yet, even the highest fidelity digital playback still exhibits a level of reserve that keeps the music at arm’s length, not always allowing it to embrace and move us. Low fidelity or hi–fi, analog or digital, FiDef makes for a deeper, more satisfying connection.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-4\"\u003e\n\u003ch3\u003eThe Solution\u003c\/h3\u003e\n\u003cp\u003eWhile listening to a vaiety of recordings, an audio professional thought to himself, “Why do some recordings sound better than others?” He recruited an audio physicist and a musical neuroscientist while analyzing arrays of audio recordings to identify elements of sound that psychoacoustically engage the listener. Isolating the mechanism allowed them to develop a unique solution that synthesizes essential content from the material itself, inserting that dynamic information at low amplitude into the content. After years of development by a team of engineers with decades of industry experience, early in 2016 FideliQuest introduced FiDef™ audio processing, the first and only technology that restores what all recording and playback systems take away, whether analog or digital.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-6 ml-auto mr-auto\"\u003e\u003cimg class=\"img-fluid center-img\" alt=\"FiDef JENtwo by MAAT – Left vs Right Brain\" src=\"https:\/\/www.maat.digital\/assets\/images\/products\/FiDef\/Left-Brain-v2-b0b57218.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-12\"\u003e\n\u003cp\u003eThink of a common, non–harmonic, sub–audible signal all good engineers use to linearize digital audio; dither. The FiDef system also generates an anharmonic, sub–audible broadband signal. The difference is that FiDef does not modify the music itself in any way but instead is added to the music. Also unlike dither, it is correlated to the source audio. This is not noise for noise’s sake. This is a dynamic, correlated and spectrally shaped signal. The signal, based on FideliQuest research into the human auditory system, is customized to directly stimulate the brain, bypassing cognitive processing. The manifold results include less brain activity required to process incoming stimuli, with a resulting increase in perceived nuance and tactility from music, speech and effects. FiDef informs your brain of the subtle potentials within a recording. Hear more of how the song was played, not recorded.\u003c\/p\u003e\n\u003ch3\u003eThe Science\u003c\/h3\u003e\n\u003cp\u003eSupported by sophisticated research into how the human brain processes sound, FiDef informs the listener’s auditory system of music’s full potential. Independent research has shown that the brain response between FiDef and untreated audio is significant to 99%. The subtle effects of sub–audible supplementation are modeled in the brain over time. With familiarization, ears unaccustomed to FiDef might not hear the difference immediately. Studies indicate that the brain uses inverse effectiveness to process FiDef’d music with less effort, in effect hearing more by struggling less. Essentially, hear more than you think.\u003c\/p\u003e\n\u003cp\u003eGrounded firmly in experimentation and analysis, FiDef technology can increase definition, detail, intelligibility, soundstage width and depth and, most important, the emotional engagement of the listener. In short, with FiDef processing, your audio sounds better, without any change to workflows or delivery methods, even on data–compressed file types and older or low–fi playback gear.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-8 margin-b-30\"\u003e\n\u003ch3\u003eBetter By Design\u003c\/h3\u003e\n\u003cp class=\"margin-b-20\"\u003eFiDef is a wholly new tool for your audio toolbox. FiDef’d audio doesn’t measure louder and the power spectrum is not changed. In fact, there’s only the addition of what seems to be a veil of added noise. That noise is what’s special, it’s the FiDef signal massaging your subconscious.\u003c\/p\u003e\n\u003cp class=\"margin-b-20\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eYour audience will feel their music like never before, but that’s not all…\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMixing: improve definition of individual mix elements\u003c\/li\u003e\n\u003cli\u003eMastering: bring out the best of each project\u003c\/li\u003e\n\u003cli\u003eBroadcast: production \u0026amp; post\u003c\/li\u003e\n\u003cli\u003eGames: enhance envelopment\u003c\/li\u003e\n\u003cli\u003eForensics: improve intelligibility\u003c\/li\u003e\n\u003cli\u003eSound design: “spotlight” individual elements\u003c\/li\u003e\n\u003cli\u003eRestoration: broaden spatiality\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFiDef JENtwo provide five profiles, each for a different effect. To make it easier to mentally map each Profile to something less abstract and more intuitive, you can rename them to taste…\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTRUCKN: subtle sweetening (the default)\u003c\/li\u003e\n\u003cli\u003eTRUCKN HUSH: a lower perceived amplitude version of TRUCKN for widely dynamic content\u003c\/li\u003e\n\u003cli\u003eSUTRO: draws your attention to frequencies above 8 kHz, resulting in a widened soundstage with accentuation of transient detail\u003c\/li\u003e\n\u003cli\u003eRESNO: points the listener toward the upper mids, resulting in added texture to vocals and other instruments\u003c\/li\u003e\n\u003cli\u003eEVOSE: with warm forwardness, this Profile builds on RESNO and turns it up to 11\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"margin-b-20\"\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003ch3\u003eA Caveat\u003c\/h3\u003e\n\u003cp\u003eFiDef triggers cerebral activity necessary for humans to respond to recorded sound in the same manner as the brain would respond to a live performance. This is provided by introducing additional, sub–audible signals into the recording that trigger specific brain activity in the listener. The supplementing content is sub-audible because it is essentially below the level of audibility when played at a normal volume level, or is masked by the content when a recording is played at an elevated volume level.\u003c\/p\u003e\n\u003cp\u003eBecause FiDef is a psychoacoustic process, it may not have any impact if the listener resists its charms. We’re talking full–on Jedi mind tricks, folks. If you are like many of us audio engineers, you are very much a “left–brain” person and discount what you cannot understand or explain. You are used to dissecting what you hear, you simply can’t help it. Unfortunately, your conscious higher level brain function will suppress your unconscious brain, and FiDef acts subconsciously. Result?\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIf you try too hard to hear it, you probably won’t!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThough this is in direct opposition to the “impostor syndrome” you’ve worked so hard to overcome, there will be no noticeable effect if you “listen hard.” That is; analytically. Most folks don’t listen analytically, they listen casually and, in the case of music or dialog, for entertainment, education and enjoyment. However, your clients, your spouse and most likely your second engineer will notice “something different” about FiDef’d content. That something is usually a subtle and positive improvement in engagement and enjoyment. Remember, most folks don’t listen rationally, they listen because it’s fun!\u003c\/p\u003e\n\u003cp\u003eSounds like this whole FiDef thing is snake oil? Read below what some heavy hitting and highly respected engineers think of FiDef, and then drop your anti–B.S. bias into bypass and simply try it on your clients. After all, they are the final judge.\u003c\/p\u003e\n\u003ch3\u003eReviews \u0026amp; Testimonials\u003c\/h3\u003e\n\u003ch5\u003eElliot Scheiner — Multi–Grammy award winning producer \u0026amp; engineer (Beyoncé, Phish, Foo Fighters, Faith Hill, Ricky Martin, Van Morrison, Queen, Fleetwood Mac, Eric Clapton)\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“(FiDef) brings better quality to music…It just sounds better”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eGary Katz - A\u0026amp;R \u0026amp; multi–Grammy award winning producer (Steely Dan, Prince, Diana Ross, 10cc, Joe Cocker, Laura Nyro, Rickie Lee Jones, The Mamas \u0026amp; the Papas, Steppenwolf, Chaka Khan)\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“…I’ve never heard anything like FiDef. Makes my records sound better, and it’ll make your records sound better.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eHugh Padgham — Multi–Grammy award winning producer \u0026amp; engineer (Paul McCartney, Sting, Phil Collins, Peter Gabriel, Brian Wilson, Suzanne Vega)\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“It just sounds better…like 3 dimensional.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eFrank Filipetti - Multi–Grammy award winning engineer \u0026amp; producer\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“I heard the FiDef difference in 5 seconds.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eTony Cousins — Mastering engineer (Adele, George Michael, Seal, The Stone Roses, Peter Gabriel, Amadou \u0026amp; Mariam, Robbie Williams, Elton John)\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“Makes me want to go back and remaster everything I have ever done.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eJeff Greenberg - Owner \u0026amp; CEO of the legendary Village Studios\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“Over the years I've seen a lot of schemes claiming to make music sound better. In almost every case when analyzed these are elevations of EQ or gain subtly hidden in a matrix. FiDef is an algorithm that has been developed to work with the listener's perception and therefore has created something that is truly an organic enhanced musical experience.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003ePaul Blakemore - Grammy winning (and 7x nominee) chief mastering engineer at the Concord Music Group (Concord Records, Concord Jazz, CRAFT Recordings, Fantasy, Fearless, Loma Vista, Rounder, Stax, Telarc, etc.)\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003eFiDef is a mysterious but wonderful product. It works on virtually every style of music and every style of mastering, from the gentlest touch to the most aggressive dynamic range processing. From my experience it does three things:\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cem\u003e\n\u003cli\u003eDeepens the listener’s emotional response to the music.\u003c\/li\u003e\n\u003cli\u003eSimultaneously expands and clarifies the stereo localization and space.\u003c\/li\u003e\n\u003cli\u003eHelps the listener follow the musical conversation between soloist and accompaniment, whether the solo is a lead vocal, single instrument, or group of instruments.\u003c\/li\u003e\n\u003c\/em\u003e\n\u003cp\u003e\u003cem\u003eSometimes the added modulation noise is a bit distracting, especially around a very pure waveform on solo instruments like flute, piano, or solo guitar. FiDef JENtwo includes a low level processing on one of its presets and this solves this problem while still providing the effect of FiDef.\u003cbr\u003eIt's amazing, really - kind of an all-purpose ‘digital improvement filter.’ I never would have believed such a thing could work until I both heard it and felt the effects.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5\u003eGarrett Haines, studio owner \u0026amp; engineer, writing in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/tapeop.com\/reviews\/gear\/150\/fidef-jentwo-psychoacoustic-processor-plug-in\/\" target=\"_blank\"\u003eTape Op\u003c\/a\u003e…\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“I tend to dismiss subconscious secret signal processors as money grabs, but this title is different…Like any effect, FiDef JENtwo isn’t for every track, but in the right circumstance, it can add some excitement and dimension unlike anything on the market.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eFrans de Rond - label owner, producer \u0026amp; ultra–fi engineer\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“I have tried different settings, trying to choose purely on first impression and intuition. In the beginning I didn’t hear that much difference. But I recognize this phenomenon; when you try to focus too much you often just don’t hear it anymore. But if I let it go, then I feel that I really hear the difference or maybe even feel the difference.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eRich Costey - Producer \u0026amp; Beats audio consultant (Sigur Rós, Foster the People, Santigold, Young the Giant, Chvrches, Kimbra, Death Cab for Cutie)\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“It’s the first time I’ve felt goose bumps from music in years.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003ePatrik Schwitter — CEO\/CTO\/CFO\/Senior Engineer\/Tape Op\/Tea Boy\/Back Office Slave \u0026amp; Corporate Groupie\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“I started a comprehensive album mix with an acoustic large band using FiDef JENtwo on the master bus. WOW!! (For that)…I used the TRUKN HUSH Profile. It was ‘day vs. night,’ somehow analogue sounding (I know, it’s a daft and overtaxed expression…) but that ‘injection of liveliness’ was not just a homeopathic dose! Just awesome, stunning and some kind of magic. I'm nothing but impressed!”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eJan Niklas Jansen - artist \u0026amp; musician\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“We live in a golden age of digital audio. For one, it actually sounds good. But also: Our plugin folders are filled with toys that allow us to perform magic, and almost on a weekly basis new things get released that allow us to do this magic faster and more easily, more creatively or even better sounding.\u003cbr\u003eFiDef JENtwo is not one of these plugins. In fact, when in full-on mixing mode it's sometimes hard to tell that it's even on. The REAL magic that it does happens after mixdown. When sending podcast productions for review, I find that editors listen with more joy and appear to focus better. That makes the recall notes (and my life) noticeably better. After a long day working on music, I can get on my bike, put the rough mixes on my headphones and have an easy time of just enjoying the music as - music. And not a jumble of things that still need working on. Which, incidentally, makes it easier for me to actually pick out the things that do need working on.\u003cbr\u003eSo, what do we have here? A plugin with a barely existent UI, five options to choose from and the heaviest lifting it does is while I am not even working on my DAW. Magic.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eMark Wingfield - guitarist \u0026amp; indy engineer (Allan Holdsworth, Chet Baker, Tony Levin, Chad Wackerman)\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“Something I notice using FDJ2 on a drum bus is that it seems to gel the drums together almost as if the space between the drum hits is smoother and more cohesive. Just more pleasant to listen to and therefore you listen in a more open way I find…it’s more of a feeling you get when it’s engaged than a specific change in sound you can point to. I do like the effect of stacking it up so you have it on the drum bus, on a horn section, percussion and vocals and then also on the master bus.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eJohannes Bittner - indy artist\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“The different modes (Profiles) are all pleasing to my ears. FDJ2 makes the resulting master more cohesive - less sounding harsh in the mids\/highs and more round and bouncy in the lower frequency spectrum. Overall I would call it less sounding “digital” - and that is what I was aiming for by buying your plugin.\u003cbr\u003eI like to experiment with such tools and I came to the conclusion that using FDJ2 twice with different modes (for example first one for the lower spectrum with EVOSE and second one with TRUKN for mids and highs) can be a nice combination - meanwhile keeping in mind that the noise floor is also adding up.\u003cbr\u003eYour tools did not replace anything in my workflow, but they are a nice addition I did not know I wanted. I am happy that I found these and hope you are already working on new stuff to optimize the digital working space, Thank You very much.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eThomas Jøren Nielsen - composer \u0026amp; sound designer\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“FiDef is part of my signature sound.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eEddie Grey - engineer \u0026amp; Logic Pro maven\u003c\/h5\u003e\n\u003cp\u003eHere’s a\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/youtu.be\/pSBuRzexWXc\" target=\"_blank\"\u003evideo\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003erun–through with audio examples.\u003c\/p\u003e\n\u003ch5\u003eRober Martínez–Garcia - Musica de Almas y Vendavales\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“My God, FiDef is incredible! I saw a lot of tests on Youtube and people didn’t feel the difference. I think they focused wrong, but after downloading the demo and trying it myself I realized how amazing it is. I feel inside the music and listen in more detail. After turning it off I feel outside and I have a hard time getting inside. I’m a musician without money, but I'm going to buy it. I really don’t want to work anymore without having it in my mix chain.\u003cbr\u003e“It blew my mind. (That’s what we’re here for! - OMas) Thank you very much and congratulations. I wish you much success and thanks for being sound geeks.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eEBDA1176 on Gearspace\u003c\/h5\u003e\n\u003cp\u003eThey wrote a lucid and informative yet not pedantic\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/gearspace.com\/board\/showpost.php?p=15925776\u0026amp;postcount=258\" target=\"_blank\"\u003ereview\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof FiDef JENtwo.\u003c\/p\u003e\n\u003ch5\u003eAlso on Gearspace, cracker satchmo wrote:\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003eThey “…noticed with pleasure that often i can hear the various ‘strands of the musical carpet’ more distinctly individually without the whole becoming less together or ‘organically one’.\u003cbr\u003eAlso, i had some difficulties with offline installation and am happy to share that Maat's customer service has been nothing but stellar!”\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"col-md-6\"\u003e\n\u003cdiv class=\"feature-icon-left clearfix\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4\u003eRequirements\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003emacOS 10.9 and newer, Universal Binary 2,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e64 bit only\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eWindows 7 and newer, 32 \u0026amp; 64 bit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-6\"\u003e\n\u003cdiv class=\"feature-icon-left clearfix\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4\u003eSupporting\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAAX Native (Pro Tools 10.3.10 and newer), AU, VST 2, VST 3\u003c\/li\u003e\n\u003cli\u003eSample rates from 44.1 to 384kHz, FiDef processing from 44.1 to 192kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MAAT","offers":[{"title":"Default Title","offer_id":40266786963525,"sku":"1414-1005","price":151.25,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/maat-FiDef-JENtwo.jpg?v=1756464870"},{"product_id":"maat-rsphaseshifter","title":"MAAT RSPhaseShifter Plug-In (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eAnalog Soul, Digital Heart\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCreating a very high fidelity, phase shifted version of the input, RSPhaseShifter provides a fast, convenient and musical means of aligning individual mix elements for best subjective result. RSPhaseShifter is great for any situation where you need to creatively control tonality, power spectrum and harmonic content through phase manipulation. Post–production, stem mastering, outboard gear compensation, film re–recording, “live” production, sound reinforcement, along with content creation for gaming and VR all benefit from having RSPhaseShifter on hand.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003eOld Skool Values\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRSPhaseShifter was created in conjunction with Roger Schult\/German Audio Lab, and is a painstaking, 64 bit digital realization of Schult’s trusted Phase Shifter W2324 analog phase rotator hardware. When multiple sources compete rather than complement, RSPhaseShifter should be your choice for a fast, intuitive, easy to use and effective remedy.\u003c\/p\u003e\n\u003ch3\u003eSimple Yet Versatile\u003c\/h3\u003e\n\u003cp\u003eRSPhaseShifter: a mixer’s secret weapon, both live and in the studio…Whether it’s mix sessions with multiple tracks of one instrument, or alignment of spots and overheads, RSPhaseShifter makes quick work of cancellation issues, bringing back the richness and impact you cannot get from basic delay compensation. Match and optimize the time delay or phase response of a subwoofer in a surround monitoring environment, address fold–down issues or create thick, ultra–wide sounds and phase sweeps by deliberately manipulating phase of one side of a stereo track.\u003c\/p\u003e\n\u003ch4\u003ePurpose–built\u003c\/h4\u003e\n\u003cp\u003eRSPhaseShifter’s analog–style controls are no accident. They’re the same controls found on the tried and true Phase Shifter W2324 hardware, only better. With no added noise, double precision internal processing plus support for AAX and 8x sample rates, RSPhaseShifter is a cost effective addition to any engineer’s toolkit.\u003c\/p\u003e\n\u003ch3\u003eBetter By Design\u003c\/h3\u003e\n\u003cp class=\"margin-b-20\"\u003eAs with all Roger Schult by MAAT products, the RSPhaseShifter is hand crafted and precision engineered in California by way of Germany. This is an explicit digital recreation of the analog W2324 topology, not a modeling or simulation algorithm. We copied the functionality of the original hardware without analog’s shortcomings. This tool´s value is more about what it does technically, so we left out stuff like fake transformer color, hum or Johnson Noise. There are lots of colorful plug–ins, we simply provide convenient access to the useful functionality along with a classic API Lunchbox look.\u003c\/p\u003e\n\u003ch2 class=\"margin-b-20\"\u003eFeatures\u003c\/h2\u003e\n\u003cp class=\"margin-b-20\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe original W2324 analog degree scale is highly non–linear, due to issues with analog circuitry. The original also has ten tick marks, from 10 to 125°. Freed from the limitations of an analog implementation, we have moved to a true, linear scale and extended the range slightly, something only possible in the digital domain. RSPhaseShifter’s eleven tick marks, in 15° steps, start at 15 and go to 180°; 15; 30; 45; 60; 75; 90; 105; 120; 135; 150; 180°\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRealtime adjustment of phase angle, resonant frequency, gain\u003c\/li\u003e\n\u003cli\u003eMIRROR and FLIP modes speed stereo setting selection\u003c\/li\u003e\n\u003cli\u003eδ (DELTA) mode for modifying stereo spread in an MS workflow\u003c\/li\u003e\n\u003cli\u003eAll standard formats: AU, VST \u0026amp; AAX Mac\/Win\u003c\/li\u003e\n\u003cli\u003eOptimized internal 64 bit processing for highest fidelity\u003c\/li\u003e\n\u003cli\u003eOperates at all standard sample rates, from 44.1 to 384 kHz\u003c\/li\u003e\n\u003cli\u003eCompatible with standard OSs; macOS, Windows\u003c\/li\u003e\n\u003cli\u003eLow fatigue visual design\u003c\/li\u003e\n\u003cli\u003eCompact layout\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFunctions\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFilter gain range of -5 to + 5 dB via 41 position stepped control\u003c\/li\u003e\n\u003cli\u003eContinuously adjustable phase angle between 15° and 180°\u003c\/li\u003e\n\u003cli\u003e3 position switch to extend phase angle from 180° to 360°\u003c\/li\u003e\n\u003cli\u003eBypass position for quick and easy comparison with the uncorrected signal\u003c\/li\u003e\n\u003cli\u003eStepped or continuous rotary control to select frequency range from 16 to 4 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eControls\u003c\/h2\u003e\n\u003ch4\u003eRANGE\u003c\/h4\u003e\n\u003cp\u003eThis three position switch is used to select the range of the phase shifter.\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eTop position:\u003c\/td\u003e\n\u003ctd\u003e　　+180° (180 - 360°)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCenter position:\u003c\/td\u003e\n\u003ctd\u003e　　Bypass\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBottom position:\u003c\/td\u003e\n\u003ctd\u003e　　0 - 180°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe center Phase position, the “0” setting or Bypass mode, provides a means to compare the effect of the selected phase shift with the unprocessed, original phase of the source material.\u003c\/p\u003e\n\u003ch4\u003eFREQUENCY\u003c\/h4\u003e\n\u003cp\u003eThe phase shift is dependent on the selected frequency setting. The Frequency control is either stepped for repeatability or continuous; your choice. Resonant frequency selection is managed by an 13 step ELMA–style control with the following frequencies:\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e16 Hz\u003c\/td\u003e\n\u003ctd\u003e　　400 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e25 Hz\u003c\/td\u003e\n\u003ctd\u003e　　630 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e40 Hz\u003c\/td\u003e\n\u003ctd\u003e　　1000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e63 Hz\u003c\/td\u003e\n\u003ctd\u003e　　1600 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e100 Hz\u003c\/td\u003e\n\u003ctd\u003e　　2500 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e160 Hz\u003c\/td\u003e\n\u003ctd\u003e　　4 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e250 Hz\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAdditional controls include a ±5 dB of gain refinement plus MIRROR, FLIP and δ (DELTA) modes for use during stereo operation.\u003c\/p\u003e\n\u003csection class=\"showcase-section\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-8 margin-b-30\"\u003e\n\u003ch3\u003eWhat’s Your Headache?\u003c\/h3\u003e\n\u003cp\u003eFor most applications, it makes sense to use RSPhaseShifter on just one channel, rather than on both stereo channels. A common example would be when a stereo pair of ambiance mics suffer from slightly different distances to a localized source. Additional uses include:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou have a DI’d bass track which sounds dry and lifeless. You drop that track into a project so you can re–amp it, and dial up a great re–amped sound. When you try to blend the DI track with the re–amped track, it sounds…awful! Just grab RSPhaseShifter, insert it into the DI’d track, and start off with a low frequency setting. Sweep the phase angle control and fine tune the frequency and…Bang! Suddenly, it sound awesome.\u003c\/li\u003e\n\u003cli\u003eAnother scenario would be you have a set of two distorted guitar tracks recorded with different guitars or amps but playing the same riff. They sound nasty because both are modeling–based guitar amp simulations. Just insert the stereo version of the RSPhaseShifter into one of those pair of tracks and play around in Mirror mode, so that both sides of your processing track are ganged. Within seconds, you will find a sweet spot where both guitars blend perfectly, because by sweeping through the phase angle control, you’re applying very complex comb filters which you could not create with other EQ.\u003c\/li\u003e\n\u003cli\u003eSometimes mixes or stems come in with a stereo panorama that’s simply too wide. The resulting mix is way dense and requires more careful crafting of the soundstage, so you start to narrow individual elements. But wait, as the elements becomes narrower, their timbre suffers…RSPhaseShifter to the rescue! Bring back the grunt and meat while folding down toward mono.\u003c\/li\u003e\n\u003cli\u003eA common situation is you have closely spaced, multi–mic’ed sources, like a snare with top and bottom mics, some instrument with two mics, or an acoustic guitar with a mic and a piezo pickup. Just play around with the RSPhaseShifter on one of the feeds, preferably the one which is closest to the source, such as a piezo feed, and find the sweet spot by feel.\u003c\/li\u003e\n\u003cli\u003eYet another would be you’ve made a great acoustic stereo recording and have used supporting microphones, such as room, spot or far hall placements. To meld these into your main stereo pair, take your mains as the phase reference, and align one supporting mic after the other with the mains. This is easiest if your supporting sources are panned center and approximately the same level during phase alignment. Afterwards, you can set gain and panning back to taste.\u003c\/li\u003e\n\u003cli\u003eAcoustical issues are often an annoyance at low frequencies. RSPhaseShifter works to…\n\u003cul\u003e\n\u003cli\u003eMinimize the influence of standing waves or room modes for a loudspeaker setup in conjunction with one or more subwoofers.\u003c\/li\u003e\n\u003cli\u003eReduce the acoustical energy caused by low frequency cancellation in live sound applications.\u003c\/li\u003e\n\u003cli\u003eAcoustically optimize the sound field in studio and live sound environments.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-4 margin-b-30\"\u003e\n\u003cdiv class=\"icon-box text-center\"\u003e\n\u003ci class=\"ion-mic-c feature-sign\"\u003e\u003c\/i\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"space-60\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"testimonials\"\u003e\n\u003cdiv class=\"space-30\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-8 margin-b-30\"\u003e\n\u003ch3\u003eLearn More\u003c\/h3\u003e\n\u003cp\u003eGet the most from RSPhaseShifter with these three use case videos…\u003c\/p\u003e\n\u003ch4\u003eOne\u003c\/h4\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/AOui2jdL8DU\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eWatch it directly on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/youtu.be\/AOui2jdL8DU\" target=\"_blank\"\u003eYouTube\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch4\u003eTwo\u003c\/h4\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/FURbVyAujcQ\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eWatch it directly on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/youtu.be\/FURbVyAujcQ\" target=\"_blank\"\u003eYouTube\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch4\u003eThree\u003c\/h4\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/isrvKDdxtBY\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-8 margin-b-30\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-md-8 margin-b-30\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-md-6\"\u003e\n\u003cdiv class=\"feature-icon-left clearfix\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4\u003eSupporting\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAAX Native (Pro Tools 10.3.10 and newer), AU, VST 2, VST 3\u003c\/li\u003e\n\u003cli\u003eSample rates from 44.1 to 384 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-md-6\"\u003e\n\u003cdiv class=\"feature-icon-left clearfix\"\u003e\n\u003cdiv class=\"icon\"\u003e\u003ci class=\"ion-briefcase\"\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-6\"\u003e\n\u003cdiv class=\"feature-icon-left clearfix\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4\u003eRequirements\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003emacOS 10.9 and newer, Universal Binary 2,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e64 bit only\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eWindows 7 and newer, 32 \u0026amp; 64 bit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"MAAT","offers":[{"title":"Default Title","offer_id":40266803642437,"sku":"1414-1007","price":151.25,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/product-rsps-9745beec.png?v=1756464872"},{"product_id":"maat-santacruzeq-plugin-serial-nr-download","title":"MAAT SantaCruzEQ Minim Phase Parametric EQ PlugIn (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"container\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"row vertical-align-child\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"col-md-8 margin-b-30\" data-mce-fragment=\"1\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eYes, Your Blueness\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhy develop yet one more minimum phase parametric equalizer (PEQ) when there’s already hundreds on the market? The answer is simple…’Cuz there was room for improvement! It was customers of the original LinearPhase PEQ Red and Orange who asked Algorithmix to develop a classic EQ, for recording and mixing tasks, with unparalleled purity and transparency. Over several years, our Dr. Christoph closely analyzed many of the best out there, and compiled a vast knowledgebase of analog EQ best practices. Cherry picking from that, he implemented not just one or two, but an entire collection of trad minimal phase EQs. The result? A distillation of analog antecedents, while others are based on new ideas. We know you’ll enjoy our dozen variations of blue, newly revised by MAAT, and find your favorite sound.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eThe Not So Dirty Dozen\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe wanted to lift analog to another level, so we reverse engineered a variety of well respected hardware EQs, creating idealized digital versions from that inspiration. Rather than models or simulations that carry analog baggage, SantaCruzEQ has no noise, distortion or other secondary effects inherited from analog.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSantaCruzEQ12 is a complete collection of classic equalizer Architectures, assembled into one package. You get precise, idealized examples of legendary analog equalizer circuitry, complemented by progressive new models. Whether it’s vintage, modern, or experimental, SantaCruzEQ is a sonic sandbox for every mixing and mastering engineer to mess around in.\u003c\/p\u003e\n\u003ch3\u003eBetter By Design\u003c\/h3\u003e\n\u003cp class=\"margin-b-20\"\u003eSantaCruzEQ is built on the belief that exceptional fidelity, enhanced workflows and less visual fatigue are hallmarks of better quality toolsets. Our reliance on hard science and focused research balanced by in–depth listening and customer feedback, redefines audio tools for you and your fellow hardcore media professionals worldwide.\u003c\/p\u003e\n\u003ch2 class=\"margin-b-20\"\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"space-30\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"row vertical-align-child\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"col-md-8 margin-b-30\" data-mce-fragment=\"1\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eBFF\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe equalizer is perhaps the oldest and the most popular of sound processing tools. From its earliest days, the main function was correction or enhancement by boosting or cutting certain frequencies.\u003cbr data-mce-fragment=\"1\"\u003eFor a century, engineers have developed countless equalizers. A few became legend, our thEQorange is one. The most popular version in recording and post is the parametric equalizer or PEQ, first perfected by Massenburg in 1972. It offers maximum flexibility with only three controls. Properly used, the PEQ is a powerful tool and the best friend of every audio engineer in the quest for perfect sound. As Spidey (and Voltaire) always reminds us though, “With great power comes great responsibility.” When designed by a clueless or cost–constrained software engineer, it can be your greatest sonic enemy.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eChoice Is Good\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSantaCruzEQ is the low CPU version of thEQblue, with six utilitarian Sections. In order to give you a choice of features and price, SantaCruzEQ is available in two versions:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSantaCruzEQ6,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e with 6 Architectures; №s 1 through 6 below\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSantaCruzEQ12,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003ewith 12 Architectures; all twelve below\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-4 margin-b-30\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"icon-box text-center\" data-mce-fragment=\"1\"\u003e\n\u003ci class=\"ion-bonfire feature-sign\" data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row vertical-align-child\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"col-md-12 margin-b-30\" data-mce-fragment=\"1\"\u003e\n\u003ctable class=\"table modalImage\" data-mce-fragment=\"1\"\u003e\n\u003cthead data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"col\" data-mce-fragment=\"1\"\u003e№\u003c\/th\u003e\n\u003cth scope=\"col\" data-mce-fragment=\"1\"\u003e\u003c\/th\u003e\n\u003cth scope=\"col\" data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eType\u003c\/code\u003e\u003c\/th\u003e\n\u003cth scope=\"col\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eComments \u0026amp; Analog Kinfolk\u003c\/em\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e01\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/santacruzeq\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/santacruzeq\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/01-Classic-SymmetricCROPthumb-76a12370.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/01-Classic-SymmetricCROP-87bcfd3f.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/01-Classic-SymmetricCROPthumb-76a12370.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eClassic Sym\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries symmetrical, almost constant Q bell — common mix desk \u0026amp; outboard gear Architecture, try on “surgical” applications\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e02\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/santacruzeq\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/santacruzeq\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/02-Classic-AsymCROPthumb-be0c1475.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/02-Classic-AsymCROP-4e58dc51.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/02-Classic-AsymCROPthumb-be0c1475.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eClassic Asym\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries asymmetrical — Old Skool, boost like № 1 but with narrower cut\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e03\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/santacruzeq\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/santacruzeq\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/03-Proportional-1CROPthumb-21b2a49c.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/03-Proportional-1CROP-3803d5c7.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/03-Proportional-1CROPthumb-21b2a49c.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eProportional 1\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries proportional — More musical than constant Q, especially for mixing and post. Bells are wider at \u0026lt;6dB and narrower at \u0026gt;6dB\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e04\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/santacruzeq\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/santacruzeq\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/04-Proportional-2CROPthumb-cdbf932e.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/04-Proportional-2CROP-af87727d.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/04-Proportional-2CROPthumb-cdbf932e.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eProportional 2\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries proportional — Like № 3 but with bigger changes at large gain settings \u0026gt; ±6dB, try on vocals\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e05\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/santacruzeq\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/santacruzeq\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/05-Proportional-3CROPthumb-a53512c4.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/05-Proportional-3CROP-e39f74d8.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/05-Proportional-3CROPthumb-a53512c4.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eProportional 3\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries proportional — Like № 3 but with extra wide bells at small gain settings, from 0 to 3dB\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e06\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/santacruzeq\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/santacruzeq\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/06-Const-Q-AsymCROPthumb-aea8b731.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/06-Const-Q-AsymCROP-ffd05b83.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/06-Const-Q-AsymCROPthumb-aea8b731.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eConst-Q Asym\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries asymmetrical, constant Q — Boost like № 1, cut like № 5 (extra wide), as found in some USA products \u0026amp; mixers\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e07\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/santacruzeq\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/santacruzeq\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/07-Const-Q-RCROPthumb-86bdd858.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/07-Const-Q-RCROP-0c891a3c.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/07-Const-Q-RCROPthumb-86bdd858.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eConst-Q Asy R\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries asymmetrical, constant Q — Like № 6 but with mirrored boost \u0026amp; cut\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e08\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/santacruzeq\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/santacruzeq\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/08-Const-Q-InversCROPthumb-2a1dadb9.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/08-Const-Q-InversCROP-ed8bd8d6.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/08-Const-Q-InversCROPthumb-2a1dadb9.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eConst-Q Invers\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries symmetrical, constant Q — Similar to № 7\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e09\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/santacruzeq\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/santacruzeq\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/09-Const-Q-IdealCROPthumb-4c43ff50.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/09-Const-Q-IdealCROP-6b53279b.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/09-Const-Q-IdealCROPthumb-4c43ff50.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eConst-Q New\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries proportional, constant Q — Our special Architecture…try it!\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e10\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/santacruzeq\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/santacruzeq\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/10-Const-Q-NewCROPthumb-abdca7eb.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/10-Const-Q-NewCROP-b4693988.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/10-Const-Q-NewCROPthumb-abdca7eb.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eConst-Q Ideal\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries ideal \u0026amp; constant Q — Another special, similar to № 1, all three parameters (resonant ƒ, gain \u0026amp; Q) are independent, no analog relatives!\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e11\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/santacruzeq\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/santacruzeq\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/11-Parallel-FF-FBCROPthumb-8a93cb72.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/11-Parallel-FF-FBCROP-c74b373a.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/11-Parallel-FF-FBCROPthumb-8a93cb72.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eParallel FF-FB\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eParallel feed forward\/feedback — Complementary amplitude and phase characteristics for boost \u0026amp; cut (symmetrical), found in high end graphic EQs, 1st choice for mastering [reference Massenburg]\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e12\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/santacruzeq\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/santacruzeq\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/12-Parallel-LC-AsymCROPthumb-b36d29b7.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/12-Parallel-LC-AsymCROP-df17eee5.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/12-Parallel-LC-AsymCROPthumb-b36d29b7.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eParallel LC\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eParallel passive LC — Tonal advantages with band interaction \u0026amp; asymmetry disadvantages, found in old or newly recreated PEQs, another choice for mastering [reference Massive Passive, Sontec]\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConstant Q is more for surgical applications, while proportional EQs are best when combining multiple overlapping Sections. As a point of reference, API, Pultec, Masselec and Avalon EQs are all of the proportional type.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e☞\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eNote that all 12 Architectures are normalized to have exactly the same bell shape at 6dB of boost. This allows you to easily compare the sound of each Architecture.\u003c\/p\u003e\n\u003ch2 class=\"margin-b-20\"\u003eFeatures\u003c\/h2\u003e\n\u003cp class=\"margin-b-20\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSantaCruzEQ borrows the innovative code from both Algorithmix’s original PEQ Blue and our own thEQblue remix, wrapping it in a modern, higher fidelity environment designed to help you be more productive.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe most complete collection of classic analog equalizer emulations\u003c\/li\u003e\n\u003cli\u003eSix or twelve different equalizer types; in total, 10 serial \u0026amp; 2 parallel\u003c\/li\u003e\n\u003cli\u003eUp to 12 PEQ styles for every job: classic, vintage, modern and unconventional\u003c\/li\u003e\n\u003cli\u003eDifferent Q characteristics: classic, constant–Q, proportional, ideal–Q and special\u003c\/li\u003e\n\u003cli\u003eTrue high resolution emulation of analog equalizers, not modeling: no added noise, distortion or other non–linearities\u003c\/li\u003e\n\u003cli\u003eSupport for up to 384 kHz sample rate, suitable for HRA and game production and post\u003c\/li\u003e\n\u003cli\u003eExtended center frequency up to 80 kHz for filtering and correction in the ultrasonic\u003c\/li\u003e\n\u003cli\u003eBell filters in all PEQ types are normalized to look identically at +6.02 dB of gain and Q of 0.71, ideal for quick comparisons between types\u003c\/li\u003e\n\u003cli\u003eSix Sections total, with four having freely assignable parametric filter variants: bell; multi–order high \u0026amp; low shelf; multi–order high \u0026amp; low cut\u003c\/li\u003e\n\u003cli\u003e“Outer” Sections, the first and last, offer multi–order high \u0026amp; low shelf and multi–order high \u0026amp; low cut\u003c\/li\u003e\n\u003cli\u003eExtremely low noise and low nonlinear distortion algorithms result in residual THD+N significantly lower than 24 bit quantization noise\u003c\/li\u003e\n\u003cli\u003eAdjustable Q Factor for bell filters\u003c\/li\u003e\n\u003cli\u003eAdjustable slope for shelving and cut filters\u003c\/li\u003e\n\u003cli\u003eMultiple low and high cut filters can be overlapped to achieve brickwall slopes\u003c\/li\u003e\n\u003cli\u003eVery low noise and distortion upsampling for analog–like filters at baseband sample rates\u003c\/li\u003e\n\u003cli\u003eInsane 80 bit “long double” precision internals virtually eliminate rounding errors and resulting distortion\u003c\/li\u003e\n\u003cli\u003eResizable and zoomable frequency response graphing for precise adjustments\u003c\/li\u003e\n\u003cli\u003eParameter editing via numerical fields or directly on the Graph\u003c\/li\u003e\n\u003cli\u003ePresets for quick setup comparison\u003c\/li\u003e\n\u003cli\u003eSeveral instances, each with different PEQ architectures, can be opened simultaneously\u003c\/li\u003e\n\u003cli\u003eBand grouping function lets you simultaneously alter ƒ, Q and gain for multiple Sections\u003c\/li\u003e\n\u003cli\u003eƒ lock function when you’ve found your resonant frequency and want to alter just Q or gain\u003c\/li\u003e\n\u003cli\u003eTrue Peak metering alerts you to TP overs\u003c\/li\u003e\n\u003cli\u003eSort button rearranges Sections in order, from low to high ƒ, with a single click\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eApplications\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWith a very wide range of choices, you are ready to tackle any job with a subtle or obvious approach.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTracking, mixing \u0026amp; mastering\u003c\/li\u003e\n\u003cli\u003eHRA post including ultrasonic tailoring\u003c\/li\u003e\n\u003cli\u003eBroadcast production \u0026amp; post\u003c\/li\u003e\n\u003cli\u003eGame production\u003c\/li\u003e\n\u003cli\u003eReinforcement: microphone response improvement, speaker deficiencies correction, acoustic compensation\u003c\/li\u003e\n\u003cli\u003eSound design \u0026amp; enhancement\u003c\/li\u003e\n\u003cli\u003eRestoration \u0026amp; correction of transmission losses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection class=\"showcase-section\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-8 margin-b-30\"\u003e\n\u003ch3\u003eIron Maiden\u003c\/h3\u003e\n\u003cp class=\"margin-b-20\"\u003eThe contribution of distortion to the specific sound of a particular analog equalizer caused by its respective electronics is largely what makes it “good.” Usually though, non–linear distortion, horrific group delay and other deficiencies produce more “nasty” than “magic.” Our philosophy, for PEQ design, has always been to make filters as precise and clean as possible. For controlled distortion, we recommend high quality tape emulation, a well made pedal or other carefully applied studio magic.\u003c\/p\u003e\n\u003ch3\u003eComprehensive\u003c\/h3\u003e\n\u003cp\u003eWith SantaCruzEQ, you can call up to six Sections from one of the six (SantaCruzEQ6) or twelve (SantaCruzEQ12) architectural styles available. For the first and last Sections, choose from a selection of shelving or cut filters. For the four (SCEQ6) or ten (SCEQ12) center Sections, choose from nine freely assignable filter topologies, including bell, first and second order low or high shelf along with first and second order low or high cut.\u003cbr\u003eThe most significant filter types bearing the equalizer name are bells or peaking filters. Set to a particular Q, different bells change their bandwidth depending on the amount of boost or cut making comparison difficult between Architectures. But wait, we’ve made it easy…\u003c\/p\u003e\n\u003ch6\u003eComparing Architectures…\u003c\/h6\u003e\n\u003cp\u003eIn order to make meaningful comparisons of different styles, all twelve equalizer Architectures are normalized to have exactly the same bell shape for +6dB of gain. If you listen to a bell filter at +6.02dB and a Q of 0.71, you will get the same audible result for all Architecture types. This normalization of the Q or Quality Factor is a unique MAAT feature, and distinguishes our Architectures from their analog antecedents because many of the originals have undefined Q definitions due to the limitation of analog technology. The normalization allows you to compare the different EQ Architectures in SantaCruzEQ with ease.\u003cbr\u003eBTW, a single minimal phase bell filter\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ewith identical shape\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewill sound the same regardless of Architecture. The difference between Architecture becomes obvious when you have activated more bells and other topologies so that they start to interact with each other. This will reveal the different characteristics of each Architecture, in terms of phase interaction and different gain and Q relationships.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-4 margin-b-30\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/Filter-Types-fdb843bd.png\" alt=\"SantaCruzEQ Topologies\" class=\"img-fluid center-img\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-12 margin-b-30\"\u003e\n\u003ch3\u003eClassics All\u003c\/h3\u003e\n\u003cp\u003eThe Classic Symmetrical is the most popular bell shape used in many mixers and outboard equalizers. It is almost “constant Q.” That is, as resonant frequency changes, the bandwidth changes, widening as the frequency goes from low to high to maintain a constant ratio of center frequency divided by bandwidth. Constant Q is roughly the way our hearing perceives an EQ’s effect.\u003c\/p\u003e\n\u003cp\u003eThe three Proportional PEQs emulate bell characteristics which change their bandwidth proportional to their boost or cut. Many think they behave more musically as you don’t have to correct the Q after every amplitude change. There are also three other constant–Q equalizers available, with characteristics similar to some classic American brands.\u003c\/p\u003e\n\u003cp\u003eSantaCruzEQ also offers two proprietary constant–Q varieties. The first, Constant-Q Ideal, is a perfect version of the Classic Symmetrical equalizer, having exactly the same bandwidth at any amplitude within its range of Q. This is measured 3 dB below maximum amplitude at and above +6 dB of boost. Such PEQs are impossible to implement in the analog domain, hence the “ideal” name. Another specialty variety is the Constant-Q New, which follows a new Q definition. It preserves exactly the same bandwidth at the half of the maximum amplitude for all amplitude values. Unlike the classic Q definition, this includes the range below 6 dB of boost. Due to its amplitude\/bandwidth dependency in terms of a classic Q definition, this new kind of constant-Q PEQ could also be thought of as a member of the proportional group.\u003c\/p\u003e\n\u003cp\u003eFinally we emulated two vintage parallel equalizers. With parallel construction, the main input feeds every filter in parallel, with each filter’s output being summed together for the final composite output. With a series implementation, filters are cascaded; each fed from the output of the previous filter. Unlike a series parametric equalizer (almost all paramets are serial), parallel–connected filters combine or cascade differently. They also behave differently in terms of phase. Their special interactive behavior between bands is offset by a pleasing sonic character. Our Parallel LC emulates old skool parallel passive PEQ circuitry built with inductors and capacitors. The Parallel Feed–Forward\/Feedback Architecture emulates the feed–forward\/feed–back designs still popular in low noise analog graphic EQs. While the feed–forward path is trivial to implement, the feedback path is impossible to implement in traditional digital signal processing, because of the need for so called “delay–free” feedback loops. In SantaCruzEQ, we apply a unique and very elaborate technique for true emulation of delay-free feedback. The result is a characteristic sound and perfectly complementary filters for boost\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eand\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecut.\u003c\/p\u003e\n\u003ch4\u003eThe Filter Library\u003c\/h4\u003e\n\u003cp\u003eIn SantaCruzEQ, not only are various bell–shaped filters available but also different kinds of shelving filters. Nine of the series equalizers use a special shelving design characterized by a cut–off frequency defined in the middle of the transition region. We found these filter definitions more intuitive than the classical “–3 dB below maximum.” The old skool definition is only used in the Classic Asymmetrical Architecture in order to conform to its analog antecedent. All 2nd order shelving filters have a Q adjustment to emulate vintage characteristics, with their inherent and specific bumps at higher slopes. Also, the parallel equalizers are equipped with respective shelving filters shapes that are typical of old parallel PEQs. They also have interacting bands as did their analog predecessors.\u003cbr\u003eEvery complex PEQ is equipped with cut filters. With SantaCruzEQ, each of the twelve equalizer Architectures can provide 1st and 2nd order cuts. The 2nd order filters have a Q adjustment to create a resonant filter response, and can be combined to provide very steep “brickwall” slopes by cascading several Sections.\u003c\/p\u003e\n\u003ch3\u003eBest of Both Worlds\u003c\/h3\u003e\n\u003cp\u003eSantaCruzEQ is a creative equalizer tool combining the best of both the analog and digital domains. To avoid bell filter asymmetry at high frequencies for baseband sample rates, typical of many digital equalizers, we have applied reference–quality upsampling, which automatically kicks in for 44.1 or 48 kHz. By using proprietary filter algorithms, we have achieved a huge dynamic range, as well as extremely low noise and distortion. This yields unparalleled sonic purity, impossible for any analog circuitry. We suggest leaving the oversampling option always on so as to get the “analog” smoothness missing from other brand’s EQs.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"space-60\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv id=\"compare\" class=\"container\"\u003e\n\u003cdiv class=\"space-30\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-md-12\"\u003e\n\u003ch2\u003eMAAT Minimum Phase EQ Plug–Ins\u003c\/h2\u003e\n\u003ch3\u003eFeature Comparison\u003c\/h3\u003e\n\u003ctable class=\"table table-bordered maat-comparison\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\"\u003e\u003c\/th\u003e\n\u003cth scope=\"col\"\u003e\u003c\/th\u003e\n\u003cth scope=\"col\"\u003ethEQblue6\u003c\/th\u003e\n\u003cth scope=\"col\"\u003ethEQblue12\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eSantaCruzEQ6\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eSantaCruzEQ12\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\"\u003e\u003cem\u003eFeatures\u003c\/em\u003e\u003c\/th\u003e\n\u003cth scope=\"col\"\u003e    ⊹ Notes ⊹\u003c\/th\u003e\n\u003cth scope=\"col\"\u003e\u003c\/th\u003e\n\u003cth scope=\"col\"\u003e\u003c\/th\u003e\n\u003cth scope=\"col\"\u003e\u003c\/th\u003e\n\u003cth scope=\"col\"\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003eArchitectures\u003csup\u003e§\u003c\/sup\u003e\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003eTwelve architectures: №s 1-10, serial type; №s 11-12, parallel type\u003c\/td\u003e\n\u003ctd\u003e6 total; №s 1-6\u003c\/td\u003e\n\u003ctd\u003e12 total; №s 1-12\u003c\/td\u003e\n\u003ctd\u003e6 total; №s 1-6\u003c\/td\u003e\n\u003ctd\u003e12 total; №s 1-12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003eSections\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003eFive topologies available: 1st \u0026amp; 2nd order, variable slope cut \u0026amp; shelf; parametric bell\u003c\/td\u003e\n\u003ctd\u003e12 total; all five topologies\u003c\/td\u003e\n\u003ctd\u003e12 total; all five topologies\u003c\/td\u003e\n\u003ctd\u003e6 total; #1 \u0026amp; 6 are cut \u0026amp; shelf only; #2 - 5, all five topologies\u003c\/td\u003e\n\u003ctd\u003e6 total; #1 \u0026amp; 6 are cut \u0026amp; shelf only; #2 - 5, all five topologies\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003eMetering\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003eSignal present + wide range \u0026amp; numeric TP\u003c\/td\u003e\n\u003ctd\u003eSignal present + wide range \u0026amp; numeric TP\u003c\/td\u003e\n\u003ctd\u003eSignal present\u003c\/td\u003e\n\u003ctd\u003eSignal present\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003ePanorama Control\u003csup\u003e‡\u003c\/sup\u003e\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003eLeft–only, R–only, mono, stereo, L-R\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003eNo (stereo–only)\u003c\/td\u003e\n\u003ctd\u003eNo (stereo–only)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003eSpectrogram\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003eYes; can be disabled\u003c\/td\u003e\n\u003ctd\u003eYes; can be disabled\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003eTuning\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003eYes; ƒ–snapping\u003c\/td\u003e\n\u003ctd\u003eYes; ƒ–snapping\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003eUpgrades\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003eYes;\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/maatdigital.onfastspring.com\/maat-theqblue6to12-upgrade-perpetual-license\" target=\"_blank\"\u003eto thEQblue12\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efor additional cost\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003ctd\u003eYes;\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/maatdigital.onfastspring.com\/maat-santacruzeq6to12-upgrade-perpetual-license\" target=\"_blank\"\u003eto SantaCruzEQ12\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efor additional cost\u003c\/td\u003e\n\u003ctd\u003eNo upgrade path to thEQblue\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003e§ – For more on the architectures incorporated into thEQblue and SantaCruzEQ, see our\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003ca href=\"https:\/\/website-maat-digital-downloads.s3.eu-west-1.amazonaws.com\/public\/docs\/Understanding_EQ_Architectures.pdf\" target=\"_blank\"\u003eUnderstanding EQ Architectures\u003c\/a\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ePDF.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e‡ – Parallel architectures do not support L-R Panorama mode.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"space-30\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"testimonials\"\u003e\n\u003cdiv class=\"space-30\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-8 margin-b-30\"\u003e\n\u003ch3\u003eLearn More\u003c\/h3\u003e\n\u003ch4\u003eThis video from Friedemann provides a deep dive into both SantaCruzEQ and thEQblue\u003c\/h4\u003e\n\u003cp\u003eWhy does it sound so excellent? It’s all about those curves…\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/tW6Ua9CN7yk\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eWatch it directly on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/youtu.be\/tW6Ua9CN7yk\" target=\"_blank\"\u003eYouTube\u003c\/a\u003e\u003c\/p\u003e\n\u003ch4\u003eDownload — SantaCruzEQ User Manual\u003c\/h4\u003e\n\u003cp\u003eThe user manual\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.maat.digital\/support\/#manuals\" target=\"_blank\"\u003ePDF\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eincludes a ton of useful info, check it out…\u003c\/p\u003e\n\u003ch4\u003eDownload — Understanding EQ Architectures\u003c\/h4\u003e\n\u003cp\u003eThis\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/maat-digital-downloads.s3.us-west-1.amazonaws.com\/public\/docs\/Understanding_EQ_Architectures.pdf\" target=\"_blank\"\u003ePDF\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eprovides detailed information for all of SantaCruzEQ’s twelve Architectures…\u003c\/p\u003e\n\u003ch4\u003eSession Compatibility between SantaCruzEQ12 and SantaCruzEQ6\u003c\/h4\u003e\n\u003cp\u003eSession interchange between the two versions can take two forms:\u003cbr\u003e• Scenario A: A colleague uses instances of SantaCruzEQ6 in a DAW session, then sends the session to a colleague with SantaCruzEQ12. — All instances will open and work correctly.\u003cbr\u003e• Scenario B: A colleague uses instances of SantaCruzEQ12 in a DAW session, then sends the session to a colleague with SantaCruzEQ6. — This scenario is only slightly more complicated…If the sender restricts their use to Architectures No. 1 through 6, then all instances will open as saved. If however, the sender uses Architectures No 7-12 in a saved session and sends that to their colleague, it will “snap” to Architecture No. 1 and may\/will need to be remapped.\u003c\/p\u003e\n\u003ch4\u003eSupporting\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAAX Native (Pro Tools 10.3.10 and newer), AU, VST 2, VST 3\u003c\/li\u003e\n\u003cli\u003eSample rates from 44.1 to 384 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eRequirements\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003emacOS 10.9 and newer,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e64 bit only\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eWindows 7 and newer, 32 \u0026amp; 64 bit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MAAT","offers":[{"title":"SantaCruzEQ12","offer_id":40266827890757,"sku":"1414-1008","price":304.05,"currency_code":"AUD","in_stock":true},{"title":"SantaCruzEQ6","offer_id":40266827923525,"sku":"1414-1009","price":258.2,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/MAAT-SantaCruzEQ.jpg?v=1756464872"},{"product_id":"maat-theqorange-linear-phase-eq-plug-inserial-nr-download","title":"MAAT thEQorange Linear Phase EQ Plug-In(Serial Nr + Download)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWhen purity is paramount.\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA remedial linear phase EQ with unparalleled clarity. For mastering ears, and other discerning engineers.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eA Dream Come True\u003c\/h3\u003e\n\u003cp\u003eMany mastering engineers, including MAAT founder Friedemann Tischmeyer, were fans of Algorithmix’s legendary original Linear Phase PEQ Orange. Unfortunately, the Algorithmix EQs were available only as 32 bit VSTs for PC and our workstations and our industry has evolved since then. Tischmeyer’s students repeatedly asked for alternatives, which caused him to scan the market for other high class EQs. Colleague Bob Katz recommended EQuilibrium, an insanely versatile tool, which Tischmeyer used for teaching. However, he could not find a satisfying alternative which would take the place of his original PEQ Orange.\u003c\/p\u003e\n\u003cp\u003eThe idea was born to reissue this masterpiece and make it available as 64 bit in all common formats and for macOS. An agreement with Algorithmix was made, and MAAT started up in mid–2017. Algorithmix fans heard of that and reached out to us, saying “…just redo it as it is; no extras, no nothing. We just want to have it back in 64 bit and for Mac.” That was encouraging. As a power user, Tischmeyer had some other ideas in mind regarding the UI. He wanted to make it more flexible and faster to use because there is no other tool in the mastering chain an engineer spends so much setup time with. The result? “I think we have achieved that. The UI allows super fast setup and has a number of unique features which help to do so: The positive \u0026amp; negative Contribution function including absolute difference, the adjustable sonogram which makes detecting energy spots you want to clean up easy, and the possibility to play a note on the piano you have in your head and just push the respective frequency to the active band section with one right click are just a few of the new features. What I like too is that I have an overview of all Sections as opposed to just one Section at a time.” In order to not end up with a strange Section order when using many filters, we also added the SORT button so your Sections are always in ascending order.\u003c\/p\u003e\n\u003ch3\u003eUnobtrusive Power\u003c\/h3\u003e\n\u003cp\u003ethEQorange’s powerful features hide behind its clean and simple UI. Eye candy is great for newbies, but thEQo isn’t typical. It packs all the advanced features you need into one resizable window that’s easy on the eyes. Not only does the UI “get out of the way” so you can be more productive, we’ve incorporated industry–first features that speed your workflow, neatly packaged to make thEQorange easy and intuitive to use. An example is the ability to freely assign Sections to either stereo [left\/right] or sum\/difference [L+R\/L-R] at the same time.\u003c\/p\u003e\n\u003ch4\u003eSubtle Functionality\u003c\/h4\u003e\n\u003cp\u003eWe’ve brought pristine fidelity and innovative user interface design to what used to be an unremarkable product category. With four monitoring modes, an ergonomic and uncluttered interface, intelligent monitor auto–gain plus crazy good sound, you’ve got to try thEQorange for yourself.\u003c\/p\u003e\n\u003ch3\u003eBetter By Design\u003c\/h3\u003e\n\u003cp class=\"margin-b-20\"\u003eWhether you’re looking for surgically precise repair, colorless correction, or simply baggage–free spectral contouring, our proprietary, precision algorithm delivers on the promise of linear phase correction. For clean up and control duties, bring the power and purity of thEQorange to bear for all your surgical equalizing tasks.\u003c\/p\u003e\n\u003ch2 class=\"margin-b-20\"\u003eFeatures\u003c\/h2\u003e\n\u003cp class=\"margin-b-20\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ethEQorange sounds more natural, organic and open. Listen for the difference, it just sounds correct.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eExclusive Contribution Control™ — positive addition only, negative addition only, EQ contribution only, and “normal” EQ out helps to aurally keep track of your progress\u003c\/li\u003e\n\u003cli\u003eProprietary algorithms result in extremely low noise and vanishingly small nonlinear distortion\u003c\/li\u003e\n\u003cli\u003eUnique EQ design results in no perceptible unwanted coloration with mixes (processing artifacts well below -100 dBFS) — work with clarity, transparency, and definition\u003c\/li\u003e\n\u003cli\u003eEqual delay at all frequencies regardless of filter settings, perfectly preserving the time relationship of harmonics in the original signal\u003c\/li\u003e\n\u003cli\u003eOperates at up to 384 kHz sampling rate, suitable for high resolution audio (HRA), DSD or DXD production and post\u003c\/li\u003e\n\u003cli\u003eExtended resonant or center frequencies up to 174.14 kHz, for processing in ultrasonic and near ultrasonic for all HRA production and post\u003c\/li\u003e\n\u003cli\u003eExceptionally transparent ELF response, perfect for DC removal\u003c\/li\u003e\n\u003cli\u003e12 sections with 5 freely assignable parametric filter types; bell, low shelf, high shelf, low cut, and high cut\u003c\/li\u003e\n\u003cli\u003e5 freely assignable Panorama modes; stereo, mono (sum), L-R (difference), left–only and right–only\u003c\/li\u003e\n\u003cli\u003e80 bit internals (long double floats) virtually eliminate rounding errors\u003c\/li\u003e\n\u003cli\u003eAdjustable Q for bell and high\/low pass filters make musical adjustments easy\u003c\/li\u003e\n\u003cli\u003eAdjustable slope for shelving filters improve precision in the pass and stopbands\u003c\/li\u003e\n\u003cli\u003eDouble the stopband attenuation (ripple) compared to other filter implementations\u003c\/li\u003e\n\u003cli\u003eAdditional low and high pass filters can be overlapped to achieve steep “brickwall” slopes\u003c\/li\u003e\n\u003cli\u003eSpecial oversampling for reduced aliasing when working with baseband (44.1 \u0026amp; 48 kHz) sample rates\u003c\/li\u003e\n\u003cli\u003eNo coloration or amplitude bumps even at very low frequencies\u003c\/li\u003e\n\u003cli\u003eOptional inbuilt tone generator makes for quick location of trouble spots\u003c\/li\u003e\n\u003cli\u003eSORT function organizes active Sections in ascending order\u003c\/li\u003e\n\u003cli\u003eTUNE function aligns center frequencies to Western tunings\u003c\/li\u003e\n\u003cli\u003eSections have Solo and FLIP to quickly find and address trouble spots\u003c\/li\u003e\n\u003cli\u003eGrid snap toggles between surgical and musical applications, emulating popular hardware resonant frequency choices, including Maselec and Manley\u003c\/li\u003e\n\u003cli\u003eTrue Peak metering to avoid overs\u003c\/li\u003e\n\u003cli\u003eAutoGain for effortless A\/B comparisons\u003c\/li\u003e\n\u003cli\u003eResizable frequency response display for easy, high precision adjustments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eExtras\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eExclusive dual view, monochrome\/color real time spectrogram with user adjustable temporal wiper lets you choose “when” to transition to low clutter monochrome\u003c\/li\u003e\n\u003cli\u003eChoice of parametric editing via numerical fields or directly on the graphical display\u003c\/li\u003e\n\u003cli\u003eComplete setup exchange across multiple instances\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eApplications\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ethEQorange is a highly specialized tool for mastering engineers who have access to diverse high end EQs for different tasks. There are very few forward\/backward linear phase EQs on the market and thEQorange, with its wide, 80 bit double precision processing and optimized–for–fidelity algorithm, will bring a new sense of transparency to your work.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWith all the features and functionality of Algorithmix’s beloved original LP PEQ Orange, the feature–packed thEQorange brings so much more. Use its powerful processing and double precision I\/O for:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMastering and remastering tasks on complex, high fidelity mixes\u003c\/li\u003e\n\u003cli\u003eEqualizing of instrumental group stereo sub–mixes\u003c\/li\u003e\n\u003cli\u003eClarifying the midband and rescuing dense mixes\u003c\/li\u003e\n\u003cli\u003eAddressing resonances and peaky instruments without tonal degradation\u003c\/li\u003e\n\u003cli\u003eTight, transparent low shelf and presence boosts\u003c\/li\u003e\n\u003cli\u003eRemoving unwanted ultrasonic content from HRA recordings\u003c\/li\u003e\n\u003cli\u003eIdentifying resonances with ease when sweeping, due to the low inherent ringing\u003c\/li\u003e\n\u003cli\u003ePutting mixes with too much DC or a super fat kick on a diet\u003c\/li\u003e\n\u003cli\u003eTightening up loose or crowded mixes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eAll true linear phase EQs have similar specs. Dirac spikes and other artificial test signals will produce about the same results regardless of whose product you try. A solo chime or kick drum track is also not what thEQorange was designed for…It excels at \u003c\/span\u003e\u003cem\u003eequalizing actual music\u003c\/em\u003e\u003cspan\u003e!\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWhat not to use thEQorange for is tracking or mixing! thEQorange is a low channel count plug–in, designed for the master buss and mastering. Due to the insane complexity of the algorithm, thEQorange has a high CPU demand. It is \u003c\/span\u003e\u003cem\u003enot\u003c\/em\u003e\u003cspan\u003e a “light weight”!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEssentials\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003ethEQorange fits in with all modern workflows:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSupports LPCM sample rates up to 384k for DSD and high–end postproduction\u003c\/li\u003e\n\u003cli\u003eAll standard formats: AU, VST 2 and 3, AAX\u003c\/li\u003e\n\u003cli\u003eCompatible with macOS and Windows\u003c\/li\u003e\n\u003cli\u003eLow fatigue visual design\u003c\/li\u003e\n\u003cli\u003eResizable user interface for every screen resolution\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eLearn More\u003c\/h3\u003e\n\u003ch4\u003eThis video from Friedemann provides an overview of thEQorange\u003c\/h4\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/kw50GbrYLbY?rel=0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"MAAT","offers":[{"title":"Default Title","offer_id":40266840014917,"sku":"1414-1000","price":915.15,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/MAAT-EQOrange.jpg?v=1756464872"},{"product_id":"maat-theqred-linear-phase-eq","title":"MAAT thEQred Linear Phase EQ Plug-In (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eRed Is The New Black\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThink of thEQred as LP PEQ Red 2.0…we’ve taken the fundamentals of Algorithmix’s exemplary LinearPhase PEQ Red, and given it a MAAT makeover. There is no other æsthetic equalizer like thEQred. With its ability to invisibly provide spectral counterweight to mixes that lean one way or another, thEQred excels at straightening up biased content. Add crystalline air without stridency to a dark mix, or beef up lower mids and bass without bloat or loss of focus. With twelve bands or Sections of precision, linear phase parametric equalization featuring unique shelving filters, mastery of complex mixes without changing their overall sonic character is just a few clicks away.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eFeatures\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAs Friedemann says, “It’s all about the curves.” Along with all the features of our thEQ family, thEQred incorporates a unique and proprietary filter technology allowing you to adjust any slope between nearly 0 and 24 dB\/octave. Almost any filter needed or desired can be dialed in quickly and easily, from broad shallow strokes to cascaded deep cuts.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eDetails\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eFive Panorama modes; stereo, mono (L+R), left–only, right–only and difference (L-R) for focused treatment or enhancement\u003c\/li\u003e\n\u003cli\u003eTwo Stereo modes; Left\/Right or Mid\/Side\u003c\/li\u003e\n\u003cli\u003eFour Contribution modes; positive addition only, negative addition only, EQ contribution only, and “normal” EQ out help you to keep track of your progress\u003c\/li\u003e\n\u003cli\u003eExtended frequency range covers the ultrasonic, suitable for any HRA post\u003c\/li\u003e\n\u003cli\u003eEqual delay at all frequencies independent of filter settings, perfectly preserving the time relationship of harmonics\u003c\/li\u003e\n\u003cli\u003eNo phase distortion and no temporal dispersion, eliminating transient smear\u003c\/li\u003e\n\u003cli\u003eFreedom from unwanted coloration for exceptional clarity, transparency, and definition\u003c\/li\u003e\n\u003cli\u003eExclusive VariSlope technology offers shelf and cut filters with any roll-off in the range of 6 to 24 dB\/octave as well as continuous slope adjustment below 6 dB\/octave, impossible with any classic filter\u003c\/li\u003e\n\u003cli\u003eTwelve Sections with eight freely assignable parametric filter types: classic bell, high or low shelf, high or low cut as well as VariSlope high or low shelf, and high or low cut\u003c\/li\u003e\n\u003cli\u003eAdjustable Q for shelving and cut filters\u003c\/li\u003e\n\u003cli\u003eProprietary algorithms deliver extraordinarily low distortion and noise\u003c\/li\u003e\n\u003cli\u003eFor ultimate fidelity, deep 80 bit super double precision internals virtually eliminate rounding errors and distortion\u003c\/li\u003e\n\u003cli\u003ePerfect emulation of analog filter characteristics, clearly perceptible when equalizing audio at baseband sample rates\u003c\/li\u003e\n\u003cli\u003eExtremely shallow VariSlope shelves for gentle brightening or added weight\u003c\/li\u003e\n\u003cli\u003eCascade cut filters for “brick wall” characteristics\u003c\/li\u003e\n\u003cli\u003eResizable UI for easy and precise adjustments or for ultra–high resolution displays\u003c\/li\u003e\n\u003cli\u003eMAAT’s smart AutoGain for effortless A\/B comparisons\u003c\/li\u003e\n\u003cli\u003eInbuilt tone generator makes for quick location of trouble spots\u003c\/li\u003e\n\u003cli\u003eSORT function eliminates the need for busy, distracting UI elements\u003c\/li\u003e\n\u003cli\u003eTUNE function aligns center frequencies to Western tunings\u003c\/li\u003e\n\u003cli\u003eGrid snap toggles between surgical and musical applications, emulating popular hardware resonant frequency choices, including Maselec and Manley\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eExtras\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eExclusive dual view, monochrome\/color real time spectrogram with user adjustable temporal wiper lets you choose “when” to transition to low distraction monochrome\u003c\/li\u003e\n\u003cli\u003eChoice of parametric editing via numerical fields or directly via the graphical display\u003c\/li\u003e\n\u003cli\u003eOperates at up to 384 kHz sample rates for HRA or game audio workflows\u003c\/li\u003e\n\u003cli\u003eComplete setup exchange across multiple instances\u003c\/li\u003e\n\u003cli\u003eAutomatic latency compensation with all modern DAWs\u003c\/li\u003e\n\u003cli\u003eA\/B comparison for fast decision making\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA little backstory…An idea was born to reissue this masterpiece, along with the other legendary Algorithmix EQs, and make it available as 64 bit in all common formats and (finally!) for macOS. As a power user, our visionary Friedemann had some ideas in mind regarding the improvements. Specifically, he wanted to make the user interface, the UI, more flexible and faster to use because there is no other tool in the mastering chain that receives as much “seat time.” The result: Our thEQ UI and feature set. The UI affords super fast setup and includes a number of unique features which help to speed your work: The positive \u0026amp; negative Contribution function including absolute difference, the highly adjustable sonogram which makes detecting problem spots easy, and the possibility to play a note on the keyboard that you have in your head and then snap a Section to that respective frequency with one click. Also, having all twelve Sections visible simultaneously, not to mention the SORT button function.\u003c\/p\u003e\n\u003ch3\u003eFrequency Forward\u003c\/h3\u003e\n\u003cp\u003ethEQred works in the frequency domain. That is, the input signal is first transformed into a spectral representation. Then, that spectral equivalent is operated upon. Special measures have been taken to ensure high resolution at critical low frequencies while keeping time resolution untouched. Unlike other frequency-domain filters, this avoids drums or other instrument containing strong transients from being blurred. In addition, extremely high compute resolution has been used to avoid any cumulative truncation effects typical in complex frequency transforms. This results in unblemished sound quality.\u003cbr\u003eThere are other plug–ins on the market using frequency–domain techniques. Most of them apply relatively low frequency resolution and then claim that frequency response mathematically interpolated between a few set points or that freehand drawing is the best solution. This may be true for some industrial applications, but such filters simply don’t sound musical. We’ve worked hard to insure that filter shapes in thEQred exactly match the best analog references. The result is sonic quality that is undisputed, even at baseband 44.1 and 48 kHz rates.\u003c\/p\u003e\n\u003ch4\u003eUnobtrusive Power\u003c\/h4\u003e\n\u003cp\u003e“An equalizer should have no, ideally, should have no distortion of its own. It’s almost impossible to do it without some distortion but, that’s the aim. So, if you can do that…Now there are a lot of equalizers about, where people have just taken a circuit out of some reference book and hoped for the best and they’ve never really succeeded because they haven’t taken into account all these other things.” — Rupert Neve on EQ in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRupert Neve: The SOS Interview on YouTube\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ethEQred was designed to deliver the highest possible linearity down to subsonic frequencies. This and other powerful features hide behind its clean and simple UI. Eye candy is great for newbies, but thEQr isn’t your typical filter: thEQred packs all the advanced features you need into one resizable window that’s easy on the eyes. Not only does the UI “get out of the way” so you can be more productive, we’ve incorporated industry–first features that speed your workflow, neatly packaged to make thEQred easy and intuitive to use.\u003c\/p\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-12 margin-b-30\"\u003e\n\u003ch3\u003eLinear Phase Royalty\u003c\/h3\u003e\n\u003cp\u003eMost all parametric equalizers or PEQs are implemented via phase shift. That is, the incoming dry signal is mixed with a phase–shifted version. Because the amount of the phase shift is frequency dependent, some cancellation or reinforcement occurs at the desired frequency. It gets the job done, but with a major disadvantage: the different signal components of the resulting audio become spread out in time, so time relationships between harmonics in the filtered output is heavily altered. The result: a nice sharp attack becomes slurred and muddy or worse, strident and brittle.\u003cbr\u003ethEQred changes all that, providing profoundly punchy lows and airy, silky smooth highs like no other. It preserves the time relationships of harmonics, which translates into a smoother top end, sweeter and bigger midrange, and a clearer, more distinct bottom when compared to phase shift–style EQs. The resultant sound seems less processed, more like what should have naturally been captured by the microphone. You won’t get those punchy transients and silky highs with analog outboard or any ol’ IIR digital.\u003c\/p\u003e\n\u003ch4\u003eVersatile VariSlope\u003c\/h4\u003e\n\u003cp\u003eIn addition to all the user–centric features that MAAT brings you, like Panorama mode and Contribution controls, thEQred features VariSlope™ technology, proprietary to thEQr. With VariSlope, shelving and cut filters offer continuous adjustment of any slope in the range from near 0 to 24 dB\/octave. Unlike other EQs that let you define or draw the curve, VariSlope offers unique versatility while preserving the sound quality MAAT EQs are known for.\u003cbr\u003eThe exclusive VariSlope filter technology lets you dial in continuous slope filters that emulate any critically damped shelf in the range from 1st to 4th order, including all imaginary filters in between. “Imaginary” because critically damped filters offer only slopes in discreet 6 dB\/octave steps per “order”: 6, 12, 18, 24 et cetera. Our continuous slope low and high cut filter performs similarly, yet you can continuously change its slope from a critically damped 4th order equivalent, through 3rd, 2nd, and 1st order down to zero. The critically damped VariSlope high cut mirrors the continuous slope VariSlope low cut.\u003cbr\u003eSuch “in–between” frequency-response filter characteristics, especially with slopes less than 6 dB\/octave, are absolutely impossible to implement with classical filter technology. The only workaround would be to cascade many 1st order filters with specially weighted amplitudes to get the overall amplitude envelope lower then 6 dB\/octave. Such kludgy filters, however, deliver a wavy frequency response characteristic and are tainted with nasty phase shift and group delay. Quite the opposite, our VariSlope filter affords very smooth, controlled spectral changes without any phase shift.\u003c\/p\u003e\n\u003cp\u003ethEQred works strictly in the frequency domain, while sounding a bit softer than her linear phase sister, thEQorange. Performing at up to 384 kHz, which extends resonant frequency settings up to 80 kHz, it’s perfect for high resolution DSD, DXD and game audio post–production. Its calculations are stored at 80 bits of precision, way more than 32 bit commodity EQs and more than what even fancy 64 bit EQs manage. The result: the construction of your composite filter is impeccable, with vanishingly low THD and without loss of very low amplitude detail.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-12 margin-b-30\"\u003e\n\u003ch3\u003eVive La Différence\u003c\/h3\u003e\n\u003cp\u003eWhat are the differences between\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqorange\/\" target=\"_blank\"\u003ethEQorange\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand thEQred? We recommend thEQo for “surgical” work, mostly negative gain EQs to address issues in a mix during mastering when material needs to be “fixed” because it has a problem. On the other hand, thEQred is best at aesthetic work, artistic equalization that makes material sound better without affecting the time domain. As with thEQorange and both being linear phase, thEQred doesn’t leave a signature on the sound the way\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/\" target=\"_blank\"\u003ethEQblue\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003edoes. Because it’s minimum phase not linear phase, thEQblue is for when you would reach for an analog EQ, but with ultimate fidelity that can’t be achieved with analog. So, the three of them together replace all EQ use cases, unless you want distortion, and thEQblue with its 12 Architectures replaces all analog EQs one might want.\u003cbr\u003ethEQred also has VariSlope, something we think is unique in the industry. So, in keeping with that aesthetically minded approach, with thEQred, you can do really broad or really gentle lifts or suppression, as well as all the “normal” stuff you’d expect from a fixed–order EQ. Most engineers think that all equalizers are both problem solvers and artistic. To that we say, “When all you have is a hammer, everything looks like a nail.” Grab a copy of both thEQred and thEQorange, then listen to both side by side. I think you’ll hear why we think of them differently.\u003cbr\u003eIf you can afford only one of our thEQ products, it’s probably best to go with\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/\" target=\"_blank\"\u003ethEQblue\u003c\/a\u003e. Its versatility is unsurpassed. If, however, you work with a fair amount of acoustically recorded performances and higher fidelity recordings, then over time you will find both thEQorange and thEQred indispensable. Specifically for that, we have the annual thEQlp (Linear Phase) subscription, which includes both thEQorange\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eand\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ethEQred.\u003c\/p\u003e\n\u003ch3\u003eAsymmetry Banished\u003c\/h3\u003e\n\u003cp\u003eExperts say that most digital EQs don’t sound like their analog antecedents, especially when working with baseband 44.1 or 48k sample rates. Spectrum modifications of high frequencies sound unbalanced. The reason is so–called “frequency warping,” which makes bell shapes asymmetric, while high shelves and cuts exhibit steeper slopes than expected. In thEQred, special corrections have been applied, making them look exactly like their analog counterparts while yielding a smooth analog sound.\u003c\/p\u003e\n\u003ch3\u003eIf One is Good, Isn’t Two Better?\u003c\/h3\u003e\n\u003cp\u003ePeople have asked us why we haven’t included alternative modes like minimal phase and all the other options you find in competing products. Our goal as plug-in designers is to create tools from the user perspective, offering just enough flexibility with a carefully chosen set of options so the user can focus on the job at hand. It would be easy to add dozens of additional options to the preferences window but why? That’s what\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/\" target=\"_blank\"\u003ethEQblue\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eis for, a whole box of “colors”! As a mastering engineer, you need specialized tools which do a particular job in the fastest and best possible manner.\u003cbr\u003ethEQred is a perfect example of just such a tool. Dr.s Musialik and Hatje have already worked through an extensive refinement process. When asked about this, Musialik stated that “…the optimization and refinement of our algorithms was a very long, tedious and iterative procedure between research, development and feedback from experienced mastering engineers. Unfortunately, in high res audio, not everything is measurable or provable by numbers. This is especially true for the measurement of dynamic behavior and reactions to real–world, complex signals.”\u003cbr\u003eMusialik emphasizes that “There is no ‘best’ audio tool for everybody.” His advice: Perform your own listening tests, then select which instruments you want to include in your kit.\u003c\/p\u003e\n\u003ch3\u003eReviews \u0026amp; Testimonials\u003c\/h3\u003e\n\u003ch5\u003eRobert “Bob” Olhsson — legendary indy engineer (Smokey Robinson, Temptations, Steve Roach, Marvin Gaye)\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“The ability to recall projects is very important to me and to my clients, so I started moving my signal processing…to Pro Tools and needed to bid goodbye to the (legacy) Algorithmix plug-ins. It turns out I was not alone in wishing for new compatible versions of these extraordinary plugins.\u003cbr\u003eWhat I love about thEQred is being able to combine this utterly transparent equalizer with my (outboard) hardware. It simply doesn't screw anything up while adding whatever EQ tweaks I can imagine. Also, the continuous-slope shelving is pretty amazing, especially with very natural sounding acoustic recordings.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eCharles “Chip” Reardin – indy engineer (Gary Katz, Sylvia McNair, Straight No Chaser)\u003c\/h5\u003e\n\u003cp\u003e\u003cem\u003e“Absolutely stunning EQ. Really. I am very picky, and I've been searching for an ITB EQ of this quality for SO many years. Hats off!…\u003cbr\u003eI've always cringed at the side-effects of high-passing or notching on a mixbus or master with virtually all VST EQs (unless the mix really calls for it, obviously). Orange was the first plug-in I've heard that didn't instantly degrade the mix (and I've tried most if not ALL). Then Red, SO sweet on the highs. Don't think twice about using these on a master! Thanks again for providing these excellent EQs. Orange and Red are just unparalleled ITB EQs IMHO.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eEddie Grey - engineer \u0026amp; Logic Pro maven\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MAAT","offers":[{"title":"Default Title","offer_id":40266846863429,"sku":"1414-1001","price":762.35,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/MAAT-theQRED.jpg?v=1756464872"},{"product_id":"maat-theqblue-minimal-phase-eq-plug-in-serial-nr-download","title":"MAAT ThEQBlue Minimal Phase EQ Plug-In (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"container\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"row vertical-align-child\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"col-md-8 margin-b-30\" data-mce-fragment=\"1\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eYes, Your Blueness\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhy develop yet one more parametric equalizer (PEQ) when there’s already hundreds on the market? The answer is simple…’Cuz there was room for improvement! It was customers of the original LinearPhase PEQ Red and Orange who asked Algorithmix to develop a classic EQ, for recording and mixing tasks, with unparalleled purity and transparency. Over several years, our Dr. Christoph closely analyzed many of the best out there, and compiled a vast knowledgebase of analog EQ best practices. Cherry picking from that, he implemented not just one or two, but an entire collection of trad minimal phase EQs. The result? A distillation of analog antecedents, while others are based on new ideas.\u003cbr data-mce-fragment=\"1\"\u003eWe know you’ll enjoy our dozen variations of blue, newly revised by MAAT, and will find your favorite sound. We’ve also added subtle but important touches, like the ability to freely assign Sections to either stereo [left\/right] or sum\/difference [L+R\/L-R] at the same time, and to “group” all Sections and make a global gain change without disturbing the relationship of individual Sections.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eThe Twelve\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe wanted to lift analog to another level, so we reverse engineered a variety of well respected hardware EQs, creating idealized digital versions from that inspiration. Rather than models or simulations that carry analog baggage, thEQblue has no noise, distortion or other secondary effects inherited from analog.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ethEQblue is the most complete collection of classic equalizer Architectures ever assembled into one package. You get precise, idealized examples of legendary analog equalizer circuitry, complemented by progressive new models. Whether it’s vintage, modern, or experimental, thEQblue is a sonic sandbox for every mixing and mastering engineer to play in.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"space-30\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"row vertical-align-child\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"col-md-8 margin-b-30\" data-mce-fragment=\"1\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eDither…For Your Brain\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEven though thEQblue is lauded by the top echelon of audio pros, we weren’t satisfied. The sound quality was as good as anything available, but benchmark analog still had an edge. So, we added a radical new tech to thEQblue. It’s called FiDef and it adds that indescribable beauty lent by the best of analog.\u003cbr data-mce-fragment=\"1\"\u003eFiDef by FideliQuest (www.fidef.com) is a very low amplitude, psychoacoustic stimulus designed specifically for audio engineers.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eFiDef can be thought of as dither for your brain.\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eIt makes a receptive brain relax and pay closer attention to an incoming audio stimulus. In brain physiology laboratory tests using functional neuroimaging techniques, FiDef has proven to excite brain activity related to perception and attention, and to enhance the subjective processes of listening and engagement.\u003cbr data-mce-fragment=\"1\"\u003eYou have to simply try FiDef and see if you hear an improvement. You may, or maybe not. Better yet, give your customer two almost identical versions of a song, the only difference being FiDef or no FiDef, and let them decide.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eBFF\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe equalizer is perhaps the oldest and the most popular of sound processing tools. From its earliest days, the main function was correction or enhancement by boosting or cutting certain frequencies.\u003cbr data-mce-fragment=\"1\"\u003eFor a century, engineers have developed countless equalizers. A few became legend, our thEQorange is one. The most popular version in recording and post is the parametric equalizer or PEQ, first perfected by Massenburg in 1972. It offers maximum flexibility with only three controls. Properly used, the PEQ is a powerful tool and the best friend of every audio engineer in the quest for perfect sound. As Spidey (and Voltaire) always reminds us though, “With great power comes great responsibility.” When designed by a clueless or cost–constrained software engineer, it can be your greatest sonic enemy.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eChoice Is Good\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn order to give you a choice of features and price, thEQblue is available in two versions:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003ethEQblue6,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e with 6 Architectures; №s 1 through 6 below\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ethEQblue12,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003ewith 12 Architectures; all twelve below\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003e☞ thEQblue6 owners can upgrade to get all twelve Architectures.\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-4 margin-b-30\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"icon-box text-center\" data-mce-fragment=\"1\"\u003e\n\u003ci class=\"ion-merge feature-sign\" data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row vertical-align-child\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"col-md-12 margin-b-30\" data-mce-fragment=\"1\"\u003e\n\u003ctable class=\"table modalImage\" data-mce-fragment=\"1\"\u003e\n\u003cthead data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"col\" data-mce-fragment=\"1\"\u003e№\u003c\/th\u003e\n\u003cth scope=\"col\" data-mce-fragment=\"1\"\u003e\u003c\/th\u003e\n\u003cth scope=\"col\" data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eType\u003c\/code\u003e\u003c\/th\u003e\n\u003cth scope=\"col\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eComments \u0026amp; Analog Kinfolk\u003c\/em\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e01\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/theqblue\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/01-Classic-SymmetricCROPthumb-76a12370.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/01-Classic-SymmetricCROP-87bcfd3f.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/01-Classic-SymmetricCROPthumb-76a12370.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eClassic Sym\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries symmetrical, almost constant Q bell — common mix desk \u0026amp; outboard gear Architecture, try on “surgical” applications\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e02\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/theqblue\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/02-Classic-AsymCROPthumb-be0c1475.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/02-Classic-AsymCROP-4e58dc51.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/02-Classic-AsymCROPthumb-be0c1475.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eClassic Asym\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries asymmetrical — Old Skool, boost like № 1 but with narrower cut\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e03\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/theqblue\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/03-Proportional-1CROPthumb-21b2a49c.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/03-Proportional-1CROP-3803d5c7.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/03-Proportional-1CROPthumb-21b2a49c.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eProportional 1\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries proportional — More musical than constant Q, especially for mixing and post. Bells are wider at \u0026lt;6dB and narrower at \u0026gt;6dB\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e04\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/theqblue\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/04-Proportional-2CROPthumb-cdbf932e.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/04-Proportional-2CROP-af87727d.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/04-Proportional-2CROPthumb-cdbf932e.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eProportional 2\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries proportional — Like № 3 but with bigger changes at large gain settings \u0026gt; ±6dB, try on vocals\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e05\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/theqblue\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/05-Proportional-3CROPthumb-a53512c4.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/05-Proportional-3CROP-e39f74d8.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/05-Proportional-3CROPthumb-a53512c4.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eProportional 3\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries proportional — Like № 3 but with extra wide bells at small gain settings, from 0 to 3dB\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e06\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/theqblue\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/06-Const-Q-AsymCROPthumb-aea8b731.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/06-Const-Q-AsymCROP-ffd05b83.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/06-Const-Q-AsymCROPthumb-aea8b731.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eConst-Q Asym\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries asymmetrical, constant Q — Boost like № 1, cut like № 5 (extra wide), as found in some USA products \u0026amp; mixers\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e07\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/theqblue\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/07-Const-Q-RCROPthumb-86bdd858.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/07-Const-Q-RCROP-0c891a3c.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/07-Const-Q-RCROPthumb-86bdd858.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eConst-Q Asy R\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries asymmetrical, constant Q — Like № 6 but with mirrored boost \u0026amp; cut\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e08\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/theqblue\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/08-Const-Q-InversCROPthumb-2a1dadb9.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/08-Const-Q-InversCROP-ed8bd8d6.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/08-Const-Q-InversCROPthumb-2a1dadb9.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eConst-Q Invers\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries symmetrical, constant Q — Similar to № 7\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e09\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/theqblue\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/09-Const-Q-IdealCROPthumb-4c43ff50.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/09-Const-Q-IdealCROP-6b53279b.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/09-Const-Q-IdealCROPthumb-4c43ff50.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eConst-Q New\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries proportional, constant Q — Our proprietary Architectural style…try it, we know you’ll like it!\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e10\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/theqblue\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/10-Const-Q-NewCROPthumb-abdca7eb.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/10-Const-Q-NewCROP-b4693988.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/10-Const-Q-NewCROPthumb-abdca7eb.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eConst-Q Ideal\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSeries ideal \u0026amp; constant Q — Another special, similar to № 1, all three parameters (resonant ƒ, gain \u0026amp; Q) are independent, no analog relatives!\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e11\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/theqblue\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/11-Parallel-FF-FBCROPthumb-8a93cb72.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/11-Parallel-FF-FBCROP-c74b373a.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/11-Parallel-FF-FBCROPthumb-8a93cb72.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eParallel FF-FB\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eParallel feed forward\/feedback — Complementary amplitude and phase characteristics for boost \u0026amp; cut (symmetrical), found in high end graphic EQs, 1st choice for mastering [reference Massenburg]\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth scope=\"row\" data-mce-fragment=\"1\"\u003e12\u003c\/th\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.maat.digital\/theqblue\/#\" class=\"clickImage\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.maat.digital\/theqblue\/#\"\u003e\u003cimg src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/12-Parallel-LC-AsymCROPthumb-b36d29b7.jpg\" alt=\"..\/assets\/images\/products\/thEQblue\/FilterCurves\/12-Parallel-LC-AsymCROP-df17eee5.jpg\" class=\"img-fluid center-img\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/FilterCurves\/12-Parallel-LC-AsymCROPthumb-b36d29b7.jpg\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ccode data-mce-fragment=\"1\"\u003eParallel LC\u003c\/code\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eParallel passive LC — Tonal advantages with band interaction \u0026amp; asymmetry disadvantages, found in old or newly recreated PEQs, another choice for mastering [reference Massive Passive, Sontec]\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConstant Q is more for surgical applications, while proportional EQs are best when combining multiple overlapping Sections. As a point of reference, API, Pultec, Masselec and Avalon EQs are all of the proportional type.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e☞\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eNote that all 12 Architectures are normalized to have exactly the same bell shape at 6.02dB of boost. This allows you to easily compare the sound of each Architecture.\u003c\/p\u003e\n\u003csection class=\"showcase-section\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-8 margin-b-30\"\u003e\n\u003ch3\u003eIron Maiden\u003c\/h3\u003e\n\u003cp class=\"margin-b-20\"\u003eThe contribution of distortion to the specific sound of a particular analog equalizer caused by its respective electronics is largely what makes it “good.” Usually though, non–linear distortion, horrific group delay and other deficiencies produce more “nasty” than “magic.” Our philosophy, for PEQ design, has always been to make filters as precise and clean as possible. For controlled distortion, we recommend high quality tape emulation, a well made pedal or other carefully applied studio magic.\u003c\/p\u003e\n\u003ch3\u003eComprehensive\u003c\/h3\u003e\n\u003cp\u003eWith thEQblue, you can simultaneously call up twelve Sections from one of the twelve Architectural styles available. For each Section, choose from nine freely assignable filter topologies, including bell, first and second order low or high shelf along with first and second order low or high cut. The most significant filter types bearing the equalizer name are bells or peaking filters. Set to a particular Q, different bells change their bandwidth depending on the amount of boost or cut making comparison difficult between Architectures.\u003c\/p\u003e\n\u003ch6\u003eHow to Compare Architectures…\u003c\/h6\u003e\n\u003cp\u003eIn order to make meaningful comparisons of different Architectures you must be aware of two factors:\u003cbr\u003e1. All 12 equalizer Architectures are normalized to have exactly the same bell shape for 6dB of boost. If you use just one bell filter at +6dB, you will get the same audible result for all types. This normalization of the Q or Quality Factor is a unique MAAT feature, and distinguishes our typologies from their analog antecedents because many of the originals have undefined Q definitions due to the limitation of analog technology. The normalization allows you to compare the different EQ Architectures in thEQblue with ease.\u003cbr\u003e2. A single minimal phase bell filter\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ewith identical shape\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewill sound the same regardless of Architecture. The difference between styles becomes obvious when you have activated more bells and other filters so that they start to interact with each other. This will reveal the different characteristics of each Architecture, in terms of phase interaction and different gain and Q relationships.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-4 margin-b-30\"\u003e\u003cimg class=\"img-fluid center-img\" alt=\"thEQblue\" src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQblue\/Filter-Types-fdb843bd.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-12 margin-b-30\"\u003e\n\u003ch3\u003eClassics All\u003c\/h3\u003e\n\u003cp\u003eThe Classic Symmetrical is the most popular bell shape used in many mixers and outboard equalizers. It is almost “constant Q.” That is, as resonant frequency changes, the bandwidth changes, widening as the frequency goes from low to high to maintain a constant ratio of center frequency divided by bandwidth. Constant Q is roughly the way our hearing perceives an EQ’s effect.\u003c\/p\u003e\n\u003cp\u003eThe three Proportional PEQs emulate bell characteristics which change their bandwidth proportional to their boost or cut. Many think they behave more musically as you don’t have to correct the Q after every amplitude change. There are also three other constant–Q equalizers available, with characteristics similar to some classic American brands.\u003c\/p\u003e\n\u003cp\u003ethEQblue also offers two proprietary constant–Q varieties. The first, Constant-Q Ideal, is a perfect version of the Classic Symmetrical equalizer, having exactly the same bandwidth at any amplitude within its range of Q. This is measured 3 dB below maximum amplitude at and above +6 dB of boost. Such PEQs are impossible to implement in the analog domain, hence the “ideal” name. Another specialty variety is the Constant-Q New, which follows a new Q definition. It preserves exactly the same bandwidth at the half of the maximum amplitude for all amplitude values. Unlike the classic Q definition, this includes the range below 6 dB of boost. Due to its amplitude\/bandwidth dependency in terms of a classic Q definition, this new kind of constant-Q PEQ could also be thought of as a member of the proportional group.\u003c\/p\u003e\n\u003cp\u003eFinally we emulated two vintage parallel equalizers. With parallel construction, the main input feeds every filter in parallel, with each filter’s output being summed together for the final composite output. With a series implementation, filters are cascaded; each fed from the output of the previous filter. Unlike a series parametric equalizer (almost all paramets are serial), parallel–connected filters combine or cascade differently. They also behave differently in terms of phase. Their special interactive behavior between bands is offset by a pleasing sonic character. Our Parallel LC emulates old skool parallel passive PEQ circuitry built with inductors and capacitors. The Parallel Feed–Forward\/Feedback style emulates the feed–forward\/feed–back designs still popular in low noise analog graphic EQs. While the feed–forward path is trivial to implement, the feedback path is impossible to implement in traditional digital signal processing, because of the need for so called “delay–free” feedback loops. In thEQblue, we apply a unique and very elaborate technique for true emulation of delay-free feedback. The result is a characteristic sound and perfectly complementary filters for boost\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eand\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecut.\u003c\/p\u003e\n\u003ch4\u003eThe Filter Library\u003c\/h4\u003e\n\u003cp\u003eIn thEQblue, not only are various bell–shaped filters available but also different kinds of shelving filters. Nine of the series equalizers use a special shelving design characterized by a cut–off frequency defined in the middle of the transition region. We found these filter definitions more intuitive than the classical “–3 dB below maximum.” The old skool definition is only used in the Classic Asymmetrical Architecture in order to conform to its analog antecedent. All 2nd order shelving filters have a Q adjustment to emulate vintage characteristics, with their inherent and specific bumps at higher slopes. Also, the parallel equalizers are equipped with respective shelving filters shapes that are typical of old parallel PEQs. They also have interacting bands as did their analog predecessors.\u003cbr\u003eEvery complex PEQ is equipped with cut filters. With thEQblue, each of the twelve equalizer Architectures can provide 1st and 2nd order cuts. The 2nd order filters have a Q adjustment to create a resonant filter response, and can be combined to provide very steep “brickwall” slopes by cascading several Sections.\u003c\/p\u003e\n\u003ch3\u003eBest of Both Worlds\u003c\/h3\u003e\n\u003cp\u003ethEQblue is a creative equalizer tool combining the best of both the analog and digital domains. To avoid bell filter asymmetry at high frequencies for baseband sample rates, typical of many digital equalizers, we have applied reference–quality upsampling, which automatically kicks in for 44.1 or 48 kHz. By using proprietary filter algorithms, we have achieved a huge dynamic range, as well as extremely low noise and distortion. This yields unparalleled sonic purity, impossible for any analog circuitry.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"space-60\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv class=\"container\" id=\"compare\"\u003e\n\u003cdiv class=\"space-30\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-md-12\"\u003e\n\u003ch2\u003eMAAT Minimum Phase EQ Plug–Ins\u003c\/h2\u003e\n\u003ch3\u003eFeature Comparison\u003c\/h3\u003e\n\u003ctable class=\"table table-bordered maat-comparison\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\"\u003e\u003c\/th\u003e\n\u003cth scope=\"col\"\u003e\u003c\/th\u003e\n\u003cth scope=\"col\"\u003ethEQblue6\u003c\/th\u003e\n\u003cth scope=\"col\"\u003ethEQblue12\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eSantaCruzEQ6\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eSantaCruzEQ12\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\"\u003e\u003cem\u003eFeatures\u003c\/em\u003e\u003c\/th\u003e\n\u003cth scope=\"col\"\u003e    ⊹ Notes ⊹\u003c\/th\u003e\n\u003cth scope=\"col\"\u003e\u003c\/th\u003e\n\u003cth scope=\"col\"\u003e\u003c\/th\u003e\n\u003cth scope=\"col\"\u003e\u003c\/th\u003e\n\u003cth scope=\"col\"\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003eArchitectures\u003csup\u003e§\u003c\/sup\u003e\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003eTwelve architectures: №s 1-10, serial type; №s 11-12, parallel type\u003c\/td\u003e\n\u003ctd\u003e6 total; №s 1-6\u003c\/td\u003e\n\u003ctd\u003e12 total; №s 1-12\u003c\/td\u003e\n\u003ctd\u003e6 total; №s 1-6\u003c\/td\u003e\n\u003ctd\u003e12 total; №s 1-12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003eSections\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003eFive topologies available: 1st \u0026amp; 2nd order, variable slope cut \u0026amp; shelf; parametric bell\u003c\/td\u003e\n\u003ctd\u003e12 total; all five topologies\u003c\/td\u003e\n\u003ctd\u003e12 total; all five topologies\u003c\/td\u003e\n\u003ctd\u003e6 total; #1 \u0026amp; 6 are cut \u0026amp; shelf only; #2 - 5, all five topologies\u003c\/td\u003e\n\u003ctd\u003e6 total; #1 \u0026amp; 6 are cut \u0026amp; shelf only; #2 - 5, all five topologies\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003eMetering\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003eSignal present + wide range \u0026amp; numeric TP\u003c\/td\u003e\n\u003ctd\u003eSignal present + wide range \u0026amp; numeric TP\u003c\/td\u003e\n\u003ctd\u003eSignal present\u003c\/td\u003e\n\u003ctd\u003eSignal present\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003ePanorama Control\u003csup\u003e‡\u003c\/sup\u003e\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003eLeft–only, R–only, mono, stereo, L-R\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003eNo (stereo–only)\u003c\/td\u003e\n\u003ctd\u003eNo (stereo–only)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003eSpectrogram\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003eYes; can be disabled\u003c\/td\u003e\n\u003ctd\u003eYes; can be disabled\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003eTuning\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003eYes; ƒ–snapping\u003c\/td\u003e\n\u003ctd\u003eYes; ƒ–snapping\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003e\u003cem\u003eUpgrades\u003c\/em\u003e\u003c\/th\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003eYes;\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/maatdigital.onfastspring.com\/maat-theqblue6to12-upgrade-perpetual-license\" target=\"_blank\"\u003eto thEQblue12\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efor additional cost\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003ctd\u003eYes;\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/maatdigital.onfastspring.com\/maat-santacruzeq6to12-upgrade-perpetual-license\" target=\"_blank\"\u003eto SantaCruzEQ12\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efor additional cost\u003c\/td\u003e\n\u003ctd\u003eNo upgrade path to thEQblue\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003e§ – For more on the architectures incorporated into thEQblue and SantaCruzEQ, see our\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003ca href=\"https:\/\/website-maat-digital-downloads.s3.eu-west-1.amazonaws.com\/public\/docs\/Understanding_EQ_Architectures.pdf\" target=\"_blank\"\u003eUnderstanding EQ Architectures\u003c\/a\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ePDF.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e‡ – Parallel architectures do not support L-R Panorama mode.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"space-30\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"testimonials\"\u003e\n\u003cdiv class=\"space-30\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-md-8 margin-b-30\"\u003e\n\u003ch3\u003eLearn More\u003c\/h3\u003e\n\u003ch4\u003eThis video from Friedemann provides a deep dive into thEQblue and SantaCruzEQ\u003c\/h4\u003e\n\u003cp\u003eWhy does it sound so excellent? It’s all about those curves…\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/tW6Ua9CN7yk\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eWatch it directly on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/youtu.be\/tW6Ua9CN7yk\" target=\"_blank\"\u003eYouTube\u003c\/a\u003e\u003c\/p\u003e\n\u003ch4\u003eDownload — thEQblue User Manual\u003c\/h4\u003e\n\u003cp\u003eThe user manual\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.maat.digital\/support\/#manuals\" target=\"_blank\"\u003ePDF\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eincludes mondo useful info, check it out…\u003c\/p\u003e\n\u003ch4\u003eDownload — Understanding EQ Architectures\u003c\/h4\u003e\n\u003cp\u003eThis\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/maat-digital-downloads.s3.us-west-1.amazonaws.com\/public\/docs\/Understanding_EQ_Architectures.pdf\" target=\"_blank\"\u003ePDF\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eprovides detailed information for all of thEQblue’s twelve Architectures…\u003c\/p\u003e\n\u003ch4\u003eSession Compatibility between thEQblue12 and thEQblue6\u003c\/h4\u003e\n\u003cp\u003eSession interchange between the two versions can take two forms:\u003cbr\u003e• Scenario A: A colleague uses instances of thEQblue6 in a DAW session, then sends the session to a colleague with thEQblue12. — All instances will open and work correctly.\u003cbr\u003e• Scenario B: A colleague uses instances of thEQblue12 in a DAW session, then sends the session to a colleague with thEQblue6. — This scenario is only slightly more complicated…If the sender restricts their use to Architectures No. 1 through 6, then all instances will open as saved. If however, the sender uses Architectures No 7-12 in a saved session and sends that to their colleague, it will “snap” to Architecture No. 1 and may\/will need to be remapped.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MAAT","offers":[{"title":"thEQblue6","offer_id":40266850467909,"sku":"1414-1006","price":380.4,"currency_code":"AUD","in_stock":true},{"title":"thEQblue12","offer_id":40266850435141,"sku":"1414-1002","price":609.6,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/MAAT-theqblue.jpg?v=1756464872"},{"product_id":"k7d-tape-delay-plug-in-serial-nr-download","title":"K7D Tape Delay Plug-In (Serial Nr + Download)","description":"\u003ch1\u003eK7D Tape Delay Plug-In (Serial Nr + Download)\u003c\/h1\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eK7D is a powerful and affordable, vintage tape delay effect plugin. K7D recreates the hardware echo machines of the past using Imaginando’s signature style of obsessive analog emulation, but with an enhanced level of control from a sleek, modern interface. Using this approach allows a whole new world of creative possibilities, while still retaining a warm, full-bodied analog sound, bursting with character and personality.To give K7D it’s distinctive analog flavor, we studied and analyzed the tiny details of what makes classic hardware delays great, and painstakingly recreated every subtle nuance for a fantastically authentic sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"text-2xl lg_text-4xl my-6 font-thin\"\u003eFeatures\u003c\/h2\u003e\n\u003cdiv class=\"font-thin self-center ml-5\"\u003e\n\u003cul class=\"space-y-4 list-disc list-outside undefined\"\u003e\n\u003cli\u003e1ms to 1 sec. dual playhead analog modeled delay with noise, tape distortion and mechanical vibration models\u003c\/li\u003e\n\u003cli\u003eInput with pre-amp saturation and optimized gain staging and saturation algorithms for very musical results\u003c\/li\u003e\n\u003cli\u003eNormal and Ping Pong modes\u003c\/li\u003e\n\u003cli\u003eDelay time spread between heads and stereo width control\u003c\/li\u003e\n\u003cli\u003eHigh pass and Low pass filter on feedback path\u003c\/li\u003e\n\u003cli\u003ePowerful LFO bipolar time modulation with multiple waveforms (sine, triangular, saw, square, sample and hold and filtered sample and hold) and possibility of inverted LFO phase on second play head (for added stereo imaging)\u003c\/li\u003e\n\u003cli\u003eDelay time syncable with BPM and possibility of delay time modulation via incoming midi notes\u003c\/li\u003e\n\u003cli\u003eOscilloscope visualisation of audio and LFO waveforms\u003c\/li\u003e\n\u003cli\u003eAvailable in a variety of formats: VST, AU, AAX, AUv3\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"w-full h-full text-center\"\u003e\n\u003ch3 class=\"text-5xl lg_text-6xl font-thin\"\u003eVintage sound, modern control\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"w-full h-full text-center my-8 lg_my-16\"\u003e\n\u003cp class=\"text-md lg_text-2xl font-thin mx-auto w-full lg_col-count-2 text-left text-justify\"\u003e\u003cspan\u003eTo give K7D it’s distinctive analog flavour, we studied and analysed the tiny details of what makes classic hardware delays great, and painstakingly recreated every subtle nuance for a fantastically authentic sound. K7D’s combination of features makes it a versatile effects plugin, capable of much more than just standard tape delay.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eK7D mixes great quality sound with a great set of controls, for a truly unique experience with distinctive results. From vintage pre-amp\/pre-gain saturation, to the ability to tune the delay with MIDI pitch information, everything is easy to access via its stylish, intuitive display. Spend less time search for parametres and more time designing your sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 class=\"text-3xl lg_text-4xl mb-6 font-light\"\u003eRequirements\u003c\/h4\u003e\n\u003cdiv class=\"h-16\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"flex flex-col mb-6 w-full lg_flex-row lg_items-center\"\u003e\n\u003cdiv class=\"flex justify-center lg_w-6\/12\"\u003e\n\u003ch5 class=\"text-lg lg_text-2xl mb-4 font-light lg_w-8\/12\"\u003eMac\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"opacity-75 flex-none lg_w-6\/12\"\u003e\n\u003cp\u003eMac OS 10.13 or higher, compatible 64 bit host DAW which supports either VST, AU or AAX plugin formats, plus a minimum of 128 Mb of free disk space to install.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"h-6\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"flex flex-col mb-6 w-full lg_flex-row lg_items-center\"\u003e\n\u003cdiv class=\"flex justify-center lg_w-6\/12\"\u003e\n\u003ch5 class=\"text-lg lg_text-2xl mb-4 font-light lg_w-8\/12\"\u003eWindows\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"opacity-75 flex-none lg_w-6\/12\"\u003e\n\u003cp\u003eWindows 10 or higher, 64 bit host DAW which supports VST or AAX plugin format, plus a minimum of 128 Mb of free disk space to install.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"h-6\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"flex flex-col mb-6 w-full lg_flex-row lg_items-center\"\u003e\n\u003cdiv class=\"flex justify-center lg_w-6\/12\"\u003e\n\u003ch5 class=\"text-lg lg_text-2xl mb-4 font-light lg_w-8\/12\"\u003eiOS\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"opacity-75 flex-none lg_w-6\/12\"\u003e\n\u003cp\u003eRequires iOS 12.1 or higher. At least 65 Mb of free space. AUv3 Audio Unit plugin - requires an AUv3 compatible host app, such as Garageband, Cubasis, BM3, AUM, etc.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Imaginando","offers":[{"title":"Default Title","offer_id":40266880352325,"sku":"1399-1002","price":71.5,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/imaginando-k7d.jpg?v=1756464872"},{"product_id":"cherry-audio-sines-synthesizer-plug-in-serial-nr-download","title":"Cherry Audio Sines Synthesizer Plug-In (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eDangerous Curves Ahead\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSines is a sensational and innovative original polyphonic synthesizer. Employing four sine-wave oscillators, Sines utilizes diverse waveshaping methods to bend these pure waveforms into infinitely variable and complex shapes. When combined with its wide-ranging modulation capabilities and effects, users can create a distinctive array of unique timbres ranging from the sublime to sizzling.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/wje8u85t1uk\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe state-of-the-art Sines interface provides immediate hands-on access to all sound parameters. It comes alive with illuminated indicators, color, and mini oscilloscopes, providing instant visual feedback. The primary sound design controls are grouped horizontally in bands emphasizing its \"four of everything\" nature: four LFOs, four oscillators, and four envelope generators. At the core of each section are the unique sine-wave oscillator waveshaping controls: feedback, phase, width, shape, wavefold, and drive, along with a sub (octave-down) oscillator and a super (octave-up) oscillator. Phase modulation and ratio dials allow the oscillators to be configured in a modulator\/carrier arrangement for four-op DX\/FM-style synthesis.\u003c\/p\u003e\n\u003cp\u003eBut these dangerous curves are just the beginning. Sines features Cherry Audio's most extensive multimode filter to date, four LFOs with 14 wave shapes, four envelope generators, an arpeggio, a \"best of\" selection of Cherry Audio's finest acclaimed effects, a drift function, and an integrated eight-band graphic EQ. Many controls include an adjacent mod source button, and an outrageously comprehensive four-slot mod matrix provides considerable modulation options for nearly every Sines parameter.\u003c\/p\u003e\n\u003cp\u003eLast but not least, Sines boasts all of the exceptional touches Cherry Audio is known for, including polyphonic aftertouch, MIDI Polyphonic Expression (MPE), flexible MIDI mapping, and its industry-leading preset browser with 700 presets. Also included are Cherry Audio's studio-quality effects such as distortion, chorus, phaser, delay, and reverb, all fully modulatable through the mod matrix. Altogether, Sines is the complete package for new frontiers in sound design and performance.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/a_n_awi5ad0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSines features:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFour independent sine waveform oscillators, with waveshaping controls to bend the pure waveforms into other standard waves (sawtooth, square, pulse, triangle) and more complex and novel shapes\u003c\/li\u003e\n\u003cli\u003eSix waveshaper controls: feedback, phase, width, shape, wavefold, and drive, each with modulation source assignments available\u003c\/li\u003e\n\u003cli\u003eSub (octave-down sine wave) oscillator and a super oscillator (octave-up sine wave) for each oscillator\u003c\/li\u003e\n\u003cli\u003eOscillator utility function to copy\/paste, randomize, or reset any oscillator settings\u003c\/li\u003e\n\u003cli\u003eGlide (portamento) and keyboard (pitch) controls independently enabled for each oscillator\u003c\/li\u003e\n\u003cli\u003eUp to 16-voice polyphony\u003c\/li\u003e\n\u003cli\u003ePolyphonic (two modes), chord memory, single voice, and unison with unison detune\u003c\/li\u003e\n\u003cli\u003eResonant multimode filter with 6, 12, 18 or 24 dB\/oct lowpass, highpass, bandpass, or notch modes\u003c\/li\u003e\n\u003cli\u003eFour tempo-syncable LFOs with 14 waveforms: sine, triangle, sawtooth, sawtooth, exponential sawtooth, logarithmic sawtooth, three-step sawtooth, four-step ramp, exponential ramp, logarithmic ramp, three-step ramp, and four-step square random\u003c\/li\u003e\n\u003cli\u003eADSR filter and amplifier envelope generators with velocity controls\u003c\/li\u003e\n\u003cli\u003eTwo additional auxiliary envelope generators usable as mod sources\u003c\/li\u003e\n\u003cli\u003eFour-slot mod matrix allows modulation of nearly every parameter in Sines\u003c\/li\u003e\n\u003cli\u003eArpeggiator with tempo sync\u003c\/li\u003e\n\u003cli\u003eFour fully modulatable effects sections: multiple distortion and sample-crushing options; mod FX with phaser, chorus, flanger, or rotary speaker; delay with stereo, ping-pong, or tape delay modes; five reverb effects, including our acclaimed \"Galactic\" algorithm\u003c\/li\u003e\n\u003cli\u003eDrift controls that optionally apply variation to oscillators and filter frequencies to add authentic analog character\u003c\/li\u003e\n\u003cli\u003eEight-band graphic EQ\u003c\/li\u003e\n\u003cli\u003eChannel pressure and polyphonic aftertouch as a polyphonic modulation source\u003c\/li\u003e\n\u003cli\u003eSupport for MIDI Polyphonic Expression (MPE) -- Pitch, Channel Pressure, and Timbre -- making Sines capable of more organic and expressive performances when using MPE-compatible controllers\u003c\/li\u003e\n\u003cli\u003eCherry Audio's popular Focus zoom-in feature, as well as standard UI zoom and resize with drag\u003c\/li\u003e\n\u003cli\u003e700 presets created by a talented and diverse group of sound design veterans\u003c\/li\u003e\n\u003cli\u003eComplete MIDI control and DAW automation for all controls, with easy-to-use MIDI learn\u003c\/li\u003e\n\u003cli\u003ePreset and Global level MIDI mapping\u003c\/li\u003e\n\u003cli\u003eHighly optimized coding for optimal performance with ultra-low CPU load\u003c\/li\u003e\n\u003cli\u003eUser-adjustable oversampling control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSines is available in AU, VST, VST3, AAX, and standalone formats.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA free 30-day demo of Sines is available.\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThis demo will play white noise periodically, but is otherwise unlimited.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003emacOS Requirements:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emacOS 10.13 or above. macOS 13 Ventura Beta supported. 64-bit required. Native Apple M1 processor support. 3.4 GHz Quad-Core or M1 CPU with 8GB of RAM recommended.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWindows Requirements:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eWindows 7 or above (including Windows 11), 64-bit required. 3.4 GHz Quad-Core computer with 8GB of RAM recommended.\u003c\/p\u003e\n\u003cp\u003eNOTE: Internet connection required for product activation.\u003c\/p\u003e","brand":"Cherry Audio","offers":[{"title":"Default Title","offer_id":40364842025029,"sku":"1316-1038","price":74.85,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/cherry-audio-sines.jpg?v=1756464912"},{"product_id":"flux-audio-engineering-evo-channel-strip-plug-in-serial-nr-download","title":"Flux Audio Engineering EVO Channel Strip Plug-In (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"et_pb_module et_pb_text et_pb_text_0  et_pb_text_align_left et_pb_bg_layout_light\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"et_pb_text_inner\" data-mce-fragment=\"1\"\u003e\n\u003ch1 data-mce-fragment=\"1\"\u003eThe Ultimate Channel Strip Redefined\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"et_pb_module et_pb_text et_pb_text_1  et_pb_text_align_left et_pb_bg_layout_light\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"et_pb_text_inner\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe essential element of all analog consoles is the Channel Strip and the philosophy behind it is to be able to be efficient, fast, and making things sound great already from the start. When we designed the EVO Channel we wanted it to be as efficient and as fast and hands-on as a channel is on a console, and in addition presenting the advantages with creative digital innovation in terms of workflow and sound, to in the end provide everything you need to stay in control of your sound!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGain\/Drive, Phase, Compressor, EQ, DeEsser, Expander, Transient\/Sustain Designer, Hands-on interface, Fast workflow, Adjustable signal flow, Stay in Control of Your sound!\u003c\/span\u003e\u003c\/p\u003e\n\u003ch1\u003eMultichannel, Dolby Atmos®, Ambisonics \u0026amp; High Resolution Support\u003c\/h1\u003e\n\u003cp\u003eEVO Channel is designed to support mixing and creation of multichannel surround and immersive audio content.\u003c\/p\u003e\n\u003cp\u003eDolby Atmos® with up to 10 channels and the AVID Pro Tools Dolby Atmos® 7.1.2 \/ 7.0.2 Track and Bus is supported.\u003c\/p\u003e\n\u003cp\u003eThird order Ambisonics with up to 16 channels and the AVID Pro Tools new bus and track formats for first, second and third order Ambisonics, for creating and manipulating Ambisonic audio and mixes, is supported.\u003c\/p\u003e\n\u003cp\u003eHigh Resolution DXD Audio with sampling rates up to 384 kHz is supported.\u003c\/p\u003e\n\u003cdiv class=\"et_pb_row et_pb_row_0\"\u003e\n\u003cdiv class=\"et_pb_column et_pb_column_4_4 et_pb_column_0  et_pb_css_mix_blend_mode_passthrough et-last-child\"\u003e\n\u003cdiv class=\"et_pb_module et_pb_text et_pb_text_1  et_pb_text_align_left et_pb_bg_layout_light\"\u003e\n\u003cdiv class=\"et_pb_text_inner\"\u003e\n\u003ch2\u003eOS Compatibility\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWindows 10 – 64bit and latest\u003c\/li\u003e\n\u003cli\u003eMacOS 10.12.6 Sierra and latest\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"et_pb_module et_pb_text et_pb_text_2  et_pb_text_align_left et_pb_bg_layout_light\"\u003e\n\u003cdiv class=\"et_pb_text_inner\"\u003e\n\u003ch2\u003eHardware Specification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eUSB displays are not supported.\u003c\/li\u003e\n\u003cli\u003eWindows: A graphic card fully supporting OpenGL 2.0 is required. If your computer has an ATi or NVidia graphics card, please assure the latest graphic drivers from the ATi or NVidia website are installed.\u003c\/li\u003e\n\u003cli\u003eMac OS X : Mac Pro 1.1 \u0026amp; Mac Pro 2.1 are not supported.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"et_pb_module et_pb_text et_pb_text_3  et_pb_text_align_left et_pb_bg_layout_light\"\u003e\n\u003cdiv class=\"et_pb_text_inner\"\u003e\n\u003ch2\u003eSoftware license requirements\u003c\/h2\u003e\n\u003cp\u003eIn order to use the software, an iLok.com user account is required (the iLok USB Smart Key is not required).\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eVS3 license not included in Flux:: standard license. Additional VS3 license for Pyramix \u0026amp; Ovation Native\/MassCore 32\/64 bit versions available from Merging Technologies:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.merging.com\/sales\" target=\"_blank\"\u003ehttp:\/\/www.merging.com\/sales\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"et_pb_row et_pb_row_1\"\u003e\n\u003cdiv class=\"et_pb_column et_pb_column_4_4 et_pb_column_1  et_pb_css_mix_blend_mode_passthrough et-last-child\"\u003e\n\u003cdiv class=\"et_pb_module et_pb_code et_pb_code_0\" id=\"specification_tab\"\u003e\n\u003cdiv class=\"et_pb_code_inner\"\u003e\n\u003cdiv class=\"jtrt_table_MotherShipContainer\"\u003e\n\u003cdiv id=\"jtHeaderHolder-14257\"\u003e\n\u003ch3\u003ePlugins formats \u0026amp; Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.flux.audio\/plugin-specifications\/\"\u003eVisit the Flux Audio Engineering website for up-to-date specs and requirements\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Flux Software Engineering","offers":[{"title":"Default Title","offer_id":43655551189281,"sku":"1379-1006","price":215.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/flux-evo-channel-ui.jpg?v=1756464950"},{"product_id":"flux-software-engineering-ircam-hear-binaural-encoding-monitoring-tool","title":"Flux Software Engineering Ircam HEar Binaural Encoding Monitoring Tool (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1 data-mce-fragment=\"1\"\u003eBinaural Encoding Tool\u003c\/h1\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIrcam HEar provides faithful reproduction of a stereo mix or a full surround mix with up to 16 channels, supporting Dolby Atmos\u003csup data-mce-fragment=\"1\"\u003e®\u003c\/sup\u003e with a pair of conventional stereo headphones. It relies on proven technology to model the various phenomena that occur when playing back audio material through a loudspeaker system.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eIrcam HEar v3\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eFaithful binaural reproduction of a stereo mix or a full surround mix with up to ten channels, supporting Dolby Atmos\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ewith a pair of conventional stereo headphones.\u003c\/p\u003e\n\u003ch4 class=\"et_pb_module_header\"\u003e\u003cspan\u003eAll Features\u003c\/span\u003e\u003c\/h4\u003e\n\u003cdiv class=\"et_pb_blurb_description\"\u003e\n\u003cul\u003e\n\u003cli\u003eUp to 16 channels processing (Channel Based Virtualization) with support for Dolby Atmos\u003csup\u003e®\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003cli\u003ePro Tools HD 7.1.2 \u0026amp; 7.0.2 Dolby Atmos\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eBus Support\u003c\/li\u003e\n\u003cli\u003eSpace Presets, presenting a range of spaces with subtly different colorations\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"et_pb_module et_pb_text et_pb_text_3  et_pb_text_align_left et_pb_bg_layout_light\"\u003e\n\u003cdiv class=\"et_pb_text_inner\"\u003e\n\u003ch2\u003eBinaural technology\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"et_pb_module et_pb_text et_pb_text_4  et_pb_text_align_left et_pb_bg_layout_light\"\u003e\n\u003cdiv class=\"et_pb_text_inner\"\u003e\n\u003cp\u003eBinaural technology encompasses methods for recording, processing, synthesizing and reproducing sound that are specifically designed to preserve tridimensional localization properties.\u003c\/p\u003e\n\u003cp\u003eIn order to mimic the impression of a sound originating from a given incidence, it is sufficient to filter a mono signal, which on its own lacks any kind of spatial information, with both left and right HRTF filters. This constitutes the foundation of binaural synthesis.\u003c\/p\u003e\n\u003cp\u003ePlease note that the resulting signal is only meant to be listened to with headphones, and isn’t designed for a conventional stereo loudspeaker setup.\u003c\/p\u003e\n\u003cdiv class=\"et_pb_module et_pb_text et_pb_text_5  et_pb_text_align_left et_pb_bg_layout_light\"\u003e\n\u003cdiv class=\"et_pb_text_inner\"\u003e\n\u003ch2\u003eSignal Routing and Speaker setup\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"et_pb_module et_pb_text et_pb_text_6  et_pb_text_align_left et_pb_bg_layout_light\"\u003e\n\u003cdiv class=\"et_pb_text_inner\"\u003e\n\u003cp\u003eA routing Matrix provides an overview of the mapping between the plugin’s inputs from the DAW track to the virtual speaker internal outputs, and a Speaker Mode specifying which virtual speaker configuration that should be emulated.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.flux.audio\/plugin-specifications\/\"\u003eCheck up to date specifications and requirements\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Flux Software Engineering","offers":[{"title":"Default Title","offer_id":43655580025121,"sku":"1379-1008","price":135.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/iram-hear-v3-box.jpg?v=1756464950"},{"product_id":"flux-software-engineering-alchemist-ultimate-dynamics-processing-tool-serial-nr-download","title":"Flux Software Engineering Alchemist Ultimate Dynamics Processing Tool (Serial Nr + Download)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1 data-mce-fragment=\"1\"\u003eMaster Your Mix With Alchemist!\u003c\/h1\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlchemist is the ultimate dynamic processing tool providing full control over the processing. For simple compression tasks, more advanced de-expansion, and emulating classic analog compression, to recovering transients from an overly compressed mix, all the way to heavy parallel multi-band compression with up to 5 bands.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eChallenging dynamics in your mix or mastering projects, restoration of complicated dynamics, professional mastering and re-mastering, five bands with a complete dynamics processing section.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/-Vn5s419rp4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeatures\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFive bands, each providing a full dynamics section with; Compressor, De-Compressor, Expander, De-Expander, the BitterSweet Transient Designer and M\/S Width Control\u003c\/li\u003e\n\u003cli\u003eInfinite Impulse Response (IIR) crossovers with selectable slopes from 18 dB\/oct to 54 dB\/oct\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eInput\/Output gain controls for adjusting the levels before and after processing\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGenerous -\/+ 48 dB input\/output gain range\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePhase invert of the processed signal\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDry\/wet control offering true parallel dynamics processing\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDiscrete peak-limiter rounding peaks off in a smooth and musically fashion\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTrue bypass control routing the incoming signal direct to the output for a smooth transition between clean and processed signal\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e","brand":"Flux Software Engineering","offers":[{"title":"Default Title","offer_id":43655614005537,"sku":"1379-1002","price":273.45,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/products\/Flux-alchemist-V3-Box.jpg?v=1756464950"}],"url":"https:\/\/koalaaudio.com.au\/collections\/software.oembed?page=25","provider":"Koala Audio","version":"1.0","type":"link"}