{"product_id":"art-pro-channel-mkiii","title":"Art Pro Channel MKIII","description":"\u003cdiv class=\"page\" title=\"Page 5\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eART Pro Channel III\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a mono tube channel strip with two selectable microphone impedances, two compression voicings, a 4-band semi-parametric EQ, and an astounding 12Hz–100kHz frequency response. Designed for home recording musicians looking to get studio-quality tones and real tube warmth without breaking the bank, the ART Pro Channel III has become a smash hit here at Sweetwater, and we’re sure you’ll love it as well.\u003c\/p\u003e\n\u003cp\u003e\u003cimg decoding=\"async\" class=\"wp-image-8569 aligncenter\" src=\"https:\/\/sound-music.com\/wp-content\/uploads\/2024\/08\/ARTP_ProChannel-III-front.jpg\" alt=\"\" width=\"1126\" height=\"209\"\u003e\u003c\/p\u003e\n\u003ch3\u003eConvenient mic and instrument preamp\u003c\/h3\u003e\n\u003cp\u003eThe Pro Channel III starts with a discrete FET input stage, up to 60dB of preamp gain, switchable mic impedances, and a variable low-cut filter from 10Hz to 250Hz. You’ll also get a hi-Z 1\/4-inch front-panel input that overrides the rear-panel XLR input, making it handy to switch back and forth between mic and line-level signals for direct recording.\u003c\/p\u003e\n\u003cp\u003e\u003cimg decoding=\"async\" class=\"alignleft wp-image-8566 lazyloaded\" data-src=\"https:\/\/sound-music.com\/wp-content\/uploads\/2024\/08\/ARTP_PROCHANNELIII-compressor-e1723513419843.png\" alt=\"\" width=\"450\" height=\"353\" src=\"https:\/\/sound-music.com\/wp-content\/uploads\/2024\/08\/ARTP_PROCHANNELIII-compressor-e1723513419843.png\"\u003e\u003c\/p\u003e\n\u003ch3\u003eOpto or FET at the press of a button\u003c\/h3\u003e\n\u003cp\u003eNext, you can press the Voice button to switch between smooth tube\/opto-style compression and its punchy FET compressor cousin. Both compressors can be shaped with variable Threshold, Ratio, Attack, and Release controls. Additionally, the compressor can be placed before or after the EQ section in your signal chain for your preferred style of tracking.\u003c\/p\u003e\n\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003ch3\u003eHighly flexible 4-band parametric EQ\u003c\/h3\u003e\n\u003cp\u003eFinally, the ART Pro Channel III’s EQ section features a switchable low-shelf frequency, variable low-mid and high-mid frequencies with over four octaves per band, and a 12kHz high shelf. Also, the EQ (and the compressor) have independent bypass so that you can dial in your sounds. Add it all up, and you have some serious tone-shaping capabilities that can work with any voice or instrument.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 18\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eClass A FET Input Microphone Preamp\u003c\/li\u003e\n\u003cli\u003eHand selected 12AT7 Tube\u003c\/li\u003e\n\u003cli\u003eSelectable Microphone Impedance\u003c\/li\u003e\n\u003cli\u003e1\/4” High Z Input on Front Panel\u003c\/li\u003e\n\u003cli\u003eCompressor and EQ Sections with Switchable Order and Independent Bypass\u003c\/li\u003e\n\u003cli\u003eTube\/Opto and FET Compressor Voicings\u003c\/li\u003e\n\u003cli\u003e4-Band Semi-Parametric EQ and Variable Low Cut Filter\u003c\/li\u003e\n\u003cli\u003eInsert Point after Preamp Stage\u003c\/li\u003e\n\u003cli\u003e+4 dBu or -10 dBv Operation\u003c\/li\u003e\n\u003cli\u003eUniversal Internal Power Supply\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cimg decoding=\"async\" class=\"alignnone wp-image-8564 lazyloaded\" data-src=\"https:\/\/sound-music.com\/wp-content\/uploads\/2024\/08\/ARTP_PROCHANNELIII-rear.png\" alt=\"\" width=\"646\" height=\"353\" src=\"https:\/\/sound-music.com\/wp-content\/uploads\/2024\/08\/ARTP_PROCHANNELIII-rear.png\"\u003e\u003c\/p\u003e\n\u003ch3\u003eTech Specs\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e 12 Hz to 100 kHz (+0, -1 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDynamic Range\u003c\/td\u003e\n\u003ctd\u003e \u0026gt;110 dB A-Weighted\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCMRR\u003c\/td\u003e\n\u003ctd\u003e \u0026gt;90 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTHD\u003c\/td\u003e\n\u003ctd\u003e \u0026lt;0.009% (Typical @ 1k)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEquivalent Input Noise\u003c\/td\u003e\n\u003ctd\u003e -128 dBu (Mic \/ Line)  -109 dBu (Instrument)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Insert Input Level\u003c\/td\u003e\n\u003ctd\u003e +22 dBu (+4 dBu Mode)\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e +13 dBu (-10 dBV Mode) Balanced\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Instrument Input\u003c\/td\u003e\n\u003ctd\u003e +23 dBu (+4 dBu Mode) +14 dBu (-10 dBV mode) Unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Impedance\u003c\/td\u003e\n\u003ctd\u003e 600Ω \/ 47 kΩ (XLR) \u0026gt;800 kΩ (Instrument) 7.5 kΩ (Insert)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Output Level)\u003c\/td\u003e\n\u003ctd\u003e +26 dBu (Balanced), +20 dBu (Unbalanced)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Impedance\u003c\/td\u003e\n\u003ctd\u003e \u0026lt; 47Ω (XLR)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Gain\u003c\/td\u003e\n\u003ctd\u003e 40 dB Variable Input Gain 20 dB Switchable Boost\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e15 dB Variable Output Gain\u003c\/p\u003e\n\u003cp\u003e+75 dB Total\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLow Cut Filter\u003c\/td\u003e\n\u003ctd\u003e 10 Hz – 250 Hz (Single Pole)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCompressor Attack\u003c\/td\u003e\n\u003ctd\u003e 0.25 ms – 100 ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCompressor Release\u003c\/td\u003e\n\u003ctd\u003e 0.1 s – 3 s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCompressor Ratio\u003c\/td\u003e\n\u003ctd\u003e 1.25:1 – 20:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLow Cut Filter\u003c\/td\u003e\n\u003ctd\u003e 10 Hz – 250 Hz (Single Pole)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eParametric EQ\u003c\/td\u003e\n\u003ctd\u003e 40 Hz \/ 120 Hz (Low) 20 Hz – 2 kHz (Lo-Mid)\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e200 Hz – 20 kHz (Hi-Mid)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower Requirements\u003c\/td\u003e\n\u003ctd\u003e 100 – 240 V 50 Hz \/ 60 Hz 25 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions  (HWD)\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e 8.9 cm x 48.3 cm x 23.3 cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e 4.76 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ART","offers":[{"title":"Default Title","offer_id":53047315857697,"sku":"ARTP_PROCHANNELIII","price":1049.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0044\/1502\/9317\/files\/ARTP_PROCHANNELIII-angle-e1723515558773.png?v=1784507865","url":"https:\/\/koalaaudio.com.au\/products\/art-pro-channel-mkiii","provider":"Koala Audio","version":"1.0","type":"link"}