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Restyle Productions VA-1000 (Digital Download)


Welcome to VA-1000: Virtual Analog Synthesizer that blends classic subtractive workflow with modern power. From huge Ultrasaw stacks and hard-sync leads to liquid filter FM and lush, ducked reverbs, VA-1000 delivers fast, one-page sound design with a “finished” mix tone straight out of the box.

Features

• Ultrasaw powerhouse
Dedicated multi-saw oscillator inspired by classic Supersaw/Hypersaw designs with up to 9 detuned voices for instant width and weight. (7-voice mode echoes JP-style behavior.)
• Dual-osc core + extras
Saw, Pulse (with PWM), Sub (multiple shapes), Noise, and independent semitone tuning per source for stacked intervals and thick layers.
• Unison that scales

Personal license includes:
Windows | VST3
MacOS | VST3 & AU
Factory Presets
User Manual

Oscillators & Mixer
SAW LEVEL / TUNE: Primary harmonic source; tune ±24 st for intervals or octave lifts.
PULSE LEVEL / TUNE / PULSE WIDTH / PWM RATE / PWM DEPTH: From hollow squares to animated PWM shimmer.
SUB LEVEL / TUNE / WAVEFORM: -1 oct and -2 oct pulses (various duties), plus Sine/Triangle for clean low-end.
NOISE LEVEL / NOISE COLOR: Mix broadband noise and tilt its spectrum from warm to bright for hits, wind, or top-end fizz.
ULTRASAW LEVEL / VOICES / SPREAD / MIX: Stack up to 9 saws, set spread and wet/dry blend for everything from silky pads to festival leads.
UNISON VOICES / DETUNE / DETUNE MIX: Duplicate the whole oscillator stack (up to 9×) and spread it wide.
Sync, Ring & Cross-Mod
OSC SYNC: Hard-sync routes (Pulse>Saw, Saw>Pulse, etc.) and FM variants for aggressive harmonics.
RING MOD + SOURCE: Choose pairs (e.g., Saw×Pulse, Sub×Noise) for metallic AM tones.
Filter & Drive
FILTER TYPE: LP Clean 12; LP Roland 24; LP Moog 24; HP SVF 12; BP SVF 12; Peak; Notch; LP FM 12; LP Acid 24.
CUTOFF / RESONANCE: From mellow sweeps to near self-oscillation.
DRIVE: 0–100 % analog-style saturation; Pre/Post position switch. In LP FM 12, low Drive also boosts FM depth.
KEY TRACK: Roland-style exponential tracking for consistent brightness across the keyboard.
HPF CUTOFF: Jupiter-8-style 6 dB/oct high-pass for sub cleanup or thin, cutting leads.
Envelopes
AMP ADSR, FILTER ADSR (with Env Amount), PITCH ADSR (–48…+48 st) with Pitch Destination (All/Saw/Pulse/U-Saw/Sub) for per-osc tricks.
Modulation
LFO WAVEFORM: Sine, Triangle, Square, Saw Up/Down, Random, S&H, Triple Peak.
LFO DESTINATION: Filter, Pitch (All/Per-osc), Pan, Ultrasaw Spread, Amp, HPF, Resonance, Drive, Pulse Width, PWM Rate/Depth, FM Amount, Noise Color, Pitch Env Depth.
LFO RATE / DEPTH / SYNC (4/1…1/64T) / FADE (–5…+5 s): Dial evolving movement that breathes in over time; sync divisions cover dotted and triplet feels.
MOD WHEEL LFO: Always-triangle, shares rate with LFO 1, adds independent depth on top for expressive vibrato and sweeps.
Arpeggiator & Chord Memory
ARP TYPE: Up/Down/Up&Down, 2-oct variants, and wrapped patterns (W3–W6).
ARP STEP: 1/4…1/16 with dotted/triplet options.
ARP GATE: 1–100 % (default 80 % for tight, musical lines).
CHORD MEMORY: 24 chord types from octaves and power stacks to extended voicings.
Effects
CHORUS MODE: CE3 (rack style warmth), JP8 (vintage synth ensemble), AJ2-S (opposite-phase), AJ2-M (matched-phase). Controls: Rate, Depth, Mix, Tone.
DELAY: Time (1–2000 ms), Feedback, Tone (500–20 kHz), Mix, plus tempo-sync divisions; feedback path features JP-style L↔R ping-pong cross-feed for motion.
REVERB: Pre-Delay, Decay, Damping, Mix, and Reverb Ducking (Amount/Time) for clear, modern spaces that bloom between notes.
Performance & Global
VOICE MODE: Mono/Poly with portamento (Always/Legato).
TRANSPOSE / PB RANGE: Set key and bend span (0–24 st).
VCF VELOCITY / VELOCITY SENS: Dynamic brightness and amplitude response.
BASS / TREBLE: JP-style shelves at 120 Hz and 3.5 kHz to seat the patch in a mix.
STEREO WIDTH: 0–200 % from mono-tight to ultra-wide.
MASTER VOLUME: Headroom-friendly default for big stacks + FX.
BONUS: VA-1000 FX (included)
An effect-only edition that processes external audio with VA-1000’s filter, drive (Pre/Post), HPF, Chorus/Delay/Reverb, LFO mods, Unison/Ultrasaw, tone controls, and stereo width — perfect on synths, drums, vocals, or full buses. (UI shows synth controls for preset compatibility, but oscillators/voices aren’t active in FX mode.)


Oscillator unison up to 9 voices with wide detune range (to 700 cents) and blend control, from silky ensemble to power-chord swarms.
• Multimode analog-style filter + Drive
Nine filter types including Roland-24dB, Moog-24dB, SVF 12 dB (LP/HP/BP), Peak, Notch, LP Acid 24, and the unique LP FM 12 audio-rate mode. Drive can be placed Pre or Post filter for rounded warmth or edgy bite; in LP FM 12, low Drive values also increase FM depth for dramatic timbre.
• LFO with performance tricks
Eight waveforms (incl. S&H and Nord-inspired Triple Peak), tempo sync, fade-in/out, and a second triangle LFO on the mod-wheel that layers on top of LFO 1 for expressive playing.
• Deep destinations
Route LFO to Filter, Pan, Amp, HPF, Resonance, Drive, Ultrasaw Spread, per-oscillator pitch, plus FM Amount, Noise Color, and Pitch Env Depth for animated textures.
• Three envelopes incl. Pitch
Amp, Filter, and Pitch envelopes with wide ranges and per-oscillator pitch targeting for classic thwack, risers, kicks, and zaps.
• Built-in studio FX
Four-mode Chorus (CE3, JP8, AJ2-S, AJ2-M), Character Delay with tone shaping and JP-style ping-pong cross-feed, and a Lexicon-inspired Reverb with ducking to keep the dry signal front-and-center.
• Performance & playability
Chord Memory (24 types), SH-101-style arpeggiator (triplets/dotted divisions, 80 % default gate), portamento (legato/always), key-tracked filter, stereo width up to 200 %, bass/treble output EQ, and more.

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