Antelope Galaxy 64 Synergy Audio interface 64 Channel AD/DA/Danta/MAdi HDX with MRC Remote

• 64 analog input channels over 8 D-Sub 25 connectors with AC/DC coupling switch (TASCAM standard)
• 64 analog output channels over 8 DC-coupled D-Sub 25 connectors (TASCAM standard)
• Dante™ audio over IP with primary/secondary port for audio transfer over long distances
• Four HDX ports (24-bit, 192kHz): up to 128 channels I/O for Pro Tools HD / HDX integration
• Two Thunderbolt™ 3 ports with custom macOS & Windows drivers for native DAW application
• Digital I/O: 64 channels of optical MADI, 2 channels over AES/EBU, and 2 channels over S/PDIF

• Proprietary 64-bit Acoustically Focused Clocking technology for increased width, separation, and detail in musical performances
• Proprietary Jitter Management algorithm delivering truthful and expanded soundstage
• High-resolution A/D and D/A conversion ensuring artefact-free recordings and mastering-grade converter with 130dB headroom for critical listening without coloration or signal degradation

• Collection of 36 analog-modeled effects featuring classic as well as rare compressors, EQs, mic preamps and pedals
• 12×DSP, 2×FPGA Synergy Core proprietary onboard real-time plugin processing platform
• Up to 256 plugin instances per session loaded simultaneously on 64 individual virtual racks

• Advanced digital routing matrix that allows execution of complicated input/output routing with a simple drag and drop functionality
• 8 low latency hardware-accelerated 32-channel mixers that can be split into individual cue mixes and sub-mixes while applying pan, reverb, other plugins and stereo link
• Customizable presets complete with signal routing, level adjustments, mixer settings and sub-mixes
• Direct monitoring with plugins, processed in real-time with imperceptible latency
• Intuitive touchscreen interface with recallable hardware-based presets
  
• Daisy chain over Thunderbolt™ 3 & remote control over USB Type-C
• Option to work without being connected to a computer (standalone operation)
• Wireless control of software features from a separate computer connected to the same network

VEQ-55A (3-Band EQ / HPF / LPF)

VEQ-4K BLACK (4-Band EQ / HPF / LPF)

VEQ-4K BROWN (4-Band EQ / HPF / LPF)

VEQ-4K ORANGE (4-Band EQ / HPF / LPF)

VEQ-4K PINK (4-Band EQ / HPF / LPF)

VEQ-HA32C (4-Band EQ / HPF / LPF)

VEQ-STU 900 (4-Band EQ / HPF / LPF)

NEU-W492 (4-Band EQ)

VMEQ-5 (3-Band Tube Mid-Range EQ )

BAE-1084 (3-Band EQ / HPF / LPF)

VEQ-STU 089 (3-Band EQ / HPF / LPF)

BAE-1023 (3-Band EQ / HPF)

VEQ-1A (2-Band Tube EQ)

VEQ-HLF (Tube 2-Band HPF / LPF)

VEQ-STU 169 (3-Band EQ / HPF)

NEU-PEV (3-Band EQ)

NEU-W495 (3-Band EQ)

Clear Q (Parametric EQ)

VCA160 (VCA Compressor / Limiter)

X903 (VCA Compressor / Limiter)

ALT-436C (Vari-Mu Tube Compressor Amplifier)

Tube 176 (Vari-Mu Tube Compressor / Limiter)

Stay-Levin (Vari-Mu Tube Compressor)

SMT-100A (Tube Leveling Amplifier / Limiter)

FET-A78 (FET Compress Stereo Peak Limiter)

FET-A76 (FET Compressor / Limiting Amplifier)

BAE 10DCF (Compressor / Limiter)

PowerEX (Expander)

PowerFFC (Feed-Forward Compressor)

PowerGate (Noise Gate)

BA-31 (Germanium Mic Preamp)

Gyraf Gyratec IX (Dual Tube Mic Preamp with HPF)

Marble White AutoWah (Auto-Wah Pedal)

Vari-Speed Tremolo (Tremolo)

Auraverb (Reverb)

Master De-Esser (De-Esser)