Crystalline is a state-of-the-art algorithmic reverb with a pristine and modern sound. It hosts a wide range of creative features to give you unprecedented control over your reflections. Crystalline Lets you sync reverb start and end times to your DAW’s BPM for a rhythmically defined sense of space..
A modern studio reverb
Crystalline is a new, state-of-the-art, reverb plugin with a lush and pristine sound
Gives you unprecedented creative control to shape the reverb space
Lets you sync reverb start and decay times to your song’s tempo
Crystalline lets you sync the reverb attack and decay time to your DAW’s tempo. This will generally result in cleaner mixes where the envelope of the reflections is naturally in sync with the music. Prefer the classic way? Just hit the “Sync/MS” switch and Crystalline lets you set pre-delay and decay times in milliseconds instead.
✱ Reflections Section: ”Size” lets you set the room size from tiny to large. This control is detached from the “Length” control, meaning you can get any size/length combination you want, including esoteric settings like huge spaces with very short tails or tiny spaces with very long tails. “Sparkle” emphasizes high frequencies inside the reverb algorithm. This generates reflections that are naturally brighter, which will help you achieve that extra shine on vocals or snares.”Width” lets you set the stereo image of the reverb from mono to wide – and even further to extra wide.
✱ Depth Section: “Resolution” sets the complexity of the algorithm from ‘basic’ to ‘pristine’. More complex settings will give you an ultra-clean reverb response, free of metallic artifacts – while the ‘Basic’ setting will give you an efficient CPU performance at a normal fidelity. ”Modulation” creates pitch variations inside the reverb algorithm. This results in a richer sound that works especially well to fatten up synths, guitars and vocals. “Shimmer” makes the high frequencies of the reverb tail decay slower than the rest of the spectrum, giving the reflections an ‘angelic halo’ effect. You can set the frequency cutoff point as well as the multiplier effect, which controls how much longer it takes for the higher frequencies to decay. Please note that if Shimmer is active, the high frequencies will decay later than your specified reverb “End Time” (either at 2x, 4x or 6x the length).
✱ Clean-Up Section: “Damping” is a dual filter control that lets you remove high and low frequency content from the reverb reflections. This control offers a fast way to get rid of clutter and muddiness in your mixes. “Sides” is a high-pass filter that removes stereo information from the low end of the reverb, while keeping the mono-information intact. This is especially helpful for creating wide vocal or lead instrument reflections without muddying-up your low end. “Gate” lets you instantly recreate the classic 1980s gated reverb sound. The gate offers ‘threshold’ and ‘release’ controls and makes it fast and intuitive to make your snares go “Phil Collins”.
✱ Shape Section: “Tone” is a tilt EQ that lets you quickly shift the frequency balance of the reverb to brighter or darker. “Smoothing” gradually applies an EQ-curve custom-designed to address the frequency areas that tend to get resonant and sharp. It mellows out harshness and gives Crystalline a more subtle feel. This allows you to add a little more reverb without drenching your mix. “Warp” helps you shape the reverb’s dynamic profile by warping the transient response. This feature is mostly useful on percussive material where it lets you shift the emphasis toward the attack or sustain part of a signal.
✱ Output Section: “Ducker” lowers the reverb signal when the dry/incoming track is playing. This gives you a cleaner mix, where you can turn up the reverb more without compromising the dry track. “Ducker Gentle” mode offers a slow and natural ducker setting, while the standard ducker mode has a more ‘pumpy’ feel. ”Reverse” reverses the reverb playback, giving you some radical sound design possibilities. “Freeze” is another creative effect that takes a granular snapshot of the reverb when clicked and holds this snapshot continuously until the button is un-clicked again. It can be a powerful effect for creating interesting transitions in a mix. “Dry/Wet” sets the global mix balance between the dry/incoming signal and the reverb signal. Clicking the “Wet Lock” button lets you browse presets while keeping your preferred wet/dry balance - for easier comparison.
✱ Top Panel: “Color” lets you change between light and dark background colors. “Eco Mode” lets you run Crystalline in a low-CPU mode by setting the resolution to “Basic” and disabling the shimmer effect. “Save As Default” lets you save your own default preset that will appear when the plugin initializes or you hit the reset button. “Reset” resets the plugin’s state to your default preset. “Tool Tips”gives you help texts explaining each plugin parameter during mouse hover-over.
✱ Resizability: Plugin window fully resizable (click+drag bottom right icon).
✱Plugin formats: VST, VST3, AU, AAX.
✱ Platforms supported: Mac OS 10.7 and up (including Native M1 Compatibility). PC Windows 7 and up.
✱DAWs supported: All major DAWs, including Ableton Live, Pro Tools, Logic Pro, FL Studio, Cubase, Nuendo, Studio One, Bitwig, Reaper, Reason etc.
The MOD Dwarf is a highly flexible audio and midi processing pedal. It is simple to use to set-up normal audio effects chains but a bit more thinking is involved adapting to the midi/cv system. I love that it is now fully open source with all system software free to view and contribute to. Mod Audio is currently working on a desktop version using the same software which will allow the best of both worlds, DAW integration and a portable live system.
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Lenco LS-300 Turntable with Two Separate Speakers & Bluetooth – Wood Russell Tedder
Poor and volume sound from speakers
The speakers are so poor in capacity of sound quality and sound that I them on max just listen to the music. I going to have to buy new speakers
I am happy with Orba 3 I will have to up grade my laptop as what I have is to old. I had a concern with the battery warnings on the outside of the box but after contacting Koala Audio I am OK and I will make sure I will dispose of Orba 3 if I finish with it and I won’t allow it to get too hot in the sun.