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Mixbus 10 Pro is a Digital Audio Workstation with a warm analog soul. Designed by artists and audio engineers, for artists and audio engineers, Mixbus 10 Pro features a comprehensive suite of production, editing, mixing, and performance tools essential for anyone who wants to make timeless music. For nearly half a century, Harrison has been helping the world’s leading artists and engineers to create some of the most iconic music in history. Now, with Mixbus 10, you can access Harrison's signature sound and workflow within a DAW.
Designed around Harrison's True Analog Mix Engine (TAME), Mixbus 10 is equipped with the iconic 4-band Harrison 32C Console EQ, complete with HP/LF filters, alongside fantastic-sounding compressors, and limiters. The 'knob-per-function' immediacy -developed from our deep understanding of analog consoles- ensures an intuitive and tactile mixing experience, enabling you to sculpt your sound with efficiency and control.
Mixbus 10 faithfully reproduces Harrison's tape saturation, bus compression, and tone control features across every bus, ensuring that productions retain the warmth, depth, and richness of Harrison's sound. The integration of Harrison's True Analog Mix Engine means that users not only benefit from the flexibility and convenience of a modern DAW but also access the timeless sonic character and proven workflow of Harrison's legendary consoles.
Mixbus is renowned for its ‘True Analog Mixing Engine’ knob-per-function mixer. Designed with a console workflow, Mixbus offers direct control over processing tools and sends on every channel. It features Harrison's legendary EQ, Compressor, Saturation, Panning, and Summing Engine, enabling you to mix tracks in-context as if you were working on an actual analog console.
Mixbus is equipped with studio-ready multitrack recording tools, smart editing features, intuitive arrangement tools, and clip launching with an inspiring collection of loops, samples, midi chords, and high-quality virtual instruments. It provides everything you need to create great sounding music swiftly, enhancing your creative workflow.
Mixbus features an open architecture that allows for extensive customization. You can always access your session files, and seamlessly open Harrison LiveTrax projects in Mixbus for further editing, mixing, and mastering. Additionally, Mixbus enables you to write your own scripts for advanced integration with your personal setup, the way you like it.
Mixbus is equipped with advanced tools that make your life easier and your tracks sound better. Effortlessly identify and optimize out-of-phase signals with the Polarity Optimizer Tool. Utilize the Loudness Analysis tool to ready your song for streaming platforms. Conveniently save Mixer Scenes to compare mix revisions, and refine your mix precisely with VCA faders, all included in Mixbus 10!
All 3 tiers of Mixbus will benefit from the addition of a ‘pre fader’ option on the 12 stereo Mixbus send knobs. When “pre” is engaged, the signal is picked-off directly before the Fader element in the signal flow. Any plugins before (above) the fader will be applied to the signal.
Every send has its own level control, and can follow the main fader’s pan, or can be assigned its own pan position.
Among other utilitarian tasks, the new pre-fader option allows you to recreate a popular mixing technique that was popular in 1970’s Nashville productions: you can build your mix balance on the reverb sends, and then bring in ‘just enough’ dry signal on the faders to give your mix that deep ambience you hear on early Country and R&B records.
Mixbus 10 Pro provides everything you need to publish a Dolby Atmos immersive mix to your music distribution service.
Monitor your mix on 7.1.4 speakers or simulate a surround mix in your regular headphones using Mixbus’s built-in binaural renderer.
The Immersive master bus provides extensive metering so you can meet your distributor’s loudness targets.
In addition to the world-renowned Harrison 32C EQ in every channel, you can now choose the SSL 9000J EQ, another storied equalizer that has been used on countless pop and rock hits for the last 3 decades.
You can independently select an EQ for every input channel. You might choose to utilize the SSL on your drum tracks, and the Harrison EQ on your vocals. Or vice versa ... whichever you choose! You can A/B the two equalizer settings to determine which works best for each of your tracks.
This gives you the flexibility of a plugin, but the benefit of a console workflow: you can mix ‘in context’ with other tracks, and skip all that time managing popup plugin windows.
