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Still working with an antiquated version of Melodyne? A pity, that, because it’s incapable of doing many things the latest version can. That’s why we’re making it dead easy for you to switch to the latest and best Melodyne:
Your update to Melodyne 5.
With Melodyne studio, you can work on an unlimited number of tracks – even with DNA Direct Note Access for polyphonic material.
Multitrack editing has one very important advantage: you can see and edit the notes of as many tracks as you like simultaneously. The harmonies, melodies and rhythms of your project can all be viewed in context. And you can reach into this plastic image of the music, select notes and modify them, regardless of which tracks they belong to.
This works not only in stand-alone mode but also in the plug-in. On all DAW tracks with the Melodyne studio plug-in inserted. Never before has the musical interplay of multiple tracks been as readily observed or intuitively edited.
Thanks to our patented DNA Direct Note Access technology, you can also edit polyphonic recordings and samples such as piano or guitar tracks – right down to the individual notes within chords – using Melodyne’s well-known tools. Turn a major chord into a minor one, a quiet third into a loud one, a chord into an arpeggio.
You can also, either manually or with the help of the chord track, adapt polyphonic recordings and samples to fit the chords of your current project following a simple, lightning-fast procedure. In this way, you can turn a short sample into an accompaniment running the entire length of the song in next to no time.
With the Sound Editor in Melodyne studio, you can edit the sound of your recordings – just like your music – in a more musical, detailed and inspiring way. From the subtle enhancement of envelopes and timbres to the manipulation of overtones, resynthesis and radical experiments in sound design.
Melodyne recognizes the notes and their overtones – also a decisive advantage when it comes to sound processing. While conventional equalizers only act upon fixed frequencies, Melodyne adapts to the audio material itself. Adjust the level of individual overtones within each track, shape the basic sound of each instrument, relate the timbre or envelope of each note to its pitch, bring out the character of each sound source.
The results are novel acoustically, often unique, invariably invigorating – yet the Sound Editor is intuitive and lends itself easily to creative use.
