The native UAD Dream '65 Reverb Amplifier plug - in gives you the essential American tube amp sounds used by artists and producers for more than 60 years, from Muddy Waters to The Beatles to Elvis Costello.
Based on our award - winning UAFX pedal, the Dream '65 plug - in perfectly captures the timeless sound and feel of a "golden unit" 1965 reverb amp, with its bold cleans, sweet tube breakup, and divine spring reverb and vibrato. Plus you'll get built - in boosts, famous amp mods, and a collection of perfectly m ic'd speaker cabs.
Experience Legit Tube Amp Tones in your DAW
The UAD Dream '65 plug - in perfectly captures a "golden unit" 1965 reverb combo amp, famously used on stages and in studios across six decades of hits — from pop, rock, and country to funk, soul and more. Based on the award - winning UAFX pedal, the plug - in gives you all the essen tial controls for getting incredible amp tone right inside your DAW.
Play Through Famous Spring Reverb & Vibrato
Tube - driven spring reverb and vibrato are essential to the guitar tones you've heard on nearly every classic record. From soul to surf, funk to punk, blues to bebop — UAD Dream ‘65 is the only plug - in that faithfully delivers the two most important guitar amp effects you need to craft immersive, inspiring guitar parts.
Get the Sound of a Modded Studio Amp
Take your vintage tone a step furthe r with custom mods and legendary drive sounds made famous by artists like Stevie Ray Vaughan and Steve Lukather. With two iconic mods and a clean boost built in, UAD Dream '65 offers even more variations of a classic amp – just like the pros used back in t he day.
Explore Classic Mic & Speaker Pairings
UAD Dream ‘65 gives you six classic speaker cabinet setups, with perfectly placed studio mics and dynamic room sounds.
Find Your Sound Fast with Expert Presets
Dial in classic tones fast with an expertly - curated collection of presets across musical genres. You can use thes e presets to start recording quickly, or dial in the perfect sound for your playing style.
