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VSL Synchron Percussion II (Standard Library)


The Beat Goes On

Continuing our search for percussive perfection, this collection adds a new arsenal of fine instruments to the Synchron Series and to your studio. While Percussion I covers the standard, most common orchestral percussion instruments, this collections takes it a step further. Expanding sonic horizons and your creative possibilities alike, it offers instruments like the mighty anvil, rainmakers, roto-toms, China gong, vibraphone, and many more. As with the first collection, the instruments were captured on our large “Stage A” using the same multi-microphone setup that makes their pristine sound production-ready straight out of the box as well as extremely flexible. From subtle to traditional to modern and processed, this collection delivers first-class percussion for any genre or soundscape.

Overview

  • Even more rhythmic and orchestral variety

  • Perfectly captured unique percussion instruments

  • Massive Hollywood-approved Synchron Stage ambience

  • Detailed and expressive articulations

  • Multi-mic setup for a variety of sound options

  • Creative FX presets

  • Production-ready sound, straight out of the box

All instruments include single strokes in many velocity layers and several round robins, rolls and effect articulations. For some instruments, rolls are available in two variants: “Static” rolls are recorded without changing dynamics and allow you to transition smoothly through velocity layers from pianissimo to fortissimo. “Dynamic” rolls were recorded with their dynamic changes (crescendos and diminuendos) performed over various lengths. You may release the key at any time – the individually adapted release samples will be triggered automatically. Included MIDI loops for taikos and timpani make it easy to create driving rhythms. Just pre-listen in the Synchron Player and drag them into your DAW.

Every instrument was recorded on the Hollywood-proven Stage A of our Vienna Synchron Stage. It features a reverb time of 1.6 to 1.8 seconds, and in contrast to other scoring stages, there is no masking effect on the low frequencies. All instruments sound punchy and warm, while at the same time providing excellent localization, both in depth and in the stereo panorama.

You may select from four microphone positions (Standard Library) and seven additional microphone positions (Full Library) and mix them to your liking, using the full-fledged mixer of the Vienna Synchron Player.

Each instrument comes with a variety of mixer presets that include traditional Decca Tree configurations with variations such as Close, Classical, Wide, Distant and Ambient, but also processed signals with algorithmic reverb, compression, delays and effects for “Low Boom”, “Power Timps”, “Far Away Echoes” and many more. “Surround to Stereo” feeds the surround and high surround mics to the stereo signal for a richer and wider sound. Also included are “Surround” presets for 5.1 applications and 3D audio setups such as Auro 3D and Dolby Atmos.

A handy feature of the Synchron Player lets you place each single drum (where available, such as timpani, taiko drums, roto toms) in the stereo panorama. Instead of automatically placing the entire setup, e.g., the five timpani, on its spot on stage, you can use the “Output Config” feature to route each close-miked drum to its own channel.

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